These twenty autobiographical essays by eminent feminist literary critics explore the process by which women scholars became feminist scholars, articulating the connections between the personal and political in their lives and work. They describe the experiences that radicalised women within academia and without, as students, professors, scholars, political activists, women. From these diverse histories a collective history emerges of the development of feminism as an intellectual and social movement, as a heuristic tool, as the redefinition of knowledge and power. This book presents a history of the field through the eyes of those who have created it. Offering a spectrum of experiences and critical positions that engage with current debates in feminism, it will be valuable to teachers and students of feminist theory, women's studies, and the history of the women's movement. It will interest female writers and scholars in all disciplines and anyone who cares about feminism and its future.

Jane Gallop's book offers a clear-eyed and comprehensive history of feminist literary criticism. Why, she asks, have we so quickly buried 1970s feminist criticism? What lies buried there? Why do 1990s academic feminists accuse other academic feminists of being 'academic'? Gallop takes the novel approach of structuring her inquiry around anthologies of feminist criticism: twelve important texts that have had a wide impact on more than a decade of scholarship. In reading an anthology as a whole, she typically identifies a central, hegemonic voice (usually that of the editor/s) which would organise all the voices into a unity, and then explores the resistance within that volume to such a unity. Weight is placed behind these internal differences as a wedge against the centrist drive. Around 1981 addresses briefly 'french feminism' and psychoanalytic feminism before focusing on its principal subject: the mainstream of feminist literary criticism, before and after its general acceptance as part of the changing institution of literary studies. This brilliantly illuminates the dilemma of the feminist critic, divided by her allegiance to both feminism and literary studies.

Having enjoyed more than a decade of lively critique and creativity, feminist philosophy of religion continues to be a vital field of inquiry. New Topics in Feminist Philosophy of Religion maintains this vitality with both women and men, from their own distinctive social and material locations, contributing critically to the rich traditions in philosophy of religion. The twenty contributors open up new possibilities for spiritual practice, while contesting the gender-bias of traditional concepts in the field: the old models of human and divine will no longer simply do A lively current debate develops in re-imagining and revaluing transcendence in terms of body, space and self-other relations.

This collection is an excellent source for courses in feminist philosophy, phenomenology, hermeneutics and literature, Continental and analytical philosophy of religion, engaging with a range of religions and philosophers including Kant, Kierkegaard, Marx, Heidegger, Arendt, Weil, Beauvoir, Merleau-Ponty, Ricoeur, Levinas, Irigaray, Bourdieu, Kristeva, Le Doeuff, bell hooks and Jantzen."

As the crisis in Israel does not show any signs of abating, this remarkable collection, edited by an Israeli and a Palestinian scholar and with contributions by Palestinian and Israeli women, offers a vivid and harrowing picture of the conflict and of its impact on daily life, especially as it affects women's experiences that differ significantly from those of men. The (auto)biographical narratives in this volume focus on some of the most disturbing effects of the Israeli-Palestinian conflict: a sense of dislocation that goes well beyond the geographical meaning of the word; it involves social, cultural, national and gender dislocation, including alienation from one's own home, family, community, and society. The accounts become even more poignant if seen against the backdrop of the roots of the conflict, the real or imaginary construct of a state to save and shelter particularly European Jews from the horrors of Nazism in parallel to the other side of the coin: Israel as a settler-colonial state responsible for the displacement of the Palestinian nation.

First published in 1978, Feminism and Socialism in China explores the inter-relationship of feminism and socialism and the contribution of each towards the redefinition of the role and status of women in China. In her history of the women's movement in China from the late nineteenth century onwards, Professor Croll provides an opportunity to study its construction, its ideological and structural development over a number of decades, and its often ambiguous relationship with a parallel movement to establish socialism. Based on a variety of material including eye witness accounts, the author examines a wide range of fundamental issues, including women's class and oppression, the relation of women's solidarity groups to class organisations, reproduction and the accommodation of domestic labour, women in the labour process, and the relationship between women's participation in social production and their access to and control of political and economic resources. The book includes excerpts from studies of village and communal life, documents of the women's movement and interviews with members of the movement.

