How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics? What has been the effect of this phenomenon upon the academic establishment and the publishing industry? These are just some of the questions addressed by this collection of original essays by women writers, readers and critics of the genre. But the undoubted existence of a recent surge of women's interest in science fiction is by no means the full story. From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Through a combination of essays on the work of writers such as Doris Lessing and Ursula Le Guin, with others on still-neglected writers such as Katherine Burdekin and C. L. Moore and a wealth of contemporaries including Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton, this anthology takes a step towards redressing the balance. Perhaps, above all, what this collection demonstrates is that science fiction remains as particularly well-suited to the exploration of woman as 'alien' or 'other' in our culture today, as it was with the publication of Frankenstein in 1818.

Over the past several years, the question of men's relation to feminism has become a fiercely and sometimes bitterly debated subject. Engendering Men demonstrates the creative impact that feminist modes of inquiry have already had on a new generation of male critics. In the wake of feminism, many men have found it imperative to begin the task of retheorizing the male position in our culture. This collection of new essays brings together seventeen male critics whose work - on poetry, fiction, the Broadway stage, film and television, and broader cultural and psychoanalytic texts - is opening up new avenues in criticism, as well as in gender and feminist theory.

Focusing on the ways in which female novelists have, in their creative work, challenged or scrutinised contemporary assumptions about their own sex, this book's critical interest in women's fiction shows how mid-nineteenth-century women writers confront the conflict between the pressures of matrimonial ideologies and the often more attractive alternative of single or professional life. In arguing that the tensions and dualities of their work represent the honest confrontation of their own ambivalence rather than attempted conformity to convention, it calls for a fresh look at patterns of imaginative representation in Victorian women's literature. Making extensive use of letters and non-fiction, this study relates the opinions expressed there to the themes and methods of the fictional narratives. The first chapter outlines the social and ideological framework within which the authors were writing; the subsequent five chapters deal with the individual novelists, Craik, Charlotte Bronte, Sewell, Gaskell, and Eliot, examining the works of each and also pointing to the similarities between them, thus suggesting a shared female 'voice'. Dealing with minor writers as well as better-known figures, it opens up new areas of critical investigation, claiming not only that many nineteenth-century female novelists have been undeservedly neglected but also that the major ones are further illuminated by being considered alongside their less familiar contemporaries.

'Postmodernism' and 'feminism' have become familiar terms since the 1960s, developing alongside one another and clearly sharing many strong points of contact. Why then have the critical debates arising out of these movements had so little to say about each other? Patricia Waugh addresses the relationship between feminist and postmodernist writing and theory through the insights of psychoanalysis and in the context of the development of modern fiction in Britain and America. She attempts to uncover the reasons why women writers have been excluded from the considerations of postmodern art. Her route takes her through the theorization of self offered by Freud and Lacan and on to the concept of subjectivity articulated by Kleinian and later object-relations psychoanalysts. She argues that much women's writing has been inappropriately placed and interpreted within a predominantly formalist-orientated aesthetic and a post-Freudian/liberal, individualist conceptualization of subjectivity and artistic expression. This tendency has been intensified in discussions of postmodernism, and a new feminist aesthetic is thus badly needed. In the second part of the book Patricia Waugh analyses the work of six 'traditional' and six 'experimental' writers, challenging the restrictive definitions of 'realist', 'modernist', 'postmodernist' in the light of the theoretical position developed in part one. Authors covered include: Woolf (viewed as a postmodernist 'precursor' rather than a 'high' modernist), Drabble, Tyler, Plath, Brookner, Paley, Lessing, Weldon, Atwood, Walker, Spark, Russ, and Piercy.

This collection of new feminist essays represents the work of young critics researching and teaching in British Universities. Aiming to set the agenda for feminist criticism in the nineties, the essays debate themes crucial to the development of feminist thought: among them, the problems of gendered knowledge and the implications of accounts of gendered language, cultural restraints on the representation of sexuality, women's agency, cultural and political change, a feminist aesthetics and new readings of race and class. This variety is given coherence by a unity of aim - to forge new feminist discourses by addressing conceptual and cultural questions central to problems of gender and sexual difference. The topics of discussion range from matrilinear thought to seventeenth-century prophecy; the poetry of Amelia Lanyer to Julia Margaret Cameron's photographs; from Dorothy Richardson and Virginia Woolf to eighteenth-century colonial painting of the South Pacific; from medieval romance to feminist epistemology. The essays utilise and question the disciplines of literary criticism, art history, photography, psychoanalysis, Marxist history and post-structuralist theory.

