"I get so jazzed about the future of feminism knowing that Amanda Montell's brilliance is rising up and about to explode worldwide."-Jill Soloway A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us. The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean "a female canine," bitch didn't refer to women at all-it originated as a gender-neutral word for "genitalia." A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy, which simply meant "housewife"; and slut, which meant "an untidy person" and was also used to describe men. These are just a few of history's many English slurs hurled at women. Amanda Montell, reporter and feminist linguist, deconstructs language-from insults, cursing, gossip, and catcalling to grammar and pronunciation patterns-to reveal the ways it has been used for centuries to keep women and other marginalized genders from power. Ever wonder why so many people are annoyed when women speak with vocal fry or use like as filler? Or why certain gender-neutral terms stick and others don't? Or where stereotypes of how women and men speak come from in the first place? Montell effortlessly moves between history, science, and popular culture to explore these questions-and how we can use the answers to affect real social change. Montell's irresistible humor shines through, making linguistics not only approachable but downright hilarious and profound. Wordslut gets to the heart of our language, marvels at its elasticity, and sheds much-needed light on the biases that shadow women in our culture and our consciousness.

This timely book provides new insights into debates around the relationship between women and film by drawing on the work of philosopher Luce Irigaray. Arguing that female-directed cinema provides new ways to explore ideas of representation and spectatorship, it also examines the importance of contexts of production, direction and reception.

Empowered women empower women! This small but mighty book - bursting with kick-ass quotes and uplifting statements - is a celebration of female strength and solidarity. There's nothing more powerful than a strong woman - except for two strong women supporting each other! When girls stick together, amazing things can happen, and this little book is here to make sure you never forget it. Whether you need a boost to help you follow your dreams, or you want to lift up the women around you, this book is in your corner. It's filled with inspiring quotes and affirmations to put a spring in your step and fire in your heart. Featuring a groovy design to lift your vibe Includes awesome affirmations to help you feel like a badass Serves up fearless feminist wisdom to keep you focused on your goals 160 pages of empowerment, with quotes from a diverse range of inspirational women, from Taylor Swift to Audre Lorde

This work provides a broad survey of the development of female insurgency in France between 1789 and 1871, placing particular emphasis on the conflicts of 1830-1851. The author demonstrates that a tradition of women's protest evolved from the 1789 Revolution, assuming particular forms associated with the exclusion of females from political and civil rights, and inviting both praise and vilification. The conclusions challenge the view that in 19th-century France, women retreated altogether from popular movements.

Jane Ellen Harrison (1850 - 1928), who spent most of her life at Newnham College, Cambridge, was renowned for her work on Greek art and religion. In her application of anthropology to classical studies, she stirred up controversy amongst her academic colleagues, while, at the same time, influencing many writers, including Yeats, D. H. Lawrence, and Virginia Woolf. Despite many difficulties, both academic and personal, her brilliant mind and strength of character enabled her to open up new possibilities for academic women.

Yeltsin is certainly not the Sakharov of the Democratic Movement. Russian people sarcastically call his burning the Parliament an October Revolution of 1993. In "Women's Glasnost vs. Naglost "we finally hear the voices of the Russian women on what it means to be female and Russian in the tumultuous climate that is modern Russia. The founder of the Russian women's movement, Tatyana Mamonova was the first Russian woman exiled from the Soviet Union for publishing the underground samizdat, Woman and Russia. Now lauded as the Simone de Beauvoir of Russia, Mamonova has interviewed 17 Russian women on the subject of the C.A.S. as it relates to glasnost. Women from all walks of life are asked about changes with respect to their roles and expectations as women. Artists, professionals, dissidents, lesbians, doctors, writers, and civil servants tell their stories in candid terms showing that there is still a long road ahead. Revisions and elaborations of speeches delivered on Mamonova's American tours, poetry in her own hand, and line drawings in her own eloquent and prolific style compliment her essays and the women's interviews.

