The aim of this book is to discuss the most important aspects of women's status at the beginning of the twentieth century by drawing a parallel between Romanian and British feminism.The novelty of this book resides in the fact that it discusses the ideas of gender and politics in the novels of some of the most important Romanian modernist writers. The documents (Romanian old journals, articles, diaries and declarations, modernist literary texts from well-known Romanian authors such as Camil Petrescu, Hortensia Papadat-Bengescu, or Anton Holban) as well as the period of time analysed in this book are highly relevant to the way Romanian feminism has evolved over the years.

This book provides a critical reconsideration of nineteenth-century women's writing by exploring the significance of antifeminist representations for literary developments in the century's second half. It seeks to draw new attention to still neglected authors and works, while suggesting that their reappraisal at once demands and helps to facilitate a more encompassing rethinking of a number of long neglected writers and their still underestimated contribution to Victorian literary culture. Their changing classification, their marginalisation within canon formation, and most importantly, their resistance to simplifications suggested by these shifting categorisations prompts us to break out of such ideological straightjackets ourselves. In analysing a range of material that testifies to the wide spectrum, versatility, and reflexive interchanges of popular Victorian fiction, the essays in this collection work together to interrogate the significance of these still neglected works for the development of the novel genre.This collection makes an important contribution to the study of Victorian literature and especially of recently rediscovered popular writers. It will be of interest to literary critics and students working on the formation of the novel genre in general as well as on nineteenth-century culture more specifically.

In Nice White Ladies, race and gender professor Jessie Daniels looks beyond the "Karens" and the pussy hats, to offer an illuminating look at how white women participate in, benefit from, and--crucially--can combat racism. Chapter by chapter, Daniels looks at the most urgent examples of how white womanhood has been weaponized today, and then dives deeper into the history and the false narratives behind these events. She examines specific figures including Amy Cooper and the Central Park birdwatcher, and Linda Fairstein and the Central Park Five, but also looks at larger social shifts and the role white women have had in deepening existing inequalities. Seemingly empowering movements for white women have also harmed people of color, from a feminism that had pushed the voices of Brown and Black women aside, to an entire wellness industry that insulates white women in bubble of their own privilege. White women are often unwilling to examine the fact that their day to day choices, including selecting only the best schools and neighborhoods for their children, results in a hoarding of resources for white families and a return to segregation. In a nation deeply divided by race, Jessie Daniels boldly addresses white women's complicity in discrimination but also in their unique potential to resist and dismantle the white nationalism that threatens us all. The stakes are deeply personal for Daniels, as a white woman seeking to call in fellow white women, with an invitation to think together and act-rather than simply call out and criticize. By excavating her own life for examples of failing, learning, evolving, and changing course, Daniels provides a roadmap for other white women looking to make much needed change. Ultimately, she shows how white women can be more than allies, but trusted accomplices in a shared mission to secure equality for all.

As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate-and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.

This deeply researched book provides an original history of Chinese women during the pivotal Song and Yuan dynasties (960-1368). Bret Hinsch explores the most important aspects of female life in this era political power, family, work, inheritance, religious roles, and emotions and considers why the status of women declined during this period.

This book discusses the phenomenon of femicide-the killing of women globally because of their gender-in peacetime and in war. Femicide in war is different from femicide in peace, and yet the dividing-line between the two is thin. Violence against women happens in many forms-from emotional, psychological, and financial abuse, barriers to personal autonomy and security to physical and sexual abuse terminating in murder. It includes infanticide, sex selection, misogynistic laws and cultural practices and can include genital mutilation, forced sterilization, or forced pregnancy. Women experience these forms of violence during peacetime, as well as in times of crisis, conflict, or national insecurity. The Covid-19 pandemic led to an increase in violence against women as women were thrown back to their violent partners, who were released from jail because of the pandemic. This volume draws upon cases from both Global North and Global South to give a detailed view of crimes against women and how femicide is perceived in different countries. It brings together scholars from diverse countries and disciplines, and from many parts of the world where femicide has never or rarely been reported. This book will be a beneficial read for advanced students and researchers of Gender Studies, War and Conflict Studies, and Terrorism. It was originally published in Peace Review.

If Women Rose Rooted has been described as both transformative and essential. Sharon Blackie leads the reader on a quest to find their place in the world, drawing inspiration from the wise and powerful women in native mythology, and guidance from contemporary role models who have re-rooted themselves in land and community and taken responsibility for shaping the future. Beautifully written, honest and moving, If Women Rose Rooted is a passionate song to a different kind of femininity, a rallying, feminist cry for the rewilding of womanhood; reclaiming our role as guardians of the land.

