This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Rachel Loewen Walker's original study of Deleuze's theory of temporality advances a concept of the living present as a critical juncture through which novel meanings and activisms take flight in relation to new feminist materialisms, queer theory, Indigenous studies, and studies of climate. Drawing on literature, philosophy, popular culture, and community research, Loewen Walker unsettles the fierce linearity of our stories, particularly as they uphold fixed systems of gender, sexuality, and identity. Treading new ground for Deleuzian studies, this book focuses on the non-linearity of the living present to show that everything is within rather than outside of time. Through this critical re-evaluation, which takes in climate change, queer and trans politics, and Indigenous sovereignty, Queer and Deleuzian Temporalities "thickens" the present moment. By opening up multiple pasts and multiple futures we are invited to act with a deepened level of accountability to all possible timelines.

International Advances in Education: Global Initiatives for Equity and Social Justice is an international research monograph series of scholarly works that primarily focus on empowering students (children, adolescents, and young adults) from diverse current circumstances and historic beliefs and traditions to become non-exploited/non-exploitive contributing members of the 21st century. The series draws on the research and innovative practices of investigators, academics, and community organizers around the globe that have contributed to the evidence base for developing sound educational policies, practices, and programs that optimize all students' potential. Each volume includes multidisciplinary theory, research, and practices that provide an enriched understanding of the drivers of human potential via education to assist others in exploring, adapting, and replicating innovative strategies that enable ALL students to realize their full potential. Chapters in this volume are drawn from a wide range of countries including: Australia, Brazil, Canada, China, Finland, Georgia, Haiti, India, Italy, Kyrgyzstan, Portugal, Slovenia, Tanzania and The United States all addressing issues of educational inequity, economic constraint, class bias and the links between education, poverty and social status. The individual chapters provide examples of theory, research, and practice that collectively present a lively, informative, cross-perspective, international conversation highlighting the significant gross economic and social injustices that abound in a wide variety of educational contexts around the world while spotlighting important, inspirational, and innovative remedies. Taken together, the chapter's advance our understanding of best practices in the education of economically disadvantaged and socially marginalized populations while collectively rejecting institutional policies and traditional practices that reinforce the roots of economic and social discrimination. Chapter authors, utilize a range of methodologies including empirical research, historical reviews, case studies and personal reflections to demonstrate that poverty and class status are socio-political conditions, rather than individual identities. In addition, that education is an absolute human right and a powerful mechanism to promote individual, national, and international upward social and economic mobility, national stability and citizen wellbeing.

The international movement of women fighting their oppression and exploitation has reached a new level since the 1960s. The resolutions collected in this volume are a product of that movement. They explain the Marxist analysis of the roots of women's oppression, and the tasks facing socialists around the world. The Fourth International, the principal organization of revolutionary socialist groups around the world, adopted the main resolution in this book in 1979. It places the oppression and exploitation of women in the context of class society. It shows that this oppression will end only when we get of class society. The resolutions adopted subsequently and published here analyse the uneven advance of women in the face of the global neo-liberal offensive. They look at the position of women in the imperialist countries and in the developing world as it stands at the beginning of the 21st century. They include a major resolution on the need for the positive actions used by socialist organizations to develop and develop their feminist work and profile.

This book offers a practical guide to the everyday actions and decisions that anyone can take to promote gender equality and social justice in their own life and the world around them. Beyond Burning Bras: Feminist Activism for Everyone is an antidote to the poison of shock jocks who caricature the women's movement as a radical fringe of man-haters and paint activists as spoiled hooligans. Two real-life feminist activists, Laura Finley and Emily Stringer focus on the mainstream of everyday feminism, explaining what feminism is really all about and fanning out a spectrum of simple, imaginative, user-friendly ways in which ordinary readers can promote gender equality and social equity in their own lives and in the world around them. Beyond Burning Bras taps the life stories and first-person accounts of 50 ordinary individuals of every age, sex, sexuality, class, nationality, race, ethnicity, and learning style. All of them tell how they found within themselves the courage to take a stand on the front lines of feminist activism, whether in subtle private ways or in life-changing public ways. After a survey of the history of feminism in the United States, the authors and contributors show in successive chapters how feminism today meshes with other forms of activism relating to the workplace, sexual violence, the environment, politics, human bodies, the arts, youth, empowerment, and mothering. Comprises over 50 entries arranged topically to show the broad reach of contemporary feminism Presents more than 40 contributors, including scholars, activists, professionals, students, and more Offers a timeline of key events in feminist activism provided at beginning of volume Includes an annotated appendix of recommended resources for feminist activists, including books, websites, and periodicals

