"A timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena"--

Voices from the Asylum is a fascinating investigation of the lives of four women incarcerated in French psychiatric hospitals in the second half of the nineteenth century. The renowned sculptor (and mistress of Rodin) Camille Claudel, the musician Hersilie Rouy, the feminist activist Marie Esquiron, and the self-proclaimed mystic and eccentric Pauline Lair Lamotte, all left first-hand accounts of their experiences. These rare and unsettling documents provide the foundation for a unique insight into the experience of psychiatric breakdown and treatment from the patient's viewpoint.
By linking the question of gender to the process of medical diagnosis made by contemporary clinicians such as Sigmund Freud, this book argues that psychiatric medicine functioned as an integral part of an essentially misogynistic and oppressive society. Wilson suggests that "delusional" utterances can be read as meaningful when read as metaphorical expressions of real suffering, and as strategies to ensure the survival of a self under threat. These narratives therefore constituted an act of resistance on the part of the women who wrote them, and they prefigure the feminist revisionist histories of psychiatry that appeared later in the twentieth century.
Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes an important contribution to the feminist project of writing women back into literary history. It brings to light a remarkable but hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir.

Essential characteristics of Women's decision-making have long been ignored or, if considered at all, have been viewed in relationship to male-based factors. Veeder, drawing on experiences of Irish women, establishes that women making important choices do so differently than men. The women, ranging in age from as young as thirteen to over sixty-five, were divided into three age groupings, thereby offering insights into variables over much of the life-span. Themes, born from common experiences emerge from the poignant, compelling accounts of individual women. The author's analysis and commentary structure the book's development and maintain its focus on the context wherein women make their private, but immensely important, decisions--the family. Education, vocation, marriage, and childbearing are considered relative to the thought and emotional factors that influenced the women's decisions. Veeder concludes that women show strength and insight in their approach to choices. She sees women, in comparison with men, as taking more factors into consideration, being more aware of consequences, being more practical, flexible, and valuing of relationships. Women's participation in the workforce and their increased societal roles make this a most timely book. It is, too, an important contribution to, and stimulus for, additional research on gender and decision-making.

Are women still oppressed? Is paid employment the key to liberation? Should pornography be banned? Do women have an absolute right to abortion? Can women in government really make a difference?

In this comprehensive study, Valerie Bryson draws on a wide range of theoretical, empirical and comparative material to provide a lucid account of feminist debates and the ways in which political disagreements stem from underlying theoretical assumptions. By disentangling questions of style and strategy from more profound disagreements, Bryson points the way to more effective forms of feminist political practice.

Feminist Debates provides analysis of the situation of women in western societies, and examines women's participation in the workplace, the changing structure of the family, the extent of male violence against women, the development of reproductive technology, the political representation of women, and the role of the law in maintaining and challenging gender inequalities.

Clear and balanced in its assessment of various problems and perspectives, "Feminist Debates: Issues of Theory and Political Practice" offers an essential guide to contemporary feminist thinking and practice.

This is the first collection to bring together well-known scholars writing from feminist perspectives within critical discourse analysis. The theoretical structure of CDA is illustrated with empirical research in Eastern and Western Europe, New Zealand, Asia, South America and the US, demonstrating the complex workings of power and ideology in discourse in sustaining particular gender(ed) orders. These studies deal with texts and talk in domains ranging from parliamentary settings, news and advertising media, the classroom, community literacy programs and the workplace.

Beyond Citizenship? Feminism and the Transformation of Belonging pushes debates about citizenship and feminist politics in new directions, challenging us to think 'beyond citizenship', and to engage in feminist re-theorizations of the experience and politics of belonging. Citizenship is a troubling proposition for feminism - promising inclusion yet always enacting exclusions. This book asks whether citizenship is a worthwhile object for feminist politics and scholarship, or whether we should find a different language to express our desires to belong, and alternative means to enact our yearnings for equality, justice and reciprocity. Grounded in feminist perspectives that emphasize the importance of affect, subjectivity, embodiment and the collective, it offers important new analyses of the state of citizenship and meanings of belonging in the contemporary globalizing world. This book is key reading for scholars and students of citizenship, social movements, and feminist and gender theory from a wide range of disciplines, including art practice, comparative literature, gender studies, philosophy, political theory, psychosocial studies, social policy, socio-legal studies, and sociology.

