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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > Feminism
What's the right way to be a feminist? Reconsidering Radical Feminism is not only a clear, precise summary of late-twentieth-century feminist debates about the politics of heterosexuality. It's also an examination of how we become invested in arguments that position us as particular kinds of feminists - and as gendered subjects. Through the lens of poststructuralism, queer theory, and affect theory, Jessica Joy Cameron investigates the legacy of the passionate dispute between radical feminism and sex-positive feminism. In doing so, she reveals the timeliness of her subject as contemporary policies about sexual assault, consent, and safe spaces come under scrutiny.
Where is feminist state theory today? This book offers novel
insights into social science debates by analyzing feminist theories
of the state. It argues that we need feminist tools for analyzing
states and focuses on two debates, domestic violence and childcare,
as areas where feminists discursively construct the state. These
themes are developed within a comparative perspective. Focusing on
devolution in Scotland and the European Union, the book further
explores how feminist state theories conceive multi-level
governance.
The Commonwealth Novel since 1960 is the first survey of the new English literatures for over a decade. There are essays, by an international body of writers and critics. There are also comparative essays on indigenous novelists, post modernism, feminist novelists, the novel as national epic and regionalism in the post modern era. Bruce King's introduction discusses changes in the Commonwealth novel and its contexts over recent decades and the causes for the new popularity of post-colonial literature among readers and critics.
International film has received some of its most original impulses from German filmmakers. However, the works by women directors in German-speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This volume is part of a work which considers the broad spectrum of German cinema through the category of gender and to present feminist interventions in the current lively discussion of German film and film criticism. From Lubitsch's The Doll (1919) to von Trotta's Rosa Luxemburg (1985), films are drawn from a number of historical periods and both female and male directors. From a variety of feminist approaches, contributors analyze cinematic techniques, narrative discourse, production, reception and the politics of representation.
In the first decade of the twenty-first century, Muslim women writers located in Europe and American entered the cultural mainstream. Literary and visual productions negotiated static visual emblems of Islam, most prominently "the veil." They did so not by rejecting veiling practices, but by adapting Muslim resources, concepts and visual tradition to empowerment narratives in popular media. Mainstream reception of their works has often overlooked or misread these negotiations. Muslim Textualities argues for more flexible and capacious interpretation, with particular attention to visibility as a metaphor for political agency and to knowledge of cultural contexts. This provocative volume aims to articulate Muslim female agency through clear and accessible analysis of the theory and concepts driving the interpretation of these works. Scholars interested in the working representations of Muslim women, feminist subjectivities, and the complexities of gender roles, patriarchy, and feminism will find this volume of particular interest.
This book brings together a collection of essays by Western scholars about women in the era of Stalin. It explores both the realities of women's experience in the 1930s and 1940s, and the various forms in which womanhood and feminity were represented and constructed in these decades. This book challenges the scholarly neglect which women's history has suffered at the hands and pens of Russian and Western historians of the Stalin period.
This book addresses the current resurgence of interest in feminism-notably within popular culture and media-that has led some to announce the arrival of the fourth wave. Research explores where fourth-wave feminism sits in relation to those that preceded it, and in particular, how fourth-wave feminism intersects with differing understandings of postfeminism(s). Through accessible and highly topical examples such as; the controversial actions of activist group, Femen; the rising phenomenon of 'celebrity feminism;' or the assumed outdated views of feminists' associated with previous waves, the relationship between differing concepts of postfeminism(s) is illustrated. By pressing the need for an intergenerational approach to fourth-wave feminism, this book encourages engaging past debates and theorists allowing readers with an interest in the relationship between feminism and popular culture a fuller understanding of feminist theory and providing the opportunity to take stock before diving headfirst into another wave.
One of the most innovative examples of the use of fantastic forms in recent feminist fiction is the work of East German author Irmtraud Morgner. Little-known outside German-speaking countries, her unique blend of fantastic realism testifies both to the subversive nature of a literature of fantasy and the transgressive power of a feminist writing practice. This book looks at the way Morgner uses fantasy both as a form of feminist critique of the history of partiarchy and as an anticipatory device to test the viability of feminist alternatives.
This is a revised edition of Walker's well-known book in feminist
ethics first published in 1997. Walker's book proposes a view of
morality and an approach to ethical theory which uses the critical
insights of feminism and race theory to rethink the epistemological
and moral position of the ethical theorist, and how moral theory is
inescapably shaped by culture and history. The main gist of her
book is that morality is embodied in "practices of responsibility"
that express our identities, values, and connections to others in
socially patterned ways. Thus ethical theory needs to be
empirically informed and politically critical to avoid reiterating
forms of socially entrenched bias. Responsible ethical theory
should reveal and question the moral significance of social
differences. The book engages with, and challenges, the work of
contemporary analytic philosophers in ethics.
Combining assiduous attention to biography and bibliography with original literary criticism oriented toward feminist theory, this volume profiles and analyzes fifty significant women writers of Spain--some celebrated and some overlooked--from the fourteenth century to the present. The work includes poets, fiction writers, dramatists, and essayists. Lives and works are examined with reference to complex issues surrounding gender, creativity, and social mores. Partly informed by findings of the fifty contributing scholars, Levine and Marson have also provided a volume introduction interpreting herstory in terms of Spanish culture, likening the struggle for identity and artistic expression in an engendered world to balancing on a tightrope. Extensive bibliographies for each writer document original works, modern editions and translations, and criticism; and a general bibliography selects valuable sources pertaining to Spanish women writers and gender-related topics.
First published in 1987. From the 1870's to the 1920's, feminists actively campaigned against men's sexual abuse of women. This collection brings together the major articles which fuelled the feminist campaigns and helped to bring about significant reforms.
Kopano Ratele posits that all masculinities are working models, and some models might be more unworkable given the prevailing structural conditions. The more models of masculinity we have access to, the higher the likelihood that some will be workable, even liberating. Instead of a singular, ahistorical and property that comes with having a penis, the book opens up a view where masculinities are culturally constructed relational models. Covering a range of topics, from clothes and violent death, through a better sexual life and tradition, to race and feminism, Liberating Masculinities presents ways to understand the contestations around masculinity and gender relations.
This volume collects together writings of Teresa Billington-Greig, suffragette, activist and political theorist. One of the first organizers for the Women's Social and Political Union, she was a founder-member of the Women's Freedom League. She was also the first suffragette to be sent to Holloway Gaol. This volume provides insights into this exceptional woman's lifelong efforts in the women's movement.
If Women Rose Rooted has been described as both transformative and essential. Sharon Blackie leads the reader on a quest to find their place in the world, drawing inspiration from the wise and powerful women in native mythology, and guidance from contemporary role models who have re-rooted themselves in land and community and taken responsibility for shaping the future. Beautifully written, honest and moving, If Women Rose Rooted is a passionate song to a different kind of femininity, a rallying, feminist cry for the rewilding of womanhood; reclaiming our role as guardians of the land.
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