The US Supreme Court's 1937 decision in West Coast Hotel v. Parrish, upholding the constitutionality of Washington State's minimum wage law for women, had monumental consequences for all American workers. It also marked a major shift in the Court's response to President Franklin D. Roosevelt's New Deal agenda. In Making Minimum Wage, Helen J. Knowles tells the human story behind this historic case. West Coast Hotel v. Parrish pitted a Washington State hotel against a chambermaid, Elsie Parrish, who claimed that she was owed the state's minimum wage. The hotel argued that under the concept of "freedom of contract," the US Constitution allowed it to pay its female workers whatever low wages they were willing to accept. Knowles unpacks the legal complexities of the case while telling the litigants' stories. Drawing on archival and private materials, including the unpublished memoir of Elsie's lawyer, C. B. Conner, Knowles exposes the profound courage and resolve of the former chambermaid. Her book reveals why Elsie-who, in her mid-thirties was already a grandmother-was fired from her job at the Cascadian Hotel in Wenatchee, and why she undertook the outsized risk of suing the hotel for back wages. Minimum wage laws are "not an academic question or even a legal one," Elinore Morehouse Herrick, the New York director of the National Labor Relations Board, said in 1936. Rather, they are "a human problem." A pioneering analysis that illuminates the life stories behind West Coast Hotel v. Parrish as well as the case's impact on local, state, and national levels, Making Minimum Wage vividly demonstrates the fundamental truth of Morehouse Herrick's statement.

This book discusses erotic and magical goddesses and heroines in several ancient cultures, from the Near East and Asia, and throughout ancient Europe; in prehistoric and early historic iconography, their magical qualities are often indicated by a magical dance or stance. It is a look at female display figures both cross-culturally and cross-temporally, through texts and iconography, beginning with figures depicted in very early Neolithic Anatolia, early and middle Neolithic southeast Europe--Bulgaria, Romania, and Serbia--continuing through the late Neolithic in East Asia, and into early historic Greece, India, and Ireland, and elsewhere across the world. These very similar female figures were depicted in Anatolia, Europe, Southern Asia, and East Asia, in a broad chronological sweep, beginning with the pre-pottery Neolithic, ca. 9000 BCE, and existing from the beginning of the second millennium of this era up to the present era. This book demonstrates the extraordinary similarities, in a broad geographic range, of depictions and descriptions of magical female figures who give fertility and strength to the peoples of their cultures by means of their magical erotic powers. This book uniquely contains translations of texts which describe these ancient female figures, from a multitude of Indo-European, Near Eastern, and East Asian works, a feat only possible given the authors' formidable combined linguistic expertise in over thirty languages. The book contains many photographs of these geographically different, but functionally and artistically similar, female figures. Many current books (academic and otherwise) explore some of the female figures the authors discuss in their book, but such a wide-ranging cross-cultural and cross-temporal view of this genre of female figures has never been undertaken until now. The "sexual" display of these female figures reflects the huge numinosity of the prehistoric divine feminine, and of her magical genitalia. The functions of fertility and apotropaia, which count among the functions of the early historic display and dancing figures, grow out of this numinosity and reflect the belief in and honoring of the powers of the ancient divine feminine.

A NEW YORK TIMES BESTSELLER "The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women." -Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic "One of the most important books of the current moment."-Time "A rousing call to action... It should be required reading for everyone."-Gabrielle Union, author of We're Going to Need More Wine A potent and electrifying critique of today's feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

How should feminist theories conceive of the subject? What is it to be a legal person? What part does embodiment play in subjectivity? Can there be a conception of rights which does justice to the social contexts in which rights claims are embedded? Is the way the law constitutes legal subjects a form of violence? These questions lie at the heart of contemporary feminist theory, and in this collection they are addressed by a group of distinguished international scholars working in law, philosophy and politics. The volume, in which the concerns of one author are taken up by others, advances current debate on two interconnected levels. First, it contains original and ground-breaking discussions of the questions raised above. At the same time, it contains a more reflexive strand of argument about the intellectual resources available to feminist thinkers, and the advantages and dangers of borrowing from non-feminist traditions of thought. It thus provides an exceptionally rich examination of contemporary legal and political feminist theory.

