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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > Feminism
In Gendered Readings of Change, Clara Fischer develops a unique theory of change by drawing on American philosophy and contemporary feminist thought. Via a select history of ancient Greek and Pragmatist philosophies of change, she argues for a reconstruction of transformation that is inclusive of women's experiences and thought. With wide-ranging analysis, this book addresses ontological, moral, epistemological, and political questions, and includes an insightful exploration of the philosophies of Parmenides, Aristotle, John Dewey, Iris Young, and Jane Addams.
This is a feminist study of a recurring character type in classic British detective fiction by women - a woman who behaves like a Victorian gentleman. Exploring this character type leads to a new evaluation of the politics of classic detective fiction and the middlebrow novel as a whole.
Part of the New Directions in European Writing series, which aims to present introductory studies of contemporary European writers, this volume offers a systematic study of the controversial Austrian feminist writer, Elfriede Jelinek. It provides a survey and analysis of Jelinek's major texts and a discussion of the literary techniques which characterize the author's writing. Background contextual information on historical and literary developments is given to help the reader gain a better understanding of Jelinek's writing and her place within current international debates on feminism and literary theory.
In its twelfth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective."The Feminist Companion to Patristic Literature" is the twelfth volume in the "Feminist Companion to the Bible and Early Christian Literature" series. Presenting cutting-edge studies by both established scholars and new voices from diverse cultures and contexts, the series not only displays the range of feminist readings, but also offers essential readings for all students of the New Testament and early Christian literature.This volume examines a number of Patristic texts and early Christian documents from a feminist perspective including "Clement of Rome", "Clement of Alexandria", the "Christian Martyr" and the "Gospel of Thomas". The contributors include: Barbara Bowe, Jorunn Jacobsen Buckley, Denise Buell, Virginia Burrus, Elizabeth Castelli, Elizabeth Clark, Kathy Gaca, Robin Jensen, Ross S Kraemer, Carolyn Osiek, Carolyn Osiek, and Theresa Shaw. It is suitable for libraries; academics; postgraduates and upper level undergraduates.
Thousands of diverse museums, including art galleries and heritage sites, exist around the world today and they draw millions of people, audiences who come to view the exhibitions and artefacts and equally importantly, to learn from them about the world and themselves. This makes museums active public educators who imagine, visualise, represent and story the past and the present with the specific aim of creating knowledge. Problematically, the visuals and narratives used to inform visitors are never neutral. Feminist cultural and adult education studies have shown that all too frequently they include epistemologies of mastery that reify the histories and deeds of 'great men.' Despite pressures from feminist scholars and professionals, normative public museums continue to be rife with patriarchal ideologies that hide behind referential illusions of authority and impartiality to mask the many problematic ways gender is represented and interpreted, the values imbued in those representations and interpretations and their complicity in the cancellation of women's stories in favour of conventional masculine historical accounts that shore up male superiority, entitlement, privilege, and dominance. Feminist Critique and the Museum: Educating for a Critical Consciousness problematises museums as it illustrates ways they can be become pedagogical spaces of possibility. This edited volume showcases the imaginative social critique that can be found in feminist exhibitions, and the role that women's museums around the world are attempting to play in terms of transforming our understandings of women, gender, and the potential of museums to create inclusive narratives.
In its twelfth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective."The Feminist Companion to Patristic Literature" is the twelfth volume in the "Feminist Companion to the Bible and Early Christian Literature" series. Presenting cutting-edge studies by both established scholars and new voices from diverse cultures and contexts, the series not only displays the range of feminist readings, but also offers essential readings for all students of the New Testament and early Christian literature.This volume examines a number of Patristic texts and early Christian documents from a feminist perspective including "Clement of Rome", "Clement of Alexandria", the "Christian Martyr" and the "Gospel of Thomas". The contributors include: Barbara Bowe, Jorunn Jacobsen Buckley, Denise Buell, Virginia Burrus, Elizabeth Castelli, Elizabeth Clark, Kathy Gaca, Robin Jensen, Ross S Kraemer, Carolyn Osiek, Carolyn Osiek, and Theresa Shaw. This book is suitable for libraries; academics; postgraduates and upper level undergraduates.
