Women writers have often felt alienated from both the Bible and the canonical literary tradition that has been built on its foundation. Yet contemporary American women writers seem to be as haunted by the Bible as their nineteenth-century predecessors. This study of feminist biblical revision argues that women writers' contentious dialogues with the Bible ultimately reconstruct the writers' own basis of authority. The author traces the evolution of this phenomenon from the mid-nineteenth century to the present and analyzes biblical revision in works by Emily Dickinson, H.D., Anne Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.

Based on her award-winning blog, "The Feminist Spectator," Jill Dolan presents a lively feminist perspective in reviews and essays on a variety of theatre productions, films and television series--from The Social Network and Homeland to Split Britches' Lost Lounge.
Demonstrating the importance of critiquing mainstream culture through a feminist lens, Dolan also offers invaluable advice on how to develop feminist critical thinking and writing skills. This is an essential read for budding critics and any avid spectator of the stage and screen.

With the recent media interest in celebrity childhood sexual abuse and rape cases, we think we know what sexual violence is and who 'rape victims' are. But this portrayal is limited. Drawing on in-depth accounts from women who have experienced rape, this book revisits issues of credibility, responsibility and feminism to provide missing details.

Drawing on the writings of diverse authors, including Jean Baker Miller, Bell Hooks, Mary Daly, Frantz Fanon, Paulo Freire and Ignacio Martin-Baro, as well as on women's experiences, this book aims to develop a 'liberation psychology'; which would aid in transforming the damaging psychological patterns associated with oppression and taking action to bring about social change. The book makes systematic links between social conditions and psychological patterns, and identifies processes such as building strengths, cultivating creativity, and developing solidarity.

Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year A Boston Globe Summer Read "Brooks traces all kinds of lines...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening." -New York Times "A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae...Connecting the sonic worlds of Black female mythmakers and truth-tellers." -Rolling Stone "A gloriously polyphonic book." -Margo Jefferson, author of Negroland How is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It Is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood. 'Rewarding . . . allows us to better understand the intimate relationship between modern patriarchy, the rise of the nation state and the transition from feudalism to capitalism' Guardian

This book provides a feminist analysis of #MeToo and the sexual assault allegations against celebrity perpetrators which have emerged since the Weinstein story of October 2017. It argues for the importance of understanding #MeToo in relation to an on-going history of Anglo-American feminist activism, theory and interdisciplinary research. Boyle investigates how speaking out about rape, sexual assault and harassment on social media can be understood in relation to second-wave feminist traditions of consciousness-raising. Her argument explores the media depiction of feminism - and feminists - in the wake of Weinstein and the cultural values associated with men's abuse, particularly within the film and television industries. The book concludes with an exploration of what the #MeToo era has meant for men as victims/survivors and as alleged perpetrators, in relation to narratives of victimisation and of monstrosity.

Traditional histories of the American transcendentalist movement begin in Ralph Waldo Emerson's terms: describing a rejection of college books and church pulpits in favor of the individual power of "Man Thinking." This essay collection asks how women who lacked the privileges of both college and clergy rose to thought. For them, reading alone and conversing together were the primary means of growth, necessarily in private and informal spaces both overlapping with those of the men and apart from them. But these were means to achieving literary, aesthetic, and political authority-- indeed, to claiming utopian possibility for women as a whole.

"Toward a Female Genealogy of Transcendentalism" is a project of both archaeology and reinterpretation. Many of its seventeen distinguished and rising scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts. First quickened by the 2010 bicentennial of Margaret Fuller's birth, the project reaches beyond Fuller to her female predecessors, contemporaries, and successors throughout the nineteenth century who contributed to or grew from the transcendentalist movement.

Geographic scope also widens--from the New England base to national and transatlantic spheres. A shared goal is to understand this "genealogy" within a larger history of American women writers; no absolute boundaries divide idealism from sentiment, romantics from realists, or white discourse from black. Primary-text interludes invite readers into the ongoing task of discovering and interpreting transcendentally affiliated women. This collection recognizes the vibrant contributions women made to a major literary movement and will appeal to both scholars and general readers.

This series of four volumes honors the lifetime achievements of the distinguished activist and scholar Elise Boulding (1920-2010) on the occasion of her 95th birthday. This first anthology documents the breadth of Elise Boulding's contributions to Peace Research, Peacemaking, Feminism, Future Studies, and Sociology of the Family. Known as the "matriarch" of the twentieth century peace research movement, she made significant contributions in the fields of peace education, future studies, feminism, and sociology of the family, and as a prominent leader in the peace movement and the Society of Friends.

