This volume honors the lifetime achievements of the distinguished activist and scholar Elise Boulding (1920-2010) on the occasion of her 95th birthday. Known as the "matriarch" of the twentieth century peace research movement, she made significant contributions in the fields of peace education, future studies, feminism, and sociology of the family, and as a prominent leader in the peace movement and the Society of Friends. She taught at the University of Colorado, Boulder from 1967 to 1978 and at Dartmouth College from 1978 to 1985, and was instrumental in the development of peace studies programs at both institutions. She was a co-founder of the International Peace Research Association (1964), the Consortium on Peace Research Education and Development (1970), and various peace and women's issues-related committees and working groups of the American Sociological Association and International Sociological Association.

The rise and fall of feminist counterculture is traced through feminisM's liberation of popular media such as music, cinema, and television and provides portraits of personalities as countercultural models. In addition, the decline of feminism after 1980 is explored.

The book begins by suggesting relevant countercultural problems and failures throughout American history to provide a broad historical perspective. It also describes how the New Left countercultural stress influenced the women's liberation movement. Individual chapters focus on how feminists used music as a counterculture and how they attempted to liberate media such as cinema, television, and advertising. Cultural portraits of Janis Joplin, Joan Baez, and Gloria Steinem suggest how individual women can be effective countercultural models. The book examines the decline of feminism since 1980 and links that decline to the fall of feminist counterculture. Feminists of the 1960s seemed to be repeating the history of the 1920s, when feminists gained the vote, but then lost the next generation. Contemporary feminists made many economic and political gains, but again lost the next generation of women. Despite this loss, the book concentrates primarily on the positive and predicts that countercultural feminism will rise phoenix-like into a new future, feminist era.

Names and Stories: Emilia Dilke and Victorian Culture employs an individual life lived under many names to investigate nineteenth-century British culture while also embodying a critical and historical engagement with theoretical questions. The book examines the histories of gender, knowledge, families, bodies, art, and political thought in Victorian Britain, contributing to both literary studies and cross-disciplinary feminist scholarship. By exploring key facets of British cultural and political history in the 1800s, this new work rigorously addresses wider themes of narrative, figuration, and historical writing and reading.

Emphasizing sociopolitical and cultural behaviors, this collection provides broad insight into the diverse experiences and perspectives of Korean American women in the light of feminism. In their discussions, the authors focus on the status and progress of Korean American women in contemporary society. Twenty-one selections examine the collective experience and Western feminist issues from minority feminist perspectives. The content is interdisciplinary and raises many thought-provoking, seldom-discussed issues. This book will be of interest to students and faculty in sociology, feminist and women's studies, ethnic studies, and Asian studies.

"Unleashing Our Unknown SelveS" begins with a critique of central paradigms in contemporary social science and ends with a provocative new theory of psychosexual development. Dr. Morrow brilliantly demonstrates why men are just as damaged as women by our present patriarchal sex/gender system. . . . I highly recommend it] as a primary text for graduate courses in human development, psychology of gender, and cultural studies.

Joseph L. White, Professor of Psychology, Psychiatry and Comparative Culture, University of California, Irvine

Described as a hopeful book, "Unleashing Our Unknown SelveS" presents a new theory of psychosexual development and, concurrently, of psychosocial evolution. France Morrow claims that the sexual division of nature was a primordial organizing principle for all cultures. However, evolving qualities and psychological characteristics have been assigned by culture to women and men. Real biological differences have, over millennia, been incorporated, absorbed, or superceded by cultural differences. The resultant schism between femininity and masculinity represents the deepest cleavage in the human species, crippling both men and women through the cultural subordination of women. Morrow believes that to be truly whole, both sexes must be allowed to release the repressed qualities of the opposite sex.

France MorroW's interdisciplinary focus finds hope in the explanatory power of a theory which systematically explores the crippling of both sexes by the cultural invisibility of women. The book's chapters explore, among other subjects, the structure of gender evolution, Sigmund Freud's impact on the future of femininity and masculinity, and the internal repression of the majority self. MorroW's study affirms the dependence of human survival on the integrating of our feminine selves with our masculine selves. Her work is particularly directed to courses in developmental and social psychology, gender studies, sociology, and women's studies.

Traditionally the ethic of care has been associated with women while the ethic of justice has been associated with men. In recent years some feminist philosophers have turned their energies to developing theories of care and to exploring the epistemological assumptions on which the ethic of care is based. This volume proposes an original theory of care, building on insights of both feminist and non-feminist critics of liberal moral theory, gleaning ideas from feminist ethics and epistemologies, and stimulated by the writings of post-colonial feminists. The author shows that a number of ethical and epistemological imperatives can be defined through the philosophical elaboration of an ethic of care and the endeavor to know and to care well.

