Inviting Understanding: A Portrait of Invitational Rhetoric is an authoritative reference work designed to provide a comprehensive overview of the theory of invitational rhetoric, developed twenty-five years ago by Sonja K. Foss and Cindy L. Griffin. This theory challenges the conventional conception of rhetoric as persuasion and defines rhetoric as an invitation to understanding as a means to create a relationship rooted in equality, immanent value, and self-determination. Rather than celebrating argumentation, division, and winning, invitational rhetoric encourages rhetors to listen across differences, to engage in dialogue, and to try to understand positions different from their own. Organized into the three categories of foundations, extensions, and applications, Inviting Understanding is a compilation of published articles and new essays that explore and expand the theory. The book provides readers with access to a wide range of resources about this revolutionary theory in areas such as community organizing, social justice activism, social media, film, graffiti, institutional and team decision making, communication and composition pedagogy, and interview protocols. Current cultural, social, and political divisions in the United States and across the world suggest that the principles and practices of invitational rhetoric are sorely needed, and a volume that demonstrates its application in various contexts may inspire readers to put it into practice in the contexts in which they work and live.

Provides unique and cutting-edge insights into the relationship of political, (post)colonial and economic determinants of gendered and racialized violence. Bridges feminist political economy with feminist security studies in IR scholarship. Very timely, given the ongoing issues with Colombia's peace process.

Ernest Hemingway and the Fluidity of Gender presents fresh insight into the gender issues and sexual ambiguities that have always been present in Hemingway's work, utilising a variety of historical, socio-cultural and biographical contexts. Offering a close analysis of the gender issues and sexual ambiguities present in Hemingway's work, this book provides insight into the position of white middle-class women in America from the mid-nineteenth to the mid-twentieth century, illuminating Hemingway's androgynous impulses and the attitudinal changes that occurred during Ernest Hemingway's lifetime. Women and gender were Hemingway's steady concern; his fictional females are drawn with the same kind of complexity and individuality like his fictional males, manifesting endurance, stoic courage and grace under pressure. This volume highlights Hemingway's textual world's resistance of patriarchal phallocratism and his abolition of the binaries of masculinity/femininity, passivity/activity and the like, dismantling binary oppositions involving gender and sexuality. Exploring the metamorphosis of American social and cultural history, this volume unravels the stereotypical myths associated with womanhood and the complexity of women in Ernest Hemingway's novels. Tania Chakravertty is the Dean of Students' Welfare, Diamond Harbour Women's University, West Bengal, India. Chakravertty has a Ph.D. from Calcutta University on "Gender Representations in the Fiction of Ernest Hemingway". Chakravertty visited the US to participate in the academic group project "Strengthening and Widening the Scope of American Studies: The U.S. Experience" in 2010 as part of the prestigious International Visitor Leadership Program. Her monographs have appeared in national and international journals.

For nearly a century, Belgian crime writer and psychological novelist Georges Simenon has captivated readers worldwide with his original character Chief Inspector Maigret. This investigation situates Simenon's work in its historical context and interprets it as a reaction to shifting gender relations in Western society. Simenon's compelling narratives capture the anxieties of men whose patriarchal position was under threat in an era of insurgent feminist movements. These concerns are also evident in Simenon's pervasive preoccupation with sexuality, as well as his political stance that stems from his petit-bourgeois upbringing. This groundbreaking study includes interwoven commentary on all 191 novels Simenon published under his own name, including several that have never been translated into English, as well as a number of short stories and several pseudonymous works.

Global efforts to combat human trafficking are ubiquitous and reference particular ideas about unfreedoms, suffering, and rescue. The discourse has, however, a distinct racialized legacy that is lodged specifically in fears about "white slavery," women in prostitution and migration, and the defilement of white womanhood by the criminal and racialized Other. White Supremacy, Racism and the Coloniality of Anti-Trafficking centers the legacies of race and racism in contemporary anti-trafficking work and examines them in greater detail. A number of recent arguments have suggested that race and racism are not only visible, but vital, to the success of contemporary anti- trafficking discourses and movements. The contributors offer recent scholarship grounded in critical anti- racist perspectives that reveal the historical and contemporary racial working of anti- trafficking discourses and practices globally-and how these intersect with gender, citizenship, sexuality, caste and class formations, and the global political economy.

In Ethnic Minority Women's Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole's key publishers, specifically with regards to non-white French women's literature. Echoing the utopic "Black-Blanc-Beur" model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated "Beur" authors or exploiting "Black" political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the "Black-Blanc-Beur" paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era's reductive multicultural utopia, within a realm directly adjacent to litterature francaise, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard's research highlights the discrepancies between France's official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.