Matilda Joslyn Gage was a woman's rights' activist during the 19th century, committed to the woman suffrage movement and civil rights. This book brings needed attention to Gage's life and work and explores her impact on women's rights. Using an advanced and distinctive form of feminist thought that encompassed an incisive analysis of patriarchy, Gage even criticized the church as patriarchy's prime sponsor. In fact, Gage connected all of women's oppression, including prostitution, marriage customs, divorce, rape and cusotdy rights to patriarchy, It is perhaps for her radical theory that Gage's arguments remain salient and controversial today. An overdue addition to the scholarship on the role feminists like Matilda Joslyn Gage have played in history, this book will be of interest to students and scholars of United States history, women's history, and women's studies.
Recovering the powerful and influential contributions of women from the nation's formative years The Political Thought of America's Founding Feminists traces the significance of Frances Wright, Harriet Martineau, Angelina and Sarah Grimke, Lucretia Mott, Elizabeth Cady Stanton, and Sojourner Truth in shaping American political thinking. These women understood the relationship between sexism, racism, and economic inequality; yet, they are virtually unknown in American political thought because they are considered activists, not theorists. Their efforts to expand the reach of America's founding ideals laid the groundwork not only for women's suffrage and the abolition of slavery, but for the broader expansion of civil, political, and human rights that would characterize much of the twentieth century and continues to unfold today. Drawing on a careful reading of speeches, letters and other archival sources, Lisa Pace Vetter shows the ways in which the early women's rights movement and abolitionism were central to the development of American political thought. The Political Thought of America's Founding Feminists demonstrates that early American political thought is incomplete without attention to these important female thinkers, and that an understanding of early American women's movements is incomplete without considering its profound impact on political thought. A complex and thoughtful guide to the indispensable role of women in shaping the American way of life, The Political Thought of America's Founding Feminists is essential for a comprehensive understanding of the history of American political thought.
The debate about God-language has two opposing extremes. One side maintains that biblical language and masculine pronouns must be retained. The other argues that female imagery for God is preferable. Now Gail Ramshaw presents a third position, urging the inclusion of many images for God, the correction of others, and the total avoidance of any pronouns.
At the Center reflects on how the study of gender has changed and how studying gender has affected our research methods and our knowledge of the world around us. In honor of Bell Hooks' prophetic work, Feminist Theory: From Margin to Center, the volume considers how advances in gender research represent a centering of feminist knowledge and an understanding of the process by which feminist knowledge is constructed. A multinational group of contributors explore relatively new problems such as the integration of transgender study, traditional topics in so far as they incorporate current knowledge and methodological issues pertaining to the effects of research on the researcher and the researched as well as other epistemological matters associated with the construction of gender knowledge. Chapters reflect the strength of a range of qualitative methods including life histories and auto-ethnography and explore the ways that large sample quantitative analyses can enhance understanding of everyday dilemmas. The interdisciplinary nature of gender studies and the cross-pollination of theoretical perspectives are illustrated as is the globalization of gender theory, research and policies.
Scientific knowledge is widely considered to be the most certain kind of knowledge, free from social or cultural bias. This freedom from bias or values, the objectivity of science, is a key reason why scientific knowledge holds its privileged position in society. Karen Cordrick Haely argues that feminist critics of science present compelling reasons to eschew the idea that science is, or should be, purely objective in the sense commonly understood to mean 'value-free'. This book examines the most prominent feminist ideas regarding how to revise and enrich the concept of objectivity such that we can understand, though not necessarily eliminate, the role of cultural and social interests as they play a role in science. Haely argues that these views of objectivity ought to be treated as a network of ideas, rather than as stand-alone solutions to the complexities of forming a cohesive philosophical view of scientific objectivity. The book also presents a landscape of several issues that are crucial for understanding the intersection of feminism and science.