What is Buddhist Feminism? This book examines reasons why Buddhism and feminism may seem to be incompatible, and shows that Buddhist and feminist philosophies can work together to challenge patriarchal structures. Current scholarship usually compares Buddhism and feminism to judge their compatibility, rather than describing a Buddhist Feminist perspective or method. Sokthan Yeng instead looks for a pattern that connects Buddhist and feminist traditions. In particular, she explores possible exchanges between feminist and Buddhist philosophies which highlight how they each contribute to a more nuanced understanding of anger. Yeng explores how a Buddhist feminist approach would allow women's anger to be transformed from that which is outside the bounds of philosophy into that which contributes to philosophical discourse in the East and West, and between the two.

This book offers scholars and students outside Korea some insight into what forms feminist biblical interpretation takes in Korea and what approaches Korean feminists adopt for dealing with the Bible in their writing and their professional lives. The contributors to this book represent a wide spectrum of the Korean feminist Christian movement. They include university and seminary teachers, ministers, and field workers. This book is a product of their numerous meetings and discussions on the practical issues that define contemporary Korean women's lives. In it, the contributors reflect on the diverse situations modern Korean women have faced and continue to struggle with, among them, the traditional religious culture based on Confucianism, economic globalization, postcolonialism, the problems of migrant women labourers, and the trauma of being forced into sexual slavery for Japanese soldiers during World War II. They view these situations in the light of the lives and experiences of women in the Old and New Testaments, and they look to the Bible for resources for dealing with them. This is socially engaged biblical interpretation. It goes beyond the academic study of the Bible to a wider engagement with the church and with Korean society. The volume is published in cooperation with Ewha Institute for Women's Theological Studies.

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aThe selected documents give a taste of Stantonas often-contradictory ideas and successfully demonstrate how they evolved over time under the influence of contemporary intellectual movement. This work provides a solid basis for deeper investigations into Stantonas role as a nineteenth-century feminist thinker.a
--"Choice"

aThe editors are, there fore, successful in their aim: like her or not, Stantonas ideas should be studied by any serious feminist, historian or student of democracy at large.a
--"Feminist Review"

aIt is high time to respect Elizabeth Cady Stanton as a founding thinker and actor in the shaping of American society, politics, and ideas. This fascinating book enriches our understanding by giving us her own most eloquent words accompanied by the wise evaluations of some of our leading historians and writers.a--Linda K. Kerber, author of "No Constitutional Right to Be Ladies: Women and the Obligations of Citizenship"

"I picked up this book wondering what, if anything, even these formidable scholars could tell me about Elizabeth Cady Stanton that I hadn't already read. I put it down in awe--with a new appreciation of Stanton's brilliance, originality, and complexity as the intellectual genius behind the first wave of feminism. Her 19th century vision resonates for everyone in 21st century America."--Lynn Sherr, ABC News

More than one hundred years after her death, Elizabeth Cady Stanton still stands--along with her close friend Susan B. Anthony--as the major icon of the struggle for women's suffrage. In spite of this celebrity, Stanton's intellectual contributions have been largely overshadowed bythe focus on her political activities, and she is yet to be recognized as one of the major thinkers of the nineteenth century.

Here, at long last, is a single volume exploring and presenting Stanton's thoughtful, original, lifelong inquiries into the nature, origins, range, and solutions of women's subordination. Elizabeth Cady Stanton, Feminist as Thinker reintroduces, contextualizes, and critiques Stanton's numerous contributions to modern thought. It juxtaposes a selection of Stanton's own writings, many of them previously unavailable, with eight original essays by prominent historians and social theorists interrogating Stanton's views on such pressing social issues as religion, marriage, race, the self and community, and her place among leading nineteenth century feminist thinkers. Taken together, these essays and documents reveal the different facets, enduring insights, and fascinating contradictions of the work of one of the great thinkers of the feminist tradition.

Contributors: Barbara Caine, Richard CAndida Smith, Ellen Carol DuBois, Ann D. Gordon, Vivian Gornick, Kathi Kern, Michele Mitchell, and Christine Stansell.