Imagining Latinx Intimacies addresses the ways that artists and writers resist the social forces of colonialism, displacement, and oppression through crafting incisive and inspiring responses to the problems that queer Latinx peoples encounter in both daily lives and representation such as art, film, poetry, popular culture, and stories. Instead of keeping quiet, queer Latinx artists and writers have spoken up as a way of challenging stereotypes, prejudice, and violence occurring in communities ranging from Puerto Rico to sites within the mainland United States as well as transnational flows of migration. Such migrations are explored in several ways including the movement of queer people from Chile to the United States. To address these matters, artistic thinkers such as Gloria Anzaldua, Frances Negron-Muntaner, and Rane Arroyo have challenged such socio-political problems by imagining intimate social and intellectual spaces that resist the status quo like homophobic norms, laws, and policies that hurt families and communities. Building on the intellectual thought of researchers such as Jorge Duany, Adriana de Souza e Silva, and Jose Esteban Munoz, this book explains how the imagined spaces of Latinx LGBTQ peoples are blueprints for addressing our tumultuous present and creating a better future.

The relationship between women and houses has always been complex. Many influential writers have used the space of the house to portray women's conflicts with the society of their time. On the one hand, houses can represent a place of physical, psychological and moral restrictions, and on the other, they often serve as a metaphor for economic freedom and social acceptance. This usage is particularly pronounced in works written in the nineteenth and twentieth century, when restrictions on women's roles were changing: "anxieties about space sometimes seem to dominate the literature of both nineteenth-century women and their twentieth-century descendants." The Metaphor of the House in Feminist Literature uses a feminist literary criticism approach in order to examine the use of the house as metaphor in nineteenth and twentieth century literature.

Gender, Genre, and Race in Post-Neo-Slave Narratives provides a new, innovative conceptual framework for describing representations of slavery in twenty-first century American cultural productions. Covering a broad range of narrative forms from short stories and novels like The Known World to films like 12 Years a Slave and the music of Missy Elliott, Dana Renee Horton engages with post-neo-slave narratives, a genre she defines as literary and visual texts that mesh conventions of postmodernity with the neo-slave narrative. Focusing on the characterization of black women in these texts, Horton argues that they are portrayed as commodities who commodify slaves, a fluid and complex characterization that is a foundational characteristic of postmodern identity and emphasizes how postmodern identity restructures the conception of slave-owners.

Intersectional Feminism in the Age of Transnationalism: Voices from the Margins explores the limitations of the transnationalist approach to feminism and questions the neoliberal emphasis on individual freedom and consumer choice as the central goals of feminist activism. The contributions to the volume discuss such varied topics as fiction by Edwidge Dandicat, Judith Ortiz-Cofer, and Diamela Eltit; visual art of Laura Aguilar and Maruja Mallo; films directed by Lucrecia Martel; a TV series based on a novel by Maria Duenas; the art-activism of Ani Ganzala and Zinha Franco; and the philosophical thought of Gloria Anzaldua. All chapters proceed from the belief in the continued usefulness of intersectionality as a valuable category of critical analysis that is particularly necessary at the time when the effects of neoliberal globalization are undermining many familiar categories of critical inquiry.

This interdisciplinary study examines the relationship between violence, empowerment, and the teenage super/heroine in comics and young adult fantasy novels. The author analyzes stories of teenage super/heroines who have experienced trauma, abduction, assault, and sexual violence that has led to a loss of agency, and then tracks the way that their use of violence empowers them to reclaim agency over their lives and bodies. The author identifies these characters as vigilante feminist teenage super/heroines because they become vigilantes in order to protect other girls and young women from violence and create safer communities. The teenage super/heroines examined in this book are characters who have the ability-through super power, or supernatural and magical ability-to fight back against those who seek to cause them harm. They are a product of and a response to both the pervasive culture of violence against girls and women and a system that fails to protect girls and women from harm. While this book is part of a robust intellectual conversation about the role of girls and women in popular literature and culture and about feminist analyses of comics and YA literature, it is unique in its reading of violence as empowerment and in its careful tracing-and naming-of the teenage vigilante super/heroine, a characterization that is hugely popular and deserves this close reading.

