For over half a century, the countless organizations and initiatives that comprise the Women's Liberation movement have helped to reshape many aspects of Western societies, from public institutions and cultural production to body politics and subsequent activist movements. This collection represents the first systematic investigation of WLM's cumulative impacts and achievements within the West. Here, specialists on movements in Europe systematically investigate outcomes in different countries in the light of a reflective social movement theory, comparing them both implicitly and explicitly to developments in other parts of the world.

Tyler Perry has made over half a billion dollars through the development of storylines about black women, black communities and black religion. Yet, a text that responds to his efforts from the perspective of these groups does not exist.

"Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, Sharon Lin Tay argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent"--Provided by publisher.

The goal of Handbook of International Perspectives on Feminism is to present the histories, status, and contours of feminist research and practice in their respective regional and/or national contexts. The editors have invited researchers who are doing this work to present their perspectives on women, culture, and rights with the objective to illuminate the diverse forms that feminist psychological work takes around the world, and connect these forms with the unique positions and concerns of women in these regions.

What does "feminist psychology" look like in Japan? In South Africa? In Sri Lanka? In Canada? In Brazil? How did it come to look this way? How do psychologists in these countries or regions, each with unique political, economic, and cultural histories, engage in feminist work in the societies in which they live? How do they employ the tools of "psychology" - broadly defined - to do this work, and what tensions and challenges have they faced?

A decade ago, Caitlin Moran thought she had it all figured out. Her instant bestseller How to Be a Woman was a game-changing take on feminism, the patriarchy, and the general ‘hoo-ha’ of becoming a woman. Back then, she firmly believed ‘the difficult bit’ was over, and her forties were going to be a doddle.

If only she had known: when middle age arrives, a whole new bunch of tough questions need answering. Why isn’t there such a thing as a ‘Mum Bod’? How did sex get boring? What are men really thinking? Where did all that stuff in the kitchen drawers come from? Can feminists have Botox? Why has wine turned against you? How can you tell the difference between a Teenage Micro-Breakdown, and The Real Thing? Has feminism gone too far? And, as always, WHO’S LOOKING AFTER THE CHILDREN?

Now with ageing parents, teenage daughters, a bigger bum and a To-Do list without end, Caitlin Moran is back with More Than A Woman: a guide to growing older, a manifesto for change, and a celebration of all those middle-aged women who keep the world turning.

"Considered as a whole, this collection offers a basis for generalisations and specialised inquiry that will support both teaching and further research on the role of women in world history."--"Itinerario"

"The book deserves credit for stimulating such questions, which have broad appeal among scholars of colonialism, including those who do not work on gender. Its broad coverage and accessible language give it access to a wider audience than many academic anthologies, thereby advancing the interests of all those who value the study of colonial history."--"Journal of Colonialism and Colonial History"

Women and the Colonial Gaze is the first collection to present a broad chronological and geographical examination of the ways in which images and stereotypes of women have been used to define relationships between colonial powers and subject peoples.

In essays ranging from ancient Rome to twentieth-century Asia and Africa, the contributions suggest that the use of gender as a tool in the imperialist context is much older and more comprehensive than previously suggested. Contributors look particularly at the ways in which colonizers constructed a national identity by creating a contrast with the colonial "other," in contexts ranging from Christian views of Islam women in medieval Spain to French beliefs about Native American women. They also examine the ways in which images of gender as constructed by colonial powers impacted the lives of native women from colonial-era India to Korea to Swaziland.

Comparative in its approach, the volume will appeal to students and historians of women's studies, colonialism, and the development of national identity.

This companion is a cutting-edge primer to critical forms of the posthumanities and the feminist posthumanities, aimed at students and researchers who want to catch up with the recent theoretical developments in various fields in the humanities, such as new media studies, gender studies, cultural studies, science and technology studies, human animal studies, postcolonial critique, philosophy and environmental humanities. It contains a collection of nineteen new and original short chapters introducing influential concepts, ideas and approaches that have shaped and developed new materialism, inhuman theory, critical posthumanism, feminist materialism, and posthuman philosophy. A resource for students and teachers, this comprehensive volume brings together established international scholars and emerging theorists, for timely and astute definitions of a moving target - posthuman humanities and feminist posthumanities.

