Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare and the Rival Playwrights, 1600-1606 (Hardcover, New)
Loot Price: R4,077
Discovery Miles 40 770
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Shakespeare and the Rival Playwrights, 1600-1606 (Hardcover, New)
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In 1600, after a decade spent establishing himself as the most
popular and successful playwright of his generation, Shakespeare
found himself having to compete with new and younger writers. At
the same time he had to face the challenge of new theatres designed
for a better class of audience, which looked as though they might
cream off some of his most valued customers. Difficult as it may be
to believe that Shakespeare faced such commercial and artistic
pressures, common sense and hard historical fact tell us that he
did not work in isolation from the theatrical world in which he was
so spectacular a success. In "Shakespeare and the Rival
Playwrights" David Farley-Hills gives an interpretation of seven of
Shakespeare's plays from 1600 to 1606 in the light of pressures
exerted by his major stage rivals. He argues that Shakespeare
responded to the problem with a double strategy; attempting to
compete with the new fashions of the covered theatres with plays
such as "Troilus and Cressida", "All's Well That Ends Well", and
"Measure for Measure"; and rivalling the work of the open theatres
with the tragedies "Hamlet", "Othello", and "King Lear".
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