Following Francoise d'Eaubonne's creation of the term "ecofeminism" in 1974, scholars around the world have explored ways that the degradation of the environment and the subjugation of women are linked. In the nearly three decades since the publication of the classical work Ecofeminism by Maria Mies and Vandana Shiva in 1993, several collections have appeared that apply ecofeminism to literary criticism, also known as feminist ecocriticism. The most recent of these include anthologies that emphasize international perspectives, furthering the comparative task launched by Mies and Shiva. To date, however, there have been no books devoted to gaining a broad-based understanding of feminist ecocriticism in India, understood in its own terms. Our new volume Indian Feminist Ecocriticism offers a survey of literature as seen through an ecofeminist lens by Indian scholars, which places contemporary literary analysis through a sampling of its diverse languages and in the context of millennia-old mythic traditions of India.

One of the Best Nonfiction Books of 2022, Kirkus Reviews "A righteous indictment of racism and misogyny."-Publishers Weekly A powerful account of violence against Black women and girls in the United States and their fight for liberation. Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures. America, Goddam explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today. Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, America, Goddam renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. America, Goddam allows readers to understand How Black women-who have been both victims of anti-Black violence as well as frontline participants-are rarely the focus of Black freedom movements. How Black women have led movements demanding justice for Breonna Taylor, Sandra Bland, Toyin Salau, Riah Milton, Aiyana Stanley-Jones, and countless other Black women and girls whose lives have been curtailed by numerous forms of violence. How across generations and centuries, their refusal to remain silent about violence against them led to Black liberation through organizing and radical politics. America, Goddam powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States.

Mary Wollstonecraft was one of the greatest philosophers and writers of the Eighteenth century. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Her most celebrated and widely-read work is A Vindication of the Rights of Woman. This Guidebook introduces:

• Wollstonecraft s life and the background to A Vindication of the Rights of Woman
• The ideas and text of A Vindication of the Rights of Woman
• Wollstonecraft s enduring influence in philosophy and our contemporary intellectual life

It is ideal for anyone coming to Wollstonecraft s classic text for the first time and anyone interested in the origins of feminist thought. "

This book draws on the hermeneutics of Hans-Georg Gadamer to inform a feminist perspective of social identities. Lauren Swayne Barthold moves beyond answers that either defend the objective nature of identities or dismiss their significance altogether. Building on the work of both hermeneutic and non-hermeneutic feminist theorists of identity, she asserts the relevance of concepts like horizon, coherence, dialogue, play, application, and festival for developing a theory of identity. This volume argues that as intersubjective interpretations, social identities are vital ways of fostering meaning and connection with others. Barthold also demonstrates how a hermeneutic approach to social identities can provide critiques of and resistance to identity-based oppression.

The first book by Anna J. Cooper, A Voice From the South, presents strong ideals supporting racial and gender equality as well as economic progress. It's a forward-thinking narrative that highlights many disparities hindering the African American community. Anna J. Cooper was an accomplished educator who used her influence to encourage and elevate African Americans. With A Voice From the South, she delivers a poignant analysis of the country's affairs as they relate to Black people, specifically Black women. She stresses the importance of education, which she sees as a great equalizer. Cooper considers it a necessary investment in not only the individual but the community. She also criticizes the depictions of African Americans in literature by some of the day's most popular authors. She calls for more realistic portrayals that are both honest yet positive. Cooper provides an unflinching critique of mainstream America as it relates to the Black population. A Voice From the South broaches pivotal topics such as women's rights, segregation and the need for higher education. With an eye-catching new cover, and professionally typeset manuscript, this edition of A Voice From the South is both modern and readable.

Originally published in 1981, Woman's Worth takes up the challenge to the male preserve of economics - which was raised nearly a century ago by Charlotte Perkins Gilman in her classic work Women and Economics. Patriarchal economic systems - socialist as well as capitalist - are founded upon women's unpaid labour. On this premise, Lisa Leghorn and Katherine Parker base their exploration of the economic basis of women's culture across cultures: from the USA to South America, the Middle East, socialist countries, Africa and Europe. Women's Worth is accessible and informative to those who have been intimidated by the term 'international economics'. Its sources are women's perspective and experience in many countries, in their words and in their writings, published and unpublished. Thus the authors are able to reveal the economic nature of facets of women's lives which have hitherto been dismissed by traditional economics as features of family or personal life, and to build a new vision of an economics based in female values.

