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The power of structural violence is that it tries to silence us. The power of feminism is that it gives us a voice. So much of our life experience is filtered through our bodies – norms, myths, and cultural standards continue to shape the way that we and the world feel about our bodies and how we see ourselves.
Feminism says these rules are bullshit. Our bodies can be tools to conform or a way to resist. Feminism is necessary to help us learn and unlearn things about ourselves and the world we live in. Feminism is for all of us, for every single body.
This collection take us from an examination of skin and hair, to an exploration of pleasure, sex, and safety. They explore the way our bodies change, our health, and how we become who we are. They examine the way that institutions can trap us, how we can trap ourselves, and the importance of our hearts in all of this.
As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted.
This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context:
The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.
The presidential campaign in the USA grabbed the global imagination. It also grabbed the feminist imagination, presenting the hope that if a woman could become the president of the USA, women throughout the world would finally break through the reinforced glass ceiling. However, when it didn’t happen, the lost opportunity became the metaphorical kick in the feminist gut on a global scale. Through the subsequent misogyny, vulgarity, lewd comments, the pussy grabbing video, and the threats of the erosion of feminist activism in the trenches, worldwide a deep mourning arose from the feminist community. It was the name calling of “nasty women” that really smarted. Initial feelings of anger gave rise to empowerment of women — those who talk back to patriarchy — to embrace the label of “nasty women”.
The idea for the collection was born, cradled and nurtured between friends who wanted to create a space for writing and thinking about the marches. The group of feminists who contributed to this collection used the marches and the posters inspired by the marches as a vehicle which galvanised women into action to put pen to paper and show fervour for ongoing feminist activism.
The nexus of this beautifully written and evocatively illustrated collection is telling narratives that link very personal stories with deeply political issues. These are the stories told by nasty women who are making the personal political, who are seeking to live their lives in ways that resist and challenge patriarchy. Through their very intimate nature these are stories that speak to the creation of a different kind of social order, one based on equity, the promotion of human rights and social justice.
Do you call yourself a feminist? What does this mean in your daily life?
In this book, South African feminists explore their often vastly different experiences and perspectives in accessible and engaging voices. Feminism Is touches on issues as wide-ranging as motherhood, anger, sex, race, inclusions and exclusions, the noisy protest and the quiet struggle.
It will challenge your thinking and inspire you to action, reaffirming the urgent necessity of feminism in South Africa today.
While some women seem to excel at making their money work for them, others battle from pay day to pay day. With this book, we tap into what these ‘smart women’ know that the rest of us can learn from.
Smart Woman will provide the necessary insights into how our personal view of money impacts on our financial behaviour and decisions; reveal who is competing for our money (retailers, online marketers, etc.); and look at why it is so hard to find money to invest (the first step to getting rich is having money to invest – money makes money). It also covers how major life events, such as marriage and divorce, impact on us and how we can make smart financial decisions at these times.
Smart Woman will show the reader how she can take control of her financial life by spending smarter, tackling debt and setting goals. It explains how money is made and how the financial markets work, as well as the universal principles behind growing wealth, irrespective of where one invests.
A must-read for every woman, at any age, who is serious about building wealth and obtaining financial independence.
Across the world, 2 billion experience menstruation, yet menstruation is seen as a mark of shame. We are told not to discuss it in public, that tampons and sanitary pads should be hidden away, the blood rendered invisible. In many parts of the world, poverty, culture and religion collide causing the taboo around menstruation to have grave consequences. Younger people who menstruate are deterred from going to school, adults from work, infections are left untreated. The shame is universal and the silence a global rule.
In It's Only Blood, Anna Dahlqvist tells the shocking but always moving stories of why and how people from Sweden to Bangladesh, from the United States to Uganda, are fighting back against the shame.
Reflecting Rogue is the much anticipated and brilliant collection of experimental autobiographical essays on power, pleasure and South African culture by Professor Pumla Dineo Gqola, author of the bestelling Rape: A South African Nightmare.