Recent years have witnessed important new initiatives in the study of popular fictional modes of writing. At one time the field could have been described with reasonable accuracy by two traditions: one that analyzed the production and distribution of popular fiction as commodities; and one whose proponents regarded popular fiction as the negative which offered definition to the exposure of the positive - the 'great' canonic literary tradition. Generally, then, popular fictions were to be 'evaluated' according to the institutionalized norms which had been established as common sense practice around literary studies. The decade of the 1970s, however ushered in a bewildering range of theoretical debates - a crucial gain was establishment of interdisciplinary courses in communication, cultural and media studies, providing a network of contexts within which serious analysis could evolve and progress. Responding to a fundamental challenge from feminism, a primary objective of this book is to propose that all narrative and its reading are intrinsically inflected by sexual politics. Various approaches represented here demonstrate problems of confronting the gendered pleasures of reading. Questions about self, sexuality and identity within specific historical formations are raised. The objective is to frame, describe and unearth the notion of 'men as readers' as a project rather than as the usual, unquestioned normative procedure. Drawing eclectically upon Marxist, psychoanalytic and discourse theory, the essays set out readings of popular texts and genres - the Western, the sentimental novel, detective and crime fiction, political thrillers and horror and science fiction - in the interest of provoking other readers to see the critical study of popular fiction as unthinkable without gender as a central concern.

Until about 1986, feminists generally considered modernism a reactionary, misogynist, and hegemonic mire not worth investigating. Since then enough studies of modernism have appeared that 17 feminist critics can now review and debate their treatment of the period. They evaluate the progress and goals of the new era of modernist scholarship. As the authors in this volume suggest, instead of condemning writers for not practicing or portraying an acceptable politics of gender, we ought instead to show how their assumptions about the nature of the sexes inform their texts, both in their creation and in their reception. This also allows examination of the complex and changing relationship between human subjectivity and aesthetics. This volume is a highly reflective dialogue, introspective and evaluative, at a moment of crisis within modernist studies and feminist studies. The analysis of critical work on early-twentieth-century literature not only helps reread and redefine a definition of modernism; it also intends to redirect and reintegrate feminist theory.

What is the relationship between feminist critical theory and literature? This book deals with the relationship between women and writing, mothers and daughters, the maternal and history. It addresses the questions about language, writing and the relations between women which have preoccupied the three most influential French feminists and three important contemporary British women novelists. Treating both fiction and theory as texts, she traces the connections between the theorists - Helene Cixious, Luce Irigaray and Julia Kristeva - and the novelists - Doris Lessing, Angela Carter and Muriel Spark. This reading of the work of these six major women writers explores new forms of women's identity, subjectivity and narrative and demonstrates how theoretical and literary texts can illuminate each other to bridge the gap between theory and literary criticism.

These twenty autobiographical essays by eminent feminist literary critics explore the process by which women scholars became feminist scholars, articulating the connections between the personal and political in their lives and work. They describe the experiences that radicalised women within academia and without, as students, professors, scholars, political activists, women. From these diverse histories a collective history emerges of the development of feminism as an intellectual and social movement, as a heuristic tool, as the redefinition of knowledge and power. This book presents a history of the field through the eyes of those who have created it. Offering a spectrum of experiences and critical positions that engage with current debates in feminism, it will be valuable to teachers and students of feminist theory, women's studies, and the history of the women's movement. It will interest female writers and scholars in all disciplines and anyone who cares about feminism and its future.

Jane Gallop's book offers a clear-eyed and comprehensive history of feminist literary criticism. Why, she asks, have we so quickly buried 1970s feminist criticism? What lies buried there? Why do 1990s academic feminists accuse other academic feminists of being 'academic'? Gallop takes the novel approach of structuring her inquiry around anthologies of feminist criticism: twelve important texts that have had a wide impact on more than a decade of scholarship. In reading an anthology as a whole, she typically identifies a central, hegemonic voice (usually that of the editor/s) which would organise all the voices into a unity, and then explores the resistance within that volume to such a unity. Weight is placed behind these internal differences as a wedge against the centrist drive. Around 1981 addresses briefly 'french feminism' and psychoanalytic feminism before focusing on its principal subject: the mainstream of feminist literary criticism, before and after its general acceptance as part of the changing institution of literary studies. This brilliantly illuminates the dilemma of the feminist critic, divided by her allegiance to both feminism and literary studies.

