As Japan shifted from an agricultural country before 1950 to an industrialized nation in less time than any other developed country, women felt the pressure of the shift. Husbands worked longer hours, leaving all the household chores and child rearing to their wives while fulfilling their responsibilites as corporate soldiers. The economy was fueled by a diligent, well-educated, low-paid workforce, but gender role division became even more rigid. Household incomes rose and improvement in areas such as diets, transportation, and leisure were made; modern appliances also made it possible for mothers to have part-time jobs. But pollution also rose, as did prices, and crowded living conditions began to impinge on family life. Tanaka, who has spent many years looking back at her country from an American perspective, examines marriage, motherhood, employment, independence, women's movements, and old age for women in Japan over the last 50 years.

1000-PIECE PUZZLE featuring the women of Greek mythology as you've never seen them before. Finished puzzle measures 680 x 485mm SPOT FAMOUS FIGURES AND MYTHICAL MOMENTS, as you build the puzzle - can you find Pandora and her jar, or Medusa with snakes for hair? INCLUDES A FOLD-OUT POSTER featuring the stories of the real women of Greek myth from best-selling author and classicist Natalie Haynes STURDY & ATTRACTIVE BOX perfect for gifting and storage Think you know these women? Put the pieces together and you will start to think again. In this beautifully illustrated 1,000-piece jigsaw puzzle, rediscover the lives and stories of the women of Greek myth, portrayed by author, broadcaster and classicist Natalie Haynes with illustrator Natalie Foss. A large fold-out poster of the artwork accompanies the jigsaw and also includes an original essay from the author, expanding on the stories, relationships and context surrounding these infamous women. Featuring mortals and goddesses alike, from Medusa and Medea to Helen, Euridice, Aphrodite, Phaedra, Artemis and more, uncover the truth about the women of the classics.

"Queer Voices" sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself.

This first biography of V.F. Calverton gives an intellectual history of the American radical movement from 1920 to 1940 and shows how he and his Modern Quarterly led the forefront in wars of ideas about sex, lit, and party. This lively study of the career and times of Calverton examines basic questions about the relationships between literature and politics, feminist agendas, and political theory in ways that are still relevant. Students of political thought, American history, and American literature will find this biography a provocative one that brings the period alive in new ways. A short introduction shows how Calverton yearned to be an American Lenin-Cassanova-Pericles. Philip Abbott then follows Calverton's participation in a series of intellectual wars fought in the 1920s and the 1930s. Thus does Abbott reassess American radicalism and the development of American bohemia and socialism. Calverton was the central figure in two efforts to found an American radical republic, both of which were rejected by his colleagues--famous writers and thinkers of his time. One attempt sought to create a republic of being in which participants explored the capacities of sexual liberation as an agent for change. Another involved the creation of a republic of doing in which radical citizens acted out revolutionary roles. This biography of a neglected theorist reevaluates radical projects in politics, psychology, and the arts in America in a seminal period in their development.

Discover Virginia Woolf's landmark essay on women's struggle for independence and creative opportunity A Room of One's Own is one of Virginia Woolf's most influential works and widely recognized for its extraordinary contribution to the women's movement. Based on a lecture given at Girton College, Cambridge, it is one of the great feminist polemics, ranging in its themes from Jane Austen and Charlotte Bronte to the silent fate of Shakespeare's gifted (imaginary) sister, and the effects of poverty and sexual constraint on female creativity. The work was ranked by The Guardian newspaper as number 45 in the 100 World's Best Non-fiction Books. Part of the bestselling Capstone series, this collectible, hard-back edition of A Room of One's Own includes an insightful introduction by Jessica Gildersleeve that explains the book's place in modernist literature and why it still resonates with contemporary readers. Born in 1882, Virginia Woolf was one of the most forward-thinking English writers of her time. Author of the classic novels Mrs Dalloway (1925) and To the Lighthouse (1927), she was also a prolific writer of essays, diaries, letters and biographies, and a member of the celebrated Bloomsbury Set of intellectuals and artists. Discover why A Room of One's Own is considered among the greatest and most influential works of female empowerment and creativity Learn why Woolf's classic has stood the test of time. Make this attractive, high-quality hardcover edition a permanent addition to your library Enjoy an insightful introduction by Jessica Gildersleeve, who connects the themes of the text to the concerns of today's audience Capstone Classics brings A Room of One's Own to a new generation of readers who can discover how Woolf's book broke new artistic ground and advanced the position of women writers and creatives around the world.

