"David Storey is a writer who genuinely extends the territory of
drama" (Guardian) The Contractor: "A subtle and poetic parable
about the nature and joy of skilled work, the meaning of community
and the effect of its loss" (Observer); Home: "about the solitude
and dislocation of madness and...the decline of Britain
itself...part of the play's appeal is that Storey leaves it to us
to draw our own conclusions...a play that contains within itself
the still, sad music of humanity." (Guardian); Stages: "...an elegy
for lost times and places, an obituary that has been
free-associated by the corpse-to-be...Storey once said that a play
'lives almost in the measure that it escapes and refuses
definition'. He has always been a writer who hints rather than
states, let alone hectors." (The Times); Caring, a companion piece
to Stages, reflects a reassessment and renegotiation of the
conflict between life and art.
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