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The Cult of the Legislator in France 1750-1830 1997 - A Study in the Political Theology of the French Enlightenment (Hardcover)
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The Cult of the Legislator in France 1750-1830 1997 - A Study in the Political Theology of the French Enlightenment (Hardcover)
Series: Oxford University Studies in the Enlightenment, 352
Expected to ship within 12 - 17 working days
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Historians have long debated the nature of the relationships
between the Enlightenment and the French Revolution. This study
traces a cultural and doctrinal current from the intellectual
revolution of the seventeenth century to 1789, arguing that the
contribution of the philosophes to this current had a fundamental
bearing on the events of the revolutionary decade. How might a
state in decline reform, in not transform, its constitution? Two
generations of French philosophes struggled to answer this
question. Their conclusions took the form of a deistic political
theology, according to which comprehensive reform had to be the
work of an enlightened legislatior. The generation of 1789
inherited this outlook and set about enacting the reforms of their
philosophic forefathers. Important to this enterprise was the rich
variety of symbolic representations accompanying the theoretical
writings of eighteenth-century publicists and activists.
Enlightenment historiography, reflecting the reforming tendencies
in the writing of the philosophes, included multiple allusions to
the figure of the lawgiver in history, all the while looking for
improvement. By the 1770s such reform appeared both necessary and
imminent. Meanwhile, the various loci of enlightenment sociability
took in the air of the 'constitutional arena'. But the philosophes
also invested their movement with a variety of religious forms,
which complemented the logic of their political theology. Theirs
was indeed a cult of the legislator. These varied tendecies
crystallised during the early years of the Revolution. The author
shows how Frenchmen self-consciously imitated their historic role
models as they participated in revolutionary assemblies. A new
phase in history seemed to be dawning, one in which goodness would
reign supreme. As Hegel put it some decades later, it appeared as
if the heavens and the earth had been rejoined. Such sentiments
found a central place in Jacques-Louis David's Serment du Jeu de
Paume, commissioned in 1790 by the Paris Jacobin Club to hang in
the chambers of the National Assembly. In a novel interpretation of
David's project, the author demonstrates how his composition wove
the strands of the Enlightenment cult of the legislator into a
lively canvas in which future generations of French men and women
would be confronted with the providentially inspired founding act
of the new regime.
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