This innovative volume highlights the relevance of globalization and the insights of gender studies and religious studies for feminist theology. Beginning with a discussion of position of the discipline at the turn of the twenty-first century, the handbook seeks to present an inclusive account of feminist theology in the early twenty-first century that acknowledges the reflection of women on religion beyond the global North and its forms of Christianity. Globalization is taken as the central theme, as the foremost characteristic of the context in which we do feminist theology today. The volume traces the impacts of globalization on gender and religion in specific geographical contexts, describing the implications for feminist theological thinking. A final section explores the changing contents of the field, moving towards new models of theology, distinct from both the structure and language of traditional Christian systematic theology and the forms of secular feminism. The handbook draws on material from several religious traditions and every populated continent, with chapters provided by a diverse team of international scholars.

This book is a collection of feminist childhood studies stories from field research with educators, young children, and/or early childhood student-educators that explores the challenges, tensions, and possibilities of common worlds research methods for the 21st century. Grounded in a common worlding orientation, the contributing authors grapple with complex methodological understandings within postqualitative practices within settler colonial states: Australia, Canada, South Africa, and the Unites States. Each chapter presents a method the authors have put to work in their efforts to unsettle the interpretative power of Euro-Western developmental knowledges and anthropocentric frameworks to reimagine research amid the colonialist, social, and environmental challenges we face today. The research(ing) stories act as provocations for generating innovative, relational, and emergent methods to attend to the complexity of 21st-century childhoods. Just as developmental and sociological perspectives gave birth to new forms of inquiry within childhood studies in 19th-century industrialization and 20th-century urban change respectively, the 21st-century requires novel questions, practices, and methodologies to enhance the childhood studies lexicon. In the field ofchildhood studies, where settler colonial and neoliberal logics have so much clout, suchstrategies are crucial. Feminist Research for 21st-century Childhoods is an important and relevant read for anyone working and researching with children.

Women and Art surveys the history of women in art and addresses the effects of feminist art history and art production. This book is among the first to offer a critical assessment of the role of feminism in art history and how it has presented and misrepresented women's roles in art. Seeking to counterbalance overwhelmingly pro-feminist narratives, it relies on evidence from artists, statisticians, and historians to support individual women artists while remaining critical of feminism. Cogent and persuasive, Women and Art stands as a key for students and researchers interested in art history, gender studies, feminism, and cultural studies.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different--if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived?
Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian emigres and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. "If I were allowed one simple cry to God," she wrote in one of her last letters, "that cry would be I want to be REAL."

Although Jane Addams's Twenty Years at Hull-House is considered an American classic, her dozen books and hundreds of published articles have sometimes been thought of as quaint examples of an overly optimistic era. Beginning in the 1990s, feminist scholars rediscovered the vitality of Addams's social philosophy and challenged the marginalization of her ideas. Today, following a war-laden twentieth century and the failure of militarism and "get tough" approaches to solve domestic and global problems, Addams's social theorizing, which emphasizes cosmopolitan experiences and sympathetic connections, provides a provocative alternative to Western notions of individualism, transactional relations, and spectator epistemology. Feminist Interpretations of Jane Addams brings together many of the leading Addams scholars in North America to consider Addams's ongoing relevance to feminist thought.

Aside from the editor, the contributors are Victoria Bissell Brown, Marilyn Fischer, Judith M. Green, Shannon Jackson, Katherine Joslin, Louise W. Knight, L. Ryan Musgrave Bonomo, Wendy Sarvasy, Charlene Haddock Seigfried, Eleanor J. Stebner, and Judy D. Whipps.

This is the first full-length biography of Frances Power Cobbe (1822-1904), Anglo-Irish reformer, feminist, and anti-vivisectionist Lori Williamson builds on original research, Cobbe's autobiography, and the work of later historians to analyze Cobbe's life as well as her ideological outlook.