Much ground has been covered in terms of (post)feminist analyses of popular film and television, and box office successes such as Bridget Jones's Diary and television phenomena such as Sex and the City have become established parts of the now canonical critical texts on postfeminism, media and popular culture. By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, by charting trends in film production and media reception, and by focusing on the largely neglected intersections between postfeminism and queer theory, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema. The chapters in this collection position contemporary commercial production as a space where female empowerment is both celebrated and undermined, and signal the necessity of further debate surrounding the formation of gender identity in postmillennial Hollywood cinema.

Analyzing women labeled as terrorists in the United States in the late 1960s and early 1970s, Gender and the Political examines Western cultural constructions of the female terrorist. The chapters argue that the development of the discourse on terrorism evolves in parallel with, and in response to, radical feminism in the US during this time.

*A WATERSTONES 'BEST POLITICAL BOOK OF THE YEAR'* *A TIMES 'BEST PHILOSOPHY AND IDEAS' BOOK OF 2021* *A GUARDIAN 'BEST POLITICS BOOKS OF THE YEAR'* LONGLISTED FOR THE 2022 BUSINESS BOOK AWARD 'A brilliant manifesto explaining why women are still so underestimated and overlooked in today's world, but how we can also be hopeful for change' - Philippa Perry 'An impassioned, meticulously argued and optimistic call to arms for anyone who cares about creating a fairer society' - Observer __________ Imagine living in a world in which you were routinely patronised by women. Imagine having your views ignored or your expertise frequently challenged by them. Imagine people always addressing the woman you are with before you. Now imagine a world in which the reverse of this is true. The Authority Gap provides a startling perspective on the unseen bias at work in our everyday lives, to reveal the scale of the gap that still persists between men and women. Would you believe that US Supreme Court Justices are interrupted four times more often than male ones... 96% of the time by men? Or that British parents, when asked to estimate their child's IQ will place their son at 115 and their daughter at 107? Marshalling a wealth of data with precision and insight, and including interviews with pioneering women such as Baroness Hale, Mary Beard and Bernadine Evaristo, Mary Ann exposes unconscious bias in this fresh feminist take on how to address and counteract systemic sexism in ways that benefit us all. Includes interviews with pioneering women such as: Baroness Hale Mary Beard Bernadine Evaristo Mary McAleese Julia Gillard Dolly Alderton and Pandora Sykes Cherie Blair Liz Truss Amber Rudd Frances Morris Laura Bates __________ 'Hugely exciting' - Emily Maitlis 'Deeply researched, profoundly thoughtful and a book very much for the here and now: Mary Ann Sieghart's The Authority Gap is the book she was probably born to write' - Andrew Marr 'At last here is a credible roadmap that is capable of taking women from the margins to the centre by bridging the authority gap that holds back even the best and most talented of women. - Mary McAleese, Former President of Ireland

Despite several decades of feminist activism and scholarship, women's bodies continue to be sites of control and contention both materially and symbolically. Issues such as reproductive technologies, sexual violence, objectification, motherhood, and sex trafficking, among others, constitute ongoing, pressing concerns for women's bodies in our contemporary milieu, arguably exacerbated in a neoliberal world where bodies are instrumentalized as sites of human capital. This book engages with these themes by building on the strong tradition of feminist thought focused on women's bodies, and by making novel contributions that reflect feminists' concerns-both theoretically and empirically-about gender and embodiment in the present context and beyond. The collection brings together essays from a variety of feminist scholars who deploy diverse theoretical approaches, including phenomenology, pragmatism, and new materialisms, in order to examine philosophically the question of the current status of gendered bodies through cutting-edge feminist theory.

An important volume connecting classical studies with feminism," Feminism and Ancient Philosophy" provides an even-handed assessment of the ancient philosophers' discussions of women and explains which ancient views can be fruitful for feminist theorizing today. The papers in this anthology range from classical Greek philosophy through the Hellenistic period, with the predominance of essays focusing on topics such as the relation of reason and the emotions, the nature of emotions and desire, and related issues in moral psychology. The volume contains some new, ground-breaking essays on Plato, Aristotle, and the Stoics, as well as previously published pieces by established scholars like Martha Nussbaum and Julia Annas. It promises to be of interest to an interdisciplinary audience including those working in classics, ancient philosophy, and feminist theory.

Winner of the Montserrat Ordonez Prize 2018 This book provides an original and exciting analysis of Colombian women's writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country's history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.

Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so obviously read as feminist or Marxist, Gwendolyn Foster showcases their ability to disrupt and effectively challenge everything from class and racism, as well as sexism, ageism, and homophobia.

