"One is not born a woman, but becomes one", Simone de Beauvoir A symbol of liberated womanhood, Simone de Beauvoir's unconventional relationships inspired and scandalised her generation. A philosopher, writer, and feminist icon, she won prestigious literary prizes and transformed the way we think about gender with The Second Sex. But despite her successes, she wondered if she had sold herself short. Her liaison with Jean-Paul Sartre has been billed as one of the most legendary love affairs of the twentieth century. But for Beauvoir it came at a cost: for decades she was dismissed as an unoriginal thinker who 'applied' Sartre's ideas. In recent years new material has come to light revealing the ingenuity of Beauvoir's own philosophy and the importance of other lovers in her life. This ground-breaking biography draws on never-before-published diaries and letters to tell the fascinating story of how Simone de Beauvoir became herself.

This volume is an engaging and provocative collection of essays on contemporary feminist biblical studies. Drawing upon their own social, cultural, and religious backgrounds and experiences, contributors read the New Testament as feminists, placing it in the context of globalization. These biblical interpretations cast gender, race, class, and power relationships as issues inherent in both the content and context of scripture. Calling into question feminist social engagement that does not extend beyond academic halls, churches, and Christians, Feminist New Testament Studies offers new directions for future research and teaching in feminist biblical studies.

What has been the impact of this age of transformation on women's lives in China? This wide ranging and interdisciplinary collection brings together scholars from China and the West to examine the many dimensions of debate around gender issues in contemporary China. The experiences of women in education, employment, marriage and the family, in rural and urban areas are analyzed and assessed. Published at a time when there is more open acknowledgement in China of the discrepancy between the language of equality, and experiences of discrimination and inequality.

'Remarkably brought together, heartwarming and uplifting . . . showing that despite differences in age and background, geography and lifestyle, there is so much that binds up, so much we share' Kit de Waal 'A stimulating collection of women's voices to help inspire us for the next 100 years' Elizabeth Day 100 Voices is an anthology of writing by women across the country on what achievement means for them, and how they have come to find their own voice. Featuring poetry, fiction and memoir, the pieces range from notes on making lemon curd, to tales of marathon running and riding motorbikes, to accounts of a refugee eating English food for the first time, a newlywed learning her mother tongue and a woman rebuilding her life after an abusive relationship. The poignant, funny and inspiring stories collected here are as varied and diverse as their authors, who include established names such as Louise Jensen, Sabrina Mahfouz, Yvonne Battle-Felton and Miranda Keeling alongside a host of exciting new writers. Taken together, they build a picture of what it's really like to be a woman in the UK today.

Eudine Barriteau exposes the precarious position of women in 20th century Caribbean societies by analyzing the operations of gender systems. She reveals the absence of gender justice and equity, and demonstrates that after 25 years of policies on women Caribbean societies still have not confronted the fundamental problem of women's subordination and the conditions that maintain this. Barriteau criticizes the strategies used by developing states to focus on women and recommends that state and society pay more attention to understanding their lives.

This is a critical study of French philosopher Julia Kristeva (born 1841) which explores many different aspects of Kristeva's work.

Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year A Boston Globe Summer Read "Brooks traces all kinds of lines...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening." -New York Times "A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae...Connecting the sonic worlds of Black female mythmakers and truth-tellers." -Rolling Stone "A gloriously polyphonic book." -Margo Jefferson, author of Negroland How is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

International film has received some of its most original impulses from German filmmakers. However, the works by women directors in German-speaking countries have been largely ignored in spite of the important social, political and historical issues they have raised. This is the first work to consider the broad spectrum of German cinema through the category of gender and to present feminist interventions in the current lively discussion of German film and film criticism. From Lubitsch's The Doll (1919) to von Trotta's Rosa Luxemburg (1985), films are drawn from a number of historical periods and both female and male directors. From a variety of feminist approaches, contributors analyze cinematic techniques, narrative discourse, production, reception and the politics of representation.

Michael analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction. While much has been written on various aspects of postmodernism and postmodern fiction and of feminism and feminist fiction, very little attention has been given to the postmodern aesthetic strategies that surface in post-World War II feminist fiction. Feminism and the Postmodern Impulse examines ways in which many widely read and acclaimed novels with feminist impulses engage and transform subversive aesthetic strategies usually associated with postmodern fiction to strengthen their feminist political edge.

