Comedy and Critique explores British professional stand-up comedy
in the wake of the Alternative Comedy movement of the late
twentieth century, seeing it as an extension of the politics of the
New Left: standing up for oneself as anti-racist, feminist and open
to a queering of self and social institutions. Daniel Smith
demonstrates that the comic sensibility pervading contemporary
humour is as much 'speaking truth to power' as it is realising
one's position 'in' power. The professionalisation of New Left
humour offers a challenge to social and cultural critique. Stand-up
comedy has made us all sociologists of self, identity and cultural
power while also resigning us to a place where a comic sensibility
becomes an acknowledgment of the necessity of social change.
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