The acceleration of economic globalization and the rapid global flows of people, cultural goods, and information have intensified the importance of developing transnational understandings of contemporary issues. Transnational feminist perspectives have provided a unique outlook on women's lives and have deepened our understanding of the gendered nature of global processes.Transnational Feminism in the United Statesexamines how transnational perspectives shape the ways in which we produce, consume, and disseminate knowledge about the world within the United States, and how the paradigm of transnational feminism is affected in nuanced ways by national narratives and public discourses within the country itself.An innovative theoretical project that is both deconstructive and constructive, this bookinterrogates the limits of feminist thought, primarily through case studies that illustrate its power to create entirely new fields of research out of traditionally interdisciplinary lines of inquiry. Leela Fernandes discusses ways to approach, analyze, and capture processes that exceed and unsettle the nation-state within the transnational feminist paradigm. Examining the links between power and knowledge that bind interdisciplinary theory and research, she shines new light on issues such as human rights and the United States war on terror as well as academic debates about transnational feminist perspectives on global issues. A commanding and thought-provoking analysis, Transnational Feminism in the United Statespowerfully contributes to central debates in the field of Women's Studies and related cross-disciplinary scholarship on feminist theory and gender from a global perspective.Leela Fernandesis Professor of Women's Studies and Political Science at the University of Michigan, and author ofIndia's New Middle Class: Democratic Politics in an Era of Economic Reform;Producing Workers: The Politics of Gender, Classand Culture in the Calcutta Jute Mills; andTransforming Feminist Practice.

By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.

Li Ang (1952-) is a famous and prolific feminist writer from Taiwan who challenges and subverts sociocultural traditions through her daring explorations of sex, violence, women's bodies and desire, and national politics. As a taboo-breaking writer and social critic, she uses fiction to expose injustice and represent human nature. Her political engagement further affords her a visionary perspective for interrogating the problematic intersection of gender and politics. The ambivalence in her fictional representations invites controversies and debates. Her works have thus helped raise awareness of the problems, open up discussions, and bring about social and intellectual changes. Some of her works have been translated into such foreign languages as English, French, German, and Japanese. In her career spanning over forty years, she has won numerous literary awards. Li Ang's Visionary Challenges to Gender, Sex, and Politics is the first collection of critical essays in English on Li Ang and some of her most celebrated works. Contributing historians examine her vital roles in the Taiwanese women's movement and political arenas, as well as the social influence of her publications on extramarital affairs. Contributing literary scholars investigate the feminist controversy over her 1983 award-winning novel, Shafu (Killing the Husband; translated as The Butcher's Wife); offer alternative interpretative strategies such as looking into figurations of "biopower" and relationship dynamics; dissect the subtle political significance in her magnificent novel Miyuan (The labyrinthine garden; 1991) and explosive political fiction, Beigang xianglu renren cha (Everyone sticks incense into the Beigang censer; 1997) from the perspective of gender and national identity; scrutinize the multiple discursive levels in her superb novel Qishi yinyuan zhi Taiwan/Zhongguo qingren (Seven prelives of affective affinity: Taiwan/China lovers; 2009); and analyze the "(dis)embodied subversion" accomplished by her fantastic Kandejian de gui (Visible ghosts; 2004). As the first volume in English to examine Li Ang's trail-blazing discourse on gender, sex, and politics, this work will inspire more studies of her oeuvre and contribute usefully to the fields of modern Taiwanese and Chinese literature, feminist studies, and comparative literature.

View the Table of Contents. Read the Introduction.

aThis excellent primer traces the development of feminist theories in a legal system to which women and feminists are relatively new. The authors traverse various feminist legal theories, describing their inherent differences, as well as their crucial common ground; their influence on the legal world; their successes both perceived and real; and finally, their dynamic nature, which prime activists and academics for social and political change...The book also raises issues of goals unfulfilled and challenges to come by providing an insightfully provoking discussion of diverse issues. It explores more traditionally afeminista legal topics such as domestic violence and rape, current debates, such as single-sex schools and women in the US military, and larger issues regarding the applicability of feminist legal theories in the face of a shrinking, globalized world.a
--"Berkeley Journal of Gender, Law, and Justice"

aThis excellent primer traces the development of feminist theories in a legal system to which women and feminists are relatively new. The authors traverse various feminist legal theories, describing their inherent differences, as well as their crucial common ground; their influence on the legal world; their successes, both perceived and real; and finally, their dynamic nature, which prime activists and academics for social and political change. . . . The book also raises issues of goals unfulfilled and challenges to come by providing an insightfully provoking discussion of diverse issues. It explores more traditionally afeminista legal topics such as domestic violence and rape, current debates, such as single-sex schoolsand women in the U.S. military, and larger issues regarding the applicability of feminist legal theories in the face of a shrinking, globalized world.a
--"Berkeley Journal of Gender, Law, and Justice"

