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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > Feminism
'A modern classic.' Guardian 'A near-perfect work of art.' Joyce Carol Oates Sylvia Plath is a major cultural icon who continues to inspire new generations of female readers. The Bell Jar is one of the defining novels of the 20th century. I was supposed to be having the time of my life . . . Working as an intern for a New York fashion magazine in the summer of 1953, Esther Greenwood is on the brink of her future. Yet she is also on the edge of a darkness that makes her world increasingly unreal. Esther's vision of the world shimmers and shifts: day-to-day living in the sultry city, her crazed men-friends, the hot dinner dances . . . The Bell Jar, Sylvia Plath's only novel, is partially based on Plath's own life. It has been celebrated for its darkly funny and razor sharp portrait of 1950s society, and has sold millions of copies worldwide. ONE OF THE BBC'S '100 NOVELS THAT SHAPED OUR WORLD' 'As clear and readable as it is witty and disturbing.' New York Times Book Review Reader responses: 'Very readable, often darkly funny, and feels fresh.' 'Plath's masterpiece . . . It's amazing how relevant this book still is.' 'So enthralling . . . So thought provoking, so vivid, that it's thoroughly engrossing.' 'I just couldn't put it down.' 'Ever better than I expected.' 'Plath's underrated humour shines through this startling account of 1950s 'normality'.'
At factory gates and cottage doors, co-operative guilds and trade union branches, the radical suffragists of turn-of-the-century Britain took their message to women at the grassroots level in order to advance demands for equal pay, educational opportunities, better birth control, child allowances, and the right to work. Their strength lay in their democratic approach: opposed to violence, they felt that the vote was the key to wider rights for women. One Hand Tied Behind Us draws from a wealth of unpublished material, local newspaper accounts. diaries, handwritten minute books, forgotten biographies, and interviews. It creates a vivid and moving portrait of the women who, almost 100 years ago, envisaged freedoms that are not secure even today. Widely acclaimed, it has become a suffrage classic, and to mark its twenty-first anniversary, Rivers Oram presents this revised edition with a new introduction by Jill Liddington.
Capitalist ideology wants us to believe that there is an optimal way to live. 'Making connections' means networking for work. Our emotional needs are to be fulfilled by a single romantic partner, and self-care equates to taking personal responsibility for our suffering. We must be productive and heterosexual, we must have babies and buy a house. But the kicker is most people cannot and do not want to achieve these goals. Instead we are left feeling atomised, exhausted and disempowered. Radical Intimacy shows that it doesn't need to be this way. Including inspiring ideas for alternative ways to live, Sophie K Rosa demands we use our radical imagination to discover a new form of intimacy. Including critiques of the 'wellness' industry that ignores rising poverty rates, the mental health crisis and racist and misogynist state violence; transcending love and sex under capitalism to move towards feminist, decolonial and queer thinking; asking whether we should abolish the family; interrogating the framing of ageing and death and much more, Radical Intimacy is the compassionate antidote to a callous society. Now as an audiobook, to listen to on the go.
'I adored this book. It's so Geena and so inspiring and such a wonderful read' Emma Thompson A Times Film and Theatre Book of the Year 2022 From two-time Academy Award winner and screen icon Geena Davis, Dying of Politeness is the candid, surprising tale of her journey from her epically polite childhood to the roles that put her in the spotlight and gave her the strength to become a powerhouse in Hollywood. At three years old, Geena announced she was going to be in movies. Now, with a slew of iconic roles and awards under her belt, she has surpassed her childhood dream, but her journey has been one of fits and starts, with a pothole or two along the way. In this hilarious memoir, Geena regales us with tales of a career playing everything from an amnesiac assassin to the parent of a rodent in Stuart Little; a soap star in her underwear to a housewife turned road warrior in Thelma & Louise; a baseball phenomenon in A League of Their Own to the first female President of the United States in Commander in Chief, and more. She is frank about her eccentric childhood; her many relationships, including her spontaneous Las Vegas wedding to Jeff Goldblum; her archery exploits which led her to the Olympic trials; and how she became a tireless advocate for women and girls, founding her own institute which engages film and TV creators to better represent women and actors from diverse backgrounds. Dying of Politeness is a touching account of one woman's journey to fight for herself, and ultimately fighting for women all around the globe.
