When Richard Rorty died on June 8, 2007, obituaries lionized him as one of the 'world's most influential cultural philosophers', and as a thinker whose work covered a wide and varied terrain of literature, philosophy, politics, aesthetics, and cultural critique. Most famous for his rejection of the analytic tradition, Rorty had a relationship to the philosophical canon, and the discipline of philosophy, that was as fraught and full of tensions as it is for most feminist philosophers. Rorty chose to use his 1990 Tanner Lecture on Human Values (the text of which is the first chapter in this volume) to side with feminists Marilyn Frye, Catherine MacKinnon, and Adrienne Rich, who tried to show the importance of opening up new logical space within which women's voices could be heard. ""Feminist Interpretations of Richard Rorty"" presents classic and new essays on Rorty's engagement with feminist philosophy, including essays about the relevance for feminism of pragmatism, philosophy, rhetoric, realism, and liberalism. The chapters in this volume not only take up Rorty's conversation with feminism; they also capture, in a more distilled form, the debates that were the central concern of feminist theory in the late twentieth century and that continue to demand our responses, perhaps in slightly different forms, in the beginning of the twenty-first. In addition to the editor, the contributors are John C. Adams, Linda Martin Alcoff, Sharyn Clough, Nancy Fraser, Sabina Lovibond, Alessandra Tanesini, Georgia Warnke, and Stephen R. Yarbrough.

Women's Movement critically explores the transgressive potential of feminist escape narratives and argues that they are, almost by definition, radically different from paradigmatic male escape narratives. While definitions of escape are necessarily broad, they have too often excluded the ambiguous escape - the escape most closely associated with the female. Indeed, feminist escape narratives often resist a happy ending, and Women's Movement argues that these narrative closures reflect the changing face of feminism, as it sheds its old certainties, is faced with a monumental "backlash" and is refigured as the potentially less threatening "postfeminism". Resisting the automatic association of "escape" with "escapist," Women's Movement analyzes male adventure and quest narratives, including Moby-Dick, The Adventures of Huckleberry Finn, Blood Meridian, and Deliverance, before turning to a range of feminist texts. While being the first book to give critical attention to some postfeminist novels, Women's Movement more often acts as a channel for offering different ways of approaching familiar feminist texts, including, among others, Marian Engel's Bear, Atwood's Surfacing and The Handmaid's Tale, Joan Barfoot's Gaining Ground and Dancing in the Dark, Anne Tyler's Earthly Possessions and Ladder of Years, Marilynne Robinson's Housekeeping, Erica Jong's Fear of Flying and Margaret Laurence's The Diviners.

This exhaustive exploration of the sociocultural, political, and economic roles of African women through history demonstrates how African women have shaped-and continue to shape-their societies. Women play essential, critical roles in every society; African women south of the Sahara are certainly no different. Women's Roles in Sub-Saharan Africa adds significantly to our understanding of the ways in which women contribute to the fabric of human civilization. This book provides an in-depth exploration of African women's roles in society from precolonial periods to the contemporary era. Topical sections describe the roles that women play in family, courtship and marriage, religion, work, literature and arts, and government. Each of the six chapters has been structured to elucidate women's roles and functions in society as partners, as active participants, as defenders of their status and occupations, and as agents of change. Authors Nana Akua Amponsah and Toyin Falola present a thought-provoking work that looks at the complicated victimhood/powerful-female paradigm in women and gender studies in Africa, and challenge ideological interest in African historiography that privilege male representation. Describes chronological events in women's lives covering precolonial to postcolonial Africa Includes photographs of powerful women in colonial Africa; arts such as bead-making, pottery, and basketry; contemporary women in politics; and more Lists significant bibliographical materials from historical, anthropological, ethnographical, and sociological sources

Unlike many other mainstream disciplines that only seek to broaden knowledge and thus become additive, women's studies try to question and posit new ways of thinking, inaugurating paradigm shifts and thus becoming subversive by trying to question established hierarchies of knowledge. This has not been an easy journey and the practitioners of this new approach have faced numerous odds as all pioneering endeavours encounter. This journey is a story that needs to be told and the present book attempts to do this by charting the trajectories of few women's studies scholars and their academic sojourn.

After a decade of Thatcherism, rising illegitimacy and the moral panic over child sexual abuse, the family is more of a political issue than ever. But is it 'the family' that is in crisis, or family ideology? In this revised edition of an important and controversial book, Diana Gittins adds to a broad range of historical, anthropological and feminist evidence, a new chapter on child sexual abuse.

As Japan shifted from an agricultural country before 1950 to an industrialized nation in less time than any other developed country, women felt the pressure of the shift. Husbands worked longer hours, leaving all the household chores and child rearing to their wives while fulfilling their responsibilites as corporate soldiers. The economy was fueled by a diligent, well-educated, low-paid workforce, but gender role division became even more rigid. Household incomes rose and improvement in areas such as diets, transportation, and leisure were made; modern appliances also made it possible for mothers to have part-time jobs. But pollution also rose, as did prices, and crowded living conditions began to impinge on family life. Tanaka, who has spent many years looking back at her country from an American perspective, examines marriage, motherhood, employment, independence, women's movements, and old age for women in Japan over the last 50 years.

