It is not easy. Having a dream, having talent and being faced with a world that wants you to have neither – it is not easy.

This is not an easy story. This is a book about difficult odds, about cruelty, about broken families and addiction. This is also a story about hope. This is a tale of bravery and the undefeatability of the spirit of South African women. This is a story about football, but it is a story about so much more. This is a tale about the fearless women who carry the sport on their back, told through the eyes of the best player on the African continent.

This is the story of a little girl who rose out of the tough streets of Mohlakeng and went on to become a champion of the world.

South Asian Feminism is in crisis. Under constant attack from right-wing nationalism and religious fundamentalism and co-opted by "NGOisation" and neoliberal state agendas, once autonomous and radical forms of feminist mobilization have been ideologically fragmented and replaced. It is time to re-think the feminist political agenda for the predicaments of the present.This timely volume provides an original and unprecedented exploration of the current state of South Asian feminist politics. It will map the new sites and expressions of feminism in the region today, addressing issues like disability, internet technologies, queer subjectivities, and violence as everyday life across national boundaries, including India, Pakistan, Bangladesh, and Sri Lanka. Written by young scholars from the region, this book addresses the generational divide of feminism in the region, effectively introducing a new "wave" of South Asian Feminists that resonates with feminist debates everywhere around the globe.

Visibility matters in contemporary societies; online, in the media and in the public eye. But who is seen and how? Are women still seen through a male gaze? This book explores the politics of looking and being looked at, and the relationship between actual and virtual worlds, for example in sport, art and cinema.

Feminist War Games? explores the critical intersections and collisions between feminist values and perceptions of war, by asking whether feminist values can be asserted as interventional approaches to the design, play, and analysis of games that focus on armed conflict and economies of violence. Focusing on the ways that games, both digital and table-top, can function as narratives, arguments, methods, and instruments of research, the volume demonstrates the impact of computing technologies on our perceptions, ideologies, and actions. Exploring the compatibility between feminist values and systems of war through games is a unique way to pose destabilizing questions, solutions, and approaches; to prototype alternative narratives; and to challenge current idealizations and assumptions. Positing that feminist values can be asserted as a critical method of design, as an ideological design influence, and as a lens that determines how designers and players interact with and within arenas of war, the book addresses the persistence and brutality of war and issues surrounding violence in games, whilst also considering the place and purpose of video games in our cultural moment. Feminist War Games? is a timely volume that questions the often-toxic nature of online and gaming cultures. As such, the book will appeal to a broad variety of disciplinary interests, including sociology, education, psychology, literature, history, politics, game studies, digital humanities, media and cultural studies, and gender studies, as well as those interested in playing, or designing, socially engaged games.

Drawing on fieldwork conducted in Italy among political activists of the LGBTIQ movement and the traditionalist movement during the "anti-gender" campaign, this book provides a dynamic picture of their sustained interactions. Through an analysis of the contentious strategies, discourses, and performances of both the LGBTIQ and the traditionalist movements from a strategic interactionist perspective, it considers the key actors involved in this struggle over normative and social change, showing how activists on both sides are confronted with different dilemmas, influencing each other's choices, practices and identities at the individual and collective levels. Approaching social movements as interactive processes, the author deploys the concepts of social performance and gender performativity to illustrate the ways in which activists interact with and within gender norms, and how they reproduce or contest gender hierarchies as they protest, thus revealing the centrality of gender to the analysis of processes of recruitment and mobilization, strategies, frames and forms of organization. As such, it will appeal to scholars of sociology and political science with interests in social movements and gender.

This book presents new interdisciplinary and intersectional research about women as mothers, highlighting that alternative accounts of mothering can challenge normative societal assumptions and broaden understandings of women as mothers, mothering and motherhoods. Mothering occurs within unequal power relations associated with the disadvantages and privileges of an unjust and patriarchal society. Social inequalities associated with gender, race, class, age, ability, sexuality, violence and nationalism intersect in the lives of women as mothers, to shape their lived experiences and perspectives on mothering. Showcasing the breadth and depth of feminist research on mothering, this book gives attention to the diversity of ways in which mothering is constructed and responded to as well as how mothering is experienced. Drawing on intersectional feminist thought, the book challenges normative visions of 'good mothering' and interrogates constructs of 'bad mothering'. It brings together insights from multidisciplinary scholars who use feminist approaches in their research on mothering, to inform policy development and practice when working with women as mothers in diverse circumstances. Intersections of Mothering highlights the complexities of mothering in a contemporary world, show the benefits of considering mothering through an intersectional feminist lens, make visible lived experiences of mothers and provides challenges to dominant imaginings of and service responses to women as mothers. Intersections of Mothering will be essential reading for interdisciplinary scholars and students in criminology, gender and women's studies, motherhood studies, social welfare, social work, social policy and public health policy, in addition to practitioners and policy workers that respond to women as mothers.

