Contemporary feminists face the labor of moving beyond the dominant paradigms of knowledge and communication that drive corporate globalization. "Dialogue and Difference," a new collection edited by Marguerite Waller and Sylvia Marcos, provides students with groundbreaking essays by an international group of feminist scholars and activists who stress the need to put different approaches to reality and to scholarship into relation in order to build coalitions across the usual North/South, East/West divides. Modeling ways to weave these connections, the authors take difference, rather than isomorphic similarity, to be the basis for effective anti-imperial feminist theory and practice. These dialogues among women's movements bridge profound differences in historical, economic, and political circumstance, language, culture, and fundamental "cosmovision." Such differences are welcomed by contributors as practical resources, rather than as obstacles, in feminist challenges to corporate globalization. "Dialogue and Difference" is an essential collection for professors and students interested in globalization, development, gender studies, and activism.

Thirteen essays explore the varying virtual, physical, cultural and institutional contexts influencing the nature of electronic space for women and explore the intersection of feminisms, power, authority, voice, and computer technologies. It also contains four interviews with prominent scholars, which historicize the disciplinary formation of computers and composition and the impact of technology on the professional lives of women. This collection continues the ongoing conversation exploring the theoretical, pedagogical, and political implications of computer technologies for composition studies, with an primary audience of teachers and theorists of writing in electronic environments.

"The Geopolitics of the Cold War and Narratives of Inclusion" develops alternative accounts of feminist field formation, contrasting the explanatory possibilities of approaches drawn from the history of ideas, the sociology of knowledge, and Foucauldian archaeology. These accounts illuminate intricate and unexpected connections between a prominent feminist journal and geopolitical forces, such as the Cold War, increased federal funding for higher education, changing priorities within philanthropic foundations, and the emergence of development studies and subfields such as Women in Development. By complicating the history of academic feminism, the book offers new insights into the contours of transnational feminist scholarship in relation to key concepts advanced by U.S. scholars of color.

While social movements from workers' rights campaigns to environmental justice coalitions publicize their struggles by narrating people's experiences, recent critiques of "experience" and "identity" challenge the authority of such texts. How can we acknowledge the dangers of appeals to experience and identity, and yet still use the powerful tools of storytelling to counter ideological narratives? Bringing together the work of Hannah Arendt and transnational feminist theory, Shari Stone-Mediatore investigates the role that narration can play in resistant knowledge and politics. She argues that "storytelling," although not objective truth, is nonetheless crucial to responsible public debate, and identifies the specific narrative practices that impede, and those that facilitate, feminist and democratic struggles.

With the publication of this book, the Reverend Anna Howard Shaw assumes her rightful place in the pantheon of great American orators. Beginning with a brief introduction and a biographical sketch, the book traces Shaw's career and work as a public lecturer. Because of its significance in her later life, Shaw's training and brief tenure as a pastor and the sermons she delivered at suffrage meetings are also considered. The impact of her work as a paid lecturer for temperance and other causes--which led directly to her commitment to work full time for suffrage--her suffrage campaigns, and her work with Susan B. Anthony as a public advocate for suffrage are also scrutinized. Her speeches and appearances before legislative committees are an integral part of the analysis of her role as president of the National American Woman Suffrage Association. Finally, Shaw's public speaking efforts after she resigned as president, including her work for the war effort and the League of Nations, are also analyzed. The second half of the volume includes the full text of speeches referenced. A collaborative effort, this book is the product of two distinguished scholars in communication. Authors Wil Linkugel and Martha Solomon bring to their analysis of Shaw's oratory a consistency of style and a concentration of substance that belies its joint authorship. Combining sensitivity to the moral, political, and sexist exigencies that Shaw faced with a close criticism of the reverend's civil rhetoric, they detail why Shaw was esteemed by her countrymen. The authors' efforts are a significant addition to the very limited material available on important women orators and will be appreciated by scholars of rhetoricand communication, women's history, and American history.

