"Sesali Bowen is poised to give Black feminism the rejuvenation it needs. Her trendsetting writing and commentary reaches across experiences and beyond respectability. I and so many Black girls still figuring out who they are in this world will gain so much from whatever she has to say."-Charlene A. Carruthers, activist and author of Unapologetic: A Black, Queer and Feminist Mandate for Radical Movements "Sesali perfectly vocalizes the inner dialogue, and daily mantras needed to be a Bad Bitch."-Gabourey Sidibe, actor, director, and author of This is Just My Face: Try Not To Stare "A powerful call for a more inclusive and 'real' feminism."-Publishers Weekly (starred review) "Bowen writes from an authentic space for Black women who are often left out of feminist conversations due to respectability politics, but who are just as deserving of the same voice and liberation."-Booklist (starred review) From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut. Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love. Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae. But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop. Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience. Bad bitches: this one's for you.

Mary Wollstonecraft was one of the greatest philosophers and writers of the Eighteenth century. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Her most celebrated and widely-read work is A Vindication of the Rights of Woman. This Guidebook introduces:

• Wollstonecraft s life and the background to A Vindication of the Rights of Woman
• The ideas and text of A Vindication of the Rights of Woman
• Wollstonecraft s enduring influence in philosophy and our contemporary intellectual life

It is ideal for anyone coming to Wollstonecraft s classic text for the first time and anyone interested in the origins of feminist thought. "

This book takes us through the life and works of George Bernard Shaw as a feminist. It critically explores his major plays to showcase how his works discuss ideas, practices, discourses, and ideologies that are considered to be antecedents to the modern feminist movements. While the involvement of male feminists in feminist movements prior to the twentieth century were sporadic, isolated, and relatively unconnected, Shaw used the dramatic form of realistic theatre to communicate socialist and feminist ideas to his contemporary audience. The volume sheds light on how Shaw in his plays and prefaces exposes the iniquities suffered by women. His women characters do not conform to the Victorian notions of femininity; voice self-awareness, self-evaluation, and realisation of personal worth; and break free from the typical mythical representation in literature, to pave the way for the future generations of female character. Shaw's women break the stereotypes of Victorian society to voice and follow their dreams and desires without the fear of societal sanction. Through selections from texts such as Back to Methuselah, Pygmalion, Candida, Arms and the Man, Saint Joan, Mrs. Warren's Profession, Man and Superman, The Black Girl in search of God, and The Simpleton of the Unexpected Isles, this book highlights how Shaw gave the world ideologies that have since been adapted by the second- and third-wave feminists. Foregrounding Shaw's critical role in strengthening feminist characters in modern literature, this volume will be of great interest to scholars and researchers of literature and literary criticism, theatre studies, feminism, freudian studies and gender studies.

The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9781003002697, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. With attention to the transnational dance world of salsa, this book explores the circulation of people, imaginaries, dance movements, conventions and affects from a transnational perspective. Through interviews and ethnographic, multi-sited research in several European cities and Havana, the author draws on the notion of "entangled mobilities" to show how the intimate gendered and ethnicised moves on the dance floor relate to the cross-border mobility of salsa dance professionals and their students. A combination of research on migration and mobility with studies of music and dance, Entangled Mobilities in the Transnational Salsa Circuit contributes to the fields of transnationalism, mobility and dance studies, thus providing a deeper theoretical and empirical understanding of gendered and racialised transnational phenomena. As such it will appeal to scholars across the social sciences with interests in migration, cultural studies and gender studies.

This book examines how different technologies can be used to enhance research methods in the social sciences and humanities. The boundary between the body and the digital has become increasingly blurred in recent years due to the rise of technologies that capture and reshape our embodied selves. New technologies all too often reflect the attitudes of the privileged white men who dominate the tech sector. This book thus, in part, considers how critical researchers can employ new technologies while challenging some of the problematic assumptions that underpin their design. It also includes a series of case studies that examine the dynamic use of different techniques to explore key questions around the intersection of embodiment and the digital. With a playful, experimental approach to conducting research today, this book offers new, cutting-edge methods that respond to the potential of different technologies. It will be invaluable reading for undergraduate and post-graduate students of social sciences and humanities to explore ways in which this approach can bring new insights to a range of interdisciplinary research questions.