Can the actual experienced practices of caring and the abstract conceptual thought process of philosophy be mutually informing? The author argues that the concrete everyday response of care provides the grounds for new ways of thinking about both ethics and reason. By examining the works of Kant, Mill, and Rawls, she describes and defends a radical critique of the liberal moral theory of Gilligan and Noddings and a transformed ethic of care, accounting for care as both action and disposition. This vigorous study will have applications in the fields of sociology, ethics, moral and political philosophy, political science, nursing, medicine, and education. A comprehensive and up-to-date Bibliography provides readers with excellent resources for further study.

Feminist Erasures presents a collection of essays that examines the state of feminism in North America and Western Europe by focusing on multiple sites such as media, politics and activism. Through individual examples, the essays reveal the extent to which feminism has been made (in)visible and (ir)relevant in contemporary Western culture.

SlutWalk explores representations of the global anti-rape movement of the same name, in mainstream news and feminist blogs around the world. It reveals strategies and practices used to adapt the movement to suit local cultures and contexts and explores how social media organized, theorized and publicized this contemporary feminist campaign.

In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporasbrings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrativeTell My Horseby Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora.Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies.Samantha Pintois Assistant Professor of Feminist Literary and Cultural Studies in the English Department at Georgetown University.In theAmerican Literatures Initiative

For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th century. We overlook Margaret Cavendish and Dame Julian, two early English autobiographers. And we fail to consider sufficiently slave narratives, oral histories, or lesbian "coming out" stories.

Telling Women's Lives assesses existing traditions of autobiography and biography in search of a method capable of conveying the distinctive content of women's lives while retaining the tenor of feminine subjectivity. Drawing on feminist research methodologies of the past two decades as well as anthropology and sociology, Long paves the way for the formulation of an emergent feminist methodology for telling women's lives.

This highly original study seeks to revise and recreate the genre so as to accommodate a feminine discourse, narrator, reader, and subject. The "messiness" of women's lives-the daily work and detail that men have programmatically excluded-acquires new meaning as Long develops here an innovative theory of sociobiography.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Water is the element that, more than any other, ties human beings in to the world around them - from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it. Building on the works by Luce Irigaray, Maurice Merleau-Ponty and Gilles Deleuze, Astrida Neimanis's book is a landmark study that brings a new feminist perspective to bear on ideas of embodiment and ecological ethics in the posthuman critical moment.

From Lucia Osborne-Crowley, author of I Choose Elena, comes an immersive polyphonic memoir exploring the intricacies of abuse, trauma, and shame. Through the voices of women, trans and non-binary people around the world and her own deeply moving testimony, Lucia speaks of vulnerability and acceptance, and the reclaiming of ourselves in a world that repeatedly asks us to carry the weight of the shame of the atrocities committed against us. Widely researched and boldly argued, My Body Keeps Your Secrets reveals the secrets a body keeps - the trauma that can rewrite our biology, our relationship with sex, and how we connect with others, establishing Lucia's credentials as a key intersectional feminist thinker of a new generation.

This book investigates the relation between left-wing populism and feminist politics by analysing three specific aspects. First, whether left-wing populist parties promote gender equality policies, against charges of a general inconsistency between both political projects; Second, how do these parties form their policy-making coalitions in the field of gender equality; Third, how much impact on policy do women's movements have when left-wing populists are in power. The book is focused on the case of Bolivia during the first twelve years of Evo Morales's presidency. The empirical analysis is based on the qualitative content analysis of documents and semi-structured interviews with women's movements' activists, policy-makers and experts in women's movements. The central issue of the book is present throughout the volume, but each empirical chapter can be also read as a semi-autonomous analysis of a specific aspect of the relation between left-wing populism and feminist politics, which increases the interest of the book for different audiences including experts in gender and politics and feminist activists, specialists in Latin American politics, indigenous politics and social movements.

Male rape is a feminist issue - but perhaps not in the way that you might think. This work is an experiment in Foucauldian thought that attempts to satisfy Foucault's imperative to 'think differently'. From this positioning, feminist constructions of 'male rape' can plausibly be claimed to operate as a 'regime of truth', but one must necessarily question whether this is running counter to patriarchy.
This book seeks to problematize knowledge and practices regarding 'male rape', examining the social realms of the Academy, popular culture, policy and provision in the constitution of the subject. Discussion is moved beyond notions of fairness or justice. Instead, Cohen seeks to ascertain the discursive regularities in these sites, considers the power-effects of such discourse and thus conceives of 'male rape' as illustrating the success of governmentality.

Half a century after the beginning of the second wave, feminist legal theorists are still writing about many of the subjects they addressed early on: money, sex, reproduction, and jobs. What has changed is the way that they talk about these subjects. Specifically, these theorists now posit a more complex and nuanced conception of power. Recent scholarship recognizes the complexities of power in contemporary society, the ways in which these complexities entrench sex inequality, and the role that law can play in reducing inequality and increasing agency. The feminist legal theorists in this volume are emblematic of this effort. They carefully examine the relationship between gender, equality, and power across an array of realms: sex, reproduction, pleasure, work, money. In doing so they identify social, political, economic, developmental, and psychological and somatic forces, operating both internally and externally, that complicate the expression and constraint of power. Finally, they give sophisticated thought to the possibilities for legal interventions in light of these more complex notions of power.