This book challenges a contemporary postfeminist sensibility grounded not only in assumptions that gender and sexual equality has been achieved in many Western contexts, but that feminism has gone 'too far' with women and girls now overtaking men and boys - positioned as the new victims of gender transformations. The book is the first to outline and critique how educational discourses have directly fed into postfeminist anxieties, exploring three postfeminist panics over girls and girlhood that circulate widely in the international media and popular culture. First it explores how a masculinity crisis over failing boys in school has spawned a backlash discourse about overly successful girls; second it looks at how widespread anxieties over girls becoming excessively mean and/or violent have positioned female aggression as pathological; third it examines how incessant concerns over controlling risky female sexuality underpin recent sexualisation of girls' moral panics. The book outlines how these postfeminist panics over girlhood have influenced educational policies and practices in areas such as academic achievement, anti-bullying strategies and sex-education curriculum, making visible the new postfeminist, sexual politics of schooling. Moving beyond media or policy critique, however, this book offers new theoretical and methodological tools for researching postfeminism, girlhood and education. It engages with current theoretical debates over possibilities for girls' agency and empowerment in postfeminist, neo-liberal contexts of sexual regulation. It also elaborates new psychosocial and feminist Deleuzian methodological approaches for mapping subjectivity, affectivity and social change. Drawing on two UK empirical research projects exploring teen-aged girls' own perspectives and responses to postfeminist panics, the book shows how real girls are actually negotiating notions of girls as overly successful, mean, violent, aggressive and sexual. The data offers rich insight into girls' gendered, raced and classed experiences at school and beyond, exploring teen peer cultures, friendship, offline and online sexual identities, and bullying and cyberbullying. The analysis illuminates how and when girls take up and identify with postfeminist trends, but also at times attempt to re-work, challenge and critique the contradictory discourses of girlhood and femininity. In this sense the book offers an opportunity for girls to 'talk back' to the often simplistic either wildly celebratory or crisis-based sensationalism of postfeminist panics over girlhood. This book will be essential reading for those interested in feminism, girlhood, media studies, gender and education.

Having enjoyed more than a decade of lively critique and creativity, feminist philosophy of religion continues to be a vital field of inquiry. New Topics in Feminist Philosophy of Religion maintains this vitality with both women and men, from their own distinctive social and material locations, contributing critically to the rich traditions in philosophy of religion. The twenty contributors open up new possibilities for spiritual practice, while contesting the gender-bias of traditional concepts in the field: the old models of human and divine will no longer simply do A lively current debate develops in re-imagining and revaluing transcendence in terms of body, space and self-other relations.

This collection is an excellent source for courses in feminist philosophy, phenomenology, hermeneutics and literature, Continental and analytical philosophy of religion, engaging with a range of religions and philosophers including Kant, Kierkegaard, Marx, Heidegger, Arendt, Weil, Beauvoir, Merleau-Ponty, Ricoeur, Levinas, Irigaray, Bourdieu, Kristeva, Le Doeuff, bell hooks and Jantzen."

The Routledge Queer Studies Reader provides a comprehensive resource and textbook for students and scholars working in this vibrant and interdisciplinary field. The volume traces the emergence and development of Queer Studies, presenting reproductions of the key critical essays crucial for any study, alongside more recent essays, exploring exciting new directions. Each section is individually edited and introduced by a prominent scholar, contextualizing the work within its historical, disciplinary and theoretical boundaries. Section subject areas include 'Genealogies', 'Sex', 'Temporalities', 'Kinship', 'Affect', 'Bodies and Borders'. The book is edited by two of the leading scholars in the field and features valuable pedagogical tools, including discussion questions, an annotated bibliography and a glossary. The Routledge Queer Studies Reader is a field-defining volume and presents an illuminating guide for established scholars and also those new to Queer Studies.