Marking the 100-year anniversary of women's suffrage, Leslie Hill provides a fascinating survey of the history of first wave feminism in British theatre, from the London premiere of Ibsen's A Doll's House in 1889 through the militant suffrage movement. Hill's approachable overview explores some of the pivotal ways in which theatre makers both engaged with and influenced feminist discourse on topics such as sexual agency, reproductive rights, marriage equality, financial independence and suffrage. Clear and concise, this is an ideal resource for undergraduate and postgraduate students of Theatre and Performance Studies taking courses on Women in Theatre and Performance, Staging Feminism, Early Feminist Theatre, Theatre and Suffrage, Gender and Theatre, Political Theatre and Performance Historiography. This text will also appeal to scholars, lecturers, and Literature students.

This book examines contemporary relations between ethnic majority and ethnic minority women's movements in Norway, Spain and the United Kingdom, and women's movements' participation in and influence on public policy that focuses on violence against women.

'Powerful and provocative' - Dr. Ibram X. Kendi, author of the Sunday Times bestselling How to be an Antiracist 'A MUST read for any white women who consider themselves "feminist"' - Scarlett Curtis, author of the Sunday Times bestselling Feminists Don't Wear Pink 'An explosive and revelatory argument for deconstructing and confronting the entrenched notions of white supremacy and superiority that still reign today.' - Mireille Harper 'How is it that we have been so conditioned to privilege the emotional comfort of white people?' White tears possess a potency that is rarely acknowledged or commented upon, but they have long been used as a dangerous and insidious tool against people of colour, weaponised in order to invoke sympathy and divert blame. Taking us from the slave era, when white women fought in court to keep 'ownership' of their slaves, through centuries of colonialism, when women offered a soft face for brutal tactics, to the modern workplace, in which tears serve as a defense to counter accusations of bias and micro-aggressions, White Tears/Brown Scars tells a charged story of white women's active participation in campaigns of oppression. It offers a long-overdue validation of the experiences of women of colour and an urgent call-to-arms in the need for true intersectionality. With rigour and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialised within, a reality that we must all apprehend in order to fight.

Grassroots Russian women's organizations faced multiple challenges in the early 1990s. Like their members, they were confronted with both potentially hostile attitudes and numerous practical difficulties. Post-Soviet ideologies of gender difference produced a gender climate which was particularly unsympathetic to female activism in support of other women. This book presents a detailed study of grassroots Russian women's organizations in 1991-96, against the background of a careful analysis of gender relations and attitudes to women's place in post-Soviet Russian society.

Thousands of diverse museums, including art galleries and heritage sites, exist around the world today and they draw millions of people, audiences who come to view the exhibitions and artefacts and equally importantly, to learn from them about the world and themselves. This makes museums active public educators who imagine, visualise, represent and story the past and the present with the specific aim of creating knowledge. Problematically, the visuals and narratives used to inform visitors are never neutral. Feminist cultural and adult education studies have shown that all too frequently they include epistemologies of mastery that reify the histories and deeds of 'great men.' Despite pressures from feminist scholars and professionals, normative public museums continue to be rife with patriarchal ideologies that hide behind referential illusions of authority and impartiality to mask the many problematic ways gender is represented and interpreted, the values imbued in those representations and interpretations and their complicity in the cancellation of women's stories in favour of conventional masculine historical accounts that shore up male superiority, entitlement, privilege, and dominance. Feminist Critique and the Museum: Educating for a Critical Consciousness problematises museums as it illustrates ways they can be become pedagogical spaces of possibility. This edited volume showcases the imaginative social critique that can be found in feminist exhibitions, and the role that women's museums around the world are attempting to play in terms of transforming our understandings of women, gender, and the potential of museums to create inclusive narratives.