An examination of women's roles in politics and society in the contemporary Russian Federation as it creates a new market economy and democratic course born of a millennium of history and nearly 75 years of authoritarian communist rule.

The stage is set in the introduction followed by an examination of the history of the Bolshevik socialist state in 1917 through the participation of women in recent multiparty elections in 1993. The tsarist and Communist gender culture is presented, and the book then considers why and how, the Soviet Union disintegrated. Next the editors explore the reborn Russia of President Boris Yeltsin and women's rights under Soviet and post-Soviet rule. The book is enriched by statistical tables and glossaries of the names of leaders and terms for easy identification.

Chaucer was a keen observer of the lives of women with a remarkable ability to see beyond his culture's preconceptions concerning their proper roles. The lives of medieval women were divided into three estates--virginity, wifehood, and widowhood--each with complex rules extending to particulars of speech and dress, but all directed toward the single purpose of preserving female chastity, for which a woman was to be prepared to suffer or even die. Margaret Hallissy's lively and literate study traces Chaucer's female characterizations against a background of medieval rules and common assumptions governing women to determine where he adhered to or departed from the behavioral norms. She concludes that he discounted much of these codes of conduct as being detrimental to the development of a full human person. The Wife of Bath, Chaucer's most drastic deviation from the received wisdom about women of his day, could only have been developed by an author/narrator who turned from the prescribed written rules--which, sacred or secular, were all instruments of patriarchal power--to female discourse and action. Applying insights from the works of modern social historians of the Middle Ages and ranging widely in sources from the visual arts, civil and canon law, homiletics, theology, architecture, fashion history, and medicine, Hallissy illuminates the preconceptions with which Chaucer's original audience would have encountered his work and brings her findings to bear on a close analysis of literary characters in the text. The resulting study provides an original and essential dimension for reading Chaucer, while its feminist-historicist approach broadens the audience to those interested in medieval studies and women's studies in general.

"The Subject of Rosi Braidotti: Politics and Concepts" brings into focus the diverse influence of the work of Rosi Braidotti on academic fields in the humanities and the social sciences such as the study and scholarship in - among others - feminist theory, political theory, continental philosophy, philosophy of science and technology, cultural studies, ethnicity and race studies. Inspired by Braidotti's philosophy of nomadic relations of embodied thought, the volume is a mapping exercise of productive engagements and instructive interactions by a variety of international, outstanding and world-renowned scholars with texts and concepts developed by Braidotti throughout her immense body of work.In Braidotti's work, traversing themes of engagements emerge of politics and philosophy across generations and continents. Therefore, the edited volume invites prominent scholars at different stages of their careers and from around the world to engage with Braidotti's work in terms of concepts and/or political practice.

This unique book brings together international scholars from around the globe to examine how different feminist theories are being used in early childhood research, policy and pedagogy. The array of feminist discourses captured by the authors offer contextualised possibilities for disrupting dominant patriarchal beliefs and producing change. The authors address and challenge how early childhood experiences, institutions and practices produce gendered effects across and within diverse contexts and demonstrate how feminism(s) in action can be used to reconceptualise research methods, government policy, children's learning, teaching practice and educational resources. In this way, the book contributes to creating new knowledge connections and community alliances in the global effort to end gender-based inequalities across local and global communities.

"Rethinking Contemporary Feminist Politics" puts forward a timely analysis of contemporary feminism. Critically engaging with both narratives of feminist decline and re-emergence, it draws on poststructuralist political theory to assess current forms of activism in the UK and present a provocative account of recent developments in feminist politics.

