In what might seem an unusual pairing, Elizabeth Bartlett brings together the insights of Albert Camus and feminist thought, and in so doing sheds new light on both. Looking through a Camusian lens, Bartlett reveals a "rebellious feminism" that simultaneously refuses oppression and affirms human dignity in solidarity with concrete, diverse others and the earth, giving us new insights into this life-affirming ethic.

An exploration of the representations of the women's movement, its members, and their goals between 1968 and 2008 in the British and American press. Examining over 1100 news articles, the book analyses the nuanced ways feminism has historically been supported, marginalized and debated in the mainstream press.

Rationality and Feminist Philosophy argues that the Enlightenment conception of rationality that feminists are fond of attacking is no longer a live concept. Deborah K. Heikes shows how contemporary theories of rationality are consonant with many feminist concerns and proposes that feminists need a substantive theory of rationality, which she argues should be a virtue theory of rationality. Within both feminist and non-feminist philosophical circles, our understanding of rationality depends upon the concept's history. Heikes traces the development of theories of rationality from Descartes through to the present day, examining the work of representative philosophers of the Enlightenment and twentieth and twenty-first centuries. She discusses feminist concerns with rationality as understood by each philosopher discussed and also focuses on the deeper problems that lie outside specifically feminist issues. She goes on to consider how each conception of rationality serves to ground the broadly conceived feminist philosophical goals of asserting the reality and injustice of oppression. She ultimately concludes that a virtue rationality may serve feminist needs well, without the accompanying baggage of Enlightenment rationality. >

If Women Rose Rooted has been described as both transformative and essential. Sharon Blackie leads the reader on a quest to find their place in the world, drawing inspiration from the wise and powerful women in native mythology, and guidance from contemporary role models who have re-rooted themselves in land and community and taken responsibility for shaping the future. Beautifully written, honest and moving, If Women Rose Rooted is a passionate song to a different kind of femininity, a rallying, feminist cry for the rewilding of womanhood; reclaiming our role as guardians of the land.

This book redefines the origins of the nineteenth-century women's rights campaigns in Britain, demonstrating that a vibrant, but previously neglected feminist network existed during the 1830s and 1840s. Gleadle demonstrates that these reformers, whom she terms the 'radical unitarians', must be understood within the context of the contemporary Unitarian culture. She shows how their desire to transform society and elevate women's position led them to embark upon many groundbreaking campaigns. This pioneering work fed directly into the women's rights movement of the subsequent decades.

Women's football is the fastest growing participation sport in both the UK and across the world, and the 2015 Women's World Cup was the biggest tournament the sport had ever seen. This book explores the experience of fans of women's football who followed their teams in Canada, examining their practices and fan behaviour. How did host cities manage the influx of visitors? And how did fans manage to support their teams, considering the vast amounts of travel expected across such a big country? Dunn also examines the way that the England team is structured and run, relating this to the country's domestic competition, as well as assessing the media coverage of women's football globally. This research is all framed within the author's own experiences of the Women's World Cup, as both an academic and as a sports journalist.

The first anthology to collect essays focusing on the legal rights of women of color around the world Global Critical Race Feminism is the first anthology to focus explicitly on the legal rights of women of color around the world. Containing nearly thirty essays, the book addresses such topical themes as responses to white feminism; the flashpoint issue of female genital mutilation; the intersections of international law with U.S. law; "Third World" women in the "First World;" violence against women; and the global workplace. Broadly representative, the reader addresses the role and status-legal and otherwise-of women in such countries as Cuba, New Zealand, France, Serbia, Nicaragua, Colombia, South Africa, Japan, China, Australia, Ghana, and many others. Authors include: Aziza al-Hibri, Penelope Andrews, Taimie Bryant, Devon Carbado, Mai Chen, Brenda Cossman, Lisa Crooms, Mary Dudziak, Isabelle Gunning, Anna Han, Berta Hernandez, Laura Ho, Sharon Hom, Rosemary King, Kiyoko Knapp, Hope Lewis, Martha Morgan, Zorica Mrsevic, Vasuki Nesiah, Leslye Obiora, Gaby Ore-Aguilar, Catherine Powell, Jenny Rivera, Celina Romany, Judy Scales-Trent, Antoinette Sedillo Lopez, J. Clay Smith, and Leti Volpp.

