- by veteran Routledge author whose books always sell well - first book in our Jungian film and media studies 'sub-list' that examines anything as contemporary as Netflix

The role of governance has only recently begun to be researched and discussed in order to better understand tourism policy making and planning, and tourism development. Governance encompasses the many ways in which societies and industries are governed, given permission or assistance, or steered by government and numerous other actors, including the private sector, NGOs and communities.

This book explains and evaluates critical perspectives on the governance of tourism, examining these in the context of tourism and sustainable development. Governance processes fundamentally affect whether and how progress is made toward securing the economic, socio-cultural and environmental goals of sustainable development. The critical perspectives on tourism governance, examined here, challenge and re-conceptualise established ideas in tourism policy and planning, as well as engage with theoretical frameworks from other social science fields. The contributors assess theoretical frameworks that help explain the governance of tourism and sustainability. They also explore tourism governance at national, regional and local scales, and the relations between them. They assess issues of power and politics in policy making and planning, and they consider changing governance relationships over time and the associated potential for social learning. The collection brings insights from leading researchers, and examines important new theoretical frameworks for tourism research.

This book was originally published as a special issue of Journal of Sustainable Tourism.

Having enjoyed more than a decade of lively critique and creativity, feminist philosophy of religion continues to be a vital field of inquiry. New Topics in Feminist Philosophy of Religion maintains this vitality with both women and men, from their own distinctive social and material locations, contributing critically to the rich traditions in philosophy of religion. The twenty contributors open up new possibilities for spiritual practice, while contesting the gender-bias of traditional concepts in the field: the old models of human and divine will no longer simply do A lively current debate develops in re-imagining and revaluing transcendence in terms of body, space and self-other relations.

This collection is an excellent source for courses in feminist philosophy, phenomenology, hermeneutics and literature, Continental and analytical philosophy of religion, engaging with a range of religions and philosophers including Kant, Kierkegaard, Marx, Heidegger, Arendt, Weil, Beauvoir, Merleau-Ponty, Ricoeur, Levinas, Irigaray, Bourdieu, Kristeva, Le Doeuff, bell hooks and Jantzen."

German women writers of the 18th and 19th centuries have been the subject of feminist, literary, critical and historical studies for around 30 years. This volume takes stock of what feminist literary criticism has achieved in that time and reflects on future trends in the field.

In these essays, the author discusses how language, religion, law, art science and technology have failed women and why. She goes beyond analysis and commentary to propose concrete changes tailored to women's specificity in all these fields - practical means of ensuring "our" culture is women's as well as men's. These changes, she argues, are crucial to the survival of humankind and the Earth itself. Irigary's other publications include "Elemental Passions" (1992), "The Ethics of Sexual Difference" (1993) and "Speech is Never Neuter" (1994).

Despite the disapproval that "visibly" Muslim women face in the West, the U.S. does not ban the hijab or niqab. Nevertheless, it does find a way to manage assertive Muslim women. How so? Subtly and without outright confrontation: through the courts, bureaucratic processes and liberal discourses. From a range of juridical decisions connected not only by a distinctly neocolonial gaze, but also through the tacit dimension of race, Muslim women-among other women of color-are reconceived as neonates who must be taught to behave: as Americans, as professional women, and as autonomous, mildly independent subjects. Focusing on the discrimination claims of Muslim women, this study examines juridical and political approaches that dismiss Muslim women and other populations of color as culturally backward, misguided in their thinking, and gratuitously nonconformist. Likewise, it analyses the experience of racial dismissal through excruciation: the phenomenon by which vulnerable populations are pressed into hopeless performances of cultural assimilation. Racial dismissal is excavated through legal opinions, court transcripts, and other encounters between Muslim women and the state. Ultimately, this work finds that the racial address of dismissal and the phenomena of excruciation have been pivotal to a liberal juridical order that otherwise claims neutrality. By concentrating on the treatment of Muslim women, this book uncovers dynamics of social and racial division which have inhabited and bolstered liberal legal neutrality from its inception. This book's framework, while focusing on Muslim women in the U.S., is a template for understanding how exclusion is juridically implemented for other racialized and marginalized populations.

Seeing is an act of relating. Being in relation, according to much of feminist theology, can be an ethical activity. This book is based on the assumption that seeing can be an ethical way of relating to the other. Through looking, on the one hand, at films that describe women artists who see another person, and, on the other, at feminist theology, this book puts forward an original view of the act of seeing as a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the other's memory.