For 30 years, since the publication of her landmark book The Sexual Politics of Meat, Carol J. Adams and her readers have continued to document and hold to account the degrading interplay of language about women, domesticated animals, and meat in advertising, politics, and media. Serving as sequel and visual companion, The Pornography of Meat charts the continued influence of this language and the fight against it. This new edition includes more than 300 images, most of them new, and brings the book up to date to include expressions of misogyny in online media and advertising, the #MeToo movement, and the impact of Donald Trump and white supremacy on our political language. Never has this book--or Adams's analysis--been more relevant.

In Between Feminism and Orthodox Judaism, Yael Israel-Cohen offers an analysis of the activism and identity of women considered at the forefront of the feminist challenge to Orthodoxy. Through a look at women's battle over synagogue ritual and the ordination of women rabbis, an intricate and complex picture of identity, resistance, and religious change is revealed. Some of the central questions that Yael Israel-Cohen explores are: How do modern Orthodox women strategize to implement feminist changes? How do they deal with what at least on the surface seem to be conflicting allegiances? How do they perceive their role as agents of change and what are the ramifications of their activism for how we understand the boundaries of Orthodoxy more generally? "Between Feminism and Orthodox Judaism represents an interpretive study at its finest. It is well-written, theoretically sophisticated, and grounded within the literature. I highly recommend this book for scholars and nonscholars alike who are interested in studies of women's resistance in conservative settings." Faezeh Bahreini, University of South Florida, Tampa

Kelly Ives explores the worlds sexual representation in art and pornography, from a feminist viewpoint.

The book includes chapters on the depiction of sexuality in art, from contemporary art and pornography back through the Renaissance to prehistory; on the problematic relations between showing sexuality and censorship; the history of porn; and women's art and how women artists have depicted sexual acts and identities.

Fully illustrated, with images from the history of representing sexuality from prehistory to the present day.

Includes notes and bibliography.

KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Cixous, Irigaray, Kristeva: The Jouissance of French Feminism, Julia Kristeva and Helene Cixous.

EXTRACT FROM THE INTRODUCTION

Firstly, there are as many definitions of art and pornography as there are people. Everyone has their own opinions, their own interests and realms to defend. There are the liberals who say that nothing should be censored, including pornography. Pornography is seen as part of artistic expression, and if people want to express themselves, they should, and if they want pornography, they should have it. This is the view of liberals such as Peter Webb, who campaigns for freedom of expression, and an art that should 'celebrate' eroticism. This is a familiar viewpoint, which we have heard made many times. In the (male) liberal view, sex is OK, so sexual art must be OK, so that much of pornography must be OK. The 'experts' on sex, the so-called 'sexologists' (Eduard Fuchs, Richard von Krafft-Ebbing, Sigmund Freud, Wilhelm Reich) argue that sex is a normal part of life, so it is natural that it should abound in art. Fuchs wrote; ' a]rt has treated erotic themes at almost all periods... it] lies at the root of all human life.'

Everyone seems to have their cut-off points, however, their 'standards' of 'taste' and 'decency'. It's a very subjective business, the debates between art and pornography, and between pornography and censorship. As Wendy Moore writes: ' c]ensorship like freedom is an entirely subjective term'. What you like defines yourself. As Pierre Bourdieu put it: ' t]aste classifies, and it classifies the classifier.'

Taste, choice, categorization and classification, then, defines the viewer, the reader, the consumer. Censorship, you might say, defines the culture. And 'sensitive' novelists are wary of writing 'sex scenes', because they know that what they write defines themselves. Yet sex is crucial to art, many artists say. As Gertrude Stein wrote: ' l]iterature - creative literature - unconnected with sex is inconceivable.'