"Beautifully written, searingly honest, and deeply affecting ... when the book ended, I only wanted more" - Roxane Gay "Ford is a writer for the ages, and Somebody's Daughter will be a book of the year" - Glennon Doyle, author of Untamed "Truly a classic in the making" - John Green, author of The Fault in Our Stars An Oprah book Throughout her adolescence, Ashley Ford doesn't know how to deal with the worries that keep her up at night. If only she could turn to her father for his advice and support. But he's in prison, and she doesn't know what he did to end up there. After being raped by her ex-boyfriend, Ashley desperately searches for her sense of self. Then, her grandmother reveals the truth about her father's incarceration... and Ashley's world is turned upside down. Ashley embarks on a powerful journey to find the connections between who she is and what she was born into, discovering that, however much we might try to untether ourselves from a painful past, the ties that bind families together are the strongest ones of all. "Sure to be one of the best memoirs of 2021" - Kirkus Reviews "A heart-wrenching coming-of age story" - Time "Her coming-of-age story gets at how to both acknowledge and break away from what we're born into" - Cosmopolitan "A beautiful, delicate memoir... a journey toward true and powerful selfhood" - Elle

A brief commentary on the necessity and the impossibility of black men's participation in the development of black feminist theory and politics, Black Men, Black Feminism examines the basic assumptions that have guided-and misguided-black men's efforts to take up black feminism. Offering a rejoinder to the contemporary study of black men and masculinity in the twenty-first century, Jared Sexton interrogates some of the most common intellectual postures of black men writing about black feminism, ultimately departing from the prevailing discourse on progressive black masculinities. Sexton examines, by contrast, black men's critical and creative work-from Charles Burnett's Killer of Sheep to Jordan Peele's Get Out- to describe the cultural logic that provides a limited moral impetus to the quest for black male feminism and that might, if reconfigured, prompt an ethical response of an entirely different order.

Women's soap opera viewing has long been thought of by feminists and nonfeminists as an unproductive waste of time. Blumenthal takes the opposing view, arguing that women's "indulgence" in these programs is actually liberating. In overcoming the social opposition to the stigma attached to the feminine content and style, and engaging in soap opera viewing, women celebrate their femininity, particularly their gendered identification with romance, relationality, intuitiveness, talkativeness, and other aspects of emotionality. This book will be of interest to academics in the areas of sociology, women's studies, and media studies.

Sadlier's study of women writers in Portugal after the 1974 revolution is a useful contribution to a neglected European literature, in which women are making a forceful contribution; and it is one of the few sources of such information in English. . . . Works analyzed include the famous Novas Cartas Portuguesas (Lisbon, 1972) by Maria Isabel Barreno, Maria Teresa Horta, and Maria Velho da Costa, Xerazade e os outros (Lisbon, 1964) by Fernanda Botelho, Lidia Jorge's O Dia dos Prodigios (2nd ed., 1980), Helia Correia's Montedemo (Lisbon, 1983), and Teolindo Gersao's O Silencio (1981). These studies are followed by an appendix on the background of women's rights and feminism in Portugal. Although Sadlier has chosen these works because of their common tradition of literary modernism and aesthetic experimentation, her readings are descriptive rather than theoretical and provide an excellent introduction to representative works and themes of major contemporary women writers. Choice Contemporary Portugal offers a fascinating mixture of social revolution, literary experiment, and feminist practice. Since the revolution in 1974, the country has produced a large number of writings by and about women. In fact, for the first time in Portuguese history, there are at least as many women as men writing books. The Question of How: Women Writers and New Portuguese Literature presents an analysis of texts by the Three Marias, Fernanda Botelho, Lidia Jorge, Helia Correia, and Teolinda Gersao. The first book to be written in English on contemporary Portuguese women writers, it investigates what Portuguese literary women have to say about their culture. In addition to showing how specific works of fiction are inflected by gender and ideology, Sadlier also presents a brief historical account of feminism in Portugal. The only book of its kind in the field, The Question of How: Women Writers and the New Portuguese Literature will be of interest to both students and specialists of Hispanic literature, West European studies, Women's studies, literary theory, and criticism.