Capitalist ideology wants us to believe that there is an optimal way to live. 'Making connections' means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heterosexual, we must have babies and buy a house. But the kicker is most people cannot and do not want to achieve these goals. Instead we are left feeling atomised, exhausted and disempowered. Radical Intimacy shows that it doesn't need to be this way. Including inspiring ideas for alternative ways to live, Sophie K Rosa demands we use our radical imagination to discover a new form of intimacy. Including critiques of the 'wellness' industry that ignores rising poverty rates, the mental health crisis and racist and misogynist state violence; transcending love and sex under capitalism to move towards feminist, decolonial and queer thinking; asking whether we should abolish the family; interrogating the framing of ageing and death and much more, Radical Intimacy is the compassionate antidote to a callous society. Now as an audiobook, to listen to on the go.

The role of governance has only recently begun to be researched and discussed in order to better understand tourism policy making and planning, and tourism development. Governance encompasses the many ways in which societies and industries are governed, given permission or assistance, or steered by government and numerous other actors, including the private sector, NGOs and communities.

This book explains and evaluates critical perspectives on the governance of tourism, examining these in the context of tourism and sustainable development. Governance processes fundamentally affect whether and how progress is made toward securing the economic, socio-cultural and environmental goals of sustainable development. The critical perspectives on tourism governance, examined here, challenge and re-conceptualise established ideas in tourism policy and planning, as well as engage with theoretical frameworks from other social science fields. The contributors assess theoretical frameworks that help explain the governance of tourism and sustainability. They also explore tourism governance at national, regional and local scales, and the relations between them. They assess issues of power and politics in policy making and planning, and they consider changing governance relationships over time and the associated potential for social learning. The collection brings insights from leading researchers, and examines important new theoretical frameworks for tourism research.

This book was originally published as a special issue of Journal of Sustainable Tourism.

Seeing is an act of relating. Being in relation, according to much of feminist theology, can be an ethical activity. This book is based on the assumption that seeing can be an ethical way of relating to the other. Through looking, on the one hand, at films that describe women artists who see another person, and, on the other, at feminist theology, this book puts forward an original view of the act of seeing as a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the other's memory.

Most critics and scholars have long assumed that the women's movement was almost exclusively a white middle-class women's affair. This book counters the prevailing view by putting the spotlight on some remarkable women from other backgrounds, such as African Americans Pauline Hopkins and Amy Jacques Garvey, Mexican American Maria Cristena Mena, and Chinese American Sui Sin Far. Also examined are the work of more obvious New Women, such as Charlotte Perkins Gilman.

German women writers of the 18th and 19th centuries have been the subject of feminist, literary, critical and historical studies for around 30 years. This volume takes stock of what feminist literary criticism has achieved in that time and reflects on future trends in the field.

This group biography follows three generations of ministers' daughters and wives in a famed American Unitarian family. Shifting the focus from pulpit to parsonage, and from sermon to whispered secrets, Cynthia Tucker humanizes the Eliots and their religious tradition and lifts up a largely neglected female vocation. Spanning 150 years from the early 19th century forward, the narrative shapes itself into a series of stories. Each of six chapters takes up a different woman's defining experience, from the deaths of numerous children and the anguish of infertility to the suffocation of small parish life with its chronic loneliness, doubt, and resentment. One woman confides in a rare close friend, another in the anonymous readers of magazines that publish her poems. A third escapes from an ill-fitting role by succumbing to neurasthenia, leaving one debilitating condition for another. The matriarch's granddaughters script larger lives, bypassing marriage and churchly employment to follow their hearts into same-sex relationships, and major careers in public health and preschool education. In two concluding chapters, Tucker enlarges the frame to bring in the regular parish women who collectively give voice to issues the ministers' kin must keep to themselves. All of the stories are linked by the women's continuing battles to make themselves heard over clerical wisdom that contradicts their reality.

In these essays, the author discusses how language, religion, law, art science and technology have failed women and why. She goes beyond analysis and commentary to propose concrete changes tailored to women's specificity in all these fields - practical means of ensuring "our" culture is women's as well as men's. These changes, she argues, are crucial to the survival of humankind and the Earth itself. Irigary's other publications include "Elemental Passions" (1992), "The Ethics of Sexual Difference" (1993) and "Speech is Never Neuter" (1994).