Myths and misconceptions surrounding sexual violence are thought to be implicated in the prevalence of rape and in the lack of justice for women who have been subjected to rape. Rape Myths comprehensively examines the theoretical background, prevalence, assessment, and functions of these beliefs. Outlining the meaning and feminist foundations of rape myths, this book also considers their conceptualisation as the measurable construct of Rape Myth Acceptance (RMA). Drawing on the authors' research, the book details the prevalence of RMA among different public and professional groups, as well as the societal consequences of these pervasive beliefs, particularly in terms of treatment within the criminal justice system. RMA is considered in the crucial context of its scaffolding within wider sexism in society and its perpetuation in the media. Looking ahead, Persson and Dhingra question how well rape myth prevention works. Can society reduce the prevalence of these beliefs? If so, how? Including a detailed overview of the psychometric properties of tools used to measure RMA, and a methodological manual for designing and executing research in this area, Rape Myths is a practical guide for those seeking to research rape myths and other attributions in rape cases.

This first full account of Amelia Stone Quinton (1833-1926) and the organization she cofounded, the Women's National Indian Association (WNIA), offers a nuanced insight into the intersection of gender, race, religion, and politics in our shared history. Author Valerie Sherer Mathes shows how Quinton, like Helen Hunt Jackson, was a true force for reform and progress who was nonetheless constrained by the assimilationist convictions of her time. The WNIA, which Quinton cofounded with Mary Lucinda Bonney in 1879, was organized expressly to press for a "more just, protective, and fostering Indian policy," but also to promote the assimilation of the Indian through Christianization and "civilization." Charismatic and indefatigable, Quinton garnered support for the WNIA's work by creating strong working relationships with leaders of the main reform groups, successive commissioners of Indian affairs, secretaries of the interior, and prominent congressmen. The WNIA's powerful network of friends formed a hybrid organization: religious in its missionary society origins but also political, using its powers to petition and actively address public opinion. Mathes follows the organization as it evolved from its initial focus on evangelizing Indian women-and promoting Victorian society's ideals of "true womanhood"-through its return to its missionary roots, establishing over sixty missionary stations, supporting physicians and teachers, and building houses, chapels, schools, and hospitals. With reference to Quinton's voluminous writings-including her letters, speeches, and newspaper articles-as well as to WNIA literature, Mathes draws a complex picture of an organization that at times ignored traditional Indian practices and denied individual agency, even as it provided dispossessed and impoverished people with health care and adequate housing. And at the center of this picture we find Quinton, a woman and reformer of her time.

View the Table of Contents.

The second edition of this classic text substantially revises and extends the original, takes account of theoretical and policy developments, and enhances its international scope. Drawing on a range of disciplines and literatures, the book provides an unusually broad account of citizenship. It recasts traditional thinking about the concept and pinpoints important theoretical issues and their political and policy implications for women. Themes of inclusion and exclusion (at national and international levels), rights and participation, inequality and difference, are thus all brought to the fore in the development of a woman-friendly, gender-inclusive, theory and praxis of citizenship. Wide-ranging, stimulating and accessible, this is a ground-breaking book that provides new insights for both theory and policy.

"An eloquent work. Somer Brodribb not only gives us a feminist critique of postmodernism with its masculinist predeterminants in existentialism, its Freudian footholdings and its Sadean values, but in the very form and texture of the critique, she literally creates new discourse in feminist theory. Brodribb has transcended not only postmodernism but its requirement that we speak in its voice even when criticizing it. She creates a language that is at once poetic and powerfully analytical. Her insistent and compelling radical critique refuses essentialism--from both masculinist thinkers and their women followers. She demystifies postmodernism to reveal that it and its antecedents represent yet another mundane version of patriarchal politics. Ultimately Brodribb returns us to feminist theory with the message that we must refuse to be derivative and continue to originate theory and politics from the condition of women under male domination."
--Kathleen Barry, author of "Female Sexual Slavery"

An iconoclastic work brilliantly undertaken . . . "Nothing Mat(T)ers" magnificently shows that postmodernism is the cultural capital of late patriarchy. It is the art of self- display, the conceit of masculine self and the science of reproductive and genetic engineering in an ecstatic Nietzschean cycle of statis."
--Andre Michel

"Nothing Mat(T)ers" encapsulates in its title the valuelessness of the current academic fad of postmodernism. Somer Brodribb has written a brave and witty book demolishing the gods and goddesses of postmodernism by deconstructing their method and de-centering their subjects and, in the process, has deconstructed deconstructionism and decentered decentering! Thisis a long-awaited and much-needed book from a tough- minded, embodied, and unflinching scholar."
--Janice Raymond