This book opens up a new field at the intersections of transnational, feminist, and media studies. The collection brings feminist theories to bear on the discourses of transnationality embedded in a range of recent films and video art from diverse locations in North Africa, Asia, Europe, and North America. Paying particular attention to new frontiers of migration, an increasing vigilance vis-a-vis the foreign, and the gendered and racialized representations of mobility, the book charts innovative feminist strategies for the interpretation of contemporary visual cultures. This ambitious volume will be an important guide for scholars and students interested in approaching global media cultures from transnational feminist perspectives

What are the political and aesthetic dimensions of video art, documentary, and global cinema in contemporary image culture? Here, Lynes makes visible how sites of political struggle, exploitation, and armed conflict can be theorized and interpreted through a feminist politics of location, attentive to the frictions and flows within transnational circuits of exchange. Prismatic Media, Transnational Circuits traces how formal modes of experimentation provide prismatic visions of sites of political struggle - multiple, mediated points of view - and thus open space for complex and emancipatory relations among cultural producers, activists, and viewers in a globalized present.

... cover[s] the effects of the life-cycle experiences of teenage pregnancy and childbearing, divorce, and years of widowhood on women's economic status and poverty rate (the feminization of poverty). . . . Ozawa finds a conflict between women's traditional nurturing and caring roles and the development of their earning capability. Interesting statistical tables and a selected bibliography. Choice Gender, like race and ethnicity, is an increasingly important factor in assessing social policy in the U.S. For those who want to understand the role of gender in the poverty problem today, Women's Life Cycle and Economic Insecurity provides a splendid collection of articles containing new knowledge and fresh insights. Sheila B. Kamerman Columbia University School of Social Work According to a global United Nations study, women perform 66 percent of all work, but receive only 10 percent of all income and own less than 1 percent in material assets. Although the economic status of American women has been somewhat higher than that of women globally, it is increasingly apparent that the United States is facing the emerging social problem of women's economic insecurity in the midst of growing affluence. In this timely study, ten experts methodically survey every vital aspect in the life of American women, from early sex-role socialization in the home to long-term elderly care, and examine their economic implications. Ozawa's introductory chapter provides a helpful overview of the subject; her concluding chapter summarizes recommendations for change and proposes steps necessary to the establishment of economic and social equality between the sexes. In Educational Preparation of American Women, Shirley M. Clark analyzes female socialization and discusses women in higher education: enrollment trends, degrees earned, and women faculty. James P. Smith's chapter investigates Women, Mothers, and Work and considers wage prospects. Other chapters explore teenage pregnancy: patterns, consequences, and prevention strategies; divorce and child support issues, the history and effects of inheritance, old age, and care of the elderly. The text is enhanced by twenty-five tables and eight figures that present vital statistical information, including labor force participation rates of various groups of women, data relating to children and their care, fertility, income, life expectancy, and health. Women's Life Cycle and Economic Insecurity presents a comprehensive assessment of the condition of women in the United States today. This groundbreaking study provides insights and statistics that will be especially useful for research in the areas of women's studies, sociology, economics, and American history.

As the Victorian era drew to a close, American culture experienced a vast transformation. In many ways, the culture changed even more rapidly and profoundly for women. The "new woman," the "new freedom," and the "sexual revolution" all referred to women moving out of the Victorian home and into the public realm that men had long claimed as their own.

Modern middle-class women made a distinction between emotional styles that they considered Victorian and those they considered modern. They expected fulfillment in marriage, companionship, and career, and actively sought up-to-date versions of love and happiness, relieved that they lived in an age free from taboo and prudery.

Drawing on the diaries, letters, and memoirs of women from a wide range of backgrounds and geographic regions, this volume offers insights into middle-class women's experiences of American culture in this age of transition. It documents the ways in which that culture--including new technologies, advertising, and movies--shaped women's emotional lives and how these women appropriated the new messages and ideals. In addition, the authors describe the difficulties that women encountered when emotional experiences failed to match cultural expectations.

This work explores matrophobia - the fear not of one's mother or of motherhood but of becoming one's mother - in past and present white feminist analyses of motherhood and mothering. By tracing white second wave feminism's strategic choice to organize first as sisters then as daughters, O'Brien Hallstein argues matrophobia became embedded in past and continues to linger in contemporary feminist analyses. As a result, contemporary analyses reveal crucially important but limited understandings of contemporary motherhood and mothering. This important work concludes that matrophobia can be reduced and eliminated by reorienting analyses to mutual responsiveness between sisters and daughters, second and third wave feminists.