Featured on BBC Radio 2 and BBC Radio 5 Live Selected as one of the Independent's 10 best pregnancy books for expectant parents Birth is a feminist issue. It's the feminist issue nobody's talking about. FEATURING A BRAND NEW CHAPTER 'A powerful read, whether you're pregnant or not' Independent Finally blasting the feminist spotlight into the labour ward, Milli Hill encourages women everywhere to stand and deliver, insisting that birth is no longer left off the list in discussions about female power, control and agency. From the importance of birth plans to your human rights in childbirth, and including birth stories from women across the world, this call-to-arms will help you find your voice, take an active role in your choices, and change the way you think about childbirth. Praise for Give Birth Like a Feminist 'I feel so lucky to have read Milli's book while pregnant, she completely changed my way of looking at giving birth' Ella Mills, author of Deliciously Ella

An exploration of the representations of the women's movement, its members, and their goals between 1968 and 2008 in the British and American press. Examining over 1100 news articles, the book analyses the nuanced ways feminism has historically been supported, marginalized and debated in the mainstream press.

This collection of essays (1891) is an unparalleled statement of black feminist thought in the nineteenth century, and is considered to be one of the original texts of the black feminist movement. Cooper came of age in a period of conservatism in the black community, a time when Afro-American intellectual and political ideas were dominated by men. At the heart of her work is a belief that the status of black women, the most oppressed group of all, is the only true measure of collective racial progress.

In what might seem an unusual pairing, Elizabeth Bartlett brings together the insights of Albert Camus and feminist thought, and in so doing sheds new light on both. Looking through a Camusian lens, Bartlett reveals a "rebellious feminism" that simultaneously refuses oppression and affirms human dignity in solidarity with concrete, diverse others and the earth, giving us new insights into this life-affirming ethic.

Women's football is the fastest growing participation sport in both the UK and across the world, and the 2015 Women's World Cup was the biggest tournament the sport had ever seen. This book explores the experience of fans of women's football who followed their teams in Canada, examining their practices and fan behaviour. How did host cities manage the influx of visitors? And how did fans manage to support their teams, considering the vast amounts of travel expected across such a big country? Dunn also examines the way that the England team is structured and run, relating this to the country's domestic competition, as well as assessing the media coverage of women's football globally. This research is all framed within the author's own experiences of the Women's World Cup, as both an academic and as a sports journalist.

A brief commentary on the necessity and the impossibility of black men's participation in the development of black feminist theory and politics, Black Men, Black Feminism examines the basic assumptions that have guided-and misguided-black men's efforts to take up black feminism. Offering a rejoinder to the contemporary study of black men and masculinity in the twenty-first century, Jared Sexton interrogates some of the most common intellectual postures of black men writing about black feminism, ultimately departing from the prevailing discourse on progressive black masculinities. Sexton examines, by contrast, black men's critical and creative work-from Charles Burnett's Killer of Sheep to Jordan Peele's Get Out- to describe the cultural logic that provides a limited moral impetus to the quest for black male feminism and that might, if reconfigured, prompt an ethical response of an entirely different order.

The first anthology to collect essays focusing on the legal rights of women of color around the world Global Critical Race Feminism is the first anthology to focus explicitly on the legal rights of women of color around the world. Containing nearly thirty essays, the book addresses such topical themes as responses to white feminism; the flashpoint issue of female genital mutilation; the intersections of international law with U.S. law; "Third World" women in the "First World;" violence against women; and the global workplace. Broadly representative, the reader addresses the role and status-legal and otherwise-of women in such countries as Cuba, New Zealand, France, Serbia, Nicaragua, Colombia, South Africa, Japan, China, Australia, Ghana, and many others. Authors include: Aziza al-Hibri, Penelope Andrews, Taimie Bryant, Devon Carbado, Mai Chen, Brenda Cossman, Lisa Crooms, Mary Dudziak, Isabelle Gunning, Anna Han, Berta Hernandez, Laura Ho, Sharon Hom, Rosemary King, Kiyoko Knapp, Hope Lewis, Martha Morgan, Zorica Mrsevic, Vasuki Nesiah, Leslye Obiora, Gaby Ore-Aguilar, Catherine Powell, Jenny Rivera, Celina Romany, Judy Scales-Trent, Antoinette Sedillo Lopez, J. Clay Smith, and Leti Volpp.

This book redefines the origins of the nineteenth-century women's rights campaigns in Britain, demonstrating that a vibrant, but previously neglected feminist network existed during the 1830s and 1840s. Gleadle demonstrates that these reformers, whom she terms the 'radical unitarians', must be understood within the context of the contemporary Unitarian culture. She shows how their desire to transform society and elevate women's position led them to embark upon many groundbreaking campaigns. This pioneering work fed directly into the women's rights movement of the subsequent decades.