View the Table of Contents. "Choice Magazine" Outstanding Academic Titles 2005 Winner "[William's] theory is elegant in its explication and provocative in its implications for government restrictions on speech ranging from the hateful, the symbolic, the politically subversive, and the costly. A must read."--"Choice," A 2005 "Choice" Outstanding Academic Title "Meticulously argued and clearly organized, her account of free speech is both fundamentally feminist and optimistic."--"The Law and Politics Book Review" "What emerges from this well-written work of careful scholarship
is an important contribution to free speech literature." Amidst the vast array of literature on the First Amendment, it is rare to hear a fresh voice speak about the First Amendment, but in Truth, Autonomy, and Speech, Susan H. Williams presents a strikingly original interpretation and defense of the First Amendment, written from a feminist perspective. Drawing on work from several disciplines--including law, political theory, philosophy, and anthropology--the book develops alternative accounts of truth and autonomy as the foundations for freedom of expression. Building on feminist understandings of self and the social world, Williams argues that both truth and autonomy are fundamentally relational. With great clarity and insight, Williams demonstrates that speech is the means by which we create rather than discover truth and the primary mechanism through which we tell the stories that constitute our autonomy. She examines several controversial issues in the law of free speech--includingcampaign finance reform, the public forum doctrine, and symbolic speech--and concludes that the legal doctrine through which we interpret and apply the First Amendment should be organized to protect speech that serves the purposes of truth and autonomy.
How does gendered power work? How does it circulate? How does it become embedded? And most importantly, how can we challenge it? Heather Savigny highlights five key traits of cultural sexism - violence, silencing, disciplining, meritocracy and masculinity - prevalent across the media, entertainment and cultural industries that keep sexist values firmly within popular consciousness. She traces the development of key feminist thinkers before demonstrating how the normalization of misogyny in popular media, culture, news and politics perpetuates patriarchal values within our everyday social and cultural landscape. She argues that we need to understand why #MeToo was necessary in the first place in order to bring about impactful, lasting and meaningful change.
In this special issue, we address what we refer to as 'perversity of the political' or 'perverse politics': namely, the assumptions political theory and movements, and in our specific case feminism, often make on behalf of their subjects, and how their subjects, in return, perform individual and collective contrariness, unruliness and resistance to what is expected or desired from their 'subjectivity'. Specifically focusing on the themes of 'false consciousness', multiplicity, and uneasy alliances, the papers collected here seek to empirically lay out a number of such 'perverse' moments, and offer anti-imperialist feminist alternatives to second wave feminism's often reductive understandings of freedom; emancipation; oppression; empowerment and democracy.
Drawing on the writings of diverse authors, including Jean Baker Miller, Bell Hooks, Mary Daly, Frantz Fanon, Paulo Freire and Ignacio Martin-Baro, as well as on women's experiences, this book aims to develop a 'liberation psychology'; which would aid in transforming the damaging psychological patterns associated with oppression and taking action to bring about social change. The book makes systematic links between social conditions and psychological patterns, and identifies processes such as building strengths, cultivating creativity, and developing solidarity.
Elizabeth Cady Stanton was one of the founding philosophers of America's women's rights movement. The first woman's rights convention in the United States was held in Seneca Falls, New York, in 1848; there she helped write and present the Declaration of Sentiments, a woman's bill of rights which articulated the inferior and unjust position of women in law, church, and society and called for redress. From this grew the organized demands by women in the United States for the ballot and other social change. In this fourth volume in Greenwood's series of book-length studies of great American orators, Waggenspack focuses on the rhetoric of an outstanding orator who has been hailed as one of the earliest and most outspoken advocates of women's rights issues. This needed addition to the history and criticism of American public address is based on Waggenspack's original research of the Elizabeth Cady Stanton papers and will facilitate not only the study of feminist rhetoric but will also meet the needs of those wishing to evaluate the effects of American public address and the impact of an advocate or speech upon history. Part One, using a case study format, presents critical analyses of the orator and her speeches with the focus on rhetorical considerations of speaker and speech, purpose and effect. Part Two contains seven definitive speech texts of the commanding oratory analyzed in Part One. Of special note is the inclusion of Cady Stanton's famous The Solitude of Self, a speech appealing to the highest qualities and aspirations to people everywhere. A chronology details all of Cady Stanton's known addresses and the bibliography contains carefully annotated biographies on the orator as well as a detailed list of the contents of the Elizabeth Cady Stanton Papers in the Library of Congress. The volume closes with notes and an index. This notable study will be a valuable research tool for students and scholars of rhetoric, public oratory, American history, and women's studies; it will also fascinate the general reader.
