_______________ 'An autobiographical meditation on feminism, power and womanhood ... Full of Isabel's wisdom and warm words' - Grazia 'In her small, potent polemic . . . Isabel Allende writes about the toxic effects of "machismo", combining wit with anger as she picks apart the patriarchy' - Independent 'Allende has everything it takes: the ear, the eye, the mind, the heart, the all-encompassing humanity' - New York Times An Independent, Guardian and Grazia Highlight for 2021 _______________ The wise, warm, defiant new book from literary legend Isabel Allende - a meditation on power, feminism and what it means to be a woman When I say that I was a feminist in kindergarten, I am not exaggerating. As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality. So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will 'light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.' _______________ 'Her thoughts, language and ideas traverse fluidly through ideas of gender, historic injustices, her marriages and bodily experiences and literary references . . . Allende's love for women is palpable' - Sydney Morning Herald

Scientific knowledge is widely considered to be the most certain kind of knowledge, free from social or cultural bias. This freedom from bias or values, the objectivity of science, is a key reason why scientific knowledge holds its privileged position in society. Karen Cordrick Haely argues that feminist critics of science present compelling reasons to eschew the idea that science is, or should be, purely objective in the sense commonly understood to mean 'value-free'. This book examines the most prominent feminist ideas regarding how to revise and enrich the concept of objectivity such that we can understand, though not necessarily eliminate, the role of cultural and social interests as they play a role in science. Haely argues that these views of objectivity ought to be treated as a network of ideas, rather than as stand-alone solutions to the complexities of forming a cohesive philosophical view of scientific objectivity. The book also presents a landscape of several issues that are crucial for understanding the intersection of feminism and science.

In Gendered Readings of Change, Clara Fischer develops a unique theory of change by drawing on American philosophy and contemporary feminist thought. Via a select history of ancient Greek and Pragmatist philosophies of change, she argues for a reconstruction of transformation that is inclusive of women's experiences and thought. With wide-ranging analysis, this book addresses ontological, moral, epistemological, and political questions, and includes an insightful exploration of the philosophies of Parmenides, Aristotle, John Dewey, Iris Young, and Jane Addams.

In its twelfth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective."The Feminist Companion to Patristic Literature" is the twelfth volume in the "Feminist Companion to the Bible and Early Christian Literature" series. Presenting cutting-edge studies by both established scholars and new voices from diverse cultures and contexts, the series not only displays the range of feminist readings, but also offers essential readings for all students of the New Testament and early Christian literature.This volume examines a number of Patristic texts and early Christian documents from a feminist perspective including "Clement of Rome", "Clement of Alexandria", the "Christian Martyr" and the "Gospel of Thomas". The contributors include: Barbara Bowe, Jorunn Jacobsen Buckley, Denise Buell, Virginia Burrus, Elizabeth Castelli, Elizabeth Clark, Kathy Gaca, Robin Jensen, Ross S Kraemer, Carolyn Osiek, Carolyn Osiek, and Theresa Shaw. This book is suitable for libraries; academics; postgraduates and upper level undergraduates.

Matilda Joslyn Gage was a woman's rights' activist during the 19th century, committed to the woman suffrage movement and civil rights. This book brings needed attention to Gage's life and work and explores her impact on women's rights. Using an advanced and distinctive form of feminist thought that encompassed an incisive analysis of patriarchy, Gage even criticized the church as patriarchy's prime sponsor. In fact, Gage connected all of women's oppression, including prostitution, marriage customs, divorce, rape and cusotdy rights to patriarchy, It is perhaps for her radical theory that Gage's arguments remain salient and controversial today. An overdue addition to the scholarship on the role feminists like Matilda Joslyn Gage have played in history, this book will be of interest to students and scholars of United States history, women's history, and women's studies.

