This impressive and original study is one of the first books to combine mainstream sociology with feminism in exploring the subject of the professions and power. This is an important addition to the corpus of feminist scholarship... It provides fresh insights into the way in which male power has been used to limit the employment aspirations of women in the middle classes. - Rosemary Crompton, University of Kent

This book offers a contemporary account of what it means to inhabit academia as a privilege, risk, entitlement or a failure. Drawing on international perspectives from a range of academic disciplines, it asks whether feminist spaces can offer freedom or flight from the corporatized and commercialized neoliberal university. How are feminist voices felt, heard, received, silenced, and masked? What is it to be a feminist academic in the neoliberal university? How are expectations, entitlements and burdens felt in inhabiting feminist positions and what of 'bad feeling' or 'unhappiness' amongst feminists? The volume consider these issues from across the career course, including from 'early career' and senior established scholars, as these diverse categories are themselves entangled in academic structures, sentiments and subjectivities; they are solidified in, for example, entry and promotion schemes as well as funding calls, and they ask us to identify in particular stages of 'being' or 'becoming' academic, while arguably denying the possibility of ever arriving. It will be essential reading for students and researchers in the areas of Education, Sociology, and Gender Studies.

This timely book provides new insights into debates around the relationship between women and film by drawing on the work of philosopher Luce Irigaray. Arguing that female-directed cinema provides new ways to explore ideas of representation and spectatorship, it also examines the importance of contexts of production, direction and reception.

_______________ 'An autobiographical meditation on feminism, power and womanhood ... Full of Isabel's wisdom and warm words' - Grazia 'In her small, potent polemic . . . Isabel Allende writes about the toxic effects of "machismo", combining wit with anger as she picks apart the patriarchy' - Independent 'Allende has everything it takes: the ear, the eye, the mind, the heart, the all-encompassing humanity' - New York Times An Independent, Guardian and Grazia Highlight for 2021 _______________ The wise, warm, defiant new book from literary legend Isabel Allende - a meditation on power, feminism and what it means to be a woman When I say that I was a feminist in kindergarten, I am not exaggerating. As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality. So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will 'light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.' _______________ 'Her thoughts, language and ideas traverse fluidly through ideas of gender, historic injustices, her marriages and bodily experiences and literary references . . . Allende's love for women is palpable' - Sydney Morning Herald

This is an original, full length biography of Britain's first twentieth-century black feminist - Una Marson - poet, playwright, and social activist and BBC broadcaster. Una Marson is recognised today as the first major woman poet of the Caribbean and as a significant forerunner of contemporary black writers; her story throws light on the problems facing politicised black artists. In challenging definitions of 'race' and 'gender' in her political and creative work, she forged a valiant path for later black feminists. Her enormous social and cultural contributions to the Caribbean and Britain have, until now, remained hidden in archives and memoirs around the world. Based on extensive research and oral testimony, this biography embraces postcolonial realities and promise, and is a major contribution to British cultural history. -- .

Women's increased role in the labour market has combined with concerns about the damaging effects of long working hours to push time-related issues up the policy agenda in many Western nations. This wide-ranging and accessible book assesses policy alternatives in the light of feminist theory and factual evidence. The book introduces mainstream ideas on the nature and political significance of time and re-frames them from a feminist perspective. It uses feminist analyses of women's experience and use of time to provide a critical overview of policies in Western welfare states. Themes covered include the impact of 'time poverty' on women's citizenship; gender differences in time use and how these are rewarded; the social meanings of time and whether these differ between women and men; and the role of the past in framing policy options today. The book also explores: the significance of differences amongst women; the interconnected nature of public and private time; the value of time spent caring for others; the right to time for care; and, the uses and limitations of time-use studies. The book is essential reading for all those interested in gender inequality, time-use or work/rest-of-life balance. It will be an invaluable resource for students and academics throughout the social sciences.