"Reading Women's Worlds from Christine de Pizan to Doris Lessing "explores a recurring theme in writing by women: the dream of finding or creating a private and secluded retreat from the world of men. These imagined "women's worlds" may be very small, a single room even, or may be more ambitious, such as the dream of an entire country created for and inhabited exclusively by women. Sharon L. Jansen places these texts in conversation with one another, pairing them in ways that reveal the writers' distinctive voices even while they speak of the dream they share.

'Powerful, intelligent and vital - one of the year's must-reads' Hannah Nathanson, Features Director, ELLE Featuring contributions from Candice Carty-Williams, Jessica Horn, Ebele Okobi, Funmi Fetto and Freddie Harrel. In the vein of Roxane Gay's Bad Feminist, but wholly its own, Girl is a provocative, heartbreaking and frequently hilarious collection of original essays on what it means to be black, a woman, a mother and a global citizen in today's ever-changing world. Black women have never been more visible or more publicly celebrated. But for every new milestone, every magazine cover, every box office record smashed, the reality of everyday life remains a complex, nuanced, contradiction-laden experience. Award-winning journalist and American in London Kenya Hunt threads razor sharp cultural observation through evocative and relatable stories, both illuminating our current cultural moment and transcending it.

This book articulates the theoretical outlines of a feminism developed from Aristotle's metaphysics, making a new contribution to feminist theory. Readers will discover why Aristotle was not a feminist and how he might have become one, through an investigation of Aristotle and Aristotelian tradition. The author shows how Aristotle's metaphysics can be used to articulate a particularly subtle and theoretically powerful understanding of gender that may offer a highly useful tool for distinctively feminist arguments. This work builds on Martha Nussbaum's 'capabilities approach' in a more explicitly and thoroughly hylomorphist way. The author shows how Aristotle's hylomorphic model, developed to run between the extremes of Platonic dualism and Democritean atomism, can similarly be used today to articulate a view of gender that takes bodily differences seriously without reducing gender to biological determinations. Although written for theorists, this scholarly yet accessible book can be used to address more practical issues and the final chapter explores women in universities as one example. This book will appeal to both feminists with limited familiarity with Aristotle's philosophy, and scholars of Aristotle with limited familiarity with feminism.

Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year A Boston Globe Summer Read "Brooks traces all kinds of lines...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening." -New York Times "A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae...Connecting the sonic worlds of Black female mythmakers and truth-tellers." -Rolling Stone "A gloriously polyphonic book." -Margo Jefferson, author of Negroland How is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

At all levels of government--from the international to the local--public policies are formulated mainly by men, but their impacts are felt, sometimes differently, by women, men, and children. This book considers the impact of public policy on various aspects of women's lives, including sex and birth, marriage and death, work and child rearing, and women's responses to those policies. Written by scholars who have lived on five continents, the chapters span the First and Third Worlds, with several providing case illustrations of policies affecting women in Latin America, Asia, and Africa. Written by scholars from several disciplines, the volume includes the fields of economics, politics, and planning. Literature also is covered, along with women's fiction as a source of women's opinions. The work is divided into two sections. The first section, Economic Policies and Migration, considers the impact of economic and demographic policies. The second section, Sex and Marriage, Violence and Control, considers policies relating to women's interpersonal relationships. Urban culture is discussed in an epilogue.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes "cults" so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we're looking for a satisfying explanation for what causes people to join-and more importantly, stay in-extreme groups. We secretly want to know: could it happen to me? Amanda Montell's argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of "brainwashing." But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear-and are influenced by-every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities "cultish," revealing how they affect followers of groups as notorious as Heaven's Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of "cultish" everywhere.

