The novels of Jane Austen are typified by their comedic power,
often most powerfully demonstrated by the singular voice of their
narrators. Yet what makes them arresting novels can also produce a
less than satisfactory transformation to the world of cinema, where
the voice of a narrator often becomes obtrusive. This work argues
that despite the difficulties in adapting Austen's writing for the
screen, there have been many successes. Each author examines
Austen's texts for their inherent cinematic features, analyzing the
use of these features in film versions of the novels.
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