The history of the housewife is a complicated and uneasy narrative, rife with contradictions, tensions, and unanswered questions. In response to this, Sentenced to Everyday Life marks an important cross-generational moment in feminism. Challenging our previous understandings of what constitutes the housewife figure, this book tugs at a critical issue still unresolved in the contemporary world: what is the relationship between women and the home? And why are women so reluctant to call themselves housewives? Drawing on research and evidence surrounding the housewife figure of the 1940s and 1950s, Johnson and Lloyd address the question of why the housewife has been such a problematic figure in feminist debates since World War II. Starting with an exploration of why the housewife of the 1940s became associated with drudgery, this book covers such topics as the ways in which magazines and advertising attempted to articulate an innate connection between women and the domestic sphere, while later films of the 1950s explored the constantly shifting boundaries between social, family and individual desires and constraints for women in the home. Johnson and Lloyd also examine how the home has been a site of boredom, and what happens to the balance between work and family in the modern world. In moving into contemporary debates, the authors explore the uneasy tension between the construction of the modern self and women's efforts to transcend the domestic sphere. By situating their examination in a still unresolved contemporary topic, Johnson and Lloyd offer us both a backward glance and a forward-looking perspective into domesticity and the modern self.

This work provides a broad survey of the development of female insurgency in France between 1789 and 1871, placing particular emphasis on the conflicts of 1830-1851. The author demonstrates that a tradition of women's protest evolved from the 1789 Revolution, assuming particular forms associated with the exclusion of females from political and civil rights, and inviting both praise and vilification. The conclusions challenge the view that in 19th-century France, women retreated altogether from popular movements.

Yeltsin is certainly not the Sakharov of the Democratic Movement. Russian people sarcastically call his burning the Parliament an October Revolution of 1993. In "Women's Glasnost vs. Naglost "we finally hear the voices of the Russian women on what it means to be female and Russian in the tumultuous climate that is modern Russia. The founder of the Russian women's movement, Tatyana Mamonova was the first Russian woman exiled from the Soviet Union for publishing the underground samizdat, Woman and Russia. Now lauded as the Simone de Beauvoir of Russia, Mamonova has interviewed 17 Russian women on the subject of the C.A.S. as it relates to glasnost. Women from all walks of life are asked about changes with respect to their roles and expectations as women. Artists, professionals, dissidents, lesbians, doctors, writers, and civil servants tell their stories in candid terms showing that there is still a long road ahead. Revisions and elaborations of speeches delivered on Mamonova's American tours, poetry in her own hand, and line drawings in her own eloquent and prolific style compliment her essays and the women's interviews.

'I learned something new on every page of this totally essential book' Sathnam Sanghera In this bold and radical book, award-winning science journalist Angela Saini goes in search of the true roots of gendered oppression, uncovering a complex history of how male domination became embedded in societies and spread across the globe. 'By thinking about gendered inequality as rooted in something unalterable within us, we fail to see it for what it is: something more fragile that has had to be constantly remade and reasserted.' In this bold and radical book, award-winning science journalist Angela Saini goes in search of the true roots of gendered oppression, uncovering a complex history of how male domination became embedded in societies and spread across the globe from prehistory into the present. Travelling to the world's earliest known human settlements, analysing the latest research findings in science and archaeology, and tracing cultural and political histories from the Americas to Asia, she overturns simplistic universal theories to show that what patriarchy is and how far it goes back really depends on where you are. Despite the push back against sexism and exploitation in our own time, even revolutionary efforts to bring about equality have often ended in failure and backlash. Saini ends by asking what part we all play - women included - in keeping patriarchal structures alive, and why we need to look beyond the old narratives to understand why it persists in the present.

This volume brings together essential writings by the unjustly neglected nineteenth-century philosopher Frances Power Cobbe (1822-1904). A prominent ethicist, feminist, champion of animal welfare, and critic of Darwinism and atheism, Cobbe was well known and highly regarded in the Victorian era. This collection of her work introduces contemporary readers to Cobbe and shows how her thought developed over time, beginning in 1855 with her Essay on Intuitive Morals, in which she set out her duty-based moral theory, arguing that morality and religion are indissolubly connected. This work provided the framework within which she addressed many theoretical and practical issues in her prolific publishing career. In the 1860s and early 1870s, she gave an account of human duties to animals; articulated a duty-based form of feminism; defended a unique type of dualism in the philosophy of mind; and argued against evolutionary ethics. Cobbe put her philosophical views into practice, campaigning for women's rights and for first the regulation and later the abolition of vivisection. In turn her political experiences led her to revise her ethical theory. From the 1870s onwards she increasingly emphasized the moral role of the emotions, especially sympathy, and she theorized a gradual historical progression in sympathy. Moving into the 1880s, Cobbe combatted secularism, agnosticism, and atheism, arguing that religion is necessary not only for morality but also for meaningful life and culture. Shedding light on Cobbe's philosophical perspective and its applications, this volume demonstrates the range, systematicity and philosophical character of her work and makes her core ethical theory and its central applications and developments available for teaching and scholarship.