In Nice White Ladies, race and gender professor Jessie Daniels looks beyond the "Karens" and the pussy hats, to offer an illuminating look at how white women participate in, benefit from, and--crucially--can combat racism. Chapter by chapter, Daniels looks at the most urgent examples of how white womanhood has been weaponized today, and then dives deeper into the history and the false narratives behind these events. She examines specific figures including Amy Cooper and the Central Park birdwatcher, and Linda Fairstein and the Central Park Five, but also looks at larger social shifts and the role white women have had in deepening existing inequalities. Seemingly empowering movements for white women have also harmed people of color, from a feminism that had pushed the voices of Brown and Black women aside, to an entire wellness industry that insulates white women in bubble of their own privilege. White women are often unwilling to examine the fact that their day to day choices, including selecting only the best schools and neighborhoods for their children, results in a hoarding of resources for white families and a return to segregation. In a nation deeply divided by race, Jessie Daniels boldly addresses white women's complicity in discrimination but also in their unique potential to resist and dismantle the white nationalism that threatens us all. The stakes are deeply personal for Daniels, as a white woman seeking to call in fellow white women, with an invitation to think together and act-rather than simply call out and criticize. By excavating her own life for examples of failing, learning, evolving, and changing course, Daniels provides a roadmap for other white women looking to make much needed change. Ultimately, she shows how white women can be more than allies, but trusted accomplices in a shared mission to secure equality for all.

Marking the 100-year anniversary of women's suffrage, Leslie Hill provides a fascinating survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen's A Doll's House in 1889 through the militant suffrage movement. Hill's approachable overview explores some of the pivotal ways in which theatre makers both engaged with and influenced feminist discourse on topics such as sexual agency, reproductive rights, marriage equality, financial independence and suffrage. Clear and concise, this is an ideal resource for undergraduate and postgraduate students of Theatre and Performance Studies taking courses on Women in Theatre and Performance, Staging Feminism, Early Feminist Theatre, Theatre and Suffrage, Gender and Theatre, Political Theatre and Performance Historiography. This text will also appeal to scholars, lecturers, and Literature students.

""Your book should help bridge the gap between the academic definitions and research on Matriarchy and real world initiatives."" BEATA MURRELL, MATRIARCHAL SCHOLAR ""When a cork is no longer held down it rises up. This is what has happened with Women."" WILLIAM BOND, AUTHOR OF '"GOSPEL OF THE GODDESS"' Patriarchy is destroying the planet, and everything on it. Fortunately, patriarchy is at an end. Changes have occurred, both inner and outer, to transform our society from a 'conquest domination/exploitation principle into one of 'nurturing/caring/justice.' This monumental shift is so vast, that it is not easily seen in details nor at all moments. As we look at day to day existence, male domination is everywhere. But if we look at the big picture, at statistics, studies, astute observation, and by the insight of those who have been focused on the subject, it is obvious. The book begins with the series of articles explaining that males exhibit the need to worship women, an ancient practice forbidden in patriarchy, now surfacing in secular forms. From whence is this need? Why do women show no need to conversely, worship males? This and more are all explained here.

Feminist theory has grown into a vast field. Feminist writers, thinkers, and activists have produced an often bewildering body of knowledge concerned with difference and diversity, identity and inequality, ethnicity, race, and class, as well as gender. Despite its growing influence, however, no single comprehensive text encompasses the past, present, and future of feminist theory.

"Contemporary Feminist Theories" was inspired by a dissatisfaction with existing introductions, which often fail to fully track change and capture diversity within feminist thought. The volume draws on the expertise of a range of Western feminists in order to reflect the breadth of feminist theory as well as shifts within it. Each chapter maps the development of feminist thought in a particular area over time, and suggests future directions.

Reflecting the diversity of feminist theory in fields from literature and linguistics to science and politics, this multi-disciplinary map of feminist thinking is an ideal classroom text.

The contributors include Lisa Adkins, Vicki Bertram, Deborah Cameron, Elizabeth Frazer, Caroline Gonda, Penelope Harvey, Maggie Humm, Kadiatu Kanneh, Mary Maynard, Sara Mills, Jane Scoular, Sue Thornham, Sue Vice, and Patricia Waugh.