Star Wars defined popular, big-screen science fiction. Still, what many viewers best recall is assertive, hilarious Leia, the diminutive princess with a giant blaster who had to save them all. As the 1977 film arrived, women were marching for equality and demanding equal pay, with few onscreen role models. Leia echoed their struggle and showed them what they could be. Two more films joined in, though by the early eighties, post-feminism was pushing back and shoving the tough heroine into her pornographic gold bikini. After a sixteen-year gap, the prequels catered to a far different audience. Queen Amidala's decoy power originates in how dominated she is by her massive royal gowns. This obsession with fashion but also costuming as a girly superpower fits well with the heroines of the time. The third wavers filled the screens with glamorous, mighty girls - strong but not too strong, like the idealistic teen Ahsoka of Clone Wars. However, space colonialism, abusive romance, and sacrifice left these characters a work in progress. Finally, the sequel era has introduced many more women to fill the galaxy: Rey, Jyn, Rose, Maz, Qi'ra, Val, L3-37, Captain Phasma, Admiral Holdo, and of course General Leia. Making women the central warriors and leaders while keeping them powerful and nonsexualized emphasizes that they can share in the franchise instead of supporting male Jedi. There's also more diversity, though it's still imperfect. Hera and Sabine on the spinoff cartoon Rebels and the many girls in the new franchise Forces of Destiny round out the era, along with toys, picture books, and other hallmarks of a new, more feminist fourth wave for the franchise.

This new edition of Eva Feder Kittay's feminist classic, Love's Labor, explores how theories of justice and morality must be reconfigured when intersecting with care and dependency, and the failure of policy towards women who engage in care work. The work is hailed as a major contribution to the development of an ethics of care. Where society is viewed as an association of equal and autonomous persons, the work of caring for dependents figures neither in political theory nor in social policy. While some women have made many gains, equality continues to elude many others, as in large measure, social institutions fail to take into account the dependency of childhood, illness, disability and frail old age and fail to adequately support those who care for dependents. Using a narrative of her experiences caring for her disabled daughter, Eva Feder Kittay discusses the relevance of her analysis of dependency to significant cognitive disability. She explores the significance of dependency work by analyzing John Rawls' influential liberal theory and two examples of public policy-welfare reform and family leave-to show how theory and policy fail women when they miss the centrality of dependency to issues of justice. This second edition has updated material on care workers, her adult disabled daughter and key changes in welfare reform. Using a mix of personal reflection and political argument, this new edition of a classic text will continue to be an innovative and influential contribution to the debate on searching for greater equality and justice for women. Love's Labor has spoken to audiences around the world and has had an impact on readers from many countries and in many disciplines: philosophy, sociology, disability studies, nursing. It has been required and supplementary reading on many undergraduate courses on Ethics, Feminist Ethics, Gender and Religious Ethics, Political Theory, Bioethics and Disability Studies. It has been translated into Italian, Japanese and Korean.

This book, a collection of essays in English dealing with women in Italian culture, consists of two sections reflecting a variety of themes and intellectual and political interests. The first section, Women and the Male Gaze: The Literary and Artistic Heritage, analyzes ways in which women were constructed by men through a variety of literary and other discourses, from the Divine Comedy to the 20th century.

Imelda Whelehan provides an overview of popular feminist fiction from the late 1960s to the end of the 1990s, looking at how key feminist texts such as "The Women's Room, Kinflicks" and" Fear of Flying" have influenced popular contemporary works such as "Bridget Jones' Diary" and "Sex and the City." Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past thirty years and suggests that even so-called post-feminist writing owes an enormous debt to feminism's second wave.

Care Ethics and Poetry is the first book to address the relationship between poetry and feminist care ethics. The authors argue that morality, and more specifically, moral progress, is a product of inquiry, imagination, and confronting new experiences. Engaging poetry, therefore, can contribute to the habits necessary for a robust moral life-specifically, caring. Each chapter offers poems that can provoke considerations of moral relations without explicitly moralizing. The book contributes to valorizing poetry and aesthetic experience as much as it does to reassessing how we think about care ethics.

'Rough sex' has been at the forefront of criminal law in recent years following several high-profile murders of women killed during alleged consensual sex 'gone wrong', leading to widespread calls for reform to prevent the use of what has been termed the 'rough sex defence.' Situated in a global context in which violence against women is one of the leading preventable contributors to death and illness for women aged 18-44 worldwide, this timely collection examines the rough sex defence and responds to some of the wider debates around sex and the law. Drawing on a range of empirical and theoretical standpoints, chapters delve into a range of topics including the female experience of 'unwanted' slapping, choking and spitting during sex, the BDSM community, the impacts of pornography, the normalization and sexualization of violence against women, early depictions of BDSM involving the eroticization of non-consensual relations, problematic perceptions of BDSM as inherently violent, and more. Bows and Herring expertly collate a wide-reaching mix of perspectives to contribute to a powerful feminist investigation of this critical issue. It is a compelling read for scholars interested in the intersection of sex, the law, and the criminal justice system.