Contemporary Capitalism, Crisis, and the Politics of Fiction: Literature Beyond Fordism proposes a fresh approach to contemporary fictional engagements with the idea of crisis in capitalism and its various social and economic manifestations. The book investigates how late-twentieth and twenty-first-century Anglophone fiction has imagined, interpreted, and in most cases resisted, the collapse of the socio-economic structures built after the Second World War and their replacement with a presumably immaterial order of finance-led economic development. Through a series of detailed readings of the words of authors Martin Amis, Hari Kunzru, Don DeLillo, Zia Haider Rahman, John Lanchester, Paul Murray and Zadie Smith among others, this study sheds light on the embattled and decidedly unstable nature of contemporary capitalism.

This monograph aims to counter the assumption that the anti-tale is a 'subversive twin' or dark side of the fairy tale coin, instead it argues that the anti-tale is a genre rich in complexity and radical potential that fundamentally challenges the damaging ideologies and socializing influence of fairy tales. The Feminist Architecture of Postmodern Anti-Tales: Space, Time and Bodies highlights how anti-tales take up timely debates about revising old structures, opening our minds up to a broader spectrum of experience or ways of viewing the world and its inhabitants. They show us alternative architectures for the future by deconstructing established spatio-temporal laws and structures, as well as limited ideas surrounding the body, and ultimately liberate us from the shackles of a single-minded and simplistic masculine reality currently upheld by dominant social forces and patriarchal fairy tales themselves. It is only when these masculine fairy tales and social architectures are deconstructed that new, more inclusive feminine realities and futures can be brought into being.

*Winner of the James S. Donnelly, Sr. Prize 2022* In Ireland, 2018, a constitutional ban that equated the life of a woman to the life of a fertilised embryo was overturned and abortion was finally legalised. This victory for the Irish Repeal movement set the country alight with euphoria. But, for some, the celebrations were short-lived - the new legislation turned out to be one of the most conservative in Europe. People still travel overseas for abortions and services are not yet fully commissioned in Northern Ireland. This book traces the history of the origins of the Eighth Amendment, which was drawn up in fear of a tide of liberal reforms across Europe. It draws out the lessons learned from the groundbreaking campaign in 2018, which was the culmination of a 35-year-long reproductive rights movement and an inspiring example of modern grassroots activism. It tells the story of the 'Repeal' campaign through the lens of the activists who are still fighting in a movement that is only just beginning.

'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gorrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald

Increasingly, social, cultural, and political discourse is deeming Black women and girls to be a critical group to engage. We are told their lives should matter, and yet, there is also overwhelming evidence that Black women and girls continue to be what Malcolm X declared, "The most neglected person in America". This critical volume engages a conversation at the intersection of the fields of education and psychology among recognized Black women scholars that contemporizes the discourse about Black women's and girls' diversity, their sociocultural contexts, and various approaches to communal and clinical work with them to support their mental health, wellness, and thrivance. WE Matter!: Intersectional Anti- Racist Feminist Interventions with Black Girls and Women is a significant new contribution to Black Studies, Mental Health, and Gender Studies, and will be a great resource for academics, researchers, and advanced students of Sociology, Psychology, Education, and Politics. The chapters in this book were originally published as a special issue of Women & Therapy.

This book synthesizes the modern literature and provides a springboard for future advances in the field of feminist cirminology This book will be ideal as a supplement for a variety of courses in criminology, sociology, and women's studies

This book synthesizes the modern literature and provides a springboard for future advances in the field of feminist cirminology This book will be ideal as a supplement for a variety of courses in criminology, sociology, and women's studies

Made to Work analyses the conditions of mobile knowledge work (MKW) in contemporary worklives, contrasting and drawing parallels among three highly significant sectors of the Knowledge Economy: academia, information communication technology (ICT) management, and digital creative work. It introduces the concept of 'corollary work' to characterise the elusive work underpinning the configuration of workers, informational, technological, relational and infrastructural resources in (re)producing liveable worklives. It ultimately illuminates the myriad strands of corollary work that enable MKW to take place and contributes to emergent debates on how exploitation, at least in the domain of MKW, can be named, resisted and creatively subverted. In so doing, it opens up a conversation about the complex ways in which contemporary worklives are 'made to work', and about potential interventions to bring about more just worklife conditions in the future.