Women's soap opera viewing has long been thought of by feminists and nonfeminists as an unproductive waste of time. Blumenthal takes the opposing view, arguing that women's "indulgence" in these programs is actually liberating. In overcoming the social opposition to the stigma attached to the feminine content and style, and engaging in soap opera viewing, women celebrate their femininity, particularly their gendered identification with romance, relationality, intuitiveness, talkativeness, and other aspects of emotionality. This book will be of interest to academics in the areas of sociology, women's studies, and media studies.

Addressing the contradictions surrounding modern-day femininity and its complicated relationship with feminism and postfeminism, this book examines a range of popular female and feminist icons and paradigms. It offers an innovative and forward-looking perspective on femininity and the modern female self.

Sadlier's study of women writers in Portugal after the 1974 revolution is a useful contribution to a neglected European literature, in which women are making a forceful contribution; and it is one of the few sources of such information in English. . . . Works analyzed include the famous Novas Cartas Portuguesas (Lisbon, 1972) by Maria Isabel Barreno, Maria Teresa Horta, and Maria Velho da Costa, Xerazade e os outros (Lisbon, 1964) by Fernanda Botelho, Lidia Jorge's O Dia dos Prodigios (2nd ed., 1980), Helia Correia's Montedemo (Lisbon, 1983), and Teolindo Gersao's O Silencio (1981). These studies are followed by an appendix on the background of women's rights and feminism in Portugal. Although Sadlier has chosen these works because of their common tradition of literary modernism and aesthetic experimentation, her readings are descriptive rather than theoretical and provide an excellent introduction to representative works and themes of major contemporary women writers. Choice Contemporary Portugal offers a fascinating mixture of social revolution, literary experiment, and feminist practice. Since the revolution in 1974, the country has produced a large number of writings by and about women. In fact, for the first time in Portuguese history, there are at least as many women as men writing books. The Question of How: Women Writers and New Portuguese Literature presents an analysis of texts by the Three Marias, Fernanda Botelho, Lidia Jorge, Helia Correia, and Teolinda Gersao. The first book to be written in English on contemporary Portuguese women writers, it investigates what Portuguese literary women have to say about their culture. In addition to showing how specific works of fiction are inflected by gender and ideology, Sadlier also presents a brief historical account of feminism in Portugal. The only book of its kind in the field, The Question of How: Women Writers and the New Portuguese Literature will be of interest to both students and specialists of Hispanic literature, West European studies, Women's studies, literary theory, and criticism.

Issues surrounding precarity, debility and vulnerability are now of central concern to philosophers as we try and navigate an increasingly uncertain world. Matthew R. McLennan delves into these subjects enthusiastically and sensitively, presenting a vision of the discipline of philosophy which is grounded in real, lived experience. Developing an invigorating, if at times painful, sense of the finitude and fragility of human life, Philosophy and Vulnerability provocatively marshals three disciplinary "nonphilosophers" to make its argument: French filmmaker and novelist Catherine Breillat, journalist and masterful cultural commentator Joan Didion and feminist poet and civil rights activist Audre Lorde. Through this encounter, this book suggests ways in which rigorous attention to difference and diversity must nourish a militant philosophical universalism in the future.

Over the last thirty years, feminist, postcolonial and queer theorists have interrogated the ways in which sexuality is conceptualized and constructed, specifically with the intention of deconstructing essentialist notions of sexuality and identity formation. Yet, while recent theoretical interventions have re-situated sexuality as a historical and social category--allowing us to see how ideas about sexuality are linked to forms of power and other hegemonic categories of identity and subjectivity like class, race, gender and nationality--sexuality remains a contentious subject. In critically examining the plural representations of sexuality in contemporary literature, this book has a distinctly global emphasis, containing essays that interrogate sexuality in the work of not only a number of mainstream American and British writers but also less well-known writers from New Zealand and Canada. All of the chapters owe primary intellectual and theoretical debts to three broad and overlapping domains of critical scholarship and practice: feminism, queer theory, and postcolonial studies. As the first critical collection of essays to consider the representation of sexuality across such a wide variety of contemporary writing, Sexuality and Contemporary Literature analytically foregrounds insights into the historical and current arrangements of sexuality that contemporary literature provides, while also inviting the reader to imagine other possibilities for the future that literary texts open up. Sexuality and Contemporary Literature is an important book for literary and cultural studies collections.