Engaging Donna Haraway: Lives in the Natureculture Web explores the impact of major theorist, Donna Haraway, in such diverse areas as feminisms, Marxism, new materialism, science studies, posthumanism, animal studies, ecocriticism, digital media, and life narrative. The book shows how Haraway's decades-long career as a major theoretical voice and provocateur of thinking about new and complex connections across technology, species, and disciplines has generated bold experiments in writing from the perspective and senses of non-human species, in photographic self-portraiture of bodily life, in animating the lives of scientists, in radical genealogy, in playful teaching methods and much more. Focusing on the ways in which Haraway's oeuvre have affected and will continue to challenge life narrative theory and practice, the chapters in this book present cross-disciplinary perspectives which are both personal and critical. As scholars, students and activists inspired by Haraway's work, these essays together ask all of us to think about where we place ourselves in an age of environmental crisis and how to live in a 'natureculture web' which is as fragile as it is beautiful. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.

Exploring what it means to enact feminist geography, this book brings together contemporary, cutting-edge cases of social justice activism and collaborative research with activists. From Black feminist organizing in the American South to the stories of feminist geography collectives in Latin America, the editors present contemporary case studies from the global north and south. The chapters showcase the strength and vibrancy of activist-engaged scholarship taking place in the field and serve as a call to action, exploring how this work advances real-world efforts to fight injustice and re-make the world as a fairer, more equitable, and more accepting place.

This volume examines the relationship between recognition theory and key developments in critical social epistemology. It explores how far certain kinds of epistemic injustice, epistemic oppression, and types of ignorance can be understood as distorted varieties of recognition.

Admid the overlapping crises of a pandemic, ecological disaster, and global capitalism, two leading Black and Indigenous feminist theorists ask one another: what do liberated lands, minds, and bodies look like? These letters are part debate, part dialogue, and part lively and detailed familial correspondence between two razor-sharp thinkers, sending notes to each other during a stormy present. Featuring a foreword by Ruth Wilson Gilmore and an afterword by Robin D.G. Kelley.

This study examines feminist speculative fiction from the late twentieth and early twenty-first century, and finds within it a new vision for the future. Rejecting notions of postmodern utopia as exclusionary, Jennifer A. Wagner-Lawlor advances one defined in terms of hospitality, casting what she calls 'imaginative sympathy' as the foundation of utopian desire. Tracing these themes through the works of Atwood, Butler, Lessing and Winterson, as well as those of well-known Muslim feminists such as El Saadawi, Parsipur and Mernissi, Wagner-Lawlor balances literary analysis with innovative extensions of feminist philosophy to show how inclusionary utopian thinking can inform and promote political agency. Examining these contemporary fictions reveals the rewards of attending to a community that acknowledges difference, diversity and the imaginative potential of every human being.

This book examines the role of the Women's International Defense Federation (WIDF) in transnational women's activism in the context of the Cold War, and in connection to the rights of women from Asia, Africa and Latin America. Combining a global history and postcolonial theory approach, this monograph shines light on an underrepresented organisation and its important role in the Cold War, Twentieth Century women's rights and Soviet history. Questioning whether the organization acted for women's causes or whether it was merely a Cold War political instrument, the book analyzes and problematizes the place that the WIDF had in the politics of the Soviet Union, examining the ideology and politics of the WIDF and state socialist propaganda regarding women's equality and rights. Using Soviet archival documents of the organizations, the book offers a new perspective on the complexities of the development of global women's rights movement divided by the Cold War confrontations. This is an important study suitable for students and researchers in Women's and Gender History, Eastern European History and Gender Studies.

Uses a critical psychology approach that looks at body-image as a complex phenomenon with no easy, clean-cut or self-evident accounts Offers an innovative and important development in body image research that uses poststructualist and psycho-social frameworks; and it develops postfeminist sensibility research by bringing to the fore its previously implicit engagement with body image Situated in the new 'post digital cultures' field developing out of the normalisation of the digital and the blurring of on/offline subjectivity and practice

If today students of social theory read Jurgen Habermas, Michael Foucault and Anthony Giddens, then proper regard to the question of culture means that they should also read Raymond Williams, Julia Kristeva and Slavoj Zizek. The second edition of the Routledge Handbook of Social and Cultural Theory is fully revised and updated to provide students, teachers and researchers with a comprehensive, critical guide to the major traditions of thought in social and cultural theory, as well as tracing the complex intellectual connections between these distinct but related approaches to understanding society and culture. The Handbook, edited by acclaimed sociologist Anthony Elliott, develops a powerful argument for bringing together social and cultural theory more systematically than ever before. Key social and cultural theories, ranging from classical approaches to postmodern, psychoanalytic and post-feminist approaches, are drawn together and critically appraised. There are also new chapters on mobilities and migrations, as well as posthumanism. The Handbook, written in a clear and direct style will appeal to a wide audience of students and scholars. The extensive references and sources will direct students to areas of further study.