This book investigates the Ancient Stoic thinkers' views on gender and sexuality. A detailed scrutiny of metaphysics, ethics and political philosophy reveals that the Stoic philosophers held an exceptionally equal view of men and women's rational capacities. In its own time, Stoicism was frequently called ' the manly school' of philosophy, but this volume shows that the Stoics would have also transformed many traditional notions of masculinity. Malin Grahn-Wilder compares the earlier philosophies of Plato and Aristotle to show that the Stoic position often stands out within Ancient philosophy as an exceptionally bold defense of women's possibilities to achieve the highest form of wisdom and happiness. The work argues that the Stoic metaphysical notion of human being is based on strikingly egalitarian premises, and opens new perspectives to Stoic philosophy on the whole.

Female faculty underrepresentation in higher education is perpetuated by gender-based social and professional practices and roles. Existing research confirms gender disparities in faculty recruitment, retention, salary, tenure, and mentorship. This book explores how female, tenure-track faculty navigate the process of balancing their personal and professional lives. Utilizing a qualitative phenomenological approach, the stories of nine female, full-time tenure-track and tenured faculty as well as four administrators employed in faculty diversity, development, and work-life are explored. With a blended application of poststructuralist feminism and work-family border theoretical framework, the book illustrates gender norms, roles, and boundaries as experienced and interpreted by female faculty navigating their work, family, and community spheres of influence. This book highlights the first known study to explore a "new Ivy" institution, and there are no other known studies that incorporate both the qualitative perspectives of female faculty as well as those of the faculty diversity and development administrators who oversee and develop the very programs and policies that support those faculty. A key chapter in the book,"Baby, It's Cold Inside: Faculty Context & Campus Climate" offers unique insight into what female faculty, and those who love them, face on the path to tenure today. Five thematic findings are overviewed and explored: faculty support comes in many forms; seeking clarity in job elements and teaching, research, service (TRS) ratios; coping strategies in the wake of an overloaded TRS ratio ("Quick meals, late nights, and what gym?"); family borders in the academy, and work-life-family fit: stability, not balance. This work aims to stimulate faculty gender norm consciousness and acknowledge and relay the unique challenges in faculty's pursuit of work-life-family stability, career path navigation, and role negotiation. The author offers an insider's glimpse of modern faculty and administrator lives for the benefit of tenure-track faculty, their departments, their families, and higher education institutions at large. This work aims to better inform university and departmental policy planning and enhance institutional understanding and subsequent support in and of the faculty experience, and thus the experiences of the increasingly diverse students whom educational institutions aim to serve.

The new edition of "Beauty and Misogyny "revisits and updates Sheila Jeffreys' uncompromising critique of Western beauty practice and the industries and ideologies behind it. Jeffreys argues that beauty practices are not related to individual female choice or creative expression, but represent instead an important aspect of women's oppression. As these practices have become increasingly brutal and pervasive, the need to scrutinize and dismantle them is if anything more urgent now as it was in 2005 when the first edition of the book was published.

The United Nations concept of "harmful traditional/cultural practices" provides a useful lens for the author to advance her critique. She makes the case for including Western beauty practices within this definition, examining their role in damaging women's health, creating sexual difference and enforcing female deference.

First-wave feminists of the 1970s criticized pervasive beauty regimes such as dieting and depilation, but a later argument took hold that beauty practices were no longer oppressive now that women could "choose" them. In recent years the reality of Western beauty practices has become much more bloody and severe, requiring the breaking of skin and the rearrangement or amputation of body parts. "Beauty and Misogyny" seeks to make sense of why beauty practices have not only persisted but become more extreme. It examines the pervasive use of makeup, the misogyny of fashion and high-heeled shoes, and looks at the role of pornography in the creation of increasingly popular beauty practices such as breast implants, genital waxing, surgical alteration of the labia and other forms of self-mutilation. The book concludes by considering how a culture of resistance to these practices can be created.

A new and thoroughly updated edition of this essential work will appeal to all levels of students and teachers of gender studies, cultural studies and feminist psychology, and to anyone with an interest in feminism, women and beauty, and women's health."