"Feminism and Migration: Cross-Cultural Engagements" is a rich, original, and diverse collection on the intersections of feminism and migration in western and non-western contexts. This book explores the question: does migration empower women? Through wide-ranging topics on theorizing feminism in migration, contesting identities and agency, resistance and social justice, and religion for change, well-known and emerging scholars provide in-depth analysis of how social, cultural, political, and economic forces shape new modalities and perspectives among women upon migration. It highlights the centrality of the various meanings and interpretations of feminism(s) in the lives of immigrant and migrant women in Australia, Belgium, Brazil, Eastern Europe, France, Greece, Japan, Italy, Mexico, Morocco, Papua New Guinea, Spain, and the United States. The well-researched chapters explore the ways in which feminism and migration across cultures relate to women's experiences in host societies --- as women, wives, mothers, exiles, nuns, and workers---and the avenues of interactions for change. Cross-cultural engagements point to the convergence and even disjunctures between (im)migrant and non-immigrant women that remain unrecognized in contemporary mainstream discourses on migration and feminism. "

As the crisis in Israel does not show any signs of abating, this remarkable collection, edited by an Israeli and a Palestinian scholar and with contributions by Palestinian and Israeli women, offers a vivid and harrowing picture of the conflict and of its impact on daily life, especially as it affects women's experiences that differ significantly from those of men. The (auto)biographical narratives in this volume focus on some of the most disturbing effects of the Israeli-Palestinian conflict: a sense of dislocation that goes well beyond the geographical meaning of the word; it involves social, cultural, national and gender dislocation, including alienation from one's own home, family, community, and society. The accounts become even more poignant if seen against the backdrop of the roots of the conflict, the real or imaginary construct of a state to save and shelter particularly European Jews from the horrors of Nazism in parallel to the other side of the coin: Israel as a settler-colonial state responsible for the displacement of the Palestinian nation.

First published in 1978, Feminism and Socialism in China explores the inter-relationship of feminism and socialism and the contribution of each towards the redefinition of the role and status of women in China. In her history of the women's movement in China from the late nineteenth century onwards, Professor Croll provides an opportunity to study its construction, its ideological and structural development over a number of decades, and its often ambiguous relationship with a parallel movement to establish socialism. Based on a variety of material including eye witness accounts, the author examines a wide range of fundamental issues, including women's class and oppression, the relation of women's solidarity groups to class organisations, reproduction and the accommodation of domestic labour, women in the labour process, and the relationship between women's participation in social production and their access to and control of political and economic resources. The book includes excerpts from studies of village and communal life, documents of the women's movement and interviews with members of the movement.

Seeing is an act of relating. Being in relation, according to much of feminist theology, can be an ethical activity. This book is based on the assumption that seeing can be an ethical way of relating to the other. Through looking, on the one hand, at films that describe women artists who see another person, and, on the other, at feminist theology, this book puts forward an original view of the act of seeing as a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the other's memory.

The role of governance has only recently begun to be researched and discussed in order to better understand tourism policy making and planning, and tourism development. Governance encompasses the many ways in which societies and industries are governed, given permission or assistance, or steered by government and numerous other actors, including the private sector, NGOs and communities.

This book explains and evaluates critical perspectives on the governance of tourism, examining these in the context of tourism and sustainable development. Governance processes fundamentally affect whether and how progress is made toward securing the economic, socio-cultural and environmental goals of sustainable development. The critical perspectives on tourism governance, examined here, challenge and re-conceptualise established ideas in tourism policy and planning, as well as engage with theoretical frameworks from other social science fields. The contributors assess theoretical frameworks that help explain the governance of tourism and sustainability. They also explore tourism governance at national, regional and local scales, and the relations between them. They assess issues of power and politics in policy making and planning, and they consider changing governance relationships over time and the associated potential for social learning. The collection brings insights from leading researchers, and examines important new theoretical frameworks for tourism research.

This book was originally published as a special issue of Journal of Sustainable Tourism.

German women writers of the 18th and 19th centuries have been the subject of feminist, literary, critical and historical studies for around 30 years. This volume takes stock of what feminist literary criticism has achieved in that time and reflects on future trends in the field.