The history of the housewife is a complicated and uneasy narrative, rife with contradictions, tensions, and unanswered questions. In response to this, Sentenced to Everyday Life marks an important cross-generational moment in feminism. Challenging our previous understandings of what constitutes the housewife figure, this book tugs at a critical issue still unresolved in the contemporary world: what is the relationship between women and the home? And why are women so reluctant to call themselves housewives? Drawing on research and evidence surrounding the housewife figure of the 1940s and 1950s, Johnson and Lloyd address the question of why the housewife has been such a problematic figure in feminist debates since World War II. Starting with an exploration of why the housewife of the 1940s became associated with drudgery, this book covers such topics as the ways in which magazines and advertising attempted to articulate an innate connection between women and the domestic sphere, while later films of the 1950s explored the constantly shifting boundaries between social, family and individual desires and constraints for women in the home. Johnson and Lloyd also examine how the home has been a site of boredom, and what happens to the balance between work and family in the modern world. In moving into contemporary debates, the authors explore the uneasy tension between the construction of the modern self and women's efforts to transcend the domestic sphere. By situating their examination in a still unresolved contemporary topic, Johnson and Lloyd offer us both a backward glance and a forward-looking perspective into domesticity and the modern self.

Women's increased role in the labour market has combined with concerns about the damaging effects of long working hours to push time-related issues up the policy agenda in many Western nations. This wide-ranging and accessible book assesses policy alternatives in the light of feminist theory and factual evidence. The book introduces mainstream ideas on the nature and political significance of time and re-frames them from a feminist perspective. It uses feminist analyses of women's experience and use of time to provide a critical overview of policies in Western welfare states. Themes covered include the impact of 'time poverty' on women's citizenship; gender differences in time use and how these are rewarded; the social meanings of time and whether these differ between women and men; and the role of the past in framing policy options today. The book also explores: the significance of differences amongst women; the interconnected nature of public and private time; the value of time spent caring for others; the right to time for care; and, the uses and limitations of time-use studies. The book is essential reading for all those interested in gender inequality, time-use or work/rest-of-life balance. It will be an invaluable resource for students and academics throughout the social sciences.

Within every woman there is a wild and natural creature, a powerful force, filled with good instincts, passionate creativity, and ageless knowing. Her name is Wild Woman, but she is an endangered species. Though the gifts of wildish nature come to us at birth, society's attempt to "civilize" us into rigid roles has plundered this treasure, and muffled the deep, life-giving messages of our own souls. Without Wild Woman, we become over-domesticated, fearful, uncreative, trapped. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller, shows how woman's vitality can be restored through what she calls "psychic archeological digs" into the bins of the female unconscious. In Women Who Run with the Wolves, Dr. Estes uses multicultural myths, fairy tales, folk tales, and stories chosen from over twenty years of research that help women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype. Dr. Estes collects the bones of many stories, looking for the archetypal motifs that set a woman's inner life into motion. "La Loba" teaches about the transformative function of the psyche. In "Bluebeard", we learn what to do with wounds that will not heal; in "Skeleton Woman", we glimpse the mystical power of relationship and how dead feelings can be revived; "Vasalisa the Wise" brings our lost womanly instincts to the surface again; "The Handless Maiden" recovers the Wild Woman initiation rites; and "The Little Match Girl" warns against the insidious dangers of a life spent in fantasy. In these and other stories, we focus on the many qualities of Wild Woman. We retrieve, examine, love, and understand her, and hold her against our deep psyches as one whois both magic and medicine. In Women Who Run with the Wolves, Dr. Estes has created a new lexicon for describing the female psyche. Fertile and lifegiving, it is a psychology of women in the truest sense, a knowing of the soul.

This study of feminism, equity and change in the academy is based on interviews with 40 feminist academics and students in Britain, Sweden and Greece. The research attempts to decode and disentangle gendered message systems and the matrix of power relations in the academy. It consists of feminist readings of the micro processes of everyday practices. Change is interrogated in relation to feminist pedagogy, equity, organizational culture, policies and discourses of new right reform, mass expansion and new managerialism. This work is intended for departments of sociology, women's studies, education, organization studies, management studies, equal opportunities, and employment studies.

This is an original, full length biography of Britain's first twentieth-century black feminist - Una Marson - poet, playwright, and social activist and BBC broadcaster. Una Marson is recognised today as the first major woman poet of the Caribbean and as a significant forerunner of contemporary black writers; her story throws light on the problems facing politicised black artists. In challenging definitions of 'race' and 'gender' in her political and creative work, she forged a valiant path for later black feminists. Her enormous social and cultural contributions to the Caribbean and Britain have, until now, remained hidden in archives and memoirs around the world. Based on extensive research and oral testimony, this biography embraces postcolonial realities and promise, and is a major contribution to British cultural history. -- .