This study focuses on themes and techniques of empowerment in the full range of produced plays by Caryl Churchill from 1960 to the present. The playwright is well known for combining theatrical inventiveness with uncompromising social critique. She is one of the very few contemporary women playwrights to have achieved international prominence, and she has done so on the basis of a forthright socialist-feminist stand.

This book offers historically-grounded, feminist interventions into American literary history by one of the country's leading scholars in American Studies. Integrating criticism, biography, social history, popular culture, and personal narrative Fishkin explores the poetry, fiction, nonfiction and drama of the nineteenth- and twentieth-century. These charismatic, readable essays range from explorations of feminist humor and" chutzpah, " to meditations on the personal and the political, to examinations of feminists' challenges to cultural paradigms. Fishkin's lively voice engages readers with the American past and leaves a bold stamp on the literary landscape.

Market, State and Feminism offers an inter-disciplinary critique of the 'free market backlash' - the belief that free market economics can improve the position, status and well-being of women. The authors argue that, far from being restrictive and intrusive, state action can enhance the individual's ability to make responsible choices.This book questions the philosophical basis of free market feminism, challenging its masculine assumptions about rationality and individualism. The authors critically examine the theoretical validity of dichotomising the market versus the state and draw attention to the richness of the interdependence between markets and state institutions. Empirical and case study material is drawn from the UK, the European Union and the United States and illuminates the issues of equal employment opportunities and pay, girls' education performance, business attitudes to women, lobbying by women's groups and equal opportunities legislation.

Although over the last two decades there has been a proliferation of gender studies, transgender has largely remained institutionalised as an 'umbrella term' that encapsulates all forms of gender understandings differing from what are thought to be gender norms. In both theoretical and medical literature, trans identity has been framed within a paradigm of awkwardness or discomfort, self-dislike or dysfunctional mental health. Marginal Bodies, Trans Utopias is a multidisciplinary book that draws primarily from Deleuze and post-structuralism in order to reformulate the concept of utopia and ground it in the materiality of the present. Through a radically new conceptualisation of the time and space of utopia, it analyses empirical findings from trans video diaries on the Internet belonging to transgender individuals. In doing so, this volume offers new insights into the everyday challenges faced by these subjectivities, with case studies focusing on: the legal/social impact of the UK's Gender Recognition Act 2004, boundaries of public and private as evidenced within public toilets, and the narrative of the 'wrong body'. Contextualising and applying Deleuzian concepts such as 'difference' and 'marginal' to the context of the research, Nirta helps the reader to understand trans as 'unity' rather than as a 'mind-body mismatch'. Contributing to the reading and understanding of trans lived experience, this book shall be of interest to postgraduates and postdoctoral researchers interested in fields such as Transgender Studies, Critical Studies, Sociology of Gender and Philosophy of Time.

Drawing on the author's own experience as "the other woman" in an affair with am otherwise-committed man, this contemporary feminist study is the first to label the role of the two-timing male as "sexual terrorist." Cheating on the Sisterhood: Infidelity and Feminism is a feminist analysis of the imbroglio of sexual politics, brute sociobiology, and pop-mediated passion that is conjured up when a married man cheats on his wife with a younger, single woman. Drawing frankly on her own experience as the "other woman," Lauren Rosewarne scrutinizes the alternate readings of the politics of cheating in terms of feminism's program of gender equality. Arguing that contemporary feminism does not automatically endorse or reject any particular choices, she shows what happens when all three parties to the classic triangle happen to be feminists, each trotting out a different set of feminist arguments to justify, vilify, and rationalize his or her actions. Is the "other woman," this book asks, just a tool of the cheating man's assertion of gender dominance over both his mate and his mistress-and a willy-nilly a traitor to the sisterhood?

This volume highlights women's work sustaining local economies and environments, particularly in response to the current food, fuel and climate crises. It includes women's role in the green entrepreneurship, women's reproductive and productive work in the care economy, and a further examination of eco feminist debates.