Everything can be exhibited: trinkets from the Second French Empire, a collection of photographs, a boudoir from beyond the grave, a heroine famous for her beauty, her extravagance and her pitiful end. Everything can be exposed: a woman for another woman... , the fear of one's own body, a way of entering a scene, the thrill of seduction, abandonment, the reassurance of objects, a ruin. Over the course of four decades, the Countess Virginia Oldoini returned to the same Paris studio to be photographed, posing in different tableaux to mark the moments of her life, real and imagined. A fascination with 'La Castiglione' led Nathalie Leger to weave together this imaginative proto-biography. Mysterious yet over-exposed, adored and despised for her beauty in equal measure, Castiglione was a flamboyant aristocrat, mistress of Napoleon III and a rumoured spy. Examining the myths around icons past and present, Leger meditates on the half-truths of portrait photography, reframing her own family history in the process.

A nonfiction investigation into masculinity, For The Love of Men provides actionable steps for how to be a man in the modern world, while also exploring how being a man in the world has evolved.

In 2019, traditional masculinity is both rewarded and sanctioned. Men grow up being told that boys don’t cry and dolls are for girls (a newer phenomenon than you might realize―gendered toys came back in vogue as recently as the 80s). They learn they must hide their feelings and anxieties, that their masculinity must constantly be proven. They must be the breadwinners, they must be the romantic pursuers. This hasn’t been good for the culture at large: 99% of school shooters are male; men in fraternities are 300% (!) more likely to commit rape; a woman serving in uniform has a higher likelihood of being assaulted by a fellow soldier than to be killed by enemy fire.

In For the Love of Men, Liz offers a smart, insightful, and deeply-researched guide for what we're all going to do about toxic masculinity. For both women looking to guide the men in their lives and men who want to do better and just don’t know how, For the Love of Men will lead the conversation on men's issues in a society where so much is changing, but gender roles have remained strangely stagnant.

What are we going to do about men? Liz Plank has the answer. And it has the possibility to change the world for men and women alike.

When we think of women's activism in America, figures such as Gloria Steinem and Betty Friedan invariably come to mind--those liberal doyennes who have fought for years to chip away at patriarchy and achieve gender equality. But women's interests are not synonymous with organizations like NOW anymore. As Ronnee Schreiber shows, the conservative ascendancy that began in the Reagan era has been accompanied by the emergence of a broad-based conservative women's movement. And while firebrands like Ann Coulter and Phyllis Schlafly may be the public face of rightwing women's activism, a handful of large and established women's organizations have proven to be the most effective promoters of the conservative agenda.
Righting Feminism shows that one of the key--albeit overlooked--developments in political activism since the 1980s has been the emergence of conservative women's organizations. It focuses on the most prominent of these groups, Concerned Women for America and the Independent Women's Forum, to reveal how they are using feminist rhetoric for conservative ends: outlawing abortion, restricting pornography, and bolstering the traditional family. But ironically, these organizations face a paradox: to combat the legacy of feminism--particularly its appeal to the majority of American women--they must use the rhetoric of women's empowerment. Indeed, Schreiber amply illustrates how conservative activists are often the beneficiaries of the very feminist politics they oppose. Yet just as importantly, she demolishes two widely believed truisms: that conservatism holds no appeal to women and that modern conservatism is hostile to the very notion of women's activism.
Based on numerousinterviews with colorful conservative activists and extensive analyses of organizational documents, Righting Feminism offers a new way of understanding the unlikely intersection of women's activism and conservative politics in America today.

The Partition of the Indian Subcontinent in 1947 unleashed unprecedented violence. In Feminist Fiction and the Indian Partition of 1947, Indian scholar Priyanka Gupta explores how women were doubly suppressed and victimized before and after the partition. The violence, and the displacement of large populations, made this historical episode of separation more and more significant for women. Novels set during the Partition offer unique viewpoints and perspectives that have not previously been explored.