aThis book is perfectly designed as a text for undergraduates. The writing is lively and accessible; the topic coverage is broad, interesting, and up-to-date; and the subject of feminist legal theory is represented in many forms. Levit and Verchick invite readers to engage in the debate over lawas impact on gendered controversies, and to select solutions from among competing visions of equality.a
--"Choice" (highly recommended)

aFeminist Legal Theory brings together a comprehensive and lucid treatment of feminist theoretical approaches to the most pressing legal problems of our time. This book will serve as an essential desk reference for those who are new to feminist legal theory as well as for those of us who are veterans.a
--Katherine Franke, Columbia Law School

"An important new assessment, wisely crafted, controversial, provocative, unusual, not just another addition to a settled field."
--Susan Estrich, author of "Sex & Power "

"A must-read for those who are interested in how feminist legal thinking has influenced and continues to have an impact on the development of legal rules. I recommend it to all those who are interested in the complex problems that confront women throughout the world in the twenty-first century."
--Theresa Beiner, professor of law, University of Arkansas at Little Rock

"Using the multi-faceted lens of feminism, Levit and Verchick circumnavigate contemporary legal theory with an amazing confidence, acute insights, and impressiveenergy. Anyone interested in ways that the law impacts the lives of women (and men) will find this book essential reading."
--Keith Aoki, Philip H. Knight Professor of Law, University of Oregon School of Law

a[C]learly-worded and effective in the presentation of occasionally confusing or conflicting issues and perspectives.a
--"Women, Girls & Criminal Justice"

At long last, the complex field of feminist legal theory is presented in accessible, teachable form by two of its experts, Nancy Levit and Robert R. M. Verchick. In this outstanding primer, the authors introduce the diverse strands of feminist legal theory and the array of substantive legal issues relevant to women's and gender studies. The book centers on feminist legal theories--including equal treatment theory, cultural feminism, dominance theory, critical race feminism, lesbian feminism, postmodern feminism, and ecofeminism. The authors also address feminist legal methods, such as consciousness raising and storytelling.

The primer demonstrates the ways feminist legal theory operates in real-life contexts, including domestic violence, reproductive rights, workplace discrimination, education, sports, pornography, and global issues of gender. Levit and Verchick highlight a sweeping range of cutting edge topics at the intersection of law and gender, such as single sex schools, women in the military, abortion, same sex marriage, date rape, and the international trafficking in women and girls.

At its core, "Feminist Legal Theory" shows the importance of the role of law and feminist legal theory in shaping contemporary gender issues.

This edited collection contributes to the theoretical literature on social reproduction-defined by Marx as the necessary labor to arrive the next day at the factory gate-and extended by feminist geographers and others into complex understandings of the relationship between paid labor and the unpaid work of daily life. The volume explores new terrain in social reproduction with a focus on the challenges posed by evolving theories of embodiment and identity, nonhuman materialities, and diverse economies. Reflecting and expanding on ongoing debates within feminist geography, with additional cross-disciplinary contributions from sociologists and political scientists, Precarious Worlds explores the productive possibilities of social reproduction as an ontology, a theoretical lens, and an analytical framework for what Geraldine Pratt has called "a vigorous, materialist transnational feminism.

Sweta Srivastava Vikram is an award-winning writer, poet, novelist, author, essayist, columnist, blogger, and educator whose musings have translated into four chapbooks of poetry, two collaborative collections of poetry, a fiction novel, and an upcoming nonfiction book of prose and poems. Her work has appeared in several anthologies, literary journals, and online publications across six countries in three continents. A graduate of Columbia University, Sweta reads her work across the United States, Europe, and Asia. She also teaches creative writing workshops. Sweta lives in New York City with her husband. She has been nominated twice for the Pushcart Prize.
About this chapbook
Beyond the Scent of Sorrow delves into the challenges faced by women on a global level. The eucalyptus trees in southwest Portugal are used as an archetype to symbolically elicit the challenges women face in today's world. Boldly, the poems which are lyrical, literal, short, and succinct, profess the unkind capabilities of mankind.
Poets and Critics praise "Beyond the Scent of Sorrow"
"Sweta's poetic voice flows like water smoothing and shaping stones. With great skill she uncovers, sometimes tenderly and other times more forcefully, the shroud of fog surrounding the feminine archetype... she has created and nurtured a garden, a wordscape, in which trust and healing can flourish."
--Nick Purdon, author of The Road-shaped Heart
"Sweta Srivastava Vikram holds her work close. Fold it one way, a poem of loss appears. Fold it yet again for a poem of longing. Her work is as structurally sound as the elements. It soars with anticipation. Vikram reveals lovely and powerful poems that will long linger."
--Doug Mathewson, Editor Blink-Ink
Learn more at www.SwetaVikram.com
From the World Voices Series at Modern History Press www.ModernHistoryPress.com
POE005060 Poetry: American - Asian American
SOC028000 Social Science: Women's Studies - General
SOC010000 Social Science: Feminism & Feminist Theory