A workhouse visitor, Cobbe campaigned strenuously against those in power for rights of women, the poor and of animals. A prominent critic of the Poor Law, she was also the first person to draw up a petition to control cruelty to animals. Using Cobbe's thoughts and activities as a catalyst, Power and Protest explores the issues of protest, reform, hierarchy, power, and gender, the relationship between men and women, humans and animals, and includes important work on pressure-group dynamics.

Given its wide-ranging scope, depiction of nineteenth-century British society and culture, and its exploration of the symbiotic relationships between ideology and the dynamics of protest, Power and Protest will attract students of history, social policy, and gender. Its emphasis on anti-vivisection activity provides a powerful basis for understanding power relations and the historical concept of rights.

A sweeping history of transformative, radical, and abolitionist movements in the United States that places the struggle for racial justice at the center of universal liberation. In Where Do We Go From Here? (1967), Dr. Martin Luther King, Jr., described racism as "a philosophy based on a contempt for life," a totalizing social theory that could only be confronted with an equally massive response, by "restructuring the whole of American society." A Wider Type of Freedom provides a survey of the truly transformative visions of racial justice in the United States, an often-hidden history that has produced conceptions of freedom and interdependence never envisioned in the nation's dominant political framework. A Wider Type of Freedom brings together stories of the social movements, intellectuals, artists, and cultural formations that have centered racial justice and the abolition of white supremacy as the foundation for a universal liberation. Daniel Martinez HoSang taps into moments across time and place to reveal the longstanding drive toward a vision of universal emancipation. From the nineteenth century's abolition democracy and the struggle to end forced sterilizations, to the twentieth century's domestic worker organizing campaigns, to the twenty-first century's environmental justice movement, he reveals a bold, shared desire to realize the antithesis of "a philosophy based on a contempt for life," as articulated by Martin Luther King Jr. Rather than seeking "equal rights" within failed systems, these efforts generated new visions that embraced human difference, vulnerability, and interdependence as core productive facets of our collective experience.

Margarethe von Trotta (b. 1942) entered the film industry in the only way she could in the 1960s-as an actress. Throughout her career, von Trotta added thirty-two acting credits to her name; however, these credits came to a halt in 1975. Her ambition had always been to be a movie director. Though she viewed acting as a detour, it allowed her to be in the right place at the right time, and through her line of work she met such important directors as Rainer Werner Fassbinder and Volker Schloendorff. The latter would eventually provide her with the opportunity to codirect her first film, Die Verlohrene Ehre der Katharina Blum (The Lost Honor of Katharina Blum) in 1975. The debut's success ensured von Trotta's future in the film industry and launched her accomplished film directing career. In Margarethe von Trotta: Interviews, volume editor Monika Raesch furnishes twenty-four illuminating interviews with the auteur. Spanning three decades, from the mid-1980s until today, the interviews reveal not only von Trotta's life in the film industry, but also evolving roles of and opportunities provided to women over that time period. This collection of interviews presents the different dimensions of von Trotta through the lenses of film critics, scholars, and journalists. The volume offers essential reading for anyone seeking a better understanding of an iconic female movie director at a time when this possibility for women just emerged.

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Feminist Film Theory and Cleo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cleo from 5 to 7. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. Through three key concepts-identification, framing the woman's body, and the female auteur-Neroni lays bare the debates and approaches within the vibrant history of feminist film theory, providing a point of entry to feminist film theory from its inception to today. Picking up one of the currents in feminist film theory - that of looking for feminist alternatives among female-oriented films - Neroni traces feminist responses to the contradictions inherent in most representations of women in film, and she details how their responses have intervened in changing what we see on the screen.