Global Women Leaders: Studies in Feminist Political Rhetoric demonstrates the ways in which women have used political rhetoric and political discourse to provide leadership, or assert their right to leadership, on a global level. This collection fits into the robust research area of international political women and their use of language in gaining and maintaining political power. It casts a wider net in terms of discussing women's efforts to assert and preserve their roles of authority, particularly when their audiences may perceive their authority as illegitimate due to gender. Chapters dedicated to Elizabeth II and Sheikha Moza Bint Nasser discuss the more traditional ways in which women leaders use language to construct political power. Other chapters focus on women who serve as political activists, either individually or as part of a group, including Aasma Mahfouz of the Egyptian Revolution of 2011 and the women who help direct United Nations policy through their speeches in the General Assembly. Global Women Leaders will appeal to scholars of political communication and international rhetoric.

Drawing links between the Francophone literatures of Canada, the French Caribbean, and North Africa, Spaces of Creation demonstrates that problematic issues of dynamic, postcolonial societies can and do fuel creative acts on the part of women. The trying experiences of displaced mothers and their daughters, including isolation, domestic violence, and single parenthood, often serve to inspire introspection and creative action. In effect, their painful, frustrating existence provides the opportunity-the space of creation-necessary to weave and transmit stories. Organized around different manifestations of culturally diverse or transcultural spaces depicted in postcolonial literature-rural villages, domestic spaces, city centers, and spaces of otherness-the monograph uncovers the complexities of mothering and "daughtering" in contemporary Francophone contexts. Through discussion of these spaces, the book attests to a specifically "feminine" transculturality. This vision of diversity acknowledges both the heartening and tragic aspects of life in dynamic, multicultural communities, revealing creative synergies between the literatures of different Francophone diasporas and inviting the reader to reconsider the mother-daughter relationship.

Following in the tradition of the Southern Women series, Arkansas Women highlights prominent Arkansas women, exploring women's experiences across time and space from the state's earliest frontier years to the late twentieth century. In doing so, this collection of fifteen biographical essays productively complicates Arkansas history by providing a multidimensional focus on women, with a particular appreciation for how gendered issues influenced the historical moment in which they lived. Diverse in nature, Arkansas Women contains stories about women on the Arkansas frontier, including the narratives of indigenous women and their interactions with European men and of bondwomen of African descent who were forcibly moved to Arkansas from the seaboard South to labor on cotton plantations. There are also essays about twentieth-century women who were agents of change in their communities, such as Hilda Kahlert Cornish and the Arkansas birth control movement, Adolphine Fletcher Terry's antisegregationist social activism, and Sue Cowan Morris's Little Rock classroom teachers' salary equalization suit. Collectively, these inspirational essays work to acknowledge women's accomplishments and to further discussions about their contributions to Arkansas's rich cultural heritage.

This book examines whether we are witnessing the resilience, persistence and adaptation of masculinist discourses and practices at both domestic and international levels in the contemporary global context. Beginning with an innovative conceptualisation of masculinism, the book draws on interdisciplinary work to analyse its contours and practices across four case studies. From the anti-feminist backlash that can be found in various men's rights movements, and responses to gender-based and sexual violence, to the masculinist underpinnings of human rights discourse, and modes of intervention to protect, including drone warfare. This interdisciplinary work will appeal to students and scholars of gender studies, security and international relations, and sociology.

With original and engaging contributions, this Handbook confirms feminist scholarship in development studies as a vibrant research field. It reveals the diverse ways that feminist theory and practice inform and shape gender analysis and development policies, bridging generations of feminists from different institutions, disciplines and regions.

This book argues that feminist science fiction shares the same concerns as feminist epistemology-challenges to the sex of the knower, the valuation of the abstract over the concrete, the dismissal of the physical, the focus on rationality and reason, the devaluation of embodied knowledge, and the containment of (some) bodies. Ritch Calvin argues that feminist science fiction asks questions of epistemology because those questions are central to making claims of subjectivity and identity. Calvin reveals how women, who have historically been marginal to the deliberations of philosophy and science, have made significant contributions to the reconsideration and reformulation of the epistemological models of the world and the individuals in it.