-A lively accessible entry into the complex and controversial debates around reproductive rights -Not only focusses on the right not to reproduce but also the rights to reproduce, to parent the children that one has in safe and healthy environments, to determine the conditions of childbirth, to create families, and to engage in adult consensual sexual activities and relationships - Takes an activist standpoint to answer the question 'why do feminists care about reproduction?'

-A lively accessible entry into the complex and controversial debates around reproductive rights -Not only focusses on the right not to reproduce but also the rights to reproduce, to parent the children that one has in safe and healthy environments, to determine the conditions of childbirth, to create families, and to engage in adult consensual sexual activities and relationships - Takes an activist standpoint to answer the question 'why do feminists care about reproduction?'

This book relocates the long life and literary career of the poet, playwright, novelist, philanthropist and teacher Hannah More (1745-1833) in the wider social and cultural contexts that shaped her, and which she helped shape in turn. One of the most influential writers and campaigners of the late eighteenth and early nineteenth centuries, More's reputation has suffered unfairly from accusations of paternalism and provincialism, and misunderstandings of her sincerely-held but now increasingly unfamiliar evangelical beliefs. Now, in this book, readers can explore a range of essays rooted in up-to-the-minute research which examines newly-recovered archival materials and other evidence in order to present the fullest picture yet of this complex and compelling author, and the era she helped mould with her words.

First published in 1980, Lesbians, Women and Society presents an analysis of lesbianism as a phenomenon that developed from a 'personal problem' or 'individual deviance' to a social movement with political ambitions. Social lesbianism, an important concept introduced in the text, refers to the emergence of a public expression of lesbianism and is a stage in the process of establishing a lesbian group identity. It thrusts the issue into the public eye, and lends vitality to society's awareness. Two groups of 'social lesbians' are visible: those fearful of change who cling to traditional and social views, 'sick but not sorry'; and those who wish to challenge such traditional views in favour of a more public approach, 'sorry, but we're not sick.' But regardless of their relationships to the dominant sexual ideology, as a group, 'social lesbians' threaten the structure of power in society. This critical analysis thus challenges many people's views of lesbianism, and points out to the uninformed observer the complexities which are involved in the contemporary lesbian experience. This book will be of interest to students of sociology, gender studies, feminist theory, and sexuality studies.

Jean Rhys's position upon the literary map of the 20th century remains unstable, even after Wide Sargasso Sea (1966). She shunned public exposure and yet, desperately sought acknowledgement by her own peers; she stood away from the modernist circles of Montparnasse, in Paris, and yet, explored a radically avant-garde writing which retrospectively makes her rank among them, while her always problematic authority places her in the marginalized position of the postcolonial author. 'Writing precariously', in the case of Jean Rhys, reaches far beyond a mere posture of submission or a necessity to cope with a lack of money or a 'room of one's own'. Rather, it becomes an ethical and political stance that engages with forms of minimal resistance to forms of subjection just as the very precariousness of her writing thwarts any efforts to 'place' her or her work, to frame her characters or label her style. With Jean Rhys, precariousness is the site where voices silenced and bodies dismissed by a gendered or imperialistic power may be retrieved, until their vulnerability becomes a dislodging force that makes the power structures precarious in turn. This book reassesses the precariousness of Jean Rhys as a distinct positionality eliciting an isolated voice which insists and persists. It was originally published as a special issue of the journal, Women: A Cultural Review.

Re-examines feminist theory by looking at South Asian aesthetic conventions drawn from iconography, philosophy, Indo-Islamic mystic folk traditions and poetics. It discusses alternate fluid representations of gender and intersectional identities and interrelationships in some dominant as well as subaltern Indic aesthetic traditions. Interlinks pre-historic, classical, medieval, pre-modern and contemporary aesthetic and literary traditions of South Asia through a gendered perspective. Bridges a major gap in feminist theory and examines the political dimension of feminist theory in India as well as its implications for trans-continental feminist aesthetics across South Asia and the west. An interdisciplinary work, this book will be useful for departments of feminist theory, women's studies, gender studies, art and aesthetics, philosophy, literature, cultural studies, queer studies, sexuality studies, political studies, sociology and South Asian studies.