This book combines the insights of enlightenment thinking and feminist theory to explore the significance of love in modern philosophy. The author argues for the importance of emotion in general, and love in particular, to moral and political philosophy, pointing out that some of the central philosophers of the enlightment were committed to a moralized conception of love. However, she believes that feminism's insights arise not from its attribution of special and distinctive qualities to women, but from its recognition of human vulernability.

In Leaning Out, respected journalist Kristine Ziwica maps a decade of stasis on the gender equality front in Australia, and why the pandemic has led to a breakthrough. As the historic 2020 Women's March attests, a generation of younger women are speaking truth to power and changing the way we think of women in the workplace. This is the third book in The Crikey Read series from Crikey and Hardie Grant Books. For ten years Australian women have been sold a dazzling promise: through sheer 'will' and individual self-empowerment they could overcome decades of gender inequality in the workplace. The hard, structural work didn't need to be done; all the solutions could be individual. Yet leaning in, power-posing and speaking up (and being spoken over) at the boardroom table have made very little difference for the great majority of women, still underpaid and overworked compared to their male colleagues. The COVID-19 pandemic has shockingly revealed the fragile foundations of women's working lives. It's also given us a rare opportunity for a reimagining. But Australian women are still being told to 'Lean In' at precisely the moment when so many are 'leaning out'. With the majority of all jobs lost in the pandemic being held by women, and successive governments unable or unwilling to address the 'gender issue', we are at crisis point. Leaning Out is a manifesto for what we can - and should - do with this moment. From Crikey and Hardie Grant Books, The Crikey Read is a series that brings an unflinching and truly independent eye to the issues of the day in Australia and the world.

Although Hegel and feminism seem an unlikely couple, Hegelian philosophy played a prominent part in the thinking of groundbreaking feminist philosophers from Simone de Beauvoir to Luce Irigaray. This book offers a new generation of feminist readings of Hegel from leading scholars in the both fields. Through close readings and innovative arguments, this book makes a significant contribution to the debate on gender and provides insight into philosophical method.

Fixing Patriarchy: Feminism and Mid-Victorian Male Novelists explores representations of monstrous women in mid-Victorian literature, tracing anxious male responses to the feminist movement of the era. It argues that Victorian patriarchy was a fluid theory and set of practices through which Victorian men attempted unsuccessfully to fix gender definitions and their own positions of power. In Victorian novels written by men, the thorough instability of contemporary conceptions of both masculinity and femininity is revealed, as an entire society struggled with new forms of self-awareness and new threats to traditional social structures and systems of belief.

'Powerful and provocative' - Dr. Ibram X. Kendi, author of the Sunday Times bestselling How to be an Antiracist 'A MUST read for any white women who consider themselves "feminist"' - Scarlett Curtis, author of the Sunday Times bestselling Feminists Don't Wear Pink 'An explosive and revelatory argument for deconstructing and confronting the entrenched notions of white supremacy and superiority that still reign today.' - Mireille Harper 'How is it that we have been so conditioned to privilege the emotional comfort of white people?' White tears possess a potency that is rarely acknowledged or commented upon, but they have long been used as a dangerous and insidious tool against people of colour, weaponised in order to invoke sympathy and divert blame. Taking us from the slave era, when white women fought in court to keep 'ownership' of their slaves, through centuries of colonialism, when women offered a soft face for brutal tactics, to the modern workplace, in which tears serve as a defense to counter accusations of bias and micro-aggressions, White Tears/Brown Scars tells a charged story of white women's active participation in campaigns of oppression. It offers a long-overdue validation of the experiences of women of colour and an urgent call-to-arms in the need for true intersectionality. With rigour and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialised within, a reality that we must all apprehend in order to fight.

Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyonce's girl power anthems resonate so hard. It's what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Cooper into the fierce feminist she is today. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.

'A crucial book for feminists, for sociology and the new "political anthropological historical school". It informs us how we are differently "situated" in and through social relations, which texts and images mediate, organise and construct.' Philip Corrigan, Professor of Applied Sociology, Exeter University Dorothy E. Smith is Professor of Sociology in Education, Ontario Institute for Studies in Education, Toronto. She is the author of The Everyday World as Problematic: A Feminist Sociology.