Addressing the contradictions surrounding modern-day femininity and its complicated relationship with feminism and postfeminism, this book examines a range of popular female and feminist icons and paradigms. It offers an innovative and forward-looking perspective on femininity and the modern female self.

Over the last thirty years, feminist, postcolonial and queer theorists have interrogated the ways in which sexuality is conceptualized and constructed, specifically with the intention of deconstructing essentialist notions of sexuality and identity formation. Yet, while recent theoretical interventions have re-situated sexuality as a historical and social category--allowing us to see how ideas about sexuality are linked to forms of power and other hegemonic categories of identity and subjectivity like class, race, gender and nationality--sexuality remains a contentious subject. In critically examining the plural representations of sexuality in contemporary literature, this book has a distinctly global emphasis, containing essays that interrogate sexuality in the work of not only a number of mainstream American and British writers but also less well-known writers from New Zealand and Canada. All of the chapters owe primary intellectual and theoretical debts to three broad and overlapping domains of critical scholarship and practice: feminism, queer theory, and postcolonial studies. As the first critical collection of essays to consider the representation of sexuality across such a wide variety of contemporary writing, Sexuality and Contemporary Literature analytically foregrounds insights into the historical and current arrangements of sexuality that contemporary literature provides, while also inviting the reader to imagine other possibilities for the future that literary texts open up. Sexuality and Contemporary Literature is an important book for literary and cultural studies collections.

In Leaning Out, respected journalist Kristine Ziwica maps a decade of stasis on the gender equality front in Australia, and why the pandemic has led to a breakthrough. As the historic 2020 Women's March attests, a generation of younger women are speaking truth to power and changing the way we think of women in the workplace. This is the third book in The Crikey Read series from Crikey and Hardie Grant Books. For ten years Australian women have been sold a dazzling promise: through sheer 'will' and individual self-empowerment they could overcome decades of gender inequality in the workplace. The hard, structural work didn't need to be done; all the solutions could be individual. Yet leaning in, power-posing and speaking up (and being spoken over) at the boardroom table have made very little difference for the great majority of women, still underpaid and overworked compared to their male colleagues. The COVID-19 pandemic has shockingly revealed the fragile foundations of women's working lives. It's also given us a rare opportunity for a reimagining. But Australian women are still being told to 'Lean In' at precisely the moment when so many are 'leaning out'. With the majority of all jobs lost in the pandemic being held by women, and successive governments unable or unwilling to address the 'gender issue', we are at crisis point. Leaning Out is a manifesto for what we can - and should - do with this moment. From Crikey and Hardie Grant Books, The Crikey Read is a series that brings an unflinching and truly independent eye to the issues of the day in Australia and the world.

This book combines the insights of enlightenment thinking and feminist theory to explore the significance of love in modern philosophy. The author argues for the importance of emotion in general, and love in particular, to moral and political philosophy, pointing out that some of the central philosophers of the enlightment were committed to a moralized conception of love. However, she believes that feminism's insights arise not from its attribution of special and distinctive qualities to women, but from its recognition of human vulernability.