This group biography follows three generations of ministers' daughters and wives in a famed American Unitarian family. Shifting the focus from pulpit to parsonage, and from sermon to whispered secrets, Cynthia Tucker humanizes the Eliots and their religious tradition and lifts up a largely neglected female vocation. Spanning 150 years from the early 19th century forward, the narrative shapes itself into a series of stories. Each of six chapters takes up a different woman's defining experience, from the deaths of numerous children and the anguish of infertility to the suffocation of small parish life with its chronic loneliness, doubt, and resentment. One woman confides in a rare close friend, another in the anonymous readers of magazines that publish her poems. A third escapes from an ill-fitting role by succumbing to neurasthenia, leaving one debilitating condition for another. The matriarch's granddaughters script larger lives, bypassing marriage and churchly employment to follow their hearts into same-sex relationships, and major careers in public health and preschool education. In two concluding chapters, Tucker enlarges the frame to bring in the regular parish women who collectively give voice to issues the ministers' kin must keep to themselves. All of the stories are linked by the women's continuing battles to make themselves heard over clerical wisdom that contradicts their reality.

The sheer number of publications on Feminism make it difficult for students who approach the subject for the first time to gain a sense of what the main issues and interpretations are. "This book "addresses this by offering students an overview of feminism and its history across several countries and time periods, along with an annotated guide to direct them in their further reading.

"Feminism "by June Hannam provides comprehensive coverage right from how feminists began to write the history of their movement as early as the late nineteenth century to the impact feminism has had on higher education. The text also looks in depth at propaganda and the cult of the heroine in suffrage campaigning and how 'first wave' feminists constructed their own history which then affected future generations of historians, and activists.

In these essays, the author discusses how language, religion, law, art science and technology have failed women and why. She goes beyond analysis and commentary to propose concrete changes tailored to women's specificity in all these fields - practical means of ensuring "our" culture is women's as well as men's. These changes, she argues, are crucial to the survival of humankind and the Earth itself. Irigary's other publications include "Elemental Passions" (1992), "The Ethics of Sexual Difference" (1993) and "Speech is Never Neuter" (1994).

Flora Tristan was a most remarkable woman. Born at the begining of the 19th century, her short life was packed with adventure and achievement. An illegitimate child, she had a disastrous marriage to a husband who tried to kill her. In vain pursuit of her rightful inheritance, she sailed unchaperoned across the perilous Atlantic to Peru. Returning to France, she became a socialist, and feminist, and commited herself to a life of political radicalism. She recognized that until the economic conditions of the poor were alleviated there was little prospect of female emancipation. Her strategy was to establish a union of workers throughout France to press for socialist measures. However, linking the feminist cause to socialism proved to be fraught with difficulty. Flora Tristan found that working class organizations were indifferent, and even hostile, to the idea of female equality. In short, Flora Tristan exemplifies in her life and work, both the history of feminism, in its phases of optimism, realism and dissillusion, and the tensions between feminism and socialism.

The suffrage story, set in the political and cultural context of war, is lit vividly by some fascinating personalities. New research challenges accepted accounts. This study traces the resurgence of a conservative suffrage leadership, questions the inevitability of the narrow franchise granted to women in 1918, and suggests that something important was lost, especially to the Labour party and to feminism, when a broad vision of democracy and patriotism became a casualty of war, self-interest and jingoism.

Hope is central to marginal politics which speak of desires for equality or simply for a better life. Feminism might be characterised as a politics of hope, a movement underpinned by a utopian drive for equality. This version of hope has been used, for example in Barack Obama's phrase ?the audacity of hope? ? a mobilisation of an affirmative politics which nevertheless implies that we are living in hopeless times. Similiarly, in recent years, feminism has seen the production of a prevailing mood of hopelessness around a generational model of progress, which is widely imagined to have ?failed?. However, as a number of feminist theorists have pointed out, the temporality of feminism cannot be conceived as straightforwardly linear: feminism can only be imagined as having failed if it is understood as a particular set of relations and things.

This collection grapples with the question of hope: how it figures and structures feminist theory as both a movement towards certain goals, and as inherently hopeful. Questions addressed include: Does hope necessarily imply a fantasy of perfectibility, a progression to a utopian future? Might it also be conceived in other ways: as an attachment?A lure? Does life tend towards hope, happiness, optimism? And, if so, what are the consequences when hope fails? Who decides which hopes are false? What is the cost of giving up hope?

This book was published as a special issue of the Journal for Cultural Research.