In her most personal book to date, written from classic Gqola anti-racist, feminist perspectives, Reflecting Rogue delivers fourteen essays of deliciously incisive brain food, all extremely accessible to a general critical readership, without sacrificing intellectual rigour.
Meet the rebels, artists, troublemakers, athletes, dancing queens and freedom fighters that shaped our past – and are changing our future.
An A To Z Of Amazing South African Women tells the stories of 26 trailblazing South African women through accessible stories and illustrations that are as bright and bold as the women they depict. From Fatima Meer to Caster Semenya, Natalie du Toit to Dope St Jude, this is a book about women who ask too many questions, who defy injustice, who refuse to take no for an answer. It is a celebration of the courage and determination of the activists, scientists and storytellers who have gone before us – as well as a recognition of the everyday heroism of ordinary South African woman doing extraordinary things.
The book takes its inspiration from the worldwide bestseller An A To Z Of Rad American Women and is the work of writer Ambre Nicolson and illustrator Jaxon Hsu, a husband and wife team based in Cape Town.
“Whenever I see a Manyano woman, I see a woman who has the world in her hands and has the power to make things change because of the power that is prayer”. - Stella Shumbe
“As a Manyano, you listen to painful journeys and experiences of people … They talk about abuse at home, unemployment, children who are reckless and all the sensitive things you can think of … We come together to share our pain and struggles.’ - Nobuntu Madwe
Lihle Ngcobozi, herself the progeny of three generations of Manyano women, takes an original, fresh look at the meaning of the Manyano. Between male-dominated struggle narratives and Western feminist misreadings, this church-based women's organisation has become a mere footnote to history.
Long overlooked as the juggernaut of black women’s organising that it has been and continues to be, the Manyano has immense historical and cultural meaning in black communities across the country. To this day, it is still evolving to meet the changing needs of black South Africans. Here, the Manyano women speak for themselves, in an African feminist meditation rendered by one of their own.
Women Don't Owe You Pretty will tell you to... love sex, hate sexism, protect your goddamn energy, life is short, dump them, and that you owe men nothing, least of all pretty.
Florence's debut book will explore all progressive corners of the feminist conversation; from insecurity projection and refusing to find comfort in other women's flaws, to deciding whether to date or dump them, all the way through to unpacking the male gaze and how it shapes our identity.
Women Don't Owe You Pretty is an accessible leap into feminism, for people at all stages of their journey who are seeking to reshape and transform the way they view themselves. In a world that tells women we're either not enough or too much, it's time we stop directing our anger and insecurities onto ourselves, and start fighting back to reshape the toxic structures of our patriarchal society.
Florence's book will help you to tackle and challenge the limiting narrative you have been bombarded with your whole life, and determine feminism on your own terms.
Helen Zille’s long-awaited autobiography is one of the most fascinating political stories of our time.
Zille takes the reader back to her humble family origins, her struggle with anorexia as a young woman, her early career as a journalist for the Rand Daily Mail, and her involvement with the End Conscription Campaign and the Black Sash. She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party.
This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics.
This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.
Women’s bodies and rights, and performances of femininity and masculinity often form the battleground of debates of multiculturalism and accommodation of cultural rights in both hemispheres.
Tensions of culture and rights may not be the same everywhere. An interesting point of comparison is in the treatment of liberalism often assumed in the global North to be the universal norms to be defended, whereas in the global South, liberalism itself may be viewed as the problem. Colonial histories are fraught with discriminatory legislation aimed at accommodating indigenous populations, in some cases reinforcing misogynist readings of indigenous or minority cultures and providing a trade-oﬀ for more structural redistributive justice through, for example, land reform.
This book shows how varied and complex the embodiment of multiculturalism as a political practice, or policy discourse in different political contexts, can be, and how often the outcome of multicultural discourses creates a binary between culture and universal human rights. The aim of Gender And Multiculturalism is to engage with dislodging this binary.
A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.
