This edited volume focuses on gender and love as emerging through complex "entanglements and weavings". At a time when constructionist ideas are losing support, we interrogate theoretical paradigms to assess if constructionist notions still hold value or if new approaches are needed to address the effects of materiality and non-human agency. Without claiming any unison or definite answers, we offer situated, agential cuts into gender and love in various discursive-material phenomena, including Biblical and Rabbinic literature, ecosexual performance art, the writings of Ursula Le Guin and Angela Carter, butch identities, Bengali folktales, Ferzan OEzpetek's cinema, Golem literature, sexual pursuits in Danish nightlife, mother-daughter relationships, women warriors in the PKK, and BDSM performances. Artistic photographer Sara Davidmann has contributed to the book with the cover illustration and a creative afterword including seven photographs on the interaction between the photographer, her studio, and LGBTQ+ people.

In contemporary reflection on Christianity and politics, the work of realist, witness, and feminist theologians has been done in isolation-that is, each school has largely pursued its projects without incorporating the insights of the others. Christian Ethics at the Boundary offers the first approach to public and political theology developed at the boundaries that separate these approaches. Extending the strong contextual work of theologians like Robin W. Lovin and Stanley Hauerwas on one hand, and Kathryn Tanner, Monica A. Coleman, and Mary McClintock Fulkerson on the other, author Karen V. Guth engages the theologies of prominent public theologians Reinhold Niebuhr, John Howard Yoder, and Martin Luther King Jr. to identify new trajectories for future work in Christian ethics. By fostering constructive dialogue between these pivotal public theologians of the twentieth century, their contemporary representatives, and the vanguard voices in feminist and womanist theology, Guth identifies ecclesiology as a new agenda for realist theologians, feminism as a vital form of Christian politics for witness theologians, and "creative maladjustment" as a productive theological stance for all Christian ethicists. In doing so, the work displays an innovative method that enables a vivid, collaborative vision of Christian politics.

..".a perfect genius that makes the impossible in expression, possible; the unknowable in experience, knowable"
--Anya Achtenberg, author of "The Stories of Devil-Girl"
"Nickels" follows a biracial girl named "Little Miss So and So," from age 4-1/2 into adulthood. Told in a series of prose poems, "Nickels'" lyrical and inventive language conveys the dissociative states born of a world formed by persistent and brutal incest and homophobia. The dissociative states enable the child's survival and, ultimately, the adult's healing. The story is both heartbreaking and triumphant. Nickels is the groundbreaking debut of Minneapolis-area author and artist Christine Stark.
"Christine Stark has crafted a language and a diction commensurate with the shredding of consciousness that is a consequence of childhood sexual abuse. She brings us a wholly original voice in a riveting novel of desperation and love. Every sentence vibrates with a terrible beauty. Every sentence brings the news."
--Patricia Weaver Francisco, author of "Telling: A Memoir of Rape and Recovery"
"To be taken into the mind of a child can be an enchanting adventure, but to be taken into the mind of a child who is abused, confused, and taken for granted is a lingering, livid journey. I applaud her fortitude to bring an olden--too long ignored-- truth out of the darkness with blazing, innovative light."
--MariJo Moore, author of "The Diamond Doorknob"
"In "Nickels," Christine Stark, powerfully portrays the story of abuse and its impact on our lives. When this beautifully written and compelling story leaves, you are left wanting more. It's riveting; a book that will capture you from the beginning and carry you through the end. Everyone should read this book."
--Olga Trujillo, author of "The Sum of My Parts"
From the Reflections of America Series at Modern History Press www.ModernHistoryPress.com
Learn more at www.ChristineStark.com
FIC044000 Fiction: Contemporary Women
FIC018000 Fiction: Lesbian
SOC010000 Social Science: Feminism & Feminist Theory

Judy Chicago's monumental art installation "The Dinner Party "was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century.
More than most social movements, feminism was transmitted and understood through culture--art installations, "Ms. Magazine," "All in the Family," and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyzes these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when "The Dinner Party" emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism.
The path that" The Dinner Party" traveled--from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)--sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.

Most people think that the difficulty of balancing career and personal/family relationships is the fault of present-day society or is due to their own inadequacies. But in this major new book, eminent moral philosopher Michael Slote argues that the difficulty runs much deeper, that it is due to the essential nature of the divergent goods involved in this kind of choice. He shows more generally that perfect human happiness and perfect virtue are impossible in principle, a view originally enunciated by Isaiah Berlin, but much more thoroughly and synoptically defended here than ever before.
Ancient Greek and modern-day Enlightenment thought typically assumed that perfection was possible, and this is also true of Romanticism and of most recent ethical theory. But if, as Slote maintains, imperfection is inevitable, then our inherited categories of virtue and personal good are far too limited and unqualified to allow us to understand and cope with the richer and more complex life that characterizes today's world. And The Impossibility of Perfection argues in particular that we need some new notions, new distinctions, and even new philosophical methods in order to distill some of the ethical insights of recent feminist thought and arrive at a fuller and more realistic picture of ethical phenomena.