..".a perfect genius that makes the impossible in expression, possible; the unknowable in experience, knowable"
--Anya Achtenberg, author of "The Stories of Devil-Girl"
"Nickels" follows a biracial girl named "Little Miss So and So," from age 4-1/2 into adulthood. Told in a series of prose poems, "Nickels'" lyrical and inventive language conveys the dissociative states born of a world formed by persistent and brutal incest and homophobia. The dissociative states enable the child's survival and, ultimately, the adult's healing. The story is both heartbreaking and triumphant. Nickels is the groundbreaking debut of Minneapolis-area author and artist Christine Stark.
"Christine Stark has crafted a language and a diction commensurate with the shredding of consciousness that is a consequence of childhood sexual abuse. She brings us a wholly original voice in a riveting novel of desperation and love. Every sentence vibrates with a terrible beauty. Every sentence brings the news."
--Patricia Weaver Francisco, author of "Telling: A Memoir of Rape and Recovery"
"To be taken into the mind of a child can be an enchanting adventure, but to be taken into the mind of a child who is abused, confused, and taken for granted is a lingering, livid journey. I applaud her fortitude to bring an olden--too long ignored-- truth out of the darkness with blazing, innovative light."
--MariJo Moore, author of "The Diamond Doorknob"
"In "Nickels," Christine Stark, powerfully portrays the story of abuse and its impact on our lives. When this beautifully written and compelling story leaves, you are left wanting more. It's riveting; a book that will capture you from the beginning and carry you through the end. Everyone should read this book."
--Olga Trujillo, author of "The Sum of My Parts"
From the Reflections of America Series at Modern History Press www.ModernHistoryPress.com
Learn more at www.ChristineStark.com
FIC044000 Fiction: Contemporary Women
FIC018000 Fiction: Lesbian
SOC010000 Social Science: Feminism & Feminist Theory

This edited volume focuses on gender and love as emerging through complex "entanglements and weavings". At a time when constructionist ideas are losing support, we interrogate theoretical paradigms to assess if constructionist notions still hold value or if new approaches are needed to address the effects of materiality and non-human agency. Without claiming any unison or definite answers, we offer situated, agential cuts into gender and love in various discursive-material phenomena, including Biblical and Rabbinic literature, ecosexual performance art, the writings of Ursula Le Guin and Angela Carter, butch identities, Bengali folktales, Ferzan OEzpetek's cinema, Golem literature, sexual pursuits in Danish nightlife, mother-daughter relationships, women warriors in the PKK, and BDSM performances. Artistic photographer Sara Davidmann has contributed to the book with the cover illustration and a creative afterword including seven photographs on the interaction between the photographer, her studio, and LGBTQ+ people.

Most people think that the difficulty of balancing career and personal/family relationships is the fault of present-day society or is due to their own inadequacies. But in this major new book, eminent moral philosopher Michael Slote argues that the difficulty runs much deeper, that it is due to the essential nature of the divergent goods involved in this kind of choice. He shows more generally that perfect human happiness and perfect virtue are impossible in principle, a view originally enunciated by Isaiah Berlin, but much more thoroughly and synoptically defended here than ever before.
Ancient Greek and modern-day Enlightenment thought typically assumed that perfection was possible, and this is also true of Romanticism and of most recent ethical theory. But if, as Slote maintains, imperfection is inevitable, then our inherited categories of virtue and personal good are far too limited and unqualified to allow us to understand and cope with the richer and more complex life that characterizes today's world. And The Impossibility of Perfection argues in particular that we need some new notions, new distinctions, and even new philosophical methods in order to distill some of the ethical insights of recent feminist thought and arrive at a fuller and more realistic picture of ethical phenomena.

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.

Most critics and scholars have long assumed that the women's movement was almost exclusively a white middle-class women's affair. This book counters the prevailing view by putting the spotlight on some remarkable women from other backgrounds, such as African Americans Pauline Hopkins and Amy Jacques Garvey, Mexican American Maria Cristena Mena, and Chinese American Sui Sin Far. Also examined are the work of more obvious New Women, such as Charlotte Perkins Gilman.

