In this major new book, renowned art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the Old Masters be rejected, replaced or reformed? What difference can a feminist approach to art history make?
Differencing the Canon moves between feminist re-readings of modern masters - Van Gogh, Toulouse-Lautrec and Manet - and the canonical artists of feminist art history Artemisia Gentileschi and Mary Cassatt. Pollock asks both how women read and what might be different about art made by a woman. Pollock unpacks the representation of culturally resonant female figures in a range of texts, from Manet's depiction of the model Jeanne Duval in his painting Olympia, to Charlotte Brontë's Lucy Snowe, artists representations of Cleopatra and Angela Carter's Black Venus. She argues that it is not enough simply to read as a woman; we must also acknowledge the differences between women shaped by racist and colonial hierarchies.

This exciting book is an innovative and creative critique of the theories and practices of feminism, arguing that it still matters in the 21st century. Written by a mother and daughter authorial team, the book presents a dialogue across generations and reinstates a politics of difference and the importance of the category of 'woman'.

The first fully-fledged ethnography on health-related issues to come out of contemporary Vietnam, this study of women's lives in a rural commune in Vietnam's Red River delta examines the impact of Vietnam's ambitious family planning policy on the health and lives of rural women.

South Africa has one of the highest murder rates in the world, and a femicide rate that is more than five times the world average.

In this book, Dr Nechama Brodie looks at the story of femicide in South Africa over the past forty years. She interrogates police, public health and media data, exploring the history of violence against women in an entirely new way that contextualises and challenges the state and public response to what has, in reality, been a crisis for decades.

This book aims to fill an important gap in feminist literature. In so doing, it addresses critical issues in feminist research around women, sport, physical activity and PE. All too frequently, women's presence in the sporting arena is marginalised and rarely are women's experiences heard and analysed. Drawing on a diversity of women's perspectives and theoretical standpoints, this book focuses upon the neglected process of research with women about 'sport'. All contributors to this collection have drawn on their research to illuminate and illustrate the dilemmas and issues involved in researching women's lives.

Sex Work in Russia weaves together a wide range of materials to examine the figure of the female sex worker in Russia from the early twentieth century to the present day. This book offers readers both an expansive and nuanced discussion of the significance of this archetypal female who appears with remarkable frequency in literature, film, and other cultural productions. Emily Schuckman Matthews explores the ways in which the fictional sex worker (and her real-life counterpart) has become a symbolic representative of social and moral instability, economic volatility, political, social, and ideological revolutions, and changing concepts of gender, sexuality, and the nation itself. Focus is given to the movement of the female sex worker from marginal foil to a hero in her own right, even finding a voice of her own in recent years. Works featuring this alluring and complex figure reveal critical insights into the changing position of women and other marginalized people in a volatile Russia.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes "cults" so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we're looking for a satisfying explanation for what causes people to join-and more importantly, stay in-extreme groups. We secretly want to know: could it happen to me? Amanda Montell's argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of "brainwashing." But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear-and are influenced by-every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities "cultish," revealing how they affect followers of groups as notorious as Heaven's Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of "cultish" everywhere.

In pointing to the way in which women have been historically represented (or left out altogether) and the reality of women's lives, feminist performance makes the histories, lives and desires of women visible, as this volume of plays from the 1990s aims to illustrate. Historical focus is shared by all three plays in this volume, as is the stylistic challenge which they offer to the "malestream" version of history. In "Walking on Peas", Erika Bloch takes the "hidden", unknown historical lives of women who cross-dressed and joined the army as its subject. Foursight Theatre has made looking at history through "the eyes of women such as Eva Braun, Pope Joan, Mae West and Ulrike Meinhof" a key focus of their work. Their group devised a one-act play on Mary Tudor and Queen Elizabeth I, "Bloody Mary and the Virgin Queen". Julie Wilkinson's "Mrs. Beeton's History of the World" fuses the "great" and the "ordinary" by representing Mrs Beeton in juxtaposition with the figure of her working-clas maid, Caroline.