Can Conservatives represent women? Descriptively of course, they do. Conservative parties and organisations are increasingly feminised; conservative women sit in many of the world's parliaments; a few women have led conservative parties; and there are, and have been, Conservative Prime Ministers. But whether these women actually stand for women, act for women and re-gender representation is likely to invite greater contestation. Contributors to this edited collection address head-on the puzzle of conservative women who engage in gendered political representation but do so within a conservative setting. Individual chapters examine women's participation as conservative movement and party members, supporters, candidates, leaders, legislators and ministers - in countries ranging from Europe, the US, Argentina, Australia, New Zealand, Japan, Turkey and Morocco. Assessment is made of the nature of their representational contribution, and the relationship they have with conservative women's views in society.

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.

A new kind of manifesto for the working woman, with practical guidance on building wealth as well as inspiration for harnessing the freedom and power that comes from a breadwinning mindset. Women are now the main breadwinner in one-in-four households in the UK. Yet the majority of women still aren't being brought up to think like breadwinners. In fact, they're actively discouraged - by institutional bias and subconscious beliefs - from building their own wealth, pursuing their full earning potential, and providing for themselves and others financially. The result is that women earn less, owe more, and have significantly less money saved and invested for the future than men do. And if women do end up as the main breadwinner, they've been conditioned to feel reluctant and unprepared to manage the role. In Think Like a Breadwinner, financial expert Jennifer Barrett reframes what it really means to be a breadwinner by dismantling the narrative that women don't - and shouldn't - take full financial responsibility to create the lives they want. Featuring a wide variety of case studies from women at all stages of their careers and financial lives, Barrett shares the secrets of women who already think like breadwinners. Barrett reveals not only the importance of women building their own wealth, but also the freedom and power that comes with it. 'Barrett's manifesto is a must read for any woman at any stage of her career.' - Eve Rodsky, author of Fair Play

At a time when women are being exhorted to ""lean in"" and work harder to get ahead, Letting Go: Feminist and Social Justice Insight and Activism encourages both women and men to ""let go"" instead. The book explores alternatives to the belief that individual achievement, accumulation, and attention-seeking are the road to happiness and satisfaction in life. Letting go demands a radical recognition that the values, relationships, and structures of our neoliberal (competitive, striving, accumulating, consuming, exploiting, oppressive) society are harmful both on a personal level and, especially important, on a social and environmental level. There is a huge difference between letting go and ""chilling out."" In a lean-in society, self-care is promoted as something women and men should do to learn how to ""relax"" and find a comfortable work-life balance. By contrast, a feminist letting-go and its attendant self-care have the potential to be a radical act of awakening to social and environmental injustice and a call to activism.

Recent attention to historical, geographic, and class differences in the studies of women and gender in China has expanded our understanding of the diversity and complexity of gendered China. Nevertheless, the ethnic dimension of this subject matter remains largely overlooked, particularly concerning women's conditions and gender status. Consequently, the patriarchy and its oppression of women among the Han, the ethnic majority in China, are often inaccurately or erroneously associated with the whole gendered heritage of China, epitomized by the infamous traditions of footbinding and female-infanticide. Such academic and popular predisposition belies the fact that gender systems in China span a wide spectrum, ranging from extreme Han patriarchy to Lahu gender-egalitarianism. The authors contributing to this book have collectively initiated a systematic effort to bridge the gap between understanding the majority Han and ethnic minorities in regard to women and gender in contemporary Chinese societies. By achieving a quantitative balance between articles on the Han majority and those on ethnic minorities, this book transcends the ghettoization of ethnic minorities in the studies of Chinese women and gender. The eleven chapters of this volume are divided into three sections which jointly challenge the traditions and norms of Han patriarchy from various perspectives. The first section focuses on gender traditions among ethnic minorities which compete with the norms of Han patriarchy. The second section emphasizes the impact of radical social transformation on gender systems and practices among both Han and ethnic minorities. The third section underscores socio-cultural diversity and complexity in resistance to Han patriarchal norms from a broad perspective. This book complements previous scholarship on Chinese women and gender by expanding our investigative lens beyond Han patriarchy and providing images of the multiethnic landscape of China. By identifying the Han as an ethnically marked category and by bringing to the forefront the diverse gender systems of ethnic minorities, this book encourages an increasing awareness of, and sensitivity to the cross-cultural diversity of gendered China both in academia and beyond.