This collection brings together seventeen essays by well-known feminist scholars across the disciplines that make up Renaissance Studies. It forms an accessible introduction to the ways in which feminism has replaced the universal, abstract 'Renaissance Man' of traditional scholarship with strategies for the analysis of the conceptual work of gender in the formation of European modernity.

Across societies and throughout time, women have been traditionally classified as caregivers and relationship builders. However, as we enter the future, the roles of girls and women are changing. "Who Cares?" offers investigations from theoretical and empirical perspectives into the ever changing views about the responsibilities of women. Contributions from current, outstanding feminist theorists examine the view that the ethic of care is gender related. The contributors explore the arguments for and against the traditional view that the ethic of care is associated with girls and women and the ethic of justice with boys and men. "Who Cares?" presents the work of scholars from philosophy, theology, psychology, and education who critically examine the questions surrounding the ever changing roles of women.

The book begins with an historical discussion of caring as described by women philosophers of the past two millenia. Further chapters discuss the ethic of care; the gender relatedness of care; the political and psychological price of attributing care to women; the socialization experiences that shape and develop the caring response and the caring self; the relationship between care and rationality and between care and justice; the distinction between a theory of care based on the norms of society and moral philosophy; ethical framework of Black, Third World, and pink collar women. This book is a must for students, educators, researchers, and professionals in women's studies.

The epidemic of mass rape in the former Yugoslavia has illustrated once again, and in particularly brutal fashion, the inextricable relationship between national politics, sexual politics, and body politics. The nexus of these three forces is highly charged in any culture, at any time in history, but especially so among cultures in which rapid, even cataclysmic, changes in material realities and national self-conceptions are eroding or overwhelming previously secure boundaries.
The postcommunist moment in the so-called Second World--Central and Eastern Europe and the former Soviet Union--has dramatically exposed the opportunities and dangers that arise when the political, cultural, and economic foundations of a society are de- and then re-structured. Gender roles and relations, expressions of sexuality or attempts to recontain them, representations of the body, especially the female body, and the larger, cultural meanings it assumes, are particularly marked sites to witness the performance of complex national dramas of crisis and change.
This groundbreaking volume turns its attention to the Second World, specifically to such subjects as the birth of the sex media and porn industry in Russia; Russian women and alcoholism; cinema in post-communist Hungary; patriotism and gender in Poland; sexual dissidence in Eastern Europe; and women in the former Yugoslavia.

go to the Genders website ]

Classical Presences
Series Editors: Lorna Hardwick, Professor of Classical Studies, Open University, and James I. Porter, Professor of Greek, Latin, and Comparative Literature, University of Michigan
The texts, ideas, images, and material culture of ancient Greece and Rome have always been crucial to attempts to appropriate the past in order to authenticate the present. They underlie the mapping of change and the assertion and challenging of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use, and abuse, of the classical past.
Laughing with Medusa explores a series of inter-linking questions, including: Does history's self-positioning as the successor of myth result in the exclusion of alternative narratives of the past? How does feminism exclude itself from certain historical discourses? Why has psychoanalysis placed myth at the center of its explorations of the modern subject? Why are the Muses feminine? Do the categories of myth and politics intersect or are they mutually exclusive? Does feminism's recourse to myth offer a script of resistance or commit it to an ineffective utopianism? Covering a wide range of subject areas including poetry, philosophy, science, history, and psychoanalysis as well as classics, this book engages with these questions from a truly interdisciplinary perspective. It includes a specially commissioned work of fiction, "Iphigeneia's Wedding," by the poet Elizabeth Cook.

Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women's movement or Mouvement de Liberation des Femmes (1970-81). It considers women's art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s - Helene Cixous, Luce Irigaray and Julia Kristeva - forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May '68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock. -- .

Far from being a conservative writer endorsing women's domestic role, Agatha Christie's book depicts women as adventurous, independent women who renegotiate sexual relationships along more equal lines. Women are also allowed the dangerous competency to disrupt society and yet the texts refuse to see them as double deviant because of their femininity. This detailed textual analysis of her oeuvre demonstrates exactly how quietly innovatory Christie was in relation to gender, beginning in nineteen twenty and concluding in the early seventies.

In this major new book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?