Through meticulous examinations, this book analyzes how women update their identities and articulate their feelings through clothing and art in protests, politics in the United States in the 20th century. Topics explored include the suffragists and their impact on contemporary art, the significance of the red dress in both The Handmaid's Tale and the Missing and Murdered Indigenous Women movement, the impact of the Miss America protests, the rising popularity of the pantsuit for women, the recent dominance of the pussyhat, and the way that feminist slogans are disseminated on t-shirts. Movements discussed include craftivism, hashtag culture, feminism, the CROWN act, Pantsuit Nation, socially-committed stores, and more. Interdisciplinary and intersectional at its core, addressing numerous areas, including fashion, sociology, visual culture, art history, feminism, and popular culture; Fashioning Politics and Protests uncovers how women continue to use visual means, explored via their clothing, to change the world.

This book explores the role of feminist activists in The United Nations Framework Convention on Climate Change and highlights the progress they have made in mainstreaming gender as a key issue in global climate governance. It is now commonplace for gender to be framed as a political issue in global climate politics within academic scholarship, but there is typically a lack of robust empirical analysis of existing advocacy approaches. Filling this lacuna, Joanna Flavell interrogates the political strategies of the Women and Gender Constituency (WGC) in the UNFCCC (The United Nations Framework Convention on Climate Change). Through a conceptual framework that integrates climate change with intersectional critical inquiry and political practice, Flavell analyses hundreds of historical documents, coupled with interviews and observations from two UNFCCC conferences. This research uncovers a so-far untold story about the history of the UNFCCC that foregrounds gender and feminist advocacy, highlighting the importance of the WGC in shaping dominant narratives of global climate governance through a series of rhetorical and procedural strategies. Overall, the book draws important conclusions around power in global climate governance and opens up new avenues for advancing a feminist green politics. This volume will be of great interest to students and scholars of environmental justice, climate politics and governance, environmental activism, and gender studies more broadly.

In Feminism in Coalition Liza Taylor examines how US women of color feminists' coalitional politics provides an indispensable resource to contemporary political theory, feminist studies, and intersectional social justice activism. Taylor charts the theorization of coalition in the work of Bernice Johnson Reagon, Audre Lorde, Barbara Smith, the Combahee River Collective, Gloria Anzaldua, Cherrie Moraga, and others. For these activist-scholars, coalition is a dangerous struggle that emerges from a shared political commitment to undermining oppression and an emphasis on self-transformation. Taylor shows how their coalitional understandings of group politics, identity, consciousness, and scholarship have transformed how activists and theorists build alliances across race, class, gender, sexuality, faith, and ethnicity to tackle systems of domination. Their coalitional politics enrich current discussions surrounding the impetus and longevity of effective activism, present robust theoretical accounts of political subject formation and political consciousness, and demonstrate the promise of collective modes of scholarship. In this way, women of color feminists have been formulating solutions to long-standing problems in political theory. By illustrating coalition's vitality to a variety of practical and philosophical interdisciplinary discussions, Taylor encourages us to rethink feminist and political theory.

This collection of women's racialized and gendered mappings of place, people, and nature includes the stories of teachers, organizers, activists, farmers, healers, and gardeners. From their many entry points, the contributors to this work engage crucial questions of coexistence with nature in these times of overlapping climate, health, economic, and racial crises.

Simon explores the diverse and changing roles of women over twenty-five years. Part I includes several chapters that examine the experiences and performances of women in various traditionally male-dominated professional roles: as scholars, attorneys, corrections officers, rabbis and ministers. Part II deals with immigrants and their roles as new American women. In Part III, Simon discusses the types of crimes women commit, how they are treated in the criminal justice system, women as political terrorists, and how the public regards famous women offenders. In conclusion, Simon looks at how women's changing social roles affect their personal lives and political views.

Through a critical discussion of an array of written and visual texts that feature a writer as a main character, Geniuses, Addicts, and Scribbling Women: Portraits of the Writer in Popular Culture argues for a more nuanced conception of the role of writers in society, their relationships with their reading publics, the portrayals and realities of their labor, and the construction of a "writing" identity. Expounding upon the critical genre of authorship studies, the contributors take on complex issues such as economics, professionalization, gender politics, and writing pedagogy to shape the dialogue around the nature of representation and the practice of narrative. Ultimately, contributors consider the ways in which debates over art, craft, authorial celebrity, and the literary marketplace define the parameters of culture in a given period and influence the work of culture producers. The implications of such an analysis reveal much about the status and value of creative writers and their work. This collection covers a wide range of historical periods offering a complex understanding of representations of writers from the medieval period to the Netflix era. Such an evolution challenges the perception of the writer as a monolithic presence in society and highlights its multiplicity, diversity, and its transformations through cultural and political movements.