From Mean Girl to BFF, Girlfriends and Postfeminist Sisterhood explores female sociality in postfeminist popular culture. Focusing on a range of media forms, including film, magazines, conduct books, TV and digital networking sites, Alison Winch reveals the ways in which friendships are increasingly encouraged to be strategic. Girlfriendship is examined as an affective social relation where slut-shamers, frenemies and bridezillas bond by controlling each other's body image through a 'girlfriend gaze'. Through a combination of psychosociological theory and media analysis, this book offers a complex understanding of patriarchy, by looking at how neoliberalism penetrates the intimate relations between women.

Both a scholarly and personal critique of current feminist Moroccan discourses, this book is a call for a larger-than-Islam framework that accommodates the Berber dimension. Sadiqi argues that current feminist discourse, both secular and Islamic ones, are not only divergent but limit the rich heritage, knowledge, and art of Berber women.

This book examines how feminist movements have contested the dominant discourses and state politics that have impeded women's autonomy over their bodies since the late 1960s. It deals with two important facets of this struggle, prostitution and the right to abortion, as they relate to the Czech Republic, the Netherlands, Portugal and Sweden.

Single Women in Popular Culture demonstrates how single women continue to be figures of profound cultural anxiety. Examining a wide range of popular media forms, this is a timely, insightful and politically engaged book, exploring the ways in which postfeminism limits the representation of single women in popular culture.

What does it mean to be a woman in the 21st century? The feminist movement has a long and rich history, but is its time now passed? This edited collection is driven by the question, why is feminism viewed by some (we would add a majority) as outdated, no longer necessary and having achieved its goals, and what role have the media played in this?

Women are disproportionately affected by HIV and AIDS. By focusing on the pandemic at its epicenter in Southern Africa, this book explores the gendered power inequalities driving women's vulnerability to HIV and provides suggestions of how to individually and collectively address women's oppression.

Born in the northern region of the Sierra Nevada mountains, Marie Mason Potts (1895-1978), a Mountain Maidu woman, became one of the most influential California Indian activists of her generation. In this illuminating book, Terri A. Castaneda explores Potts's rich life story, from her formative years in off-reservation boarding schools, through marriage and motherhood, and into national spheres of Native American politics and cultural revitalization. During the early twentieth century, federal Indian policy imposed narrow restrictions on the dreams and aspirations of young Native girls. Castaneda demonstrates how Marie initially accepted these limitations and how, with determined resolve, she broke free of them. As a young student at Greenville Indian Industrial school, Marie navigated conditions that were perilous, even deadly, for many of her peers. Yet she excelled academically, and her adventurous spirit and intellectual ambition led her to transfer to Pennsylvania's Carlisle Indian Industrial School. After graduating in 1912, Marie Potts returned home, married a former schoolmate, and worked as a domestic laborer. Racism and socioeconomic inequality were inescapable, and Castaneda chronicles Potts's growing political consciousness within the urban milieu of Sacramento. Against this backdrop, the author analyzes Potts's significant work for the Federated Indians of California (FIC) and her thirty-year tenure as editor and publisher of the Smoke Signal newspaper. Potts's voluminous correspondence documents her steadfast conviction that California Indians deserved just compensation for their stolen ancestral lands, a decent standard of living, the right to practice their traditions, and political agency in their own affairs. Drawing extensively from this trove of writings, Castaneda privileges Potts's own voice in the telling of her story and offers a valuable history of California Indians in the twentieth century.

"Twine and Blee break new ground with case studies of international, feminist, and antiracist struggles"
-- "Feminist Collections"

aThe editors have done an admirable job of drawing together works of diversely positioned authors, each of whom approach the topic of feminism and antiracism from their own unique personal and disciplinary standpoint.a
--Anne Wagner, Dept of Sociology and Equity Studies in Education, University of Toronto

"Focuses on what is happening in the "streets," in feminist, antiracist social movements around the globe."
-- "Signs"

A collection of international scholars and activists answer the questionshow does gender and region/nation play a defining role in how feminists engage in anti-racist practices? How has the restructuring in the world economy affected anti-racist organizing? How do Third World Feminists counter the perception that feminism is a "Western" ideology and how effective are their methods? What opportunities does globalization bring for cross-cultural organizing?