In this expansive companion to Abolition Feminisms Vol. I, contributors confront multiple paradigms of punitivity-the foundational logics of family, borders, heterosexuality, colonial violence, and more-to disengage us from root systems of carcerality. The book transcends various modes and forms: through grassroots praxis, critical research, storytelling, diagrams, poetry, and visual art, these pieces build on the legacies of feminist thinkers who formulated abolitionist critiques of policing, surveillance, and control. The resulting framework provides readers with the resources to cultivate and inhabit a post-carceral world of radical freedom and possibility.

This is a new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. in an extensive introduction to this second edition, Mulvey looks back at the historical and personal contests for her famous article "Visual Pleasure and Narrative Cinema, "and reassesses her theories in the light of new technologies.

In Nice White Ladies, race and gender professor Jessie Daniels looks beyond the "Karens" and the pussy hats, to offer an illuminating look at how white women participate in, benefit from, and--crucially--can combat racism. Chapter by chapter, Daniels looks at the most urgent examples of how white womanhood has been weaponized today, and then dives deeper into the history and the false narratives behind these events. She examines specific figures including Amy Cooper and the Central Park birdwatcher, and Linda Fairstein and the Central Park Five, but also looks at larger social shifts and the role white women have had in deepening existing inequalities. Seemingly empowering movements for white women have also harmed people of color, from a feminism that had pushed the voices of Brown and Black women aside, to an entire wellness industry that insulates white women in bubble of their own privilege. White women are often unwilling to examine the fact that their day to day choices, including selecting only the best schools and neighborhoods for their children, results in a hoarding of resources for white families and a return to segregation. In a nation deeply divided by race, Jessie Daniels boldly addresses white women's complicity in discrimination but also in their unique potential to resist and dismantle the white nationalism that threatens us all. The stakes are deeply personal for Daniels, as a white woman seeking to call in fellow white women, with an invitation to think together and act-rather than simply call out and criticize. By excavating her own life for examples of failing, learning, evolving, and changing course, Daniels provides a roadmap for other white women looking to make much needed change. Ultimately, she shows how white women can be more than allies, but trusted accomplices in a shared mission to secure equality for all.

This book analyzes the literary representation of Indigenous women in Latin American letters from colonization to the twentieth century, arguing that contemporary theorization of Indigenous feminism deconstructs denigratory imagery and offers a (re)signification, (re)semantization and reinvigoration of what it means to be an Indigenous woman.

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Visit Paula Kamen's website at http: //www.paulakamen.com

"It's about time! Read this book."
"--Shere Hite, The Hite Report"

"With intelligence and flair, Gen-X feminist, journalist and playwright Kamen (Feminist Fatale) presents an exhaustive study of the sexual mores of the women in her generation. . . . Critical yet nonjudgmental, Kamen's lively book is a welcome primer on contemporary sexual ethics. . . . It's sure to be a hit among feminists of all ages even while it raises eyebrows in other camps."
"--PUBLISHERS WEEKLY"

"a]at times startling and at the very least amusinga]reading it is an education. And now we know at least some of what educated women stand to gain."
"--The New York Times Book Review"

"A refreshing surveya]Offers lucid analyses of the changing content and understanding of sex."
"-- The Chicago Tribune"

"At last, the torch has been passed! Paula Kamen follows women's struggle for sexual pleasure and self-affirmation into a new generation - and finds it healthier and more vibrant than ever. Young women will be fascinated by Her Way. Older ones will be amazed."
"--Barbara Ehrenreich"

"At last, a book about young women's sexual behavior that's actually written by a young woman! Paula Kamen documents women's sexual truths without judgment and-more important-without all the wrongheaded, double-standard-laden assumptions that all too often plague writing on this topic. Kamen brings the focus back where it should be: on women's own views, rather than others' views of them."
"--Lisa Miya-Jervis, Bitch Magazine"