The 1840s, 50s, and 60s: three decades during which the British feminist movement saw some of its most intense activity of the nineteenth-century, and readers find some of the most monstrous, troubling representations of women by male writers in all of literary history. In Fixing Patriarchy, Donald E. Hall suggests that feminism at mid-century posed intertwined social, economic, political and psychological threats to patriarchy. Hall explores the metamorphic nature of Victorian definitions of masculinity and femininity through an analysis of male authors such as Dickens, Tennyson, Kingsley, Thackeray, Hughes, Collins, and Trollope in dialogue with Victorian feminists and other women writers.

Synthesizing historical research with pertinent queer, feminist, post-structuralist, and materialist theories, Hall locates both startling admissions of moral fallibility and violent strategies of retrenchment and containment of this perceived threat to the male social body. Fixing Patriarchytraces parallels among Victorian discourses of religion, science, economics, and aesthetics, as it explores a cultural dynamic of un-fixedness and heightened desires for fixity.

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"It's about time! Read this book."
"--Shere Hite, The Hite Report"

"With intelligence and flair, Gen-X feminist, journalist and playwright Kamen (Feminist Fatale) presents an exhaustive study of the sexual mores of the women in her generation. . . . Critical yet nonjudgmental, Kamen's lively book is a welcome primer on contemporary sexual ethics. . . . It's sure to be a hit among feminists of all ages even while it raises eyebrows in other camps."
"--PUBLISHERS WEEKLY"

"a]at times startling and at the very least amusinga]reading it is an education. And now we know at least some of what educated women stand to gain."
"--The New York Times Book Review"

"A refreshing surveya]Offers lucid analyses of the changing content and understanding of sex."
"-- The Chicago Tribune"

"At last, the torch has been passed! Paula Kamen follows women's struggle for sexual pleasure and self-affirmation into a new generation - and finds it healthier and more vibrant than ever. Young women will be fascinated by Her Way. Older ones will be amazed."
"--Barbara Ehrenreich"

"At last, a book about young women's sexual behavior that's actually written by a young woman! Paula Kamen documents women's sexual truths without judgment and-more important-without all the wrongheaded, double-standard-laden assumptions that all too often plague writing on this topic. Kamen brings the focus back where it should be: on women's own views, rather than others' views of them."
"--Lisa Miya-Jervis, Bitch Magazine"

"A bold new look at female sexuality in America today. Based onyears of meticulous research, Paula Kamen has produced a fascinating, important study of how young women are redefining their roles and relationships in a post-boomer world."
"--Iris Chang, author of The Rape of Nanking"

"Lively and entertaining, honoring the intimate voices of a diversity of women, Her Way is an authoritative study of our long slow journey toward sexual autonomy. Kamen is a savvy third wave feminist who has done her homework. The book is a link between generations, and a major stepping stone toward fuller liberation. This is feminism for the 21st century!"
"--Barbara Seaman, coeditor of For Women Only: Our Guide to Health Empowerment"

"Intellectual, political, and compassionate, Her Way shows that the freedom to live and love by our own standards-with men on our good side-is the way toward the social change that, truly, begins in our social lives."
"--Lynn Harris, author of Breakup Girl to the Rescue! A Superhero's Guide to Love, and Lack Thereof"

"Gives women cause to celebrate! Her Way shows how, for perhaps the first time in history, a generation of young women is truly defining sex on its own terms. Her nuanced analysis of this quiet but undeniable trend is optimistic while not shying away from the problems that remain, including the inertia of a mainstream popular culture that insists on portraying women as sexy rather than as sexual beings in their own right."
"--Lisa Douglass, coauthor of Are We Having Fun Yet? The Intelligent Woman's Guide to Sex"

"Chronicles the complex ways young women understand and experience sexuality today. In this collection, Kamen draws on interviews, reports, and studies to weave an analysis of how Gen-X womendefine and adopt sex roles and gendered responses to an increasingly sexualized world. . . . Kamen concludes, rather convincingly, that young women are finally beginning to make their own rules, instead of blindly obeying those made by others and, as a result, are leading more fulfilling lives."
"--MS. MAGAZINE"