Flora Tristan was a most remarkable woman. Born at the begining of the 19th century, her short life was packed with adventure and achievement. An illegitimate child, she had a disastrous marriage to a husband who tried to kill her. In vain pursuit of her rightful inheritance, she sailed unchaperoned across the perilous Atlantic to Peru. Returning to France, she became a socialist, and feminist, and commited herself to a life of political radicalism. She recognized that until the economic conditions of the poor were alleviated there was little prospect of female emancipation. Her strategy was to establish a union of workers throughout France to press for socialist measures. However, linking the feminist cause to socialism proved to be fraught with difficulty. Flora Tristan found that working class organizations were indifferent, and even hostile, to the idea of female equality. In short, Flora Tristan exemplifies in her life and work, both the history of feminism, in its phases of optimism, realism and dissillusion, and the tensions between feminism and socialism.

Hope is central to marginal politics which speak of desires for equality or simply for a better life. Feminism might be characterised as a politics of hope, a movement underpinned by a utopian drive for equality. This version of hope has been used, for example in Barack Obama's phrase ?the audacity of hope? ? a mobilisation of an affirmative politics which nevertheless implies that we are living in hopeless times. Similiarly, in recent years, feminism has seen the production of a prevailing mood of hopelessness around a generational model of progress, which is widely imagined to have ?failed?. However, as a number of feminist theorists have pointed out, the temporality of feminism cannot be conceived as straightforwardly linear: feminism can only be imagined as having failed if it is understood as a particular set of relations and things.

This collection grapples with the question of hope: how it figures and structures feminist theory as both a movement towards certain goals, and as inherently hopeful. Questions addressed include: Does hope necessarily imply a fantasy of perfectibility, a progression to a utopian future? Might it also be conceived in other ways: as an attachment?A lure? Does life tend towards hope, happiness, optimism? And, if so, what are the consequences when hope fails? Who decides which hopes are false? What is the cost of giving up hope?

This book was published as a special issue of the Journal for Cultural Research.

The suffrage story, set in the political and cultural context of war, is lit vividly by some fascinating personalities. New research challenges accepted accounts. This study traces the resurgence of a conservative suffrage leadership, questions the inevitability of the narrow franchise granted to women in 1918, and suggests that something important was lost, especially to the Labour party and to feminism, when a broad vision of democracy and patriotism became a casualty of war, self-interest and jingoism.

According to Allen, motherhood and citizenship are terms that are closely linked and have been redefined over the past century due to changes in women's status, feminist movements, and political developments. Mother-child relationships were greatly affected by political decisions during the early 1900s, and the maternal role has been transformed over the years. To understand the dilemmas faced by women concerning motherhood and work, for example, Allen argues that the problem must be examined in terms of its demographic and political development through history. Allen highlights the feminist movements in Western Europe - primarily Britain, France, Germany and the Netherlands, and explores the implications of the maternal role for women's aspirations to the rights of citizenship. Among the topics Allen explores the history of the maternal role, psychoanalysis and theories on the mother-child relationship, changes in family law from 1890-1914, the economic status of mothers, and reproductive responsibility.

The starting point for this book, first published in 1992, is a question of rhetoric -- as much in the writings of feminism as in other writing about women. How do texts construct possibilities and limits, openings and impasses, which set the terms for the ways in which we think about what a woman is, or where women might be going, whether individually or collectively? Some possible answers, as well as more questions, are offered in this book which moves from Virginia Woolf to advertising and from Freud to Feminist theory.

Attuned to the social contexts within which laws are created, feminist lawyers, historians, and activists have long recognized the discontinuities and contradictions that lie at the heart of efforts to transform the law in ways that fully serve women's interests. At its core, the nascent field of feminist legal history is driven by a commitment to uncover women's legal agency and how women, both historically and currently, use law to obtain individual and societal empowerment.

Feminist Legal History represents feminist legal historians' efforts to define their field, by showcasing historical research and analysis that demonstrates how women were denied legal rights, how women used the law proactively to gain rights, and how, empowered by law, women worked to alter the law to try to change gendered realities. Encompassing two centuries of American history, thirteen original essays expose the many ways in which legal decisions have hinged upon ideas about women or gender as well as the ways women themselves have intervened in the law, from Elizabeth Cady Stanton's notion of a legal class of gender to the deeply embedded inequities involved in Ledbetter v. Goodyear, a 2007 Supreme Court pay discrimination case.