"A bold new look at female sexuality in America today. Based onyears of meticulous research, Paula Kamen has produced a fascinating, important study of how young women are redefining their roles and relationships in a post-boomer world."
"--Iris Chang, author of The Rape of Nanking"

"Lively and entertaining, honoring the intimate voices of a diversity of women, Her Way is an authoritative study of our long slow journey toward sexual autonomy. Kamen is a savvy third wave feminist who has done her homework. The book is a link between generations, and a major stepping stone toward fuller liberation. This is feminism for the 21st century!"
"--Barbara Seaman, coeditor of For Women Only: Our Guide to Health Empowerment"

"Intellectual, political, and compassionate, Her Way shows that the freedom to live and love by our own standards-with men on our good side-is the way toward the social change that, truly, begins in our social lives."
"--Lynn Harris, author of Breakup Girl to the Rescue! A Superhero's Guide to Love, and Lack Thereof"

"Gives women cause to celebrate! Her Way shows how, for perhaps the first time in history, a generation of young women is truly defining sex on its own terms. Her nuanced analysis of this quiet but undeniable trend is optimistic while not shying away from the problems that remain, including the inertia of a mainstream popular culture that insists on portraying women as sexy rather than as sexual beings in their own right."
"--Lisa Douglass, coauthor of Are We Having Fun Yet? The Intelligent Woman's Guide to Sex"

"Chronicles the complex ways young women understand and experience sexuality today. In this collection, Kamen draws on interviews, reports, and studies to weave an analysis of how Gen-X womendefine and adopt sex roles and gendered responses to an increasingly sexualized world. . . . Kamen concludes, rather convincingly, that young women are finally beginning to make their own rules, instead of blindly obeying those made by others and, as a result, are leading more fulfilling lives."
"--MS. MAGAZINE"

"If women's sexual mores become more like men's, is that progress? Paula Kamen seems to think so, based on HER WAY. . . . Kamen backs her assertions with a panoramic breadth of scholarship-pretty much every major piece of sex research for the last hundred years shows up in HER WAY, including some fascinating surveys of women born in the nineteenth century."
"--NERVE"

"Lively and entertaining, honoring the intimate voices of a diversity of women, Her Way is an authoritative study of our long slow journey toward sexual autonomy. Kamen is a savvy third wave feminist who has done her homework. The book is a link between generations, and a major stepping stone toward fuller liberation. This is feminism for the 21st century!"
--Barbara Seaman, Co-editor of "For Women Only: Our Guide to Health Empowerment"

"The next time you're having an argument with some asshole over the fact that women can have just as high a sex drive and the same ability to know their desires as men, just pull out this book. . . . It's a great book to help you get an overall feeling for the sexual attitudes of chicks these days. . . . a must-have for any feminist home."
"--BUST"

Three decades after the Sexual Revolution, women's power and status have begun to match men's, and women are finally making the rules in order to experience a more radical and truer form of liberation.

Her Waydemonstrates how and why 20- and 30-something women have evolved to act and think more like men sexually, while also creating their own distinct sexual patterns and appetites. Today's young women are now the leaders of an unreported but sweeping "Sexual Evolution," in which women take control of sex and redefine it from their perspective. In other words, do it "her way."

Paula Kamen characterizes this Sexual Evolution according to two major developments that are setting sexual patterns for future generations of women: young women's sexual profiles are now remarkably similar to those of men, in terms of age of first intercourse, and numbers of sex partners and casual encounters. They also feel less guilt or shame about their behavior, from premarital sex to having a child out of marriage to coming out of the closet to cohabiting.

Yet young women are not merely imitating men, but forging their own distinct sexual perspectives and asserting their own needs. In addition to discovering the pleasures of sex, young women are also exploring the dilemmas, challenging male-defined sexual scripts, and changing what actually goes on in bed.

Based on more than one hundred lively, unfiltered and in-depth interviews with women across the country, Her Way cuts through the sensationalism and speculation of popular discussions about young women and sex. Kamen reports the real story of today's enhanced sexual expectations and choices.

Part of a fully indexed 20-volume collection which gathers together significant research contributions on the social, religious and political history of women in the United States, from colonial times to the 1990s.

