The 1840s, 50s, and 60s: three decades during which the British
feminist movement saw some of its most intense activity of the
nineteenth-century, and readers find some of the most monstrous,
troubling representations of women by male writers in all of
literary history. In Fixing Patriarchy, Donald E. Hall suggests
that feminism at mid-century posed intertwined social, economic,
political and psychological threats to patriarchy. Hall explores
the metamorphic nature of Victorian definitions of masculinity and
femininity through an analysis of male authors such as Dickens,
Tennyson, Kingsley, Thackeray, Hughes, Collins, and Trollope in
dialogue with Victorian feminists and other women writers.
Synthesizing historical research with pertinent queer, feminist,
post-structuralist, and materialist theories, Hall locates both
startling admissions of moral fallibility and violent strategies of
retrenchment and containment of this perceived threat to the male
social body. Fixing Patriarchytraces parallels among Victorian
discourses of religion, science, economics, and aesthetics, as it
explores a cultural dynamic of un-fixedness and heightened desires
for fixity.
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