Rosalind Krauss is, without visible rival, the most influential
American art writer since Clement Greenberg. Together with her
colleagues at DEGREESIOctober DEGREESR, the journal she co-founded,
she has played a key role in the introduction of French theory into
the American art world. In the 1960s, though first a follower of
Greenberg, she was inspired by her readings of French structuralist
and post-structuralist materials, revolted against her mentor's
formalism, and developed a succession of radically original styles
of art history writing. Offering a complete survey of her career
and work, DEGREESIRosalind Krauss and American Philosophical Art
Criticism: From Formalism to Beyond Postmodernism DEGREESR
comprises the first book-length study of its subject.
Written in the lucid style of analytic philosophy, this
accessible commentary offers a consideration of her arguments as
well as discussions of alternative positions. Tracing Krauss's
development in this way provides the best method of understanding
the changing styles of American art criticism from the 1960s
through the present, and thus provides an invaluable source of
historical and aesthetic knowledge for artists and art scholars
alike.
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