Silence, Feminism, Power: Reflections at the Edges of Sound interrogates the often-unexamined assumption that silence is oppressive, to consider the multiple possibilities silence enables. The equation between voice and power informs feminist theory and activism, creating an imperative that the oppressed must 'come to voice.' Alternately, this volume explores the diverse and complex ways that differently situated groups and individuals deploy power through silence. Authors engage questions like: What forms of resistance and healing do silence make possible? What alliances might be enabled by learning to read silences? Under what conditions is it productive to move between voice and silence? The book is thematically organized to explore: Intersectionality, Privilege, and Alliances; Academia and Knowledge Production; Community, Family, and Intimacy; Memory, Healing, and Power. Essays feature diverse feminist reflections on the nuanced relationship between silence and voice to foreground the creative, healing, meditative, generative and resistive power our silences engender.

This study of feminism, equity and change in the academy is based on interviews with 40 feminist academics and students in Britain, Sweden and Greece. The research attempts to decode and disentangle gendered message systems and the matrix of power relations in the academy. It consists of feminist readings of the micro processes of everyday practices. Change is interrogated in relation to feminist pedagogy, equity, organizational culture, policies and discourses of new right reform, mass expansion and new managerialism. This work is intended for departments of sociology, women's studies, education, organization studies, management studies, equal opportunities, and employment studies.

The 1840s, 50s, and 60s: three decades during which the British feminist movement saw some of its most intense activity of the nineteenth-century, and readers find some of the most monstrous, troubling representations of women by male writers in all of literary history. In Fixing Patriarchy, Donald E. Hall suggests that feminism at mid-century posed intertwined social, economic, political and psychological threats to patriarchy. Hall explores the metamorphic nature of Victorian definitions of masculinity and femininity through an analysis of male authors such as Dickens, Tennyson, Kingsley, Thackeray, Hughes, Collins, and Trollope in dialogue with Victorian feminists and other women writers.

Synthesizing historical research with pertinent queer, feminist, post-structuralist, and materialist theories, Hall locates both startling admissions of moral fallibility and violent strategies of retrenchment and containment of this perceived threat to the male social body. Fixing Patriarchytraces parallels among Victorian discourses of religion, science, economics, and aesthetics, as it explores a cultural dynamic of un-fixedness and heightened desires for fixity.

The Cost of Being Female is 30 cents, say the authors of this new book on discrimination against women. They demonstrate their thesis by constructing an index that documents the costs of discrimination against women in five aspects of life: economic, political, social, education, and health. The index compares the costs for American women with those of women in Sweden, Norway, France and China, and measures the costs for three time periods: 1990s, 1950s, and the 19th century. The authors interviewed over 70 women, providing a human approach to the statistics of earnings, occupations, political participation, marriage, divorce, childrearing, education, and women's health. The women's narratives are living testimony to the experiences of the costs of being female.

Over the last 20 years, there has been an increasing interest in feminist views of the Italian literary tradition. While feminist theory and methodology have been accepted by the academic community in the U.S., the situation is very different in Italy, where such work has been done largely outside the academy. Among nonspecialists, knowledge of feminist approaches to Italian literature, and even of the existence of Italian women writers, remains scant. This reference work, the first of its kind on Italian literature, is a companion volume for all who wish to investigate Italian literary culture and writings, both by women and by men, in light of feminist theory. Included are alphabetically arranged entries for authors, schools, movements, genres and forms, figures and types, and similar topics related to Italian literature from the Middle Ages to the present. Each entry is written by an expert contributor and summarizes feminist thought on the subject. Entries provide brief bibliographies, and the volume concludes with a selected, general bibliography of major studies. This volume covers eight centuries of Italian literature, from the Middle Ages to the present. Included are entries for major canonical male authors, such as Dante, Petrarch, and Boccaccio, as well as for female writers such as Lucrezia Marinella and Gianna Manzini. These entries discuss how the authors have shaped the image of women in Italian literature and how feminist criticism has responded to their works. Entries are also provided for various schools and movements, such as deconstruction, Marxism, and new historicism; for genres and forms, such as the epic, devotional works, and misogynistic literature; for figures and types, such as the enchantress, the witch, and the shepherdess; and for numerous other topics. Each entry is written by an expert contributor, summarizes the relationship of the topic to feminist thought, and includes a brief bibliography. The volume closes with a selected general bibliography of major studies.