Women's Lives integrates the most current research and social issues to explore the psychological diversity of girls and women varying in age, ethnicity, social class, nationality, immigrant experience, sexual orientation, gender identity, ableness and body size and shape. The text embeds a lifespan perspective within each topical chapter and has an intersectional approach that integrates women's diverse identities. It includes rich coverage of women with disabilities and on middle-aged and older women throughout. Taking a deeper transnational focus, it also examines the impact of social, cultural, and economic factors in shaping women's lives around the world. This edition explores the latest areas of research and tackles important contemporary topics such as: feminization of immigration media portrayals of LGBTQ individuals and immigrants regulating testosterone levels in women's sports the effects of social media on body image menstrual equity and the "tampon tax" immigrant women as transnational mothers academic environment for low-income, ethnic minority, and immigrant women effects of the COVID-19 pandemic on women's employment the dilemma of unpredictable work hours effects of the COVID-19 pandemic on work-family balance issues healthcare barriers experienced by immigrant women and LGBTQ individuals #MeToo movement the fourth wave of feminism the role of immigrant women in grassroots feminist activism men's support of feminist issues and more. Boasting a new full-color design and rich with pedagogy, the book includes several boxed elements in each chapter. "In The News" boxes present current news items designed to engage students in thinking critically about current gender-focused events and issues. The "What You Can Do" boxes give students examples of applied activities that they can engage in to promote a more egalitarian society. "Get Involved" boxes ask students to collect data and to critically think about the explanations and implications of the activity's findings. "Learn About the Research" boxes expose students to a variety of research methods and highlight the importance of diversity in research samples by including studies of underrepresented groups. At the end of each chapter, "What Do You Think" questions foster skills in critical thinking, synthesis, and evaluation by asking the student to apply course material or personal experiences to provocative issues from the chapter. The "If You Want to Learn More" feature provides names of the most current books available on various topics that are discussed in the chapter. Combining up-to-date research with an approachable and engaging writing style, Women's Lives is an invaluable resource for all students of gender from psychology, women's studies, gender studies, sociology, and anthropology.

'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gorrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald

This group biography follows three generations of ministers' daughters and wives in a famed American Unitarian family. Shifting the focus from pulpit to parsonage, and from sermon to whispered secrets, Cynthia Tucker humanizes the Eliots and their religious tradition and lifts up a largely neglected female vocation. Spanning 150 years from the early 19th century forward, the narrative shapes itself into a series of stories. Each of six chapters takes up a different woman's defining experience, from the deaths of numerous children and the anguish of infertility to the suffocation of small parish life with its chronic loneliness, doubt, and resentment. One woman confides in a rare close friend, another in the anonymous readers of magazines that publish her poems. A third escapes from an ill-fitting role by succumbing to neurasthenia, leaving one debilitating condition for another. The matriarch's granddaughters script larger lives, bypassing marriage and churchly employment to follow their hearts into same-sex relationships, and major careers in public health and preschool education. In two concluding chapters, Tucker enlarges the frame to bring in the regular parish women who collectively give voice to issues the ministers' kin must keep to themselves. All of the stories are linked by the women's continuing battles to make themselves heard over clerical wisdom that contradicts their reality.

Hope is central to marginal politics which speak of desires for equality or simply for a better life. Feminism might be characterised as a politics of hope, a movement underpinned by a utopian drive for equality. This version of hope has been used, for example in Barack Obama's phrase ?the audacity of hope? ? a mobilisation of an affirmative politics which nevertheless implies that we are living in hopeless times. Similiarly, in recent years, feminism has seen the production of a prevailing mood of hopelessness around a generational model of progress, which is widely imagined to have ?failed?. However, as a number of feminist theorists have pointed out, the temporality of feminism cannot be conceived as straightforwardly linear: feminism can only be imagined as having failed if it is understood as a particular set of relations and things.

This collection grapples with the question of hope: how it figures and structures feminist theory as both a movement towards certain goals, and as inherently hopeful. Questions addressed include: Does hope necessarily imply a fantasy of perfectibility, a progression to a utopian future? Might it also be conceived in other ways: as an attachment?A lure? Does life tend towards hope, happiness, optimism? And, if so, what are the consequences when hope fails? Who decides which hopes are false? What is the cost of giving up hope?