This indispensable volume traces the rapidly evolving feminist scene in theology over the last generation and highlights specific contributions that have been and are being made. Although prominently Christian, the book also includes feminist initiatives from Judaism, Islam and Buddhism. The illustrious contributors offer an enlightening history, bracing analysis, and thoughtful proposals for the future.

Is It a Crime for a U.S. Citizen to Vote? Susan Brownell Anthony (1820-1906) was a heroic American civil rights leader who was pivotal in enabling American women to vote; unfortunately it did not come to pass until fourteen years after her death. She was co-founder of the first Women's Temperance Movement with Elizabeth Cady Stanton as President. She also co-founded the women's rights journal, The Revolution. She averaged 75-100 speeches per year, traveling the length and breadth of the United States, as well as speaking in Europe. This book is a Biography that she helped Ida Husted Harper to write. It contains a great number of personal letters, public addresses and letters from her contemporaries spanning fifty years. The book traces the evolution of the 19th century women's suffrage movement. This edition contains both volumes of the autobiography, including the appendix and three indexes as well as copious footnotes, autographs and illustrations.

Freemasonry is generally regarded a male phenomenon. Yet, both before 1723 and since 1744, women were initiated as well. This book is about the rituals, used for the initiation of women in the Adoption Lodges, since the middle of the 18th century. It describes their contents, roots and creation before reviewing and conceptualising their development in the past three centuries. It analyses the different families of rituals within the Adoption Rite, and gives an overview of specific developments, showing how the rituals were adapted to their changing contexts. Apart from its relevance for the history of Freemasonry in general and the Adoption Rite in particular, the book also writes a hitherto unknown chapter of women s history. Of particular interest for the history of feminism is the chapter about the 20th century, which could only be written now that the documents concerning it, which had been moved to Moscow in 1945, had been returned in 2000.

As women become more outspoken regarding their right to equal pay, it has been noted that gender equality, with women earning as much as men, would enrich the global economy. These studies have shown that equal pay, equal hours, and equal participation for women in the workforce could lead to a global wealth jump and potentially create knock-on benefits such as lower malnutrition and child mortality rates. Women Empowerment and Well-Being for Inclusive Economic Growth is a collection of innovative research that makes the case for understanding development in economic terms as well as in terms of well-being, empowerment, and participation and uncovers the role of empowering women and achieving gender equality in sustainable development. Research work and cases related to participation of a women's labor force in the economic development of the country, the place of women in society, their contribution to the social development of their country, and the problems faced by them are key features in the book. While highlighting topics including gender inequality, self-worth, and industrial policy, this book is ideally designed for economic analysts, managers, policymakers, business professionals, government officials, entrepreneurs, and business students.

At a time when women are being exhorted to ""lean in"" and work harder to get ahead, Letting Go: Feminist and Social Justice Insight and Activism encourages both women and men to ""let go"" instead. The book explores alternatives to the belief that individual achievement, accumulation, and attention-seeking are the road to happiness and satisfaction in life. Letting go demands a radical recognition that the values, relationships, and structures of our neoliberal (competitive, striving, accumulating, consuming, exploiting, oppressive) society are harmful both on a personal level and, especially important, on a social and environmental level. There is a huge difference between letting go and ""chilling out."" In a lean-in society, self-care is promoted as something women and men should do to learn how to ""relax"" and find a comfortable work-life balance. By contrast, a feminist letting-go and its attendant self-care have the potential to be a radical act of awakening to social and environmental injustice and a call to activism.

Wonder Woman and Philosophy: The Amazonian Mystique explores a wide range of philosophical questions surrounding the most popular female superhero of all time, from her creation as feminist propaganda during World War II up to the first female lead in the blockbuster DC movie-franchise. * The first book dedicated to the philosophical questions raised by the complex and enduringly iconic super-heroine * Fighting fascism with feminism since 1941, considers the power of Wonder Woman as an exploration of gender identity and also that of the human condition what limits us and what we can overcome * Confronts the ambiguities of Wonder Woman, from her roles as a feminist cause and fully empowered woman, to her objectification as sexual fantasy * Topics explored include origin stories and identity, propaganda and art, altruism and the ethics of care, Amazonians as transhumanists, eroticism and graphic novels, the crafting of a heroine, domination, relationships, the ethics of killing and torture, and many more.

"Feminist Anthropology" surveys the history of feminist anthropology and offers students and scholars a fascinating collection of both classic and contemporary articles, grouped to highlight key themes from the past and present.
Offers vibrant examples of feminist ethnographic work rather than synthetic overviews of the field.
Each section is framed by a theoretical and bibliographic essay.
Includes a thoughtful introduction to the volume that provides context and discusses the intellectual "foremothers" of the field, including Margaret Mead, Ruth Landes, Phyllis Kaberry, and Zora Neale Hurston.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.