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Postwar Europe and the Eurovision Song Contest (Hardcover)
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Postwar Europe and the Eurovision Song Contest (Hardcover)
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Postwar Europe and the Eurovision Song Contest examines how the
Eurovision Song Contest has reflected and become intertwined with
the history of postwar Europe from a political perspective.
Established in 1956, the Eurovision Song Contest is the world's
largest popular music event and one of the most popular television
programmes in Europe, currently attracting a global audience of
around 200 million people. Eurovision is often mocked as cultural
kitsch because of its over-the-top performances and frivolous song
lyrics. Yet there is no cultural medium that connects Europeans
more than popular music, the development of which has always been
tied to cultural, economic, political, social and technological
change - making Eurovision the ideal tool to explain the history of
Europe in the last sixty years. This book uses Eurovision as a
vehicle to address topics ranging from the Cold War, liberal
democracy and communism to nationalism, European integration,
economic prosperity and human rights. It analyses these subjects
through their cultural, political and social relationships with
Eurovision entries as expressed through lyrics and music, as well
as by examining public debates that have accompanied the selection
of the entries and the organisation of the contest itself. Postwar
Europe and the Eurovision Song Contest also considers how states
have used Eurovision to define their identities in a European
context, be it to assert their national distinctiveness, highlight
political issues or affirm their Europeanism or Euroscepticism in
the context of European integration. Based on original sources,
including hitherto unpublished archival documents from
international broadcasting organisations, this is a novel
historical study of interest to anyone keen to know more about the
postwar history of Europe and its cultural history in particular.
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