This edited volume of translations covers the major political essays of India's first feminist Hindi poet. A devout follower and advocate of Gandhi, Mahadevi Varma is a household name in India and is a major woman of letters in the modern Hindi world. The essays collected in this volume represent some of Mahadevi Varma s most famous writings on the woman question in India. The collection also includes an introduction to her life, with biographical notes, an analysis of her importance in the field of Hindi letters, as well as a selection of her poems these latter because Mahadevi Varma made her mark in the world of Hindi literature through her poetry, and a volume of translations would be incomplete without a sampling of them. The introduction to the translated volume sketches Mahadevi Varma's life and work and her significance to both the development of modern standard Hindi as well as to the nascent women's movement underway in the 1920s in India. Little scholarly attention has been given in the academy outside of India to Varma s numerous contributions to women s education, to the development of modern standard Hindi, and to political thought during the Independence movement in late-colonial India. This volume of translations engages themes like language and nationalism, women s roles as artists, the politics of motherhood and marriage themes that continue to be relevant to women s lives in contemporary India and to movements for women s rights outside India as well. This volume of translations of Mahadevi Varma s feminist political essays is the first of its kind. While some of these essays, especially those from Mahadevi Varma s Hamari Shrinkhala Ki Kariyan collection have been translated by Neera K. Sohoni and published under the title Links in the Chain (Katha, 2003), there is no sustained treatment of Varma s political thinking in one, accessible volume. While there is ample work on Varma in Hindi, scholars of feminism (and students of Hindi who are in the nascent stages of language acquisition) have nowhere to turn for a comprehensive sampling of her work. Mahadevi Varma is also one of the most difficult writers to access even for trained scholars of Hindi language and literature. Her highly Sanskritized diction and her stylized prose sketches make her work a pleasure to read in the original but daunting to translate into English. This volume has contributions from some of the most highly regarded Hindi experts. In the editor s introduction to the volume of translations a brief biographical sketch followed by an analysis of the political climate of Northern India has been provided so that the reader unfamiliar with India of the 1920s-1940s will have the necessary historical context to place her work. The introduction to the volume also raises the issue of why she gave up writing poetry and turned solely to writing prose when she became involved with the movements for women s rights and national independence. Finally, the volume provides feminist cultural historians a rich archive of how Indian women like Mahadevi Varma were actively negotiating their lives as women, activists, artists, teachers, and married women. This work will be of use to scholars of Hindi language and literature in the US/European academy and should be of interest to cultural and feminist historians of modern India. This volume will introduce Mahadevi Varma s literary scope to an English-speaking audience, and will serve as a reference for feminist historians of the nationalist period in the Indian subcontinent.

This edited book addresses the diversity across time and space of the sites, actors and practices of feminist translation from 1945-2000. The contributors examine what happens when a politically motivated text is translated linguistically and culturally, the translators and their aims, and the strategies employed when adapting texts to locally resonating discourses. The collection aims to answer these questions through case studies and a conceptual rethinking of the process of politically engaged translation, considering not only trained translators and publishers, but also feminist activists and groups, NGOs and writers. The book will be of interest to students and researchers in the fields of translation studies, gender/women's studies, literature and feminist history.

THOMAS HARDY'S JUDE THE OBSCURE

A study of Jude the Obscure using contemporary feminist and literary theory.

Illustrated, with notes and a bibiography.

Jude the Obscure (1895), Thomas Hardy's last novel, is a sister (or brother) book to Tess of the d'Urbervilles, before he turned to poetry and other forms of writing. The author attacks similar targets: the family, politics, religion, marriage, education and sexuality. Hardy was on fire when he wrote Jude the Obscure - it is a very angry work.

Jude the Obscure, though, contains far more polemic and philosophizing than Tess or any of the earlier novels. The preaching and polemic threatens to undo the narrative, which is nevertheless 'realist', like other Thomas Hardy fictions.