This book discusses erotic and magical goddesses and heroines in several ancient cultures, from the Near East and Asia, and throughout ancient Europe; in prehistoric and early historic iconography, their magical qualities are often indicated by a magical dance or stance. It is a look at female display figures both cross-culturally and cross-temporally, through texts and iconography, beginning with figures depicted in very early Neolithic Anatolia, early and middle Neolithic southeast Europe--Bulgaria, Romania, and Serbia--continuing through the late Neolithic in East Asia, and into early historic Greece, India, and Ireland, and elsewhere across the world. These very similar female figures were depicted in Anatolia, Europe, Southern Asia, and East Asia, in a broad chronological sweep, beginning with the pre-pottery Neolithic, ca. 9000 BCE, and existing from the beginning of the second millennium of this era up to the present era. This book demonstrates the extraordinary similarities, in a broad geographic range, of depictions and descriptions of magical female figures who give fertility and strength to the peoples of their cultures by means of their magical erotic powers. This book uniquely contains translations of texts which describe these ancient female figures, from a multitude of Indo-European, Near Eastern, and East Asian works, a feat only possible given the authors' formidable combined linguistic expertise in over thirty languages. The book contains many photographs of these geographically different, but functionally and artistically similar, female figures. Many current books (academic and otherwise) explore some of the female figures the authors discuss in their book, but such a wide-ranging cross-cultural and cross-temporal view of this genre of female figures has never been undertaken until now. The "sexual" display of these female figures reflects the huge numinosity of the prehistoric divine feminine, and of her magical genitalia. The functions of fertility and apotropaia, which count among the functions of the early historic display and dancing figures, grow out of this numinosity and reflect the belief in and honoring of the powers of the ancient divine feminine.

This book contains an Open Access Chapter In 1995, the Fourth World Conference on Women: Action for Equality, Development and Peace affirmed the need to address gender inequalities and foster gender integration. Ever since, the field of gender professionals has been growing, yet the experiences, insights and data gathered have not been systematically examined and incorporated into an accessible body of knowledge. Working to address this, expert contributors demonstrate the depth and breadth of gender and practice. Including examples from Brazil, Cameroon, Ecuador, Nigeria, Sao Tome and Principe, the USA, and Vietnam, as well as chapters that take a global perspective, the research here looks at issues and activities relating to infusing gender in knowledge management, training, and practice. Including subjects such as education, agricultural production, and tourism, this volume offers a variety of perspectives that will appeal to any researcher in gender. Throughout the volume, expert practitioners situate their real-world experiences in the broader intersectional framework employed by their academic colleagues, offering policy makers, students, scholars, practitioners, and activists concrete examples of how and why gender is central to development.

After the Second World War, two contrasting political movements became increasingly active in Italy - the communist and feminist movements. In this book, Walter Baroni uses autobiographical life-writing from both movements key protagonists to shed new light on the history of these movements and more broadly the similarities and differences between political activists in post-war Italy.

This book provides a thorough interdisciplinary analysis of the ways in which artists have engaged with political and feminist grassroots movements to characterise a new direction in the production of feminist art. The authors conceptualise feminist art in Turkey through the lens of feminist philosophy by offering a historical analysis of how feminism and art interacts, analysing emerging feminist artwork and exploring the ways in which feminist art as a form opens alternative political spaces of social collectivities and dissent, to address epistemic injustices. The book also explores how the global art and feminist movements (particularly in Europe) have manifested themselves in the art scenery of Turkey and argues that feminist art has transformed into a form of political and protest art which challenges the hegemonic masculinity dominating the aesthetic debates and political sphere. It is an invaluable reading for students and scholars of sociology of art, gender studies and political sociology.

A DOROTHY KOOMSON BOOK OF THE YEAR AN ECONOMIST BOOK OF THE YEAR 'Such a beautiful read, like chatting to a friend over a cuppa. This is the intimate, insightful read that I didn't know I needed. Just brilliant.' Dorothy Koomson Nana Darkoa Sekyiamah spent decades talking openly and intimately to African women around the world about sex. In this book, she brings together their extraordinary stories, whilst also chronicling her own journey towards sexual freedom. From finding queer community in Egypt to living a polyamorous life in Senegal to understanding the intersectionality of religion and pleasure in Cameroon, their necessary narratives are individual and illuminating. This stunning collection provides crucial insight into our quest for sexual power and offers all women inspirational examples to live a truly liberated life. 'Touching, joyful, defiant - and honest.' Economist, Books of the Year 2021 'Fascinating.' Bernadine Evaristo 'Honest and moving. A vital treasure.' Bolu Babalola, author of Love in Colour 'Stunning. Essential read! I couldn't put it down.' Nicole Dennis-Benn, bestselling author of Patsy and Here Comes the Sun 'Leaves you feeling deliciously empowered.' Lola Shoneyin, author of The Secret Lives of Baba Segi's Wives 'Boundary-breaking, fascinating and deeply affirming.' Otegha Uwagba, author of Little Black Book