In the wake of the violent labor disputes in Colorado's two-year Coalfield War, a young woman and single mother resolved in 1916 to change the status quo for 'girls,' as well-to-do women in Denver referred to their hired help. Her name was Jane Street, and this compelling biography is the first to chronicle her defiant efforts - and devastating misfortunes - as a leader of the so-called housemaid rebellion. A native of Indiana, Jane Street (1887 - 1966) began her activist endeavors as an organizer for the Industrial Workers of the World (IWW). In riveting detail, author Jane Little Botkin recounts Street's attempts to orchestrate a domestic mutiny against Denver's elitist Capitol Hill women, including wives of the state's national guard officers and Colorado Fuel and Iron operators. It did not take long for the housemaid rebellion to make local and national news. Despite the IWW's initial support of the housemaids' fight for fairness and better pay, Street soon found herself engaged in a gender war, the target of sexism within the very organization she worked so hard to support. The abuses she suffered ranged from sabotage and betrayal to arrests and abandonment. After the United States entered World War I and the first Red Scare arose, Street's battle to balance motherhood and labor organizing began to take its toll. Legal troubles, broken relationships, and poverty threatened her very existence. In previous western labor and women's studies accounts, Jane Street has figured only marginally, credited in passing as the founder of a housemaids' union. To unearth the rich detail of her story, Botkin has combed through case histories, family archives, and - perhaps most significant - Street's own writings, which express her greatest joys, her deepest sorrows, and her unfortunate dealings with systematic injustice. Setting Jane's story within the wider context of early-twentieth-century class struggles and the women's suffrage movement, The Girl Who Dared to Defy paints a fascinating - and ultimately heartbreaking - portrait of one woman's courageous fight for equality.

We rely on two different conceptions of morality. On the one hand, we think of morality as a correct action guide. Morality is accessed by taking up a critical, reflective point of view where our concern is with identifying the moral rules that would be the focus of the requiring activities of persons in a hypothetical social world whose participants were capable of accessing the justifications for everyone's endorsing just this set of rules. On the other hand, in doing virtually anything connected with morality-making demands, offering excuses, justifying choices, expressing moral attitudes, getting uptake on our resentments, and the like-we rely on social practices of morality and shared moral understandings that make our moral activities and attitudes intelligible to others. This second conception of morality, unlike the first, is not shaped by the aim of getting it right or the contrast between correct and merely supposed moral requirements. It is shaped by the moral aim of practicing morality with others within an actual, not merely hypothetical, scheme of social cooperation. If practices based on misguided moral norms seem not to be genuine morality under the first conception, merely hypothetical practices seem not to be the genuine article under the second conception. The premise of this book, which collects together nine previously published essay and a new introduction, is that both conceptions are indispensable. But exactly how is the moral theorist to go about working simultaneously with two such different conceptions of morality? The book's project is not to construct an overarching methodology for handling the two conceptions of morality. Instead, it is to provide case studies of that work being done.

Unique volume articulating the "gender critical" feminist position 15 chapters by an interdisciplinary team of highly-regarded contributors Engages with an important - but highly polarised - political and social debate.

"The Concise Companion to Feminist Theory" introduces readers to the broad scope of feminist theory over the last 35 years.
Introduces readers to the broad scope of feminist theory over the past 35 years.
Guides students along the cutting edge of current feminist theory.
Suitable for students and scholars of all fields touched by feminist thought.
Covers an exceptionally broad range of disciplines, discourses and feminist positions.
Organised around concepts rather than schools of feminism.

Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades. Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this book from the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.

