In his new collection of essays, "Occasional Desire," David
Lazar meditates on random violence and vanished phone booths, on
the excessive relationship to jewelry that links Kobe Bryant and
Elizabeth Taylor, on Hitchcock, Francis Bacon, and M. F. K. Fisher.
He explores, in his concentrically self-aware, amused, and ironic
voice, what it means to be occasionally aware that we are surviving
by our wits, and that our desires, ulterior or obvious, are what
keep us alive. Lazar also turns his attention on the essay itself,
affording us a three-dimensional look at the craft and the art of
reading and writing a literary form that maps the world as it
charts the peregrinations of the mind.
Lazar is especially interested in the trappings of memory, the
trapdoors of memory, the way we gild or codify, select, soften, and
self-delude ourselves based on our understanding of the past. His
own process of selection and reflection reminds us of how far this
literary form can take us, bound only by the limits of desire and
imagination.
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