The Victorian debate on marriage, motherhood and women's rights to an independent life reflects the impact the women's movement had on the formation and transformation of public opinion. The marriage debate was also about the New Woman, the "fin-de-siecle" representation of the feminist. This anthology contextualizes key feminist texts and ideas by connecting them to the public response they received. The first volume focuses on Mona Caird's "The Morality of Marriage" and the widespread controversy it provoked. The second volume widens the debate between feminists, traditionalists and anti-feminists by linking the public discourse on marriage and divorce to the controversy of the New Woman, a debate initiated and sustained by Sarah Grand's writings. The third and fourth volumes are concerned with New Woman fiction, providing selected reading from feminist and anti-feminist works, and reproducing the media debate on morality in literature. The fiction is taken from the writings of: Emma Brooke, Mona Caird, Gertrude Dix, Lady Florence Dixie, Emma Hepworth Dixon and George Egerton.

John Dewey was the foremost philosophical figure and public intellectual in early to mid-twentieth century America. He is still the most academically cited Anglophone philosopher of the past century, and is among the most cited Americans of any century. In this comprehensive volume spanning thirty-five chapters, leading scholars help researchers access particular aspects of Dewey's thought, navigate the enormous and rapidly developing literature, and participate in current scholarship in light of prospects in key topical areas. Beginning with a framing essay by Philip Kitcher calling for a transformation of philosophical research inspired by Dewey, contributors interpret, appraise, and critique Dewey's philosophy under the following headings: Metaphysics; Epistemology, Science, Language, and Mind; Ethics, Law, and the Starting Point; Social and Political Philosophy, Race, and Feminist Philosophy; Philosophy of Education; Aesthetics; Instrumental Logic, Philosophy of Technology, and the Unfinished Project of Modernity; Dewey in Cross-Cultural Dialogue; The American Philosophical Tradition, the Social Sciences, and Religion; and Public Philosophy and Practical Ethics.

This book discusses how to develop green transitions which benefit, include and respect marginalised social groups. Diversity and Inclusion in Environmentalism explores the challenge of taking into account issues of equity and justice in the green transformation and shows that ignoring these issues risks exacerbating the gap between the rich and the poor, the marginalised and included, and undermining widespread support for climate change mitigation. Expert contributors provide evidence and analysis in relation to the thinking and practice that has prevented us from building a broad base of people who are willing and able to take the action necessary to successfully overcome the current ecological crises. Providing examples from a wide range of marginalised and/or oppressed groups including women, disabled people, Black, Asian and Minority Ethnic (BAME) people and the lesbian, gay, bisexual, transgender, queer/questioning and others (LGBTQ+) community, the authors demonstrate how the issues and concerns of these groups are often undervalued in environmental policy-making and environmental social movements. Overall, this book supports environmental academics and practitioners to choose and campaign for effective, equitable and widely supported environmental policy, thereby enabling a smoother transition to sustainability. This volume will be of great interest to students, scholars and practitioners of environmental justice, social and environmental policy, planning and environmental sociology.

The first comprehensive companion to the key contemporary analytic in US feminist thought includes a range of diverse scholars from a range on disciplinary fields outlines major debates and definitions of intersectionality

Femininity Played Straight traces the changing relationships of lesbianism and feminist theory from the late 1970s to the present, arguing for accounts of sexuality, gender and subjectivity that make lesbianism intelligible and important.

The Routledge Handbook of Feminist Economics presents a comprehensive overview of the contributions of feminist economics to the discipline of economics and beyond. Each chapter situates the topic within the history of the field, reflects upon current debates, and looks forward to identify cutting-edge research. Consistent with feminist economics' goal of strong objectivity, this Handbook compiles contributions from different traditions in feminist economics (including but not limited to Marxian political economy, institutionalist economics, ecological economics and neoclassical economics) and from different disciplines (such as economics, philosophy and political science). The Handbook delineates the social provisioning methodology and highlights its insights for the development of feminist economics. The contributors are a diverse mix of established and rising scholars of feminist economics from around the globe who skilfully frame the current state and future direction of feminist economic scholarship. This carefully crafted volume will be an essential resource for researchers and instructors of feminist economics.