The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. At a moment in which basic rights are once again imperilled, Olivia Laing conducts an ambitious investigation into the body and its discontents, using the life of the renegade psychoanalyst Wilhelm Reich to chart a daring course through the long struggle for bodily freedom, from gay rights and sexual liberation to feminism and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and travelling from Weimar Berlin to the prisons of McCarthy-era America, she grapples with some of the most significant and complicated figures of the past century, among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Everybody is an examination of the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
In this fascinating and insightful book, feminist curator Rachael Lennon provides an intimate and accessible examination of the history of marriage around the world. Wedded Wife tells a remarkable story of how this institution has developed from the ancient customs of the stone age through to the modern form it takes today. In this eminently readable and relatable study, Lennon also explores themes such as the pressure to marry, the politics surrounding proposals, the spectacle of marriage, the business behind it, and the politics tied to consummation as well as issues such as taking a man's name, the nuances of marriage vows and obedience, 'having it all' and trying to keep up the fight to have an enduring marriage. Having married her wife just a few years after the legalisation of same sex marriage in the United Kingdom, Lennon interweaves her own personal experiences of marriage with stories and anecdotes from throughout history to explore how marriage has transformed over the years. In shaking off patriarchal expectations, Rachael examines marriage's troubling past and celebrates a more joyful present, celebrating the feminist activists who have fought to make marriage a pure and equitable celebration of love, open to everyone regardless of gender or sexuality. She also asks what compels us to keep making this choice? Can we let go of the gendered baggage that we have inherited? Can we hold true to feminist values as we commit to our partners? And what does that look like? How can we build on the past to continue to redefine marriage for the future?
When it comes to the trials and triumphs of becoming a grown up, journalist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, wrestling with self-sabotage, finding a job, throwing a socially disastrous Rod-Stewart themed house party, getting drunk, getting dumped, realising that Ivan from the corner shop is the only man you've ever been able to rely on, and finding that that your mates are always there at the end of every messy night out. Glittering, with wit and insight, heart and humour, this is a book about the struggles of early adulthood in all its grubby, hopeful uncertainty.
Philosophy professor Christina Sommers has exposed a disturbing development: how a group of zealots, claiming to speak for all women, are promoting a dangerous new agenda that threatens our most cherished ideals and sets women against men in all spheres of life. In case after case, Sommers shows how these extremists have propped up their arguments with highly questionable but well-funded research, presenting inflammatory and often inaccurate information and stifling any semblance of free and open scrutiny. Trumpeted as orthodoxy, the resulting "findings" on everything from rape to domestic abuse to economic bias to the supposed crisis in girls' self-esteem perpetuate a view of women as victims of the "patriarchy." Moreover, these arguments and the supposed facts on which they are based have had enormous influence beyond the academy, where they have shaken the foundations of our educational, scientific, and legal institutions and have fostered resentment and alienation in our private lives. Despite its current dominance, Sommers maintains, such a breed of feminism is at odds with the real aspirations and values of most American women and undermines the cause of true equality. Who Stole Feminism? is a call to arms that will enrage or inspire, but cannot be ignored.
What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment. Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for shaping a new urban future. It is time to dismantle what we take for granted about cities and to ask how we can build more just, sustainable, and care-full cities together.
Unique volume articulating the "gender critical" feminist position 15 chapters by an interdisciplinary team of highly-regarded contributors Engages with an important - but highly polarised - political and social debate.
'It is absolutely brilliant, I think every woman should read it' PANDORA SYKES, THE HIGH LOW 'My wish is that every white woman who calls herself a feminist will read this book in a state of hushed and humble respect ... Essential reading' ELIZABETH GILBERT All too often the focus of mainstream feminism is not on basic survival for the many, but on increasing privilege for the few. Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others? Insightful, incendiary and ultimately hopeful, Hood Feminism is both an irrefutable indictment of a movement in flux and also clear-eyed assessment of how to save it.
Bringing together Susan Sontag's most fearless and incisive writing, On Women examines the oppression of women and the tools necessary for liberation. 'Sontag is one of the most influential critics of her generation' New York Review of Books First written in the 1970s during the height of second-wave feminism, Sontag's essays examine the 'biological division of labour', the double standard for ageing and the struggle for real power, topics which are strikingly relevant to our contemporary conversations. For any Sontag fan, this collection of lost essays is a revelation into her achievements as an essayist. 'One of America's greatest public intellectuals' Observer 'Susan Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'At the time she died, she was America's best-known public intellectual. To my mind, she was also the most exemplary' John Gray, New Statesman WITH A PREFACE BY MERVE EMRE
This 18-volume collection contains titles originally published between 1932 and 1996. It examines the world of women and their relationship to work across a variety of professions, including those thought of as traditionally 'male'. The majority of titles are from a sociological perspective, but the set also includes those from the fields of economics, history and psychology. This collection will be a great resource for those interested in women's studies.
What happens to art when feminism grips the curatorial imagination? How do sexual politics become realised as exhibits? Is the struggle against gender discrimination compatible with the aspirations of museums led by market values? Beginning with the feminist critique of the art exhibition in the 1970s and concluding with reflections on intersectional curating and globalisation after 2000, this pioneering collection offers an alternative narrative of feminism's impact on art. The essays provide rigorous accounts of developments in Scandinavia, Eastern and Southern Europe as well as the UK and US, framed by an introduction which offers a politically engaging navigation of historical and current positions. Delivered through essays, memoirs and interviews, discussion highlights include the Tate Modern hang, relational aesthetics, the global exhibition, feminism and technology in the museum, the rise of curatorial collectivism, and insights into major exhibitions such as Gender Check on Eastern Europe. Bringing together two generations of curators, artists and historians to rethink distinct and unresolved moments in the feminist re-modelling of art contexts, this volume dares to ask: is there a history of feminist art or one of feminist presentations of artworks? Contributors include Deborah Cherry, Jo Anna Isaak, Malin Hedlin Hayden, Lubaina Himid, Amelia Jones, Kati Kivimaa, Alexandra Kokoli, Kuratorisk Aktion, Suzana Milevska, Suzanne Lacy, Lucy Lippard, Sue Malvern, Nancy Proctor, Bojana Pejic, Helena Reckitt, Jessica Sjoeholm Skrubbe, Jeannine Tang and Catherine Wood.