This book was published as a special issue of the Journal for Cultural Research.

Attuned to the social contexts within which laws are created, feminist lawyers, historians, and activists have long recognized the discontinuities and contradictions that lie at the heart of efforts to transform the law in ways that fully serve women's interests. At its core, the nascent field of feminist legal history is driven by a commitment to uncover women's legal agency and how women, both historically and currently, use law to obtain individual and societal empowerment.

Feminist Legal History represents feminist legal historians' efforts to define their field, by showcasing historical research and analysis that demonstrates how women were denied legal rights, how women used the law proactively to gain rights, and how, empowered by law, women worked to alter the law to try to change gendered realities. Encompassing two centuries of American history, thirteen original essays expose the many ways in which legal decisions have hinged upon ideas about women or gender as well as the ways women themselves have intervened in the law, from Elizabeth Cady Stanton's notion of a legal class of gender to the deeply embedded inequities involved in Ledbetter v. Goodyear, a 2007 Supreme Court pay discrimination case.

Contributors: Carrie N. Baker, Felice Batlan, Tracey Jean Boisseau, Eileen Boris, Richard H. Chused, Lynda Dodd, Jill Hasday, Gwen Hoerr Jordan, Maya Manian, Melissa Murray, Mae C. Quinn, Margo Schlanger, Reva Siegel, Tracy A. Thomas, and Leti Volpp

In this book, Richard Mouw probes, from a Calvinist tradition, the place of obedience to a divine command. He suggests that a Calvinist perspective on moral theology can profit from an openness to some contemporary developments, particularly narrativist ethics and feminist thought.

Flora Tristan was a most remarkable woman. Born at the begining of the 19th century, her short life was packed with adventure and achievement. An illegitimate child, she had a disastrous marriage to a husband who tried to kill her. In vain pursuit of her rightful inheritance, she sailed unchaperoned across the perilous Atlantic to Peru. Returning to France, she became a socialist, and feminist, and commited herself to a life of political radicalism. She recognized that until the economic conditions of the poor were alleviated there was little prospect of female emancipation. Her strategy was to establish a union of workers throughout France to press for socialist measures. However, linking the feminist cause to socialism proved to be fraught with difficulty. Flora Tristan found that working class organizations were indifferent, and even hostile, to the idea of female equality. In short, Flora Tristan exemplifies in her life and work, both the history of feminism, in its phases of optimism, realism and dissillusion, and the tensions between feminism and socialism.

The suffrage story, set in the political and cultural context of war, is lit vividly by some fascinating personalities. New research challenges accepted accounts. This study traces the resurgence of a conservative suffrage leadership, questions the inevitability of the narrow franchise granted to women in 1918, and suggests that something important was lost, especially to the Labour party and to feminism, when a broad vision of democracy and patriotism became a casualty of war, self-interest and jingoism.

The starting point for this book, first published in 1992, is a question of rhetoric -- as much in the writings of feminism as in other writing about women. How do texts construct possibilities and limits, openings and impasses, which set the terms for the ways in which we think about what a woman is, or where women might be going, whether individually or collectively? Some possible answers, as well as more questions, are offered in this book which moves from Virginia Woolf to advertising and from Freud to Feminist theory.

This Special Issue is concerned with the effects of three emotional states (positive affect; anxiety; and depression) on performance. More specifically, the contributors focus on the potential mediating effects of attention and of executive processes of working memory. The evidence discussed suggests that anxiety and depression both impair the executive functions of shifting and inhibition, in part due to task-irrelevant processing (e.g., rumination; worry). In contrast, positive affect seems to enhance the shifting function and does not impair the inhibition function. The complicating role of motivational intensity is also discussed, as are implications for future research.

According to Allen, motherhood and citizenship are terms that are closely linked and have been redefined over the past century due to changes in women's status, feminist movements, and political developments. Mother-child relationships were greatly affected by political decisions during the early 1900s, and the maternal role has been transformed over the years. To understand the dilemmas faced by women concerning motherhood and work, for example, Allen argues that the problem must be examined in terms of its demographic and political development through history. Allen highlights the feminist movements in Western Europe - primarily Britain, France, Germany and the Netherlands, and explores the implications of the maternal role for women's aspirations to the rights of citizenship. Among the topics Allen explores the history of the maternal role, psychoanalysis and theories on the mother-child relationship, changes in family law from 1890-1914, the economic status of mothers, and reproductive responsibility.

