This is an exploration of the figuring of absence in film. This
study considers the placement of the breathing body in the film
experience and its implications for the study of embodiment in film
and sensuous spectatorship. Davina Quinlivan shapes her engagement
with film by the foregrounding of the human body in the filmic
diegesis and the viewing experience. This emphasis on the human
body as an breathing body coupled with its fresh engagement with
continental philosophy, Post-Structuralist Film Theory and
Contemporary Western Cinema, makes a unique and valuable
contribution to the field. Case studies are taken from the work of
major directors, including Cronenberg and von Trier. Key concepts
explored are filmic space (air and the elemental in film),
corporeality (bodies on screen and the film itself as a breathing
body) and inter-subjectivity (community and sociality). It makes a
notable contribution to the study of film sound and haptic
perception.
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