"If women's sexual mores become more like men's, is that progress? Paula Kamen seems to think so, based on HER WAY. . . . Kamen backs her assertions with a panoramic breadth of scholarship-pretty much every major piece of sex research for the last hundred years shows up in HER WAY, including some fascinating surveys of women born in the nineteenth century."
"--NERVE"

"Lively and entertaining, honoring the intimate voices of a diversity of women, Her Way is an authoritative study of our long slow journey toward sexual autonomy. Kamen is a savvy third wave feminist who has done her homework. The book is a link between generations, and a major stepping stone toward fuller liberation. This is feminism for the 21st century!"
--Barbara Seaman, Co-editor of "For Women Only: Our Guide to Health Empowerment"

"The next time you're having an argument with some asshole over the fact that women can have just as high a sex drive and the same ability to know their desires as men, just pull out this book. . . . It's a great book to help you get an overall feeling for the sexual attitudes of chicks these days. . . . a must-have for any feminist home."
"--BUST"

Three decades after the Sexual Revolution, women's power and status have begun to match men's, and women are finally making the rules in order to experience a more radical and truer form of liberation.

Her Waydemonstrates how and why 20- and 30-something women have evolved to act and think more like men sexually, while also creating their own distinct sexual patterns and appetites. Today's young women are now the leaders of an unreported but sweeping "Sexual Evolution," in which women take control of sex and redefine it from their perspective. In other words, do it "her way."

Paula Kamen characterizes this Sexual Evolution according to two major developments that are setting sexual patterns for future generations of women: young women's sexual profiles are now remarkably similar to those of men, in terms of age of first intercourse, and numbers of sex partners and casual encounters. They also feel less guilt or shame about their behavior, from premarital sex to having a child out of marriage to coming out of the closet to cohabiting.

Yet young women are not merely imitating men, but forging their own distinct sexual perspectives and asserting their own needs. In addition to discovering the pleasures of sex, young women are also exploring the dilemmas, challenging male-defined sexual scripts, and changing what actually goes on in bed.

Based on more than one hundred lively, unfiltered and in-depth interviews with women across the country, Her Way cuts through the sensationalism and speculation of popular discussions about young women and sex. Kamen reports the real story of today's enhanced sexual expectations and choices.

This is a new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. in an extensive introduction to this second edition, Mulvey looks back at the historical and personal contests for her famous article "Visual Pleasure and Narrative Cinema, "and reassesses her theories in the light of new technologies.

This impressive and original study is one of the first books to combine mainstream sociology with feminism in exploring the subject of the professions and power. This is an important addition to the corpus of feminist scholarship... It provides fresh insights into the way in which male power has been used to limit the employment aspirations of women in the middle classes. - Rosemary Crompton, University of Kent

This collection of original essays explores the social and relational dimensions of individual autonomy. Rejecting the feminist charge that autonomy is inherently masculinist, the contributors draw on feminist critiques of autonomy to challenge and enrich contemporary philosophical debates about agency, identity, and moral responsibility. The essays analyze the complex ways in which oppression can impair an agent's capacity for autonomy, and investigate connections, neglected by standard accounts, between autonomy and other aspects of the agent, including self-conception, self-worth, memory, and the imagination.

Silence, Feminism, Power: Reflections at the Edges of Sound interrogates the often-unexamined assumption that silence is oppressive, to consider the multiple possibilities silence enables. The equation between voice and power informs feminist theory and activism, creating an imperative that the oppressed must 'come to voice.' Alternately, this volume explores the diverse and complex ways that differently situated groups and individuals deploy power through silence. Authors engage questions like: What forms of resistance and healing do silence make possible? What alliances might be enabled by learning to read silences? Under what conditions is it productive to move between voice and silence? The book is thematically organized to explore: Intersectionality, Privilege, and Alliances; Academia and Knowledge Production; Community, Family, and Intimacy; Memory, Healing, and Power. Essays feature diverse feminist reflections on the nuanced relationship between silence and voice to foreground the creative, healing, meditative, generative and resistive power our silences engender.