What does the philosophy of a bunch of dead white men have to tell us about oppression? Rather a lot, Hay argues.
This is a book about the harms of oppression, and about addressing these harms using the resources of liberalism and Kantianism. Its central thesis is that people who are oppressed are bound by the duty of self-respect to resist their own oppression.
Hay defends certain core ideals of the liberal tradition - specifically, the fundamental importance of autonomy and rationality, the intrinsic and inalienable dignity of the individual, and the duty of self-respect - making the case that these ideals are pivotal in both understanding and counteracting oppression. She argues that if we take these ideals seriously then it follows that people who are oppressed have an obligation to themselves to resist their own oppression.

View the Table of Contents.
Read the Introduction.

"Choice Magazine" Outstanding Academic Titles 2005 Winner

"[William's] theory is elegant in its explication and provocative in its implications for government restrictions on speech ranging from the hateful, the symbolic, the politically subversive, and the costly. A must read."--"Choice," A 2005 "Choice" Outstanding Academic Title

"Meticulously argued and clearly organized, her account of free speech is both fundamentally feminist and optimistic."--"The Law and Politics Book Review"

"What emerges from this well-written work of careful scholarship is an important contribution to free speech literature."
--Frederick Schauer, John F. Kennedy School of Government, Harvard University

Amidst the vast array of literature on the First Amendment, it is rare to hear a fresh voice speak about the First Amendment, but in Truth, Autonomy, and Speech, Susan H. Williams presents a strikingly original interpretation and defense of the First Amendment, written from a feminist perspective. Drawing on work from several disciplines--including law, political theory, philosophy, and anthropology--the book develops alternative accounts of truth and autonomy as the foundations for freedom of expression. Building on feminist understandings of self and the social world, Williams argues that both truth and autonomy are fundamentally relational.

With great clarity and insight, Williams demonstrates that speech is the means by which we create rather than discover truth and the primary mechanism through which we tell the stories that constitute our autonomy. She examines several controversial issues in the law of free speech--includingcampaign finance reform, the public forum doctrine, and symbolic speech--and concludes that the legal doctrine through which we interpret and apply the First Amendment should be organized to protect speech that serves the purposes of truth and autonomy.

This volume approaches questions about gender and the politics of appearance from a new perspective by developing the notion of aesthetic labour. Bringing together feminist writing regarding the 'beauty myth' with recent scholarship about new forms of work, the book suggests that in this moment of ubiquitous photography, social media, and 360 degree surveillance, women are increasingly required to be 'aesthetic entrepreneurs', maintaining a constant state of vigilance about their appearance. The collection shows that this work is not just on the surface of bodies, but requires a transformation of subjectivity itself, characterised by notions of personal choice, risk-taking, self-management, and individual responsibility. The book includes analyses of online media, beauty service work, female genital cosmetic surgery, academic fashion, self-help literature and the seduction community, from a range of countries. Discussing beauty politics, postfeminism, neoliberalism, labour and subjectivity, the book will be of interest to scholars and students with an interest in Gender, Media Studies, Cultural Studies, Sociology, Social Psychology and Management Studies. "This highly engaging, smart, and wide-ranging collection analyzes how, under the self-governing mandates of neoliberalism, the demands that girls and women regulate and control their bodies and appearance have escalated to new, unforgiving levels. A special strength of the book is its emphasis on the rise of 'aesthetic labour' as a global, transnational and ever-colonizing phenomenon that seeks to sweep up women of all races, ages and locales into its disciplinary grip. Highly recommended." -Susan J Douglas, University of Michigan, USA the inherited responsibility that remains women's particular burden to manage." -Melissa Gregg, Intel Corporation, USA "This book incisively conceptualizes how neo-liberalist and postfeminist tendencies are ramping up pressures for glamour, aesthetic, fashion, and body work in the general public. In a moment when YouTube 'makeup how to' videos receive millions of hits; what to wear and how to wear it blogs clock massive followings; and staying 'on brand' is sold to us as the key to personal and financial success, 'aesthetic entrepreneurship' is bound to become a go-to concept for anyone seeking to understand the profound shifts shaping labor and life in the 21st century." -Elizabeth Wissinger, City University of New York, USA

Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature.
This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world.