In the newly-identified genre of medieval patience literature, female protagonists move to the center of the action-an unusual advance for medieval literature. In addition, the patience genre shifts from one mainly concerned with mimicry to one mainly concerned with reduplication, so that fresh interpretations of early medieval works can arise and exciting revisions to genre-theory can develop, often from a surprisingly feminist point of view. As a result, this book helps to redress popular notions of the Middle Ages as a time when women had 'no rights' and 'no voices' and were treated as mere sex objects and as the property of men.

What is the relationship between feminist theology and classical Christian theology? Is feminist theology "Christian," and if so, in what respect and to what extent? This study seeks to analyze and evaluate the relation of feminist "reconstructions" to traditional Christian teaching. Greene-McCreight uses the extent to which the biblical depiction of God is allowed to guide theological hermeneutics as a test of orthodoxy. She looks at the writings of a wide range of contemporary feminist theologians, discusses their doctrinal patterns, and demonstrates how the Bible is used in undergirding their theological reconstructions.

This book examines the life of Virginia Gildersleeve, the dean of Barnard College from 1911 to 1947, who dedicated her life to expanding women's collegiate opportunities to match those of men, and to allow women entry into professional and graduate programs. Gildersleeve was the first academic to use the media to define for the American public what higher education--and particularly what higher education for women--meant. The only woman to sign the United Nations charter, she made waves by implementing the first program to allow women into the Navy. This book explores how Gildersleeve's life exemplifies the expanded and changing educational opportunities for women during the Progressive Era and early twentieth century, with the rise of feminists, progressive reformers, and educational philosophers. Although Gildersleeve is nearly forgotten, her importance to women's higher education, women's inclusion in the US military, and world peace is captured in this blend of historical analysis and life history.

Within a social context where gender equality has been formally established as a social good and where feminism is generally dismissed as having achieved its purpose, third wave feminism offers an analysis of gender relations and feminist politics that has caused extensive debate. Situating third wave feminism within a late modern, postfeminist gender order this book offers a critical analysis of the assumptions that underpin the third wave perspective focusing on the solutions that third wave feminism proposes to counteract the popular perception that feminism has lost its relevance in today's society. In this analysis, the conceptual and theoretical resources that a third wave feminist perspective offers for advancing an understanding of the current state of a feminist 'politics of the self' are assessed and the claim that a set of new practices and identities are required to progress feminist interests is explored, focusing specifically upon the reconstruction of femininity through the ideals of autonomy, individuality and self-management.

After a decade of Thatcherism, rising illegitimacy and the moral panic over child sexual abuse, the family is more of a political issue than ever. But is it 'the family' that is in crisis, or family ideology? In this revised edition of an important and controversial book, Diana Gittins adds to a broad range of historical, anthropological and feminist evidence, a new chapter on child sexual abuse.

As Japan shifted from an agricultural country before 1950 to an industrialized nation in less time than any other developed country, women felt the pressure of the shift. Husbands worked longer hours, leaving all the household chores and child rearing to their wives while fulfilling their responsibilites as corporate soldiers. The economy was fueled by a diligent, well-educated, low-paid workforce, but gender role division became even more rigid. Household incomes rose and improvement in areas such as diets, transportation, and leisure were made; modern appliances also made it possible for mothers to have part-time jobs. But pollution also rose, as did prices, and crowded living conditions began to impinge on family life. Tanaka, who has spent many years looking back at her country from an American perspective, examines marriage, motherhood, employment, independence, women's movements, and old age for women in Japan over the last 50 years.

"Queer Voices" sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself.

"A lively mix of memoir, cultural and historical analysis, statistics, and cross-generational profiles of women who shoot
--blasting the notion that feminism and firearms are incompatible."
--"Peace News"

Women, we are told, should not own guns. Women, we are told, are more likely to be injured by their own guns than to fend off an attack themselves. This "fact" is rooted in a fundamental assumption of female weakness and vulnerability. Why should a woman "not" be every bit as capable as a man of using a firearm in self-defense?

And yet the reality is that millions of American women--somewhere between 11,000,000 and 17,000,000--use guns confidently and competently every day. Women are hunting, using firearms in their work as policewomen and in the military, shooting for sport, and arming themselves for personal security in ever-increasing numbers. What motivates women to possess firearms? What is their relationship to their guns? And who exactly are these women? Crucially, can a woman be a gun-owner and a feminist too?

Women's growing tendency to arm themselves has in recent years been political fodder for both the right and the left. Female gun owners are frequently painted as "trying to be like men" (the conservative perspective) or "capitulating to patriarchal ideas about power" (the liberal critique). Eschewing the polar extremes in the heated debate over gun ownership and gun control, and linking firearms and feminism in novel fashion, Mary Zeiss Stange and Carol K. Oyster here cut through the rhetoric to paint a precise and unflinching account of America's gun women.