Questions concerning music and its inextricably intertwined and
complex interface with time continue to fascinate musicians and
scholars. For performers, the primary perception of music is
arguably the way in which it unfolds in "real time." For composers
a work appears "whole and entire," with the presence of the score
having the potential to compress, and even eliminate, the
perception of time as "passing."
The paradoxical relationship between these two perspectives, and
the subtle mediations at the interface between them with which both
performers and composers engage, form the subject matter of this
collection of essays. The contributors address the temporal
significance of specific topics such as notation, tempo, meter, and
rhythm within broader contexts of performance, composition,
aesthetics, and philosophy. The aim is to present novel ideas about
music and time that provide particular insight into musical
practice and the world of artistic research.
Contributors: Bruce Brubaker, New England Conservatory; Pascal
Decroupet, University of Liege; Mark Delaere, Catholic University
of Leuven; Justin London, Carleton College; Ian Pace, University
College Falmouth
General
Imprint: |
Leuven University Press
|
Country of origin: |
Belgium |
Series: |
Collected Writings of the Orpheus Institute |
Release date: |
May 2009 |
First published: |
April 2009 |
Editors: |
Darla Crispin
|
Dimensions: |
239 x 150 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
198 |
ISBN-13: |
978-90-5867-735-8 |
Categories: |
Books
|
LSN: |
90-5867-735-4 |
Barcode: |
9789058677358 |
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