From essays on the race and gender issues in organizing exotic dancers to resistance art in Africa and the U.S., this timely and necessary anthology will be sure to spark debate and controversy.

Contributors: Angela Davis, Kathleen Blee, France Winddance Twine, Heater Merrill, Veronica Magar, Siobhan Brooks, Delores Walters, Michelle Rosenthal, Ellen Kaye Scott, andrea breen, Yoshiko Nozaki, Sohera Syeda, Becky Thompson, Paola Bacchetta, Carolyn Martin Shaw, Eileen O'Brien and Michael Armato, Jane Freedman, Cathleen Armstead, Ashwini Deshpande, and Minelle Mahtani.

Featured on BBC Radio 2 and BBC Radio 5 Live Selected as one of the Independent's 10 best pregnancy books for expectant parents Birth is a feminist issue. It's the feminist issue nobody's talking about. FEATURING A BRAND NEW CHAPTER 'A powerful read, whether you're pregnant or not' Independent Finally blasting the feminist spotlight into the labour ward, Milli Hill encourages women everywhere to stand and deliver, insisting that birth is no longer left off the list in discussions about female power, control and agency. From the importance of birth plans to your human rights in childbirth, and including birth stories from women across the world, this call-to-arms will help you find your voice, take an active role in your choices, and change the way you think about childbirth. Praise for Give Birth Like a Feminist 'I feel so lucky to have read Milli's book while pregnant, she completely changed my way of looking at giving birth' Ella Mills, author of Deliciously Ella

The eighteenth-century French philosopher Jean-Jacques Rousseau's reputation for writing in apparent inconsistencies and paradoxes is well deserved. He confronts the reader with ironies of all sorts. In this engaging new work, Penny A. Weiss wrestles with issues of gender in the works of Rousseau. She addresses the apparent male/female role contradictions that run through many of his works and attempts to resolve them by placing them within the context of themes and principles that provide the framework for his political philosophy. Rousseau advocated separate family roles for men and women as a way of encouraging them to become more effective social and political beings. His advocacy of sexual differentiation has often been criticized as antifeminist. In Emile, for example, Rousseau argues that women engaged in activities outside the home will become neglectful of their domestic duties. Penny A. Weiss maintains that Rousseau's antifeminist convictions arise not out of any belief that biology determines different family roles for men and women or that the traditional nuclear family is naturally better than other types of families. Rather, he believes that sexual differentiation forces individuals to look beyond themselves for certain functions and to become more interdependent, social beings. Some have argued that rigidly defined roles for men and women have the effect of making both sexes incomplete. Such incompleteness is, however, precisely what Rousseau seeks since it helps people to overcome a natural egoism and selfishness and prepares them to be effective participants in the political order. It is tempting to attribute Rousseau's remarks on the sexes to the times in which hewrote or to his personal idiosyncratic preferences, so starkly do they seem to conflict with his principled commitments to freedom and equality. Weiss examines the debates about Rousseau's concepts of gender, justice, freedom, community, and equality, making a significant contribution to feminist theory. In recovering the connection between Rousseau's sexual politics and his political theory, Weiss advances a new, more complete picture of Rousseau's work. She convinces us that Rousseau's political strategy is ultimately unworkable, undermining, as it does, the very community it is meant to establish. Addressing important contemporary questions regarding families, citizens, and communities, Gendered Community also reveals the variety and complexity of antifeminist writing.

A Feminist Perspective on Virtue Ethics provides of historical survey of feminist virtue ethics, and shows how the ethical theorizing of women in the past can be brought to bear on that of women in the present.

The question of the representation of women in the media has been an important one for feminists over the past three decades. This diverse collection of essays represents three major trends in feminist media studies: the liberal feminist perspective, which focuses on the media's tendency to misrepresent and oppress women; the postmodern perspective, which illustrates the ways in which women can participate in, enjoy, and sometimes subvert the dominant media; and the more recent attempts to identify and challenge the subtle backlash that threatens to obliterate feminist gains. The contributors cover a wide range of subjects, from advertisements for women's stockings to the life and death of Princess Diana.