Fixing Patriarchy: Feminism and Mid-Victorian Male Novelists explores representations of monstrous women in mid-Victorian literature, tracing anxious male responses to the feminist movement of the era. It argues that Victorian patriarchy was a fluid theory and set of practices through which Victorian men attempted unsuccessfully to fix gender definitions and their own positions of power. In Victorian novels written by men, the thorough instability of contemporary conceptions of both masculinity and femininity is revealed, as an entire society struggled with new forms of self-awareness and new threats to traditional social structures and systems of belief.

Although Hegel and feminism seem an unlikely couple, Hegelian philosophy played a prominent part in the thinking of groundbreaking feminist philosophers from Simone de Beauvoir to Luce Irigaray. This book offers a new generation of feminist readings of Hegel from leading scholars in the both fields. Through close readings and innovative arguments, this book makes a significant contribution to the debate on gender and provides insight into philosophical method.

Anita Superson challenges the traditional picture of the skeptic who asks, "Why be moral?" While holding that the skeptic's position is important, she builds an argument against it by understanding it more deeply, and then shows what it would take to successfully defeat it. Superson argues that we must defeat not only the action skeptic, but the disposition skeptic, who denies that being morally disposed is rationally required, and the motive skeptic, who believes that merely going through the motions in acting morally is rationally permissible. We also have to address the amoralist, who is not moved by moral reasons he recognizes. Superson argues for expanding the skeptic's position from self-interest to privilege to include morally unjustified behavior targeting disenfranchised social groups, as well as revising the traditional expected utility model to exclude desires deformed by patriarchy as irrational. Lastly she argues that the challenge can be answered if it can be shown that it is, in an important way, inconsistent and therefore irrational to privilege oneself over others.
The Moral Skeptic makes an important contribution to both metaethics/moral theory and feminist philosophy, and brings feminist thinking into the larger discussion of the skeptical challenge.

The eight essays contained in Philosophical Feminism and Popular Culture explore the portrayal of women and various philosophical responses to that portrayal in contemporary post-civil rights society. The essays examine visual, print, and performance media stand-up comedy, movies, television, and a blockbuster trilogy of novel. These philosophical feminist analyses of popular culture consider the possibilities, both positive and negative, that popular culture presents for articulating the structure of the social and cultural practices in which gender matters, and for changing these practices if and when they follow from, lead to, or perpetuate discrimination on the basis of gender. The essays bring feminist voices to the conversation about gender and attests to the importance of feminist critique in what is sometimes claimed to be a post-feminist era."

Issues surrounding precarity, debility and vulnerability are now of central concern to philosophers as we try and navigate an increasingly uncertain world. Matthew R. McLennan delves into these subjects enthusiastically and sensitively, presenting a vision of the discipline of philosophy which is grounded in real, lived experience. Developing an invigorating, if at times painful, sense of the finitude and fragility of human life, Philosophy and Vulnerability provocatively marshals three disciplinary "nonphilosophers" to make its argument: French filmmaker and novelist Catherine Breillat, journalist and masterful cultural commentator Joan Didion and feminist poet and civil rights activist Audre Lorde. Through this encounter, this book suggests ways in which rigorous attention to difference and diversity must nourish a militant philosophical universalism in the future.

This timely book provides new insights into debates around the relationship between women and film by drawing on the work of philosopher Luce Irigaray. Arguing that female-directed cinema provides new ways to explore ideas of representation and spectatorship, it also examines the importance of contexts of production, direction and reception.

This impressive and original study is one of the first books to combine mainstream sociology with feminism in exploring the subject of the professions and power. This is an important addition to the corpus of feminist scholarship... It provides fresh insights into the way in which male power has been used to limit the employment aspirations of women in the middle classes. - Rosemary Crompton, University of Kent

'A crucial book for feminists, for sociology and the new "political anthropological historical school". It informs us how we are differently "situated" in and through social relations, which texts and images mediate, organise and construct.' Philip Corrigan, Professor of Applied Sociology, Exeter University Dorothy E. Smith is Professor of Sociology in Education, Ontario Institute for Studies in Education, Toronto. She is the author of The Everyday World as Problematic: A Feminist Sociology.