Resting on the multifaceted and multicultural voices of women - secular and religious, old-timers and newcomers, at the center or on the periphery of their communities - it brings into sharper focus rarely raised issues related to gender borders and to the private and public spheres. Beyond the specific society they treat, these essays contribute to our understanding of the social mechanisms that (re)produce gender inequality in modernity, in its socialist, capitalist, or postindustrial versions. They also provide additional evidence for the limits of any attempt to achieve gender equality by focusing on the transformation of women, without challenging hegemonic masculinities.

This collection of essays by a diverse group of young academics, established critics, and well-known writers strikes an intriguing balance between scholarship and reminiscence. The only full-length book on Mary McCarthy that is not a biography, this volume contains discussions of McCarthy as a member of the New York intelligentsia, her search for a just and ethical political philosophy, and the paradox of her views on feminism. The contributors include McCarthy biographers Carol Brightman, Carol Gelderman, and Fran Kiernan; novelists Thomas Flanagan, Maureen Howard, and Thomas Mallon; Pulitzer Prize winning journalist Frances Fitzgerald; and critics Morris Dickstein and Katie Roiphe. The book concludes with a moving reminiscence by Arthur Schlesinger, Jr.

"In these intricately woven, theoretically rich and subtle essays, Lidia Curti re-reads a diverse range of texts narrated by women in a variety of media. She deploys the interplay between genres and gender to disclose women narrating both the power of the female imaginary and the poetical and political reach of the voices, bodies and histories which sustain them."
"--Stuart Hall"

Exploring women's narratives from an innovative feminist perspective, Female Stories, Female Bodies combines theory and textual commentary in a wide-ranging interrogation of representation and identity, gender and genre. Cultural critic Lidia Curti takes us through a diverse range of texts in a broad spectrum of media and genres, drawing on feminist, psychoanalytic, postmodern, and postcolonial theory in a challenging and rigorous discussion of such themes as hybridity and monstrosity, the male and female gaze, melancholia, desire, and paranoia.

From Angela Carter and Toni Morrison to Jeanette Winterson and Jane Bowles, from daytime t.v. to Shakespearean drama, Curti examines variegated "textualities" in search of the "spaces and times" that narrative occupies in women's lives. Following de Certeau's dictum that "our stories order our world, providing the mimetic and mythical structures for experience," she argues that women must retrace their way in the interminable plurality of female narrative texts as a strategy for resisting the "official" closure of female identity. Female Stories, Female Bodies takes us on such a journey, bringing the body of female narrative to bear on the lived experiences of women everywhere.

This study is about lesbian feminists in London in the late 1980s. It was a period when their community was experiencing considerable conflict and transition, as ideas about gender and sexuality on which their political beliefs were based were being challenged within their own community. The book goes through their public and personal lives, looking at how they coped with the challenges and the complex world of London, and how they began to change as a result.

Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be "represented" accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.

Unique volume articulating the "gender critical" feminist position 15 chapters by an interdisciplinary team of highly-regarded contributors Engages with an important - but highly polarised - political and social debate.

1000-PIECE PUZZLE featuring the women of Greek mythology as you've never seen them before. Finished puzzle measures 680 x 485mm SPOT FAMOUS FIGURES AND MYTHICAL MOMENTS, as you build the puzzle - can you find Pandora and her jar, or Medusa with snakes for hair? INCLUDES A FOLD-OUT POSTER featuring the stories of the real women of Greek myth from best-selling author and classicist Natalie Haynes STURDY & ATTRACTIVE BOX perfect for gifting and storage Think you know these women? Put the pieces together and you will start to think again. In this beautifully illustrated 1,000-piece jigsaw puzzle, rediscover the lives and stories of the women of Greek myth, portrayed by author, broadcaster and classicist Natalie Haynes with illustrator Natalie Foss. A large fold-out poster of the artwork accompanies the jigsaw and also includes an original essay from the author, expanding on the stories, relationships and context surrounding these infamous women. Featuring mortals and goddesses alike, from Medusa and Medea to Helen, Euridice, Aphrodite, Phaedra, Artemis and more, uncover the truth about the women of the classics.

The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage, starting with Simone de Beauvoir and moving through Hannah Arendt, Assia Djebar, Octavia Butler, Donna Haraway, Karen Barad, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? Feminism as World Literature redefines the thematic and theoretical contents of World Literature in feminist terms as well as rethinking feminist terms, analyses, frameworks, and concepts in a World Literature context. Other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. The authors recognize genres, strategies, and themes of World Literature that demonstrate feminism as integral to the world-making gestures of literary form and production. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces.

This collection of essays considers the ways in which feminism is still an important issue in twenty-first century society. Looking at various forms of literature, media, and popular culture, the book establishes that contemporary images of femininity are highly contested, complex, and frequently problematic.