A new kind of manifesto for the working woman, with practical guidance on building wealth as well as inspiration for harnessing the freedom and power that comes from a breadwinning mindset. Women are now the main breadwinner in one-in-four households in the UK. Yet the majority of women still aren't being brought up to think like breadwinners. In fact, they're actively discouraged - by institutional bias and subconscious beliefs - from building their own wealth, pursuing their full earning potential, and providing for themselves and others financially. The result is that women earn less, owe more, and have significantly less money saved and invested for the future than men do. And if women do end up as the main breadwinner, they've been conditioned to feel reluctant and unprepared to manage the role. In Think Like a Breadwinner, financial expert Jennifer Barrett reframes what it really means to be a breadwinner by dismantling the narrative that women don't - and shouldn't - take full financial responsibility to create the lives they want. Featuring a wide variety of case studies from women at all stages of their careers and financial lives, Barrett shares the secrets of women who already think like breadwinners. Barrett reveals not only the importance of women building their own wealth, but also the freedom and power that comes with it. 'Barrett's manifesto is a must read for any woman at any stage of her career.' - Eve Rodsky, author of Fair Play

Can Conservatives represent women? Descriptively of course, they do. Conservative parties and organisations are increasingly feminised; conservative women sit in many of the world's parliaments; a few women have led conservative parties; and there are, and have been, Conservative Prime Ministers. But whether these women actually stand for women, act for women and re-gender representation is likely to invite greater contestation. Contributors to this edited collection address head-on the puzzle of conservative women who engage in gendered political representation but do so within a conservative setting. Individual chapters examine women's participation as conservative movement and party members, supporters, candidates, leaders, legislators and ministers - in countries ranging from Europe, the US, Argentina, Australia, New Zealand, Japan, Turkey and Morocco. Assessment is made of the nature of their representational contribution, and the relationship they have with conservative women's views in society.

Recent attention to historical, geographic, and class differences in the studies of women and gender in China has expanded our understanding of the diversity and complexity of gendered China. Nevertheless, the ethnic dimension of this subject matter remains largely overlooked, particularly concerning women's conditions and gender status. Consequently, the patriarchy and its oppression of women among the Han, the ethnic majority in China, are often inaccurately or erroneously associated with the whole gendered heritage of China, epitomized by the infamous traditions of footbinding and female-infanticide. Such academic and popular predisposition belies the fact that gender systems in China span a wide spectrum, ranging from extreme Han patriarchy to Lahu gender-egalitarianism. The authors contributing to this book have collectively initiated a systematic effort to bridge the gap between understanding the majority Han and ethnic minorities in regard to women and gender in contemporary Chinese societies. By achieving a quantitative balance between articles on the Han majority and those on ethnic minorities, this book transcends the ghettoization of ethnic minorities in the studies of Chinese women and gender. The eleven chapters of this volume are divided into three sections which jointly challenge the traditions and norms of Han patriarchy from various perspectives. The first section focuses on gender traditions among ethnic minorities which compete with the norms of Han patriarchy. The second section emphasizes the impact of radical social transformation on gender systems and practices among both Han and ethnic minorities. The third section underscores socio-cultural diversity and complexity in resistance to Han patriarchal norms from a broad perspective. This book complements previous scholarship on Chinese women and gender by expanding our investigative lens beyond Han patriarchy and providing images of the multiethnic landscape of China. By identifying the Han as an ethnically marked category and by bringing to the forefront the diverse gender systems of ethnic minorities, this book encourages an increasing awareness of, and sensitivity to the cross-cultural diversity of gendered China both in academia and beyond.

Is It a Crime for a U.S. Citizen to Vote? Susan Brownell Anthony (1820-1906) was a heroic American civil rights leader who was pivotal in enabling American women to vote; unfortunately it did not come to pass until fourteen years after her death. She was co-founder of the first Women's Temperance Movement with Elizabeth Cady Stanton as President. She also co-founded the women's rights journal, The Revolution. She averaged 75-100 speeches per year, traveling the length and breadth of the United States, as well as speaking in Europe. This book is a Biography that she helped Ida Husted Harper to write. It contains a great number of personal letters, public addresses and letters from her contemporaries spanning fifty years. The book traces the evolution of the 19th century women's suffrage movement. This edition contains both volumes of the autobiography, including the appendix and three indexes as well as copious footnotes, autographs and illustrations.