This book explores the complexity of Iberian identity and multicultural/multi-religious interactions in the Peninsula through the lens of spells, talismans, and imaginative fiction in medieval and early modern Iberia. Focusing particularly on love magic-which manipulates objects, celestial spheres, and demonic conjurings to facilitate sexual encounters-Menaldi examines how practitioners and victims of such magic as represented in major works produced in Castile. Magic, and love magic in particular, is an exchange of knowledge, a claim to power and a deviation from or subversion of the licit practices permitted by authoritative decrees. As such, magic serves as a metaphorical tool for understanding the complex relationships of the Christian with the non-Christian. In seeking to understand and incorporate hidden secrets that presumably reveal how one can manipulate their environment, occult knowledge became one of the funnels through which cultures and practices mixed and adapted throughout the centuries.

* Employs literature from a variety of fields, foregrounding evidence from the global south to argue the empowerment potential of community radio and expose many barriers to radio participation - not least the inadequacies of their education, the perceived masculinity of technology; intersections of racism, class, disableism, accentism; and the impact of gendered violence on their self-esteem * Centres on the global, hegemonic challenge of empowering women; relevant across disciplines and professions, and challenges mainstream broadcasters to pull down elitist barriers, reach out to community media and invest in developing the immense skills and talents of ordinary women * Suitable for academics and students in media, psychology, mental health, education, community development, youth work, social work, sociology, gender studies, and urban geography. The focus on empowering woman is also relevant across professions.

* Employs literature from a variety of fields, foregrounding evidence from the global south to argue the empowerment potential of community radio and expose many barriers to radio participation - not least the inadequacies of their education, the perceived masculinity of technology; intersections of racism, class, disableism, accentism; and the impact of gendered violence on their self-esteem * Centres on the global, hegemonic challenge of empowering women; relevant across disciplines and professions, and challenges mainstream broadcasters to pull down elitist barriers, reach out to community media and invest in developing the immense skills and talents of ordinary women * Suitable for academics and students in media, psychology, mental health, education, community development, youth work, social work, sociology, gender studies, and urban geography. The focus on empowering woman is also relevant across professions.

This Handbook is the key reference for contemporary historical and political approaches to gender in Central-Eastern Europe and Eurasia. Leading scholars examine the region's highly diverse politics, histories, cultures, ethnicities, and religions, and how these structures intersect with gender alongside class, sexuality, coloniality, and racism. Comprising 51 chapters, the Handbook is divided into six thematic parts: Part I Conceptual debates and methodological differences Part II Feminist and women's movements cooperating and colliding Part III Constructions of gender in different ideologies Part IV Lived experiences of individuals in different regimes Part V The ambiguous postcommunist transitions Part VI Postcommunist policy issues With a focus on defining debates, the collection considers how the shared experiences, especially communism, affect political forces' organization of gender through a broad variety of topics including feminisms, ideology, violence, independence, regime transition, and public policy. It is a foundational collection that will become invaluable to scholars and students across a range of disciplines including Women's, Gender, and Sexuality Studies and Central-Eastern European and Eurasian Studies.

"Rooted in historical, site-based, narrative, and political accounts, Full Surrogacy Now is the seriously radical cry for full gestational justice that I long for. This kind of gestation depends on realizing the implications of knowing that we all actually, materially, make one another, and that this labor continues to be exploited, extracted, and alienated-unequally-at every turn in Capitalism and Patriarchy. Full of brilliant, generative, and also shamelessly biting critique of both bourgeois and communist tracts, feminist and otherwise, Lewis's voice is unique and bracing. I need it; it fills my whole self with reimagined possibilities for making oddkin who are not property. Lewis set out to write an immoderate, utopian, partisan, anti-authoritarian communist defense of surrogates and surrogacy in ramifying registers of meanings and practices, and she has succeeded. Lewis asks the necessary questions, 'Can we parent politically, hopefully, nonreproductively-in a comradely way?' Can we become full surrogates for and with each other? In a book full of fierce demystifications and sharp dissections of injustice masquerading as humanitarianism, nonetheless Lewis convincingly and radically affirms: 'Everywhere about me, I can see beautiful militants hell-bent on regeneration, not self-replication.'" - Donna Haraway