1. State Crime scholarship has been accused of being gender blind; this book helps reset this balance. It offers a unique contribution, bridging two distinct literatures. 2. This book will find a market across criminology, law, sociology, gender and human rights studies.

This collection is the first academic study of the captivating life and career of expatriate artist, writer, and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott's Little Women. As this book reveals, she was much more than "Amy"-she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister's vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, Nieriker won the acclaim of John Ruskin and forged a network of expatriate female painters who changed the face of nineteenth-century art, creating opportunities for women that lasted well into the twentieth century. A "Renaissance woman," Nieriker was a travel writer, teacher, and curator. She is recovered here as a transdisciplinary subject who stands between disciplines, networks, and ideologies-stiving to recognize the dignity of others. Contributors include foundational Alcott scholar Daniel Shealy and Pulitzer Prize winner John Matteson, as well as Curators, Jan Turnquist (Orchard House) and Amanda Burdan (Brandywine River Museum of Art). In this book, readers will become acquainted with a dynamic feminist thinker who transforms our understanding of the place of women artists in the wider cultural and intellectual life of nineteenth-century Britain, France, and the United States.

This book studies the Early Modern Spanish broadsheet, the tabloid newspaper of its day which functioned to educate, entertain, and indoctrinate its readers, much like today's "fake news." Parker Aronson incorporates a socio-historical approach in which she considers crime and deviance committed by women in Early Modern Spain and the correlation between crime and the growth of urban centers. She also considers female deviance more broadly to encompass sexual and religious deviance while investigating the relationship between these pliegos sueltos and the transgressive and disruptive nature of female criminality. In addition to an introduction to this fascinating subgenre of Early Modern Spanish literature, Parker Aronson analyzes the representations of women as bandits and highway robbers; as murderers; as prostitutes, libertines, and actors; as Christian renegades; as enlaved people; as witches; as miscegenationists; and as the recipients of punishment.

This book details the development and impacts of anti-sexism professional development (PD) workshops for preservice teachers. Designed to help teacher candidates recognize gender inequity and think more deeply about their role as anti-sexist educators, Dismantling Educational Sexism through Teacher Education explores how workshops can respond directly to issues manifesting in US schooling such as misrepresentation, androcentric pedagogy, and sex(ual/ist) harassment using an intersectional approach. By documenting participants' learning, the text offers valuable insight into how teacher candidates view their role in combatting sexism and illustrates how an anti-sexism curriculum can positively impact on educators' beliefs, discourses, and teaching practices. This volume will be a valuable resource for researchers and scholars involved in teacher education and issues of gender equity more broadly, as well as teacher educators seeking a theoretical framework for anti-sexism trainings.

From the rise of far-right regimes to the tumult of the COVID-19 pandemic, recent years have brought global upheaval as well as the sedimentation of longstanding social inequalities. Analyzing the complexities of the current political moment in different geographic regions, this book addresses the paradoxical persistence of neoliberal policies and practices, in order to ground the pursuit of a more just world. Engaging theories of decoloniality, racial capitalism, queer materialism, and social reproduction, this book demonstrates the centrality of sexual politics to neoliberalism, including both social relations and statecraft. Drawing on ethnographic case studies, the authors show that gender and sexuality may be the site for policies like those pertaining to sex trafficking, which bundle together economics and changes to the structure of the state. In other instances, sexual politics are crucial components of policies on issues ranging from the growth of financial services to migration. Tracing the role of sexual politics across different localities and through different political domains, this book delineates the paradoxical assemblage that makes up contemporary neoliberal hegemony. In addition to exploring contemporary social relations of neoliberal governance, exploitation, domination, and exclusion, the authors also consider gender and sexuality as forces that have shaped myriad forms of community-based activism and resistance, including local efforts to pursue new forms of social change. By tracing neoliberal paradoxes across global sites, the book delineates the multiple dimensions of economic and cultural restructuring that have characterized neoliberal regimes and emergent activist responses to them. This innovative analysis of the relationship between gender justice and political economy will appeal to: interdisciplinary scholars in social and cultural studies; legal and political theorists; and the wide range of readers who are concerned with contemporary questions of social justice.