Contributors: Carrie N. Baker, Felice Batlan, Tracey Jean Boisseau, Eileen Boris, Richard H. Chused, Lynda Dodd, Jill Hasday, Gwen Hoerr Jordan, Maya Manian, Melissa Murray, Mae C. Quinn, Margo Schlanger, Reva Siegel, Tracy A. Thomas, and Leti Volpp

Many scholars have struggled with Irigaray's focus on sexuate difference, in particular with her claim that it is "ontological," wondering if this implies a problematically naive or essentialist account of sexuate difference. As a result, the ethical vision which Irigaray elaborates has not been taken up in a robust way in the fields of philosophy, feminism, or psychoanalysis. By tracing the notion of relation throughout Irigaray's work, this book identifies a rigorous philosophical continuity between the three self-identified "phases" in Irigaray's thought (despite some critics' concerns that there is a discontinuity between these phases) and clarifies the relational ontology that underlies Irigaray's conceptualization of sexuate difference - one that always already implies an ethical project. The text demonstrates that an understanding of Irigaray's Heideggerian inheritance - especially prominent in her later texts - is essential to grasping the sense of the idea that sexuate difference is ontological - it concerns Being, rather than beings. This book further develops potential applications of this ontological notion of a "relational limit" for the fields of philosophy, feminism, and psychotherapy.

Winner of the 2015 FWSA Book Prize The body is a site of impassioned, fraught and complex debate in the West today. In one political moment, left-wingers, academics and feminists have defended powerful men accused of sex crimes, positioned topless pictures in the tabloids as empowering, and opposed them for sexualizing breasts and undermining their 'natural' function. At the same time they have been criticized by extreme-right groups for ignoring honour killings and other 'culture-based' forms of violence against women. How can we make sense of this varied terrain? In this important and challenging new book, Alison Phipps constructs a political sociology of women's bodies around key debates: sexual violence, gender and Islam, sex work and motherhood. Her analysis uncovers dubious rhetorics and paradoxical allegiances, and contextualizes these within the powerful coalition of neoliberal and neoconservative frameworks. She explores how 'feminism' can be caricatured and vilified at both ends of the political spectrum, arguing that Western feminisms are now faced with complex problems of positioning in a world where gender often comes second to other political priorities. This book provides a welcome investigation into Western politics around women's bodies, and will be particularly useful to scholars and upper-level students of sociology, political science, gender studies and cultural studies, as well as to anyone interested in how bodies become politicized.

What is the relationship between feminism and popular culture? Has there been a 'backlash' against feminism or is feminism now part of contemporary 'commonsense'? Can feminism learn from popular culture? Feminism in Popular Culture explores these questions through a diverse range of texts and sites - from news coverage, 'The Vagina Monologues', the Scream trilogy, 'Ally McBeal' and 'Sex and the City', sex documentaries and TV cooks, to breakdancing, beauty salons and computer game-playing. Feminism in Popular Culture does not assume that popular culture could benefit from a feminist 'makeover'. Rather, it analyses how different meanings of feminism have been negotiated within popular culture - how popular culture has made sense of feminism.

In Surrealist sabotage and the war on work, art historian Abigail Susik uncovers the expansive parameters of the international surrealist movement's ongoing engagement with an aesthetics of sabotage between the 1920s and the 1970s, demonstrating how surrealists unceasingly sought to transform the work of art into a form of unmanageable anti-work. In four case studies devoted to surrealism's transatlantic war on work, Susik analyses how artworks and texts by Man Ray, Andre Breton, Simone Breton, Andre Thirion, Oscar Dominguez, Konrad Klapheck, and the Chicago surrealists, among others, were pivotally impacted by the intransigent surrealist concepts of principled work refusal, permanent strike, and autonomous pleasure. Underscoring surrealism's profound relevance for readers engaged in ongoing debates about gendered labour and the wage gap, endemic over-work and exploitation, and the vicissitudes of knowledge work and the gig economy, Surrealist sabotage and the war on work reveals that surrealism's creative work refusal retains immense relevance in our wired world. -- .

- by veteran Routledge author whose books always sell well - first book in our Jungian film and media studies 'sub-list' that examines anything as contemporary as Netflix