Within much contemporary feminist theory there is a tendency to forget or ignore its own historicity and consider itself as primarily oriented towards the present. This book explores the historical roots of some of feminism's central concepts and debates, examining the philosophical conditions for feminist thought and taking as its point of departure the dynamic relationship between feminist thought and the history of philosophy. With close attention to the genealogy of key concepts such as equality, sex/gender and difference, alongside discussions of contemporary gender equality policy and contextual understandings of central figures including Wollstonecraft, Beauvoir and Irigaray, The Genealogy of Modern Feminist Thinking provides an analysis of feminism from its origins in the Early Modern period to its contemporary, post-modern forms. Shedding light on feminism as a product of Modernity and establishing it as part of the canon of European intellectual development, this book thus corrects the picture of feminism as a phenomenon that lacks historical continuity, revealing a history characterized by breaks, setbacks and forgetting, in which the forgetting itself forms part of a rich genealogy. As such, it will be of interest to philosophers, sociologists, political theorists and intellectual historians alike.

This book brings together the research findings of contemporary feminist age studies scholars, shame theorists, and feminist gerontologists in order to unfurl the affective dynamics of gendered ageism. In her analysis of what she calls "embodied shame," J. Brooks Bouson describes older women's shame about the visible signs of aging and the health and appearance of their bodies as they undergo the normal processes of bodily aging. Examining both fictional and nonfiction works by contemporary North American and British women authors, this book offers a sustained analysis of the various ways that ageism devalues and damages the identities of otherwise psychologically healthy women in our graying culture. Shame theory, as Bouson shows, astutely explains why gendered ageism is so deeply entrenched in our culture and why even aging feminists may succumb to this distressing, but sometimes hidden, cultural affliction.

The aim of this open access book is to take stock of, critically engage, and celebrate feminist IR scholarship produced in Europe. Organized thematically, the volume highlights a wealth of excellent scholarship, while also focusing on the politics of location and the international political economy of feminist knowledge production. Who are some of the central feminist scholars located in Europe? How might the concentration of these scholars in Northern Europe and the UK shape the contents of their scholarship? What have some of the main contributions been, in the study of the following themes: security; war and military; peace; migration; international political economy and development; foreign policy; diplomacy; and global governance and international organizations? The volume offers both an intellectual history and a sociology of feminist IR scholarship in Europe. It showcases the vitality and breadth of feminist IR traditions, while simultaneously calling attention to their partial nature, exclusions and silences.

Feminist Political Ecology explores the gendered relations of ecologies, economies and politics in communities as diverse as the rubbertappers in the rainforests of Brazil to activist groups fighting racism in New York City.
developed and the developing worlds. Women are often at the centre of these struggles, struggles which concern local knowledge, everyday practice, rights to resources, sustainable development, environmental quality, and social justice.
The book bridges the gap between the academic and rural orientation of political ecology and the largely activist and urban focus of environmental justice movements. The aim is to bring together the globalising frameworks of feminist analysis with the specificities of women's activism and experiences around the world.

Women artists have made a huge contribution to contemporary mainstream art, and their rise to international prominence has accompanied the development of feminism, feminist theory and history of art. Jo Anna Isaak's important new study of the work of women artists discusses the work of individual women artists in the context of contemporary art practices and in relation to key feminist issues in art history.
Isaak looks at the work of a diverse range of artists including women from the United States, the former Soviet Union and the United Kingdom - discussing, among others, the work of Barbara Kruger, Cindy Sherman and the Guerilla Girls. Isaak discusses work by 20th century Soviet women artists, providing a fascinating case study of the production of art in non-Western economic, political and ideological circumstances.