As kampvegter vir vrouestemreg en in haar uitgesproke teenkanting teen onreg is Emily Hobhouse ’n ikoon wat vandag nog inspireer. Ontdek die onbekende sy van ’n verbasend moderne vrou in hierdie volkleur pragboek propvol foto’s, interessante dagboekinskrywings en briewe. So gee sy ’n genuanseerde, vars blik op ’n buitengewone vrou wat voortdurend in die spervuur was. Van kleintyd het Emily haar verset teen haar lot. Vir vroue was daar min geleenthede en sy moes boonop haar siek pa oppas. Tog raak sy wereldwyd betrokke by die stryd teen onreg en oorlog. In twee oorloe het sy duisende lewens gered, en tog is sy – ’n ware patriot – in haar eie land onbekend en alleen dood.
Advocate Thuli Madonsela has achieved in her seven years as Public Protector what few accomplish in a lifetime; her legacy and contribution cannot be over-stated. In her final days in office she compiled the explosive State Capture report and, before that, the report on President Jacob Zuma’s Nkandla residence. Praised and vilified in equal measures, Madonsela has frequently found herself at centre stage in the increasingly fractious South African political scene.
No Longer Whispering To Power is about Thuli Madonsela’s tenure as Public Protector, during which the whisper grew into a cry. It is the story of the South African people’s attempt to hold power to account through the Office of the Public Protector. More significantly, this important book stands as a record of the crucial work Madonsela has done, always acting without fear or favour.
Across the world, 2 billion people experience menstruation, yet menstruation is seen as a mark of shame. We are told not to discuss it in public, that tampons and sanitary pads should be hidden away, the blood rendered invisible. In many parts of the world, poverty, culture and religion collide causing the taboo around menstruation to have grave consequences. Younger people who menstruate are deterred from going to school, adults from work, infections are left untreated. The shame is universal and the silence a global rule. In It's Only Blood Anna Dahlqvist tells the shocking but always moving stories of why and how people from Sweden to Bangladesh, from the United States to Uganda, are fighting back against the shame.
What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Amelia Earhart to Michelle Obama.
Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.
A beautiful hardback, elastic hinged desk diary with a week to a view alongside an inspiring and powerful quote or a photograph of Chimamanda and a brand-new introduction from her. 'We teach girls to shrink themselves, to make themselves smaller.' 'Not one day longer.' This year, with some words of wisdom to inspire you, you will walk tall. Make 2021 your biggest year yet, with this beautifully designed hardback diary filled with some of Chimamanda Ngozi Adichie's most inspirational quotes. From her award-winning novels like Half of a Yellow Sun and Americanah, to her stirring calls to arms We Should All Be Feminists and Dear Ijeawele, from her countless magazine covers, her work with Beyonce and sharing the stage with Michelle Obama, Chimamanda Ngozi Adichie is one of the most defining and stirring voices of our time - a truly modern icon. Now, each day, Adichie will inspire you to stand up and be heard. Start your year off on the right foot and be inspired to be exactly who you want to be in 2021. After all, as Chimamanda says: 'It's not your job to be likeable. It's your job to be yourself.'
"Powerful and provocative" - Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist For readers of Layla F. Saad's Me and White Supremacy and Reni Eddo-Lodge's Why I'm No Longer Talking to White People About Race, White Tears/Brown Scars is an explosive book of history and cultural criticism that reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of colour. White tears possess a potency that is rarely acknowledged or commented upon, but they have long been used as a dangerous and insidious tool against people of colour, weaponised in order to invoke sympathy and divert blame. Taking us from the slave era, when white women fought in court to keep 'ownership' of their slaves, through centuries of colonialism, when women offered a soft face for brutal tactics, to the modern workplace, in which tears serve as a defense to counter accusations of bias and microaggressions, White Tears/Brown Scars tells a charged story of white women's active participation in campaigns of oppression. It offers a long-overdue validation of the experiences of women of colour and an urgent call-to-arms in the need for true intersectionality. A must-read for anyone shocked by the statistic that fifty-two per cent of white women voted for Trump, this compelling and meticulously researched book explores how the division between the innocent white women and the racialised, sexualised woman of colour was created, and demonstrates exactly why these stereotypes are crucial to confront and deconstruct. With rigour and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialised within, a reality that we must all apprehend in order to fight.