A study of the impact of sexism on black women during slavery, the historic devaluation of black womanhood, sexism among black men, racism within the women's movement and the black woman's involvement with feminism. Hooks refutes the antifeminist claim that black women have no need for an autonomous women's movement. She pushes feminist dialogue to new limits by claiming that all progressive struggles are significant only when they take place within a broadly defined feminist movement which takes as its starting point the immutable facts of race, class and gender.

Making Space is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women's lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, tthe book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. Making Space remains a path breaking book pointing to possibilities of a feminist future. Some authors worked for the London-based Matrix Feminist Architect's collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects - such as community, children and women's centres. Others were engaged in building work, teaching and research. The new edition comes with a new introduction examining the context, process and legacy of Making Space written by leading feminists in architecture.

Start making smart decisions.
Free yourself from the financial fog.
Take control of your money.
Unf*cking your finances will change your life.

With a step-by-step approach, including a 30-day financial detox, money mindfulness plan and goal-setting exercises, this book provides everything you need to develop healthy financial habits. As well as in-depth practical advice on debt, the stock market and navigating money with partners, financial advisor and accountant Melissa Browne will teach you to transform your relationship with money.

Whether you want to get out of your overdraft, get clued up on credit, maximise your savings or achieve your dream to buy a property, this book is full of no bullsh*t information for anyone who needs a fresh approach.

This definitive Reader presents a coherent, comprehensive, comparative, and much-needed collective history of women's activism throughout the world.
Including key pieces on the history of feminism from an international group of scholars, the book charts feminists? attempts to restore a balance of power between the sexes against a backdrop of huge cultural, social and political transitions across the world. The collection covers the period from the beginning of the French Revolution in 1789 ? a turning point that gave rise to practical efforts to embody principles of rights, liberty, and equality on behalf of women as well as men ? up until the end of World War II. The chapters reach out well beyond Europe and the Americas to examine the history of feminisms in Japan, India, China, the Middle East and Australasia.
This diverse body of material is drawn together through a comprehensive general introduction, and individual section introductions. The chapters are also supported by a global timeline of events, and there is a bibliography of further reading.
Contributors include Padma Anagol, Marilyn J. Boxer, Jacqueline R. DeVries, Ellen Carol DuBois, Louise Edwards, Ellen L. Fleischmann, Rochelle Goldberg Ruthchild, Patricia Grimshaw, Inger Hammar, Nancy Hewitt, Francesca Miller, Barbara Molony, Karen Offen, Florence Rochefort, Leila J. Rupp, Sandra Stanley Holton, Anne Summers, Ann Taylor Allen, Angela Woollacott and Susan Zimmermann.

Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective.

The essays, 40% of which are new to the second edition, are informed by the authors? deep attention to historical, geographical, and disciplinary contexts as well as by cutting edge concerns such as globalization, diasporic cultural shifts, developments in new media technologies, and intersectional identity politics.

The Feminism and Visual Culture Reader combines classic texts with six specially commissioned pieces, all by leading feminist critics, historians, theorists, artists, and activists. Articles are grouped into thematic sections, each of which is introduced by the editor. Providing a framework within which to understand the shifts in feminist thinking in visual studies, as well as an overview of major feminist theories of the visual, this reader also explores how issues of race, class, nationality, and sexuality enter into debates about feminism in the field of the visual.

What is the relationship between feminism and popular culture? Has there been a 'backlash' against feminism or is feminism now part of contemporary 'commonsense'? Can feminism learn from popular culture? Feminism in Popular Culture explores these questions through a diverse range of texts and sites - from news coverage, 'The Vagina Monologues', the Scream trilogy, 'Ally McBeal' and 'Sex and the City', sex documentaries and TV cooks, to breakdancing, beauty salons and computer game-playing. Feminism in Popular Culture does not assume that popular culture could benefit from a feminist 'makeover'. Rather, it analyses how different meanings of feminism have been negotiated within popular culture - how popular culture has made sense of feminism.

The starting point for this book, first published in 1992, is a question of rhetoric a " as much in the writings of feminism as in other writing about women. How do texts construct possibilities and limits, openings and impasses, which set the terms for the ways in which we think about what a woman is, or where women might be going, whether individually or collectively?

Some possible answers, as well as more questions, are offered in this book which moves from Virginia Woolf to advertising and from Freud to Feminist theory.