This book contributes to an emerging field of study and provides new perspectives on the ways in which Gothic literature, visual media, and other cultural forms explicitly engage gender, sexuality, form, and genre. The collection is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of subject areas and methodologies. It is concerned with several questions, including: How can we discuss Gothic as a genre that crosses over boundaries constructed by a culture to define and contain gender and sexuality? How do transgender bodies specifically mark or disrupt this boundary crossing? In what ways does the Gothic open up a plural narrative space for transgenre explorations, encounters, and experimentation? With this, the volume's chapters explore expected categories such as transgenders, transbodies, and transembodiments, but also broader concepts that move through and beyond the limits of gender identity and sexuality, such as transhistories, transpolitics, transmodalities, and transgenres. Illuminating such areas as the appropriation of the trans body in Gothic literature and film, the function of trans rhetorics in memoir, textual markers of transgenderism, and the Gothic's transgeneric qualities, the chapters offer innovative, but not limited, ways to interpret the Gothic. In addition, the book intersects with but also troubles non-trans feminist and queer readings of the Gothic. Together, these diverse approaches engage the Gothic as a definitively trans subject, and offer new and exciting connections and insights into Gothic, Media, Film, Narrative, and Gender and Sexuality Studies.

The book addresses the legal and political programme for the recognition of sexual difference. Cornell shows how affirming feminine sexual difference and advocating a programme of equivalent rights demands that we rethink the traditional conception of the public/private divide, particularly as this distinction turns on the differentation between public reason and private passion.

This volume is composed chiefly of papers first presented and discussed at the Research Symposium on Feminist Phenomenology held November 18-19, 1994 in Delray Beach, Florida. Those papers have been revised and expanded for publication in the present volume and several essays have been added. We would like to thank very much all the participants in the symposium, including the session chairs and others in attendance, whose interest and enthusiasm contributed greatly. The symposium and this volume, including the name for it, were conceived of by Lester Embree, who also arranged sponsorship, local arrangements, and publication through the William F. Dietrich Eminent Scholar Chair at Florida Atlantic University and the Center for Advanced Research in Phenomenology, Inc. The invitees were decided upon jointly. Linda Fisher has been chiefly responsible for the editing and the preparation of the camera-ready copy. Linda Fisher Lester Embree Acknowledgments The editing and preparation of this volume has spanned several cities and two continents and I am indebted to many people from each place.

Most Western democracies established women's policy agencies to improve the status of women by the 1990s. However, the political context has changed drastically: developments such as welfare state reform, multilevel governance, regionalization and decentralization have impinged on opportunities for agencies and women's movements to mobilize. One of the book's key questions is how have women's policy agencies been able to develop, maintain or enhance their roles in the transformed political context and how have women's movements adapted to change in twelve states.

Women, the Arts and Globalization: Eccentric Experience is the first anthology to bring transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the center of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense.

Investigating the current interest in obesity and fatness, this book explores the problems and ambiguities that form the lived experience of 'fat' women in contemporary Western society. Engaging with dominant ideas about 'fatness', and analysing the assumptions that inform anti-fat attitudes in the West, The 'Fat' Female Body explores the moral panic over the 'obesity epidemic', and the intersection of medicine and morality in pathologising 'fat' bodies. It contributes to the emerging field of fat studies by offering not only alternative understandings of subjectivity, the (re)production of public knowledge(s) of 'fatness', and politics of embodiment, but also the possibility of (re)reading 'fat' bodies to foster more productive social relations.

Popular culture is awash with discussions about the difficulties associated with being a man. Television talk shows, media articles and government press releases discuss not simply the problem of men, but have more recently focused on the problems of being a man. The Conundrum of Masculinity challenges highly advertised beliefs that men are in crisis and struggling to hold onto traditional masculine habits whilst the world around them changes. Indeed, whilst there is a range of valuable contributions to the field that examine how men live out their lives in different contexts, there are few accounts that examine in detail the building blocks of masculinity or how men are really 'put together'. Thus, this innovative and timely volume seeks to provide a systematic exploration of the different aspects of masculinity - in particular hegemony, homosociality, homophobia and heteronormativity. An original approach to the field of masculinity studies, this book ultimately presents a critical synthesis that brings together disparate approaches to provide a clear and concise discussion to address the true nature of masculinity. The Conundrum of Masculinity will appeal to undergraduate and postgraduate students interested in fields such as Gender Studies, Masculinity Studies and Sociology.