"A lively mix of memoir, cultural and historical analysis, statistics, and cross-generational profiles of women who shoot
--blasting the notion that feminism and firearms are incompatible."
--"Peace News"

Women, we are told, should not own guns. Women, we are told, are more likely to be injured by their own guns than to fend off an attack themselves. This "fact" is rooted in a fundamental assumption of female weakness and vulnerability. Why should a woman "not" be every bit as capable as a man of using a firearm in self-defense?

And yet the reality is that millions of American women--somewhere between 11,000,000 and 17,000,000--use guns confidently and competently every day. Women are hunting, using firearms in their work as policewomen and in the military, shooting for sport, and arming themselves for personal security in ever-increasing numbers. What motivates women to possess firearms? What is their relationship to their guns? And who exactly are these women? Crucially, can a woman be a gun-owner and a feminist too?

Women's growing tendency to arm themselves has in recent years been political fodder for both the right and the left. Female gun owners are frequently painted as "trying to be like men" (the conservative perspective) or "capitulating to patriarchal ideas about power" (the liberal critique). Eschewing the polar extremes in the heated debate over gun ownership and gun control, and linking firearms and feminism in novel fashion, Mary Zeiss Stange and Carol K. Oyster here cut through the rhetoric to paint a precise and unflinching account of America's gun women.

Within a social context where gender equality has been formally established as a social good and where feminism is generally dismissed as having achieved its purpose, third wave feminism offers an analysis of gender relations and feminist politics that has caused extensive debate. Situating third wave feminism within a late modern, postfeminist gender order this book offers a critical analysis of the assumptions that underpin the third wave perspective focusing on the solutions that third wave feminism proposes to counteract the popular perception that feminism has lost its relevance in today's society. In this analysis, the conceptual and theoretical resources that a third wave feminist perspective offers for advancing an understanding of the current state of a feminist 'politics of the self' are assessed and the claim that a set of new practices and identities are required to progress feminist interests is explored, focusing specifically upon the reconstruction of femininity through the ideals of autonomy, individuality and self-management.

This book presents critical readings of eight contemporary German novels which feature historically documented women as their main protagonist, and which reconstruct women's lives by combining source material and invention. Protagonists include Cornelia Goethe, Caroline Schlegel-Schelling, Karoline von Guenderrode and Charlotte Corday. Through a thorough examination of these novels, the wider complexities of female identity, feminism, literary technique and historiography are illuminated and discussed. The author examines how historical events are used to substantiate ideological positions and how the narrators consider this problematic aspect of their project.

This first biography of V.F. Calverton gives an intellectual history of the American radical movement from 1920 to 1940 and shows how he and his Modern Quarterly led the forefront in wars of ideas about sex, lit, and party. This lively study of the career and times of Calverton examines basic questions about the relationships between literature and politics, feminist agendas, and political theory in ways that are still relevant. Students of political thought, American history, and American literature will find this biography a provocative one that brings the period alive in new ways. A short introduction shows how Calverton yearned to be an American Lenin-Cassanova-Pericles. Philip Abbott then follows Calverton's participation in a series of intellectual wars fought in the 1920s and the 1930s. Thus does Abbott reassess American radicalism and the development of American bohemia and socialism. Calverton was the central figure in two efforts to found an American radical republic, both of which were rejected by his colleagues--famous writers and thinkers of his time. One attempt sought to create a republic of being in which participants explored the capacities of sexual liberation as an agent for change. Another involved the creation of a republic of doing in which radical citizens acted out revolutionary roles. This biography of a neglected theorist reevaluates radical projects in politics, psychology, and the arts in America in a seminal period in their development.

"Queer Voices" sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself.

First English translation of the memoirs of Austrian Romani Holocaust survivor, writer, visual artist, musician, and activist Ceija Stojka (1933-2013), along with poems, an interview, historical photos, and reproductions of her artworks. "Is this the whole world?" This question begins the first of three memoirs by Austrian Romani writer, visual artist, musician, and activist Ceija Stojka (1933-2013), told from her perspective as a child interned in three Nazi concentration camps from age nine to twelve. Written by a child survivor much later in life, the memoirs offer insights into the nexus of narrative and extreme trauma, expressing the full spectrum of human emotions: fear and sorrow at losing loved ones; joy and relief when reconnecting with family and friends; desire to preserve some memories while attempting to erase others; horror at acts of genocide, and hope arising from dreams of survival. In addition to annotated translations of the three memoirs, the book includes two of Stojka's poems and an interview by Karin Berger, editor of the original editions of Stojka's memoirs, as well as color reproductions of several of her artworks and historical photographs. An introduction contextualizes her works within Romani history and culture, and a glossary informs the reader about the "concentrationary universe." Because the memoirs show how Stojka navigated male-dominated postwar Austrian culture, generally discriminatory to Roma, and the patriarchal aspects of Romani culture itself, the book is a contribution not only to Holocaust Studies but also to Austrian Studies, Romani Studies, and Women's and Gender Studies.