The past thirty years have seen the emergence of a broad-ranging feminist theological critique of Christology. Speaking out of a range of Christian traditions, feminist theologians have exposed the androcentric character of classical Christology, drawing attention to the fact that women's voices in Scripture and in the history of theology have often gone and continue to go unheard. The theological consequences have been grave: Christ's liberating message of the full humanity of both women and men has been compromised by the patriarchal bias of its interpreters. Feminists have also argued that of all Christian doctrines Christology has been most often turned against women. Christological arguments have been used to reinforce an exclusively male image of God, and thus to legitimate men's superiority over women. Further, the image of Christ on the cross has contributed to women's acceptance of abuses of power, as it has often been interpreted as a model of passive submission to unjust suffering. Some feminists have argued for the total rejection of the doctrine of the cross. Others have concluded that Christianity and feminism are incompatible.
In this book, Arnfriour Guomundsdottir provides a lucid survey and analysis of the full range of such criticisms, as well as her own explicitly feminist retrieval and reconstruction of a theology of the cross. She argues that there is a redemptive message hidden in the cross of Christ that is valuable to women today. Despite its potential for abuse and its well-documented history of misuse against women, a theology of the cross can also affirm Jesus as a divine co-sufferer who brings good news to all who are poor and oppressed. Such a theology, Guomundsdottir contends, offers women meaning and strength from a God who takes human form and enters redemptively into their suffering."

This is the first full-length biography of Frances Power Cobbe (1822-1904), Anglo-Irish reformer, feminist, and anti-vivisectionist Lori Williamson builds on original research, Cobbe's autobiography, and the work of later historians to analyze Cobbe's life as well as her ideological outlook.

A workhouse visitor, Cobbe campaigned strenuously against those in power for rights of women, the poor and of animals. A prominent critic of the Poor Law, she was also the first person to draw up a petition to control cruelty to animals. Using Cobbe's thoughts and activities as a catalyst, Power and Protest explores the issues of protest, reform, hierarchy, power, and gender, the relationship between men and women, humans and animals, and includes important work on pressure-group dynamics.

Given its wide-ranging scope, depiction of nineteenth-century British society and culture, and its exploration of the symbiotic relationships between ideology and the dynamics of protest, Power and Protest will attract students of history, social policy, and gender. Its emphasis on anti-vivisection activity provides a powerful basis for understanding power relations and the historical concept of rights.

This book is a collection of feminist childhood studies stories from field research with educators, young children, and/or early childhood student-educators that explores the challenges, tensions, and possibilities of common worlds research methods for the 21st century. Grounded in a common worlding orientation, the contributing authors grapple with complex methodological understandings within postqualitative practices within settler colonial states: Australia, Canada, South Africa, and the Unites States. Each chapter presents a method the authors have put to work in their efforts to unsettle the interpretative power of Euro-Western developmental knowledges and anthropocentric frameworks to reimagine research amid the colonialist, social, and environmental challenges we face today. The research(ing) stories act as provocations for generating innovative, relational, and emergent methods to attend to the complexity of 21st-century childhoods. Just as developmental and sociological perspectives gave birth to new forms of inquiry within childhood studies in 19th-century industrialization and 20th-century urban change respectively, the 21st-century requires novel questions, practices, and methodologies to enhance the childhood studies lexicon. In the field ofchildhood studies, where settler colonial and neoliberal logics have so much clout, suchstrategies are crucial. Feminist Research for 21st-century Childhoods is an important and relevant read for anyone working and researching with children.

This book presents the first feminist translation of Rosalia de Castro's seminal poetic anthology En las orillas del Sar [On the Edge of the River Sar] (1884). Rosalia de Castro (1837-1885) was an artist of vast poetic vision. Her understanding of human nature and her deep sensitivity to the injustices suffered by women and by such marginalized peoples as those of her native region, Galicia, are manifest in verses of universal yet rarely translated significance. An outspoken proponent of both women's rights and her region's cultural and political autonomy, Castro used her poetry as a vehicle through which to decry the crushing hardships both groups endured as Spain vaulted between progressive liberal and conservative reactionary political forces throughout the nineteenth century. Depending upon what faction held sway in the nation at any given time during Castro's truncated literary career, her works were either revered as revolutionary or reviled as heretical for the views they espoused. Long after her death by uterine cancer in 1885, Castro was excluded from the pantheon of Spanish literature by Restoration society for her unorthodox views. Compellingly, the poet's conceptualization of the individual and the national self as informed by gender, ethnicity, class, and language echoes contemporary scholars of cultural studies who seek to broaden present-day definitions of national identity through the incorporation of precisely these same phenomena. Thanks to the most recent works in Rosalian and Galician studies, we are now able to recuperate and reevaluate Rosalia de Castro's poems in their original languages for the more radical symbolism and themes they foreground related to gender, sexuality, race and class as they inform individual and national identities. However, although Castro's poetic corpus is widely accessible in its original languages, these important features of her verses have yet to be given voice in the small number of English translations of only a sub-set of her works that have been produced in the last century. As a result, our understanding of Castro's potential contributions to contemporary world poetries, gender studies, Galician and more broadly cultural studies is woefully incomplete. An English translation of Castro's works that is specifically feminist in its methodological orientation offers a unique and thought-provoking means by which to fill this void.