This book presents in-depth investigation of the language used about women and ageing in public discourse, and compares this with the language used by women to express their personal, lived experience of ageing. It takes a linguistic approach to identify how messages contained in public discourse influence how individual women evaluate their own ageing, and particularly their ageing appearance. It begins by establishing the wider cultural context that produces prevailing attitudes to women, before turning to an analysis of representations of the ageing female body in beauty and cosmetic advertising and the lifestyle media. The focus then moves to a detailed investigation of women's own perceptions of the process of ageing and of their ageing appearance as revealed through their personal narratives. The final chapters challenge dominant attitudes to women and ageing by presenting two case studies of women who for different reasons and in different ways refuse to conform to cultural expectations. This work provides a platform for further academic research in the fields of linguistics, gerontology, gender and media studies; as well as offering meaningful applications in the wider domains of business and advertising.

This book questions how feminist beliefs are enacted within an artistic context. It critically examines the intersection of violence, gender, performance and power through contemporary interventionist performances. The volume explores a host of key themes like feminism and folk epic, community theatre, performance as radical cultural intervention, volatile bodies and celebratory protests. Through analysing performances of theatre stalwarts like Usha Ganguly, Maya Krishna Rao, Sanjoy Ganguly, Shilpi Marwaha and Teejan Bai, the volume discusses the complexities and contradictions of a feminist reading of contemporary performances. A major intervention in the field of feminism and performance, this book will be useful for scholars and researchers of gender studies, performance studies, theatre studies, women's studies, cultural studies, sociology of gender and literature.

Transforming Sport and Physical Cultures through Feminist Knowledges contributes new perspectives on the entanglement of digital and physical cultures, more-than-human relations, post and decolonial ways of knowing, and how onto-epistemologies of sport come to matter. These perspectives are explored through a diverse array of topics, including, the embodiment of netball through Feminist Physical Cultural Studies; pregnant embodiment and implications of the postgenomic turn; posthumanist perspectives on women's negotiation of affective body work and an autoethnographic account of how masculinity materialises through football; the mediation of gendered subjectivity through the digital-physical cultures of cycling; as well as how decolonial and postcolonial approaches identify the gendered and racialised relations of power in sport for development and football campaigns aimed at women's empowerment. The thread that connects these chapters is the 'doing' of feminism as a generative knowledge practice that can transform ways of imagining, knowing, and affecting more equitable futures. This feminist collection contributes to the movement of ideas and transformation of knowledge within and across sport and physical cultures. Authors explore the power relations implicated in the gendered formation of physical cultures (across leisure, sport, the arts, tourism, well-being, and various embodied practices) from a range of disciplinary perspectives and theory-method approaches. The chapters in this book were originally published as a special issue of Leisure Sciences.

Science fiction, as a literature of fantasy, goes beyond the mundane to ask the question: what if the world were different from the way it is? It often challenges the real, builds on imagination, places no limits on human capacities, and encourages readers to think outside their social and cultural conditioning. This book presents a systematic study of Indian women's science fiction. It offers a critical analysis of the works of four female Indian writers of science fiction: Rokeya Sakhawat Hossain, Manjula Padmanabhan, Priya Sarukkai Chabria and Vandana Singh. The author considers not only the evolution of science fiction writing in India, but also discusses the use of innovations and unique themes including science fiction in different Indian languages; the literary, political, and educational activism of the women writers; and eco-feminism and the idea of cloning in writing, to argue that this genre could be viewed as a vibrant representation of freedom of expression and radical literature. This ground-breaking volume will be useful for scholars and researchers of English literature. It will also prove a very useful source for further studies into Indian literature, science and technology studies, women's and gender studies, comparative literature and cultural studies.

This collection of women's racialized and gendered mappings of place, people, and nature includes the stories of teachers, organizers, activists, farmers, healers, and gardeners. From their many entry points, the contributors to this work engage crucial questions of coexistence with nature in these times of overlapping climate, health, economic, and racial crises.

This is the first study of the British Women's Liberation Movement's relationship with class politics. It explores the meaning of class to women's liberationists' identities and activism, both nationally and regionally, using a previously neglected feminist cluster in North East England as a case study. Stevenson demonstrates that British feminism was shaped fundamentally by its relationship to, synthesis with, and rejection