An examination of women's roles in politics and society in the contemporary Russian Federation as it creates a new market economy and democratic course born of a millennium of history and nearly 75 years of authoritarian communist rule.

The stage is set in the introduction followed by an examination of the history of the Bolshevik socialist state in 1917 through the participation of women in recent multiparty elections in 1993. The tsarist and Communist gender culture is presented, and the book then considers why and how, the Soviet Union disintegrated. Next the editors explore the reborn Russia of President Boris Yeltsin and women's rights under Soviet and post-Soviet rule. The book is enriched by statistical tables and glossaries of the names of leaders and terms for easy identification.

This unique book brings together international scholars from around the globe to examine how different feminist theories are being used in early childhood research, policy and pedagogy. The array of feminist discourses captured by the authors offer contextualised possibilities for disrupting dominant patriarchal beliefs and producing change. The authors address and challenge how early childhood experiences, institutions and practices produce gendered effects across and within diverse contexts and demonstrate how feminism(s) in action can be used to reconceptualise research methods, government policy, children's learning, teaching practice and educational resources. In this way, the book contributes to creating new knowledge connections and community alliances in the global effort to end gender-based inequalities across local and global communities.

"Rethinking Contemporary Feminist Politics" puts forward a timely analysis of contemporary feminism. Critically engaging with both narratives of feminist decline and re-emergence, it draws on poststructuralist political theory to assess current forms of activism in the UK and present a provocative account of recent developments in feminist politics.

From Mean Girl to BFF, Girlfriends and Postfeminist Sisterhood explores female sociality in postfeminist popular culture. Focusing on a range of media forms, including film, magazines, conduct books, TV and digital networking sites, Alison Winch reveals the ways in which friendships are increasingly encouraged to be strategic. Girlfriendship is examined as an affective social relation where slut-shamers, frenemies and bridezillas bond by controlling each other's body image through a 'girlfriend gaze'. Through a combination of psychosociological theory and media analysis, this book offers a complex understanding of patriarchy, by looking at how neoliberalism penetrates the intimate relations between women.

Chaucer was a keen observer of the lives of women with a remarkable ability to see beyond his culture's preconceptions concerning their proper roles. The lives of medieval women were divided into three estates--virginity, wifehood, and widowhood--each with complex rules extending to particulars of speech and dress, but all directed toward the single purpose of preserving female chastity, for which a woman was to be prepared to suffer or even die. Margaret Hallissy's lively and literate study traces Chaucer's female characterizations against a background of medieval rules and common assumptions governing women to determine where he adhered to or departed from the behavioral norms. She concludes that he discounted much of these codes of conduct as being detrimental to the development of a full human person. The Wife of Bath, Chaucer's most drastic deviation from the received wisdom about women of his day, could only have been developed by an author/narrator who turned from the prescribed written rules--which, sacred or secular, were all instruments of patriarchal power--to female discourse and action. Applying insights from the works of modern social historians of the Middle Ages and ranging widely in sources from the visual arts, civil and canon law, homiletics, theology, architecture, fashion history, and medicine, Hallissy illuminates the preconceptions with which Chaucer's original audience would have encountered his work and brings her findings to bear on a close analysis of literary characters in the text. The resulting study provides an original and essential dimension for reading Chaucer, while its feminist-historicist approach broadens the audience to those interested in medieval studies and women's studies in general.

Both a scholarly and personal critique of current feminist Moroccan discourses, this book is a call for a larger-than-Islam framework that accommodates the Berber dimension. Sadiqi argues that current feminist discourse, both secular and Islamic ones, are not only divergent but limit the rich heritage, knowledge, and art of Berber women.

This book examines how feminist movements have contested the dominant discourses and state politics that have impeded women's autonomy over their bodies since the late 1960s. It deals with two important facets of this struggle, prostitution and the right to abortion, as they relate to the Czech Republic, the Netherlands, Portugal and Sweden.

Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.

What does it mean to be a woman in the 21st century? The feminist movement has a long and rich history, but is its time now passed? This edited collection is driven by the question, why is feminism viewed by some (we would add a majority) as outdated, no longer necessary and having achieved its goals, and what role have the media played in this?

Women are disproportionately affected by HIV and AIDS. By focusing on the pandemic at its epicenter in Southern Africa, this book explores the gendered power inequalities driving women's vulnerability to HIV and provides suggestions of how to individually and collectively address women's oppression.