Following in the tradition of the Southern Women series, Arkansas Women highlights prominent Arkansas women, exploring women's experiences across time and space from the state's earliest frontier years to the late twentieth century. In doing so, this collection of fifteen biographical essays productively complicates Arkansas history by providing a multidimensional focus on women, with a particular appreciation for how gendered issues influenced the historical moment in which they lived. Diverse in nature, Arkansas Women contains stories about women on the Arkansas frontier, including the narratives of indigenous women and their interactions with European men and of bondwomen of African descent who were forcibly moved to Arkansas from the seaboard South to labor on cotton plantations. There are also essays about twentieth-century women who were agents of change in their communities, such as Hilda Kahlert Cornish and the Arkansas birth control movement, Adolphine Fletcher Terry's antisegregationist social activism, and Sue Cowan Morris's Little Rock classroom teachers' salary equalization suit. Collectively, these inspirational essays work to acknowledge women's accomplishments and to further discussions about their contributions to Arkansas's rich cultural heritage.
Oriana Fallaci (b. 1930) is an awkward presence on Italian
bookshelves, in world journalism and among feminists. This book,
the first literary study of Fallaci, examines the implications of
the storms and silences that she keeps rousing. A fully emancipated
and successful woman in the man's world of political journalism,
she has antagonised many feminists by her championship of
motherhood and her idolization of heroic manhood. In journalism,
her critics have felt that she has outraged the conventions of
interviewing and reporting. As a novelist, she shatters the
invisible diaphragm of literariness and is accused of betraying, or
simply failing, literature.
Women writers have often felt alienated from both the Bible and the canonical literary tradition that has been built on its foundation. Yet contemporary American women writers seem to be as haunted by the Bible as their nineteenth-century predecessors. This study of feminist biblical revision argues that women writers' contentious dialogues with the Bible ultimately reconstruct the writers' own basis of authority. The author traces the evolution of this phenomenon from the mid-nineteenth century to the present and analyzes biblical revision in works by Emily Dickinson, H.D., Anne Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.
In this thought-provoking book, clinical psychologist and professor of religious studies James W. Jones presents a dialogue between contemporary psychoanalytic thinking and contemporary theology. He sheds new light on the interaction of religion and psychology by viewing it from the perspective of world religions, providing an epistemological framework for the psychology of religion that draws on contemporary philosophy of science, and bringing out the importance of gender as a category of analysis. Developments in psychoanalysis provide new resources for theological reflection, Jones contends. The Freudian view that human nature is isolated and instinctual has shifted to a vision of the self as constituted in and through relationships. Jones uses this relational model of human nature to explore the convergence between contemporary psychoanalysis, feminist theorizing, and themes in religious thought found in a variety of traditions. He also critiques the reductionism inherent in Freud's discussion of religion and proposes nonreductionistic and genuinely psychoanalytic ways for psychoanalysis to treat religious topics. For therapists, psychologists, theologians, and others interested in spiritual or psychological issues, Jones offers illuminating clinical material and insightful analysis.
Based on her award-winning blog, "The Feminist Spectator," Jill
Dolan presents a lively feminist perspective in reviews and essays
on a variety of theatre productions, films and television
series--from The Social Network and Homeland to Split Britches'
Lost Lounge.
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