Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
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Cultivating Music - The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 (Hardcover)
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Cultivating Music - The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 (Hardcover)
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German and Austrian music of the late eighteenth and nineteenth
centuries stands at the heart of the Western musical canon. In this
innovative study of various cultural practices (such as music
journalism and scholarship, singing instruction, and concerts),
David Gramit examines how music became an important part of
middle-class identity. He investigates historical discourses around
such topics as the aesthetic debates over the social significance
of folk music, various comparisons of the musical practices of
ethnic "others" to the German "norm," and the establishment of the
concert as a privileged site of cultural activity.
"Cultivating Music" analyzes the ideologies of German musical
discourse during its formative period. Claiming music's importance
to both social well-being and individual development, proponents of
musical culture sought to secure the status of music as an art
integral to bourgeois life. They believed that "music" referred to
the autonomous musical work, meaningful in and of itself to those
cultivated to experience it properly. The social limits to that
cultivation ensured that boundaries of class, gender, and
educational attainment preserved the privileged status of music
despite (but also by means of) their claims for the "universality"
of their canon. Departing from the traditional focus on individual
musical works, Gramit considers the social history of the practice
of music in Austro-German culture. He examines the origins of the
privileged position of the Western canon in musicological
discourses and argues that we cannot fully understand the role that
canon has played without considering the interests that motivated
its creators.
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