In Jude the Obscure, Hardy was stretching the novel to the limit, testing the boundaries of what is 'acceptable'. In Jude the Obscure, the things that say 'you shan't' are, variously, God, religion, education, circumstance, chance, nature, and marriage. All of the institutions and 'causes' reside inside the individual, which is what makes the problems they create so difficult to deal with for Sue and Jude. Patriarchy, culture and society are not in some 'out there' space, but in people. Hardy's thoughts on Jude the Obscure, as expressed in the Life and letters, include his desire for a novel about characters 'into whose souls the iron has entered'; a desire to make the story 'grimy' in order to heighten the contrast between the ideal life and the 'squalid real life'; the novel 'makes for morality', Hardy said; and ended up 'a mass of imperfections', a remark many artists have made of their work.

This first major study of feminist theory, revised and updated here into its fourth edition, now takes the reader into the twenty-first century. With the renewed interest in feminism, which has been called "the "fourth wave" of feminism - the "first wave" being the nineteenth-century movement, the "second wave" the developments between 1960-80, and the "third wave" the emergence in the 1990s of ecofeminism, global feminism, the intertwining of the women's rights and animal rights movements, and so-called postmodern feminism - people are re-engaging with the basic question, "What is feminism? What does it mean?" Donovan's book provides a clear answer to the question, outlining the various strands of feminist theory: liberal, cultural, Marxist-socialist, Freudian, and radical. This Fourth Edition brings the discussion up-to-date, integrating the developments in feminist theory that have emerged in the last two decades and particularly since the publication of the Third Edition (2000).

There are countless ways of thinking, feeling, and acting like an ecofeminist. Ecofeminism includes a plurality of perspectives, thriving in dialogue between diverse theories and practices involving ecological and feminist matters of concern. Deepening the dialogue, the contributors in this anthology explore critical and complementary interactions between ecofeminism and other areas of inquiry, including ecocriticism, postcolonialism, geography, environmental law, religion, geoengineering, systems thinking, family therapy, and more. This volume aims to further the cultural and literary theories of ecofeminism by situating them in conversation with other interpretations and analyses of intersections between environment, gender, and culture. This anthology is a unique combination of contemporary, interdisciplinary, and global perspectives in dialogue with ecofeminism, supporting academic and activist efforts to resist oppression and domination and cultivate care and justice.

Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine.
Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose.
Calamity became a hostess and dancer in Deadwood's saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn't get enough of either version, nor, in the following century, could filmmakers.
Sorting through the stories, veteran western historian Richard W. Etulain's account begins with a biography that offers new information on Calamity's several "husbands" (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane's reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004-2006 HBO series "Deadwood" makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on--raunchy, unabashed, contradictory, and ambiguous as ever.""

Historically, white women have had a tremendous influence on establishing the ideological, political, and cultural scaffold of American public schools. Pedagogical orientations, school policies, and classroom practices are underwritten by white, cisgender, feminine, and middle to upper class social and cultural norms. Labor trends suggest that students of color are likely to sit in front of many more white women teachers than males or non?white teachers, thus making it imperative to better understand the nature of white women's work in culturally diverse settings and the factors that most profoundly impact their effectiveness. This book examines how white women teacher dispositions (i.e. knowledge, beliefs, and skills) intersect (and/or interact) with their racial identity development, the concept of whiteness, institutional racism, and cultural perspectives of racial difference. All of which, as the authors in this volume argue, matter for nurturing a teaching practice that leads to more equitable schooling outcomes for youth of color. While it is imperative that the field of education recruits and retains more nonwhite teachers, it is equally important to identify research?supported professional development resources for a white woman?dominated profession. To that end, the book's contributors present critical insight for creating cultural contexts for learning conducive to effective cross?cultural and cross?racial teaching. Chapters in the first section explore white women's role in establishing and maintaining school environments that cater to Eurocentric sensibilities and white racial preferences for learning and social interaction. Authors in the second section discern the implications of white images, whiteness, and white racial identity formation for preparing and professionally developing white women teachers to be effective educators. Chapters in the third section of the book emphasize the centrality of race in negotiating academic interactions that demonstrate culturally responsive teaching. Each chapter in this book is written to investigate the intersectionality of race, cultural responsive pedagogies, and teaching identities as it relate to teaching in multiethnic environments. In addition, the book offers solution?oriented practices to equip white women (and any other reader) to respond appropriately and adequately to the needs of racially diverse students in American schools.