Inventive, electrifying and daring, True Story is a novel like nothing you've ever read before. After a college party, two boys drive a girl home: drunk and passed out in the back seat. Rumours spread about what they did to her, but later they'll tell the police a different version of events. Alice will never remember what truly happened. Her fracture runs deep, hidden beneath cleverness and wry humour. Nick - a sensitive, misguided boy who stood by - will never forget. That's just the beginning of this extraordinary journey into memory, fear and self-portrayal. Through university applications, a terrifying abusive relationship, a fateful reckoning with addiction and a final mind-bending twist, Alice and Nick will take on different roles to each other - some real, some invented - until finally, brought face to face once again, the secret of that night is revealed. Startlingly relevant and enthralling in its brilliance, True Story is by turns a campus novel, psychological thriller, horror story and crime noir, each narrative frame stripping away the fictions we tell about women, men and the very nature of truth. It introduces Kate Reed Petty as a provocative new voice in contemporary fiction.
From the author who brought you the bestselling book everyone is talking about, The Life-Changing Magic of Not Giving a F**k:
the no-f**ks-given, no-holds-barred guide to living your best life.
Ever find yourself snowed under at the office - or even just glued to the sofa - when you really want to get out (for once), get to the gym (at last), and get started on that daunting dream project you're always putting off? Then it's time to get your sh*t together.
In The Life-Changing Magic of Not Giving a F**k, 'anti-guru' Sarah Knight introduced the joys of mental decluttering. Get Your Sh*t Together takes you one stop further - organizing the f*cks you want and need to give to help you quit your day job and move abroad, balance work and fun - and save money while you're at it - or simply get out of the door for happy hour, every day.
'Women so empowered are dangerous' Written with a 'black woman's anger' and the precision of a poet, these searing pieces by the groundbreaking writer Audre Lorde are a celebration of female strength and solidarity, and a cry to speak out against those who seek to silence anyone they see as 'other'. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.
Much acclaimed amongst her contemporaries and yet all but forgotten today, Marie-Louise Gagneur was a defining voice in French feminism. These stories, translated into English for the first time, critique the restrictions of late nineteenth-century society and explore the ways in which both men and women are hurt by rigid attitudes towards marriage. In 'An Atonement', the Count de Montbarrey awakes one morning to find his wife dead, leaving him free to marry the woman he really loves. Could the Count have accidentally killed his wife? And how can he atone for his crime? 'Three Rival Sisters' tells the story of the rivalry between Henriette, Renee and Gabrielle as they compete for the affections of one man. But marriage does not necessarily guarantee happiness, as the sisters are about to find out. Steeped in wit, empathy and biting social criticism, and with echoes of Charlotte Perkins Gilman and Kate Chopin, the stories show Gagneur to be worthy of renewed attention.
Advocate Thuli Madonsela has achieved in her seven years as Public Protector what few accomplish in a lifetime; her legacy and contribution cannot be over-stated. In her final days in office she compiled the explosive State Capture report and, before that, the report on President Jacob Zuma’s Nkandla residence. Praised and vilified in equal measures, Madonsela has frequently found herself at centre stage in the increasingly fractious South African political scene. Yet, despite the intense media scrutiny, Madonsela remains something of an enigma. Who is this soft-spoken woman who stood up to state corruption? Where did she develop her views and resolve? This book attempts to answer these questions, and others, by exploring many aspects of Madonsela’s life: her childhood years and family, her involvement in student politics, her contribution to the constitution, her life in law. Madonsela once described her role as Public Protector as being akin to that of the Venda traditional spiritual female leader, the Makhadzi, who whispers truth to the ruler. When the sounds of the exchanges between the ruler and the Makhadzi grow loud, Madonsela said, that is when the whispering has failed. No Longer Whispering to Power is about Thuli Madonsela’s tenure as Public Protector, during which the whisper grew into a cry. It is the story of the South African people’s attempt to hold power to account through the Office of the Public Protector. More significantly, this important book stands as a record of the crucial work Madonsela has done, always acting without fear or favour.
'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now' A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.
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