The Cost of Being Female is 30 cents, say the authors of this new book on discrimination against women. They demonstrate their thesis by constructing an index that documents the costs of discrimination against women in five aspects of life: economic, political, social, education, and health. The index compares the costs for American women with those of women in Sweden, Norway, France and China, and measures the costs for three time periods: 1990s, 1950s, and the 19th century. The authors interviewed over 70 women, providing a human approach to the statistics of earnings, occupations, political participation, marriage, divorce, childrearing, education, and women's health. The women's narratives are living testimony to the experiences of the costs of being female.

Originally published in English in 1927, this study discusses the physical differences between men and women and how this affected the views of men and women of society. With all known information at the time, the author also details perceived mental differences between the sexes and finishes with a brief cultural history of women's place in society. This title will be of interest to students of Gender Studies and History.

Issues surrounding precarity, debility and vulnerability are now of central concern to philosophers as we try and navigate an increasingly uncertain world. Matthew R. McLennan delves into these subjects enthusiastically and sensitively, presenting a vision of the discipline of philosophy which is grounded in real, lived experience. Developing an invigorating, if at times painful, sense of the finitude and fragility of human life, Philosophy and Vulnerability provocatively marshals three disciplinary "nonphilosophers" to make its argument: French filmmaker and novelist Catherine Breillat, journalist and masterful cultural commentator Joan Didion and feminist poet and civil rights activist Audre Lorde. Through this encounter, this book suggests ways in which rigorous attention to difference and diversity must nourish a militant philosophical universalism in the future.

Over the last 20 years, there has been an increasing interest in feminist views of the Italian literary tradition. While feminist theory and methodology have been accepted by the academic community in the U.S., the situation is very different in Italy, where such work has been done largely outside the academy. Among nonspecialists, knowledge of feminist approaches to Italian literature, and even of the existence of Italian women writers, remains scant. This reference work, the first of its kind on Italian literature, is a companion volume for all who wish to investigate Italian literary culture and writings, both by women and by men, in light of feminist theory. Included are alphabetically arranged entries for authors, schools, movements, genres and forms, figures and types, and similar topics related to Italian literature from the Middle Ages to the present. Each entry is written by an expert contributor and summarizes feminist thought on the subject. Entries provide brief bibliographies, and the volume concludes with a selected, general bibliography of major studies. This volume covers eight centuries of Italian literature, from the Middle Ages to the present. Included are entries for major canonical male authors, such as Dante, Petrarch, and Boccaccio, as well as for female writers such as Lucrezia Marinella and Gianna Manzini. These entries discuss how the authors have shaped the image of women in Italian literature and how feminist criticism has responded to their works. Entries are also provided for various schools and movements, such as deconstruction, Marxism, and new historicism; for genres and forms, such as the epic, devotional works, and misogynistic literature; for figures and types, such as the enchantress, the witch, and the shepherdess; and for numerous other topics. Each entry is written by an expert contributor, summarizes the relationship of the topic to feminist thought, and includes a brief bibliography. The volume closes with a selected general bibliography of major studies.

This book presents testimony of feminisms in process. The accounts are filled with tensions, not least an uneasiness with feminism itself, and the question of what exactly it means to be a feminist in education in the contemporary world. It is their respect for their own differences and the honesty with which they write that makes this such a rich text. From the Foreword by Kathleen Weiler

Educators committed to social change face the common dilemma of how to take up the work of transformation without reinscribing systems of domination. The struggle with the concept of imposition is central to the emergence of many educators' identities and provides a site for exploring the complex relationship between power, knowledge, and teacher identity. This book chronicles the collaborative efforts of five diverse women educators (Native American, European, Jewish American, rural, midwestern, working class) to grapple with the tensions of taking up a political position while honoring the cultural, social, and historical context of others. Their dialogue across feminist, critical, and postmodern theories and practices explores the process of fusing theory with political work in the world. What emerges is the continual repositioning and disruption of taken for granted meanings as central to enhancing emancipatory education.

This book examines the strength of laws addressing four types of violence against women rape, marital rape, domestic violence, and sexual harassment in 196 countries from 2007 to 2010. It analyzes why these laws exist in some places and not others, and why they are stronger or weaker in places where they do exist. The authors have compiled original data that allow them to test various hypotheses related to whether international law drives the enactment of domestic legal protections. They also examine the ways in which these legal protections are related to economic, political, and social institutions, and how transnational society affects the presence and strength of these laws. The original data produced for this book make a major contribution to comparisons and analyses of gender violence and law worldwide."