Feminism is one of the most important perspectives from which
visual culture has been theorized and historicized over the past
forty years. Challenging the notion of feminism as a unified
discourse, this second edition of The Feminism and Visual Culture
Reader assembles a wide array of writings that address art, film,
architecture, popular culture, new media and other visual fields
from a feminist perspective.
The essays, 40% of which are new to the second edition, are
informed by the authors? deep attention to historical,
geographical, and disciplinary contexts as well as by cutting edge
concerns such as globalization, diasporic cultural shifts,
developments in new media technologies, and intersectional identity
politics.
The Feminism and Visual Culture Reader combines classic texts
with six specially commissioned pieces, all by leading feminist
critics, historians, theorists, artists, and activists. Articles
are grouped into thematic sections, each of which is introduced by
the editor. Providing a framework within which to understand the
shifts in feminist thinking in visual studies, as well as an
overview of major feminist theories of the visual, this reader also
explores how issues of race, class, nationality, and sexuality
enter into debates about feminism in the field of the visual.
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