This volume offers feminist perspectives on the social, cultural and medical aspects of women as sexual beings and of their fertility, pregnancy and child bearing. It serves as a companion to "Advances in Gender Research volume 7, Gender perspectives on Health and Medicine: Key Themes". As in the previous volume, the authors critique and transcend conventional biomedical approaches to the subject matter. The seven essays raise questions about control and agency asking who decides if, when and how fertility should be controlled and the circumstances under which child birth takes place. They address decision-making on multiple levels from the individual to the national and transnational and grapple with such controversial matters as genital cutting, self-help menstrual extraction and direct-entry midwifery. They interrogate the policies and practices of states and transnational agencies that have a bearing on sexuality and reproductive health, the ways in which womens genitalia have been objectified and manipulated by practices that purport to be both traditional and modern, and the motivations of those who provide alternative forms of fertility control and birthing methods. The intended audience is the social science community, especially those who are interested in the study of gender, sexuality and reproductive health, medicine and alternative medicine, and the areas where these interface.

Essential characteristics of Women's decision-making have long been ignored or, if considered at all, have been viewed in relationship to male-based factors. Veeder, drawing on experiences of Irish women, establishes that women making important choices do so differently than men. The women, ranging in age from as young as thirteen to over sixty-five, were divided into three age groupings, thereby offering insights into variables over much of the life-span. Themes, born from common experiences emerge from the poignant, compelling accounts of individual women. The author's analysis and commentary structure the book's development and maintain its focus on the context wherein women make their private, but immensely important, decisions--the family. Education, vocation, marriage, and childbearing are considered relative to the thought and emotional factors that influenced the women's decisions. Veeder concludes that women show strength and insight in their approach to choices. She sees women, in comparison with men, as taking more factors into consideration, being more aware of consequences, being more practical, flexible, and valuing of relationships. Women's participation in the workforce and their increased societal roles make this a most timely book. It is, too, an important contribution to, and stimulus for, additional research on gender and decision-making.

"A timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena"--

Voices from the Asylum is a fascinating investigation of the lives of four women incarcerated in French psychiatric hospitals in the second half of the nineteenth century. The renowned sculptor (and mistress of Rodin) Camille Claudel, the musician Hersilie Rouy, the feminist activist Marie Esquiron, and the self-proclaimed mystic and eccentric Pauline Lair Lamotte, all left first-hand accounts of their experiences. These rare and unsettling documents provide the foundation for a unique insight into the experience of psychiatric breakdown and treatment from the patient's viewpoint.
By linking the question of gender to the process of medical diagnosis made by contemporary clinicians such as Sigmund Freud, this book argues that psychiatric medicine functioned as an integral part of an essentially misogynistic and oppressive society. Wilson suggests that "delusional" utterances can be read as meaningful when read as metaphorical expressions of real suffering, and as strategies to ensure the survival of a self under threat. These narratives therefore constituted an act of resistance on the part of the women who wrote them, and they prefigure the feminist revisionist histories of psychiatry that appeared later in the twentieth century.
Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes an important contribution to the feminist project of writing women back into literary history. It brings to light a remarkable but hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir.

Are women still oppressed? Is paid employment the key to liberation? Should pornography be banned? Do women have an absolute right to abortion? Can women in government really make a difference?

In this comprehensive study, Valerie Bryson draws on a wide range of theoretical, empirical and comparative material to provide a lucid account of feminist debates and the ways in which political disagreements stem from underlying theoretical assumptions. By disentangling questions of style and strategy from more profound disagreements, Bryson points the way to more effective forms of feminist political practice.

Feminist Debates provides analysis of the situation of women in western societies, and examines women's participation in the workplace, the changing structure of the family, the extent of male violence against women, the development of reproductive technology, the political representation of women, and the role of the law in maintaining and challenging gender inequalities.

Clear and balanced in its assessment of various problems and perspectives, "Feminist Debates: Issues of Theory and Political Practice" offers an essential guide to contemporary feminist thinking and practice.