From a star astrophysicist, a journey into the world of particle physics and the cosmos -- and a call for more just, inclusive practice of science. Science, like most fields, is set up for men to succeed, and is rife with racism, sexism, and shortsightedness as a result. But as Dr. Chanda Prescod-Weinstein makes brilliantly clear, we all have a right to know the night sky. One of the leading physicists of her generation, she is also one of the fewer than one hundred Black women to earn a PhD in physics. You will enjoy -- and share -- her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter -- all with a new spin and rhythm informed by pop culture, hip hop, politics, and Star Trek. This vision of the cosmos is vibrant, inclusive and buoyantly non-traditional. By welcoming the insights of those who have been left out for too long, we expand our understanding of the universe and our place in it. The Disordered Cosmos is a vision for a world without prejudice that allows everyone to view the wonders of the universe through the same starry eyes.
In On the Inconvenience of Other People Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book's experiments in thought and writing cement Berlant's status as one of the most inventive and influential thinkers of our time.
Women and Empire, 1750-1939: Primary Sources on Gender and Anglo-Imperialism functions to extend significantly the range of the History of Feminism series (co-published by Routledge and Edition Synapse), bringing together the histories of British and American women's emancipation, represented in earlier sets, into juxtaposition with histories produced by different kinds of imperial and colonial governments. The alignment of writings from a range of Anglo-imperial contexts reveals the overlapping histories and problems, while foregrounding cultural specificities and contextual inflections of imperialism. The volumes focus on countries, regions, or continents formerly colonized (in part) by Britain: Volume I: Australia Volume II: New Zealand Volume III: Africa Volume IV: India Volume V: Canada Perhaps the most novel aspect of this collection is its capacity to highlight the common aspects of the functions of empire in their impact on women and their production of gender, and conversely, to demonstrate the actual specificity of particular regional manifestations. Concerning questions of power, gender, class and race, this new Routledge-Edition Synapse Major Work will be of particular interest to scholars and students of imperialism, colonization, women's history, and women's writing.
The volumes in this set, originally published between 1933 and 1988, come from sociology, politics, philosophy, economics, health and education. They: Explore a particular level at which the concept of equality must be applied if educational equality is to be realised. Present a philosophical analysis of the principle of equality. Provide a detailed examination of the correlation between health and wealth, or ill-health and deprivation in Britain. Include an important contribution to the study of social mobility in Australia. Evaluate the effects of converting rental housing into owner occupancy in the USA, the UK and Germany. Presents a detailed empirical analysis of the key dimensions of inequality and poverty in Wales.
'A robust, decolonial challenge to carceral feminism' - Angela Y. Davis ***Winner of an English PEN Award 2022*** The mainstream conversation surrounding gender equality is a repertoire of violence: harassment, rape, abuse, femicide. These words suggest a cruel reality. But they also hide another reality: that of gendered violence committed with the complicity of the State. In this book, Francoise Verges denounces the carceral turn in the fight against sexism. By focusing on 'violent men', we fail to question the sources of their violence. There is no doubt as to the underlying causes: racial capitalism, ultra-conservative populism, the crushing of the Global South by wars and imperialist looting, the exile of millions and the proliferation of prisons - these all put masculinity in the service of a policy of death. Against the spirit of the times, Francoise Verges refuses the punitive obsession of the State in favour of restorative justice.
'Remarkably brought together, heartwarming and uplifting . . . showing that despite differences in age and background, geography and lifestyle, there is so much that binds up, so much we share' Kit de Waal 'A stimulating collection of women's voices to help inspire us for the next 100 years' Elizabeth Day 100 Voices is an anthology of writing by women across the country on what achievement means for them, and how they have come to find their own voice. Featuring poetry, fiction and memoir, the pieces range from notes on making lemon curd, to tales of marathon running and riding motorbikes, to accounts of a refugee eating English food for the first time, a newlywed learning her mother tongue and a woman rebuilding her life after an abusive relationship. The poignant, funny and inspiring stories collected here are as varied and diverse as their authors, who include established names such as Louise Jensen, Sabrina Mahfouz, Yvonne Battle-Felton and Miranda Keeling alongside a host of exciting new writers. Taken together, they build a picture of what it's really like to be a woman in the UK today. |
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