An examination, with feminist perspective, of Israel's fertility practices and policies surrounding abortion, family planning, "in vitro" fertilization and the welfare state. This book exposes the complex web of issues, actors, and power relations that shape the Israeli political agenda. At the same time, it contributes to ongoing feminist debates concerning the politics of reproduction and the role of the state in contributing to the oppression of women.

Israel's commmitment to Zionist ideals and policies, its ambiguous relationship with Jewish Orthodoxy, and the intersection of the two at the level of gender relations have played a great role in determining the shape, scope, and direction of many government policies. This book explores the relationship between these three ideological and institutional forces in the context of development of fertility policy. In the process, it touches upon various points of interest, including the state's treatment of the Palestinian Arab minority and its relationship with the wider Palestinian national movement; the power relations and political agenda underlying policy-making in Israel; the development of Israeli social and political identity; and the use of gender to explain both the status of Israeli women and the overall unfolding of politics and policy-making.

Offering an introduction to the key concepts and themes in French feminist thought, both the materialist and the linguistic/psychoanalytic traditions, this title explores the work of a wide range of theorists: Simone de Beauvoir, Chantal Chawaf, Helene Cixous, Catherine Clement, Christine Delphy, Marguerite Duras, Colette Guillaumin, Madeleine Gagnon, Luce Irigaray, Julia Kristeva, Nicole-Claude Mathieu, Michele Montreley, Monique Plaza, Paola Tabet and Monique Wittig. It outlines the philosophical and political diversity of French feminism, setting developments in the field in the particular cultural and social contexts in which they have emerged and unfolded. The principal areas covered are: ongoing debates on the cultural construction and definition of sexual and gendered identities; the relationship between subjectivity and language; the roles played by both private and public institutions in the shaping of sexual relations; the issue of embodiment; and the relationship between gender, sexuality and race. Finally, the book traces the connections between French and Anglo-American feminist approaches and methodologies.

Philosophy professor Christina Sommers has exposed a disturbing development: how a group of zealots, claiming to speak for all women, are promoting a dangerous new agenda that threatens our most cherished ideals and sets women against men in all spheres of life. In case after case, Sommers shows how these extremists have propped up their arguments with highly questionable but well-funded research, presenting inflammatory and often inaccurate information and stifling any semblance of free and open scrutiny. Trumpeted as orthodoxy, the resulting "findings" on everything from rape to domestic abuse to economic bias to the supposed crisis in girls' self-esteem perpetuate a view of women as victims of the "patriarchy." Moreover, these arguments and the supposed facts on which they are based have had enormous influence beyond the academy, where they have shaken the foundations of our educational, scientific, and legal institutions and have fostered resentment and alienation in our private lives. Despite its current dominance, Sommers maintains, such a breed of feminism is at odds with the real aspirations and values of most American women and undermines the cause of true equality. Who Stole Feminism? is a call to arms that will enrage or inspire, but cannot be ignored.

Until recently, scholars assumed that women "stopped speaking" after they won the vote in 1920 and did not reenter political life until the second wave of feminism began in the 1960s. Nothing could be further from the truth. While national attention did dissipate after 1920, women did not retreat from political and civic life. Rather, after winning the vote, women's public activism shifted from a single-issue agenda to the myriad social problems and public issues that faced the nation. As such, women began to take their place in the public square as political actors in their own rights rather than strictly campaigning for a "women's issue." This anthology documents women's activism during this period by introducing heretofore unpublished public speeches that address a wide array of debated topics including child labor, international relations, nuclear disarmament, consumerism, feminism and anti-feminism, social welfare, family life, war, and the environment. Some speeches were delivered in legislative forums, others at schools, churches, business meetings, and media events; still others before national political organizations. To ensure diversity, the volume features speakers of different ages, races, classes, ethnicities, geographic regions, and political persuasions. The volume editors include short biographical introductions as well as historical context for each selection.