Writing in response to war and national crisis, al-Samm?n, Khal?feh, Barak?t, and others introduced into the Arabic literary canon aesthetic forms capable of carrying Levantine women's experiences. By assessing their feminism in such a way, this book aims to revive a critical emphasis on aesthetics in Arab women's writing.

Elizabeth Cady Stanton was one of the founding philosophers of America's women's rights movement. The first woman's rights convention in the United States was held in Seneca Falls, New York, in 1848; there she helped write and present the Declaration of Sentiments, a woman's bill of rights which articulated the inferior and unjust position of women in law, church, and society and called for redress. From this grew the organized demands by women in the United States for the ballot and other social change. In this fourth volume in Greenwood's series of book-length studies of great American orators, Waggenspack focuses on the rhetoric of an outstanding orator who has been hailed as one of the earliest and most outspoken advocates of women's rights issues. This needed addition to the history and criticism of American public address is based on Waggenspack's original research of the Elizabeth Cady Stanton papers and will facilitate not only the study of feminist rhetoric but will also meet the needs of those wishing to evaluate the effects of American public address and the impact of an advocate or speech upon history.

Part One, using a case study format, presents critical analyses of the orator and her speeches with the focus on rhetorical considerations of speaker and speech, purpose and effect. Part Two contains seven definitive speech texts of the commanding oratory analyzed in Part One. Of special note is the inclusion of Cady Stanton's famous The Solitude of Self, a speech appealing to the highest qualities and aspirations to people everywhere. A chronology details all of Cady Stanton's known addresses and the bibliography contains carefully annotated biographies on the orator as well as a detailed list of the contents of the Elizabeth Cady Stanton Papers in the Library of Congress. The volume closes with notes and an index. This notable study will be a valuable research tool for students and scholars of rhetoric, public oratory, American history, and women's studies; it will also fascinate the general reader.

Based on her award-winning blog, "The Feminist Spectator," Jill Dolan presents a lively feminist perspective in reviews and essays on a variety of theatre productions, films and television series--from The Social Network and Homeland to Split Britches' Lost Lounge.
Demonstrating the importance of critiquing mainstream culture through a feminist lens, Dolan also offers invaluable advice on how to develop feminist critical thinking and writing skills. This is an essential read for budding critics and any avid spectator of the stage and screen.

With the recent media interest in celebrity childhood sexual abuse and rape cases, we think we know what sexual violence is and who 'rape victims' are. But this portrayal is limited. Drawing on in-depth accounts from women who have experienced rape, this book revisits issues of credibility, responsibility and feminism to provide missing details.

Drawing on the writings of diverse authors, including Jean Baker Miller, Bell Hooks, Mary Daly, Frantz Fanon, Paulo Freire and Ignacio Martin-Baro, as well as on women's experiences, this book aims to develop a 'liberation psychology'; which would aid in transforming the damaging psychological patterns associated with oppression and taking action to bring about social change. The book makes systematic links between social conditions and psychological patterns, and identifies processes such as building strengths, cultivating creativity, and developing solidarity.

Women writers have often felt alienated from both the Bible and the canonical literary tradition that has been built on its foundation. Yet contemporary American women writers seem to be as haunted by the Bible as their nineteenth-century predecessors. This study of feminist biblical revision argues that women writers' contentious dialogues with the Bible ultimately reconstruct the writers' own basis of authority. The author traces the evolution of this phenomenon from the mid-nineteenth century to the present and analyzes biblical revision in works by Emily Dickinson, H.D., Anne Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.

This book provides a feminist analysis of #MeToo and the sexual assault allegations against celebrity perpetrators which have emerged since the Weinstein story of October 2017. It argues for the importance of understanding #MeToo in relation to an on-going history of Anglo-American feminist activism, theory and interdisciplinary research. Boyle investigates how speaking out about rape, sexual assault and harassment on social media can be understood in relation to second-wave feminist traditions of consciousness-raising. Her argument explores the media depiction of feminism - and feminists - in the wake of Weinstein and the cultural values associated with men's abuse, particularly within the film and television industries. The book concludes with an exploration of what the #MeToo era has meant for men as victims/survivors and as alleged perpetrators, in relation to narratives of victimisation and of monstrosity.