This book offers a thorough examination of digital work by women comedians in the US, exploring their use of digital media to perform jokes, engage with fans, remake their reputations, and become political activists This book argues that despite its many adverse effects, digital work is changing comedy, empowering women to create new comic forms and negotiate the contentious political climate incited by former President Donald. J. Trump Chapters are focused on video-podcasting, TikTok, Twitter, Instagram, YouTube, and the streaming platform Netflix - each containing informative case studies on significant women comedians who use them, including Sarah Silverman, Amy Schumer, Leslie Jones, Mindy Kaling, Colleen Ballinger, Lilly Singh, Ms. Pat, Whitney Cummings, Issa Rae, and others To understand their strategies, this book examines the popularity of their digital content, their career-outcomes in television and film, as well as the ups and downs of their critical reputations in magazines, newspapers, the trade press, and with their participatory audiences online This insightful and timely work will appeal to scholars researching and teaching in the areas of media studies, digital communication, gender studies and performance

This book studies negotiations of gender politics in the process of nation formation in the aftermath of the Partition. One of the most traumatic events in South Asian history, the Partition forms the basis of numerous literary and cinematic interpretations. Drawing on Hindi, English, Urdu and Punjabi fiction, it shows how gender is irrevocably woven into the idea of the nation and the politics of it. It focuses on the works of Saadat Hasan Manto, Rajinder Singh Bedi, Ismat Chughtai, Yashpal, Khushwant Singh, Abdullah Hussein, Mumtaz Shah Nawaz and Attia Hosain to delve into the horrors of the Partition, toward women in particular, and their representations in literary and cinematic imaginations. As an important contribution to the study of the Partition of India, this volume will be of great interest to scholars and researchers of literature, culture studies, film studies, politics, gender studies and South Asian studies. .

This book is about unequal development and labour in Brazil, with particular reference to the economic and social development of the Northeast region, which has suffered persistent disadvantage. It combines a historical approach, which shows how economic, social and political institutions have been restructured over time, with an analysis of changes in the pattern of production, employment, unemployment and inequality up to the present day. It draws on detailed case studies to examine the connections between local and national production systems and critical labour market outcomes such as informality in employment, precarious work and disparities between genders, races and regions. The case of the Brazilian Northeast illustrates processes, relationships and policy debates that are important not only in Brazil but also elsewhere. The book will be of interest to teachers, researchers and students in economics, sociology, labour and development; public officials and policy-makers; the international development community; and the general public interested in Latin American affairs. They will find in the book an original and systematic analysis of the factors underlying unequal development and how they respond to different policy regimes and suggestions about the issues that need to be addressed in the future.

Examining a range of South Asian Anglophone diasporic fiction and poetry, this monograph opens a new dialogue between diaspora studies and gender studies. It shows how discourses of diaspora benefit from re-examining their own critical relation to concepts of the maternal and the motherland. Rather than considering maternity as a fixed or naturally given category, it challenges essentialist conceptions and explores mothering as a performative practice which actively produces discursive meaning. This innovative approach also involves an investigation of central metaphors in nationalist and diasporic rhetorics, bringing critical attention to the strategies they employ and the unique aesthetic forms they produce.

Like the corset, the women's magazines which emerged in the nineteenth century produced a `natural' idea of femininity: the domestic wife; the fashionable woman; the romancing and desirable girl. Their legacy, from agony aunts to fashion plates, are easily traced in their modern counterparts. But do these magazines and their promises empower or disempower their readers?
A Magazine of Her Own? is a lively and revealing exploration of this immensely popular form from its beginnings. In fascinating detail Margaret Beetham investigates the desires, images and interpretations of femininity posed by a medium whose readership was and still is almost exclusively female.
A Magazine of Her Own is at once a chronological tracing of the history, a collection of intriguing case studies and an intervention into recent debates about gender and sexuality in popular reading. It is a book which anyone who is interested in the unique, influential world of the woman's magazine - students, scholars and general readers alike - will want to read