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Li Ang's Visionary Challenges to Gender, Sex, and Politics (Hardcover)
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Li Ang's Visionary Challenges to Gender, Sex, and Politics (Hardcover)
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Li Ang (1952-) is a famous and prolific feminist writer from Taiwan
who challenges and subverts sociocultural traditions through her
daring explorations of sex, violence, women's bodies and desire,
and national politics. As a taboo-breaking writer and social
critic, she uses fiction to expose injustice and represent human
nature. Her political engagement further affords her a visionary
perspective for interrogating the problematic intersection of
gender and politics. The ambivalence in her fictional
representations invites controversies and debates. Her works have
thus helped raise awareness of the problems, open up discussions,
and bring about social and intellectual changes. Some of her works
have been translated into such foreign languages as English,
French, German, and Japanese. In her career spanning over forty
years, she has won numerous literary awards. Li Ang's Visionary
Challenges to Gender, Sex, and Politics is the first collection of
critical essays in English on Li Ang and some of her most
celebrated works. Contributing historians examine her vital roles
in the Taiwanese women's movement and political arenas, as well as
the social influence of her publications on extramarital affairs.
Contributing literary scholars investigate the feminist controversy
over her 1983 award-winning novel, Shafu (Killing the Husband;
translated as The Butcher's Wife); offer alternative interpretative
strategies such as looking into figurations of "biopower" and
relationship dynamics; dissect the subtle political significance in
her magnificent novel Miyuan (The labyrinthine garden; 1991) and
explosive political fiction, Beigang xianglu renren cha (Everyone
sticks incense into the Beigang censer; 1997) from the perspective
of gender and national identity; scrutinize the multiple discursive
levels in her superb novel Qishi yinyuan zhi Taiwan/Zhongguo
qingren (Seven prelives of affective affinity: Taiwan/China lovers;
2009); and analyze the "(dis)embodied subversion" accomplished by
her fantastic Kandejian de gui (Visible ghosts; 2004). As the first
volume in English to examine Li Ang's trail-blazing discourse on
gender, sex, and politics, this work will inspire more studies of
her oeuvre and contribute usefully to the fields of modern
Taiwanese and Chinese literature, feminist studies, and comparative
literature.
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