In the fourth volume of his "Mask: A Release of Acting Resources"
David Griffiths investigates the use of mask in the Masquerade
traditions of West Africa, and specifically Nigeria. The author
persuasively argues in favour of a common language of mask
performance, and focuses particularly on the manner in which the
Nigerian dramatist Wole Soyinka explores the theatrical virtuosity
and vibrancy of mask in his plays, specifically his "root" play "A
Dance of the Forests." David Griffiths then presents his short
trilogy of plays, under the title "Touch," which he created to
explore the intricate subtleties of African mask in a manner
accessible to Western actors. "Touch" is based on Soyinka's play
and arguably needs that as a point of reference - but being
directed to read Soyinka is to everyone's benefit.
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