What are the political and aesthetic dimensions of video art,
documentary, and global cinema in contemporary image culture? Here,
Lynes makes visible how sites of political struggle, exploitation,
and armed conflict can be theorized and interpreted through a
feminist politics of location, attentive to the frictions and flows
within transnational circuits of exchange. Prismatic Media,
Transnational Circuits traces how formal modes of experimentation
provide prismatic visions of sites of political struggle -
multiple, mediated points of view - and thus open space for complex
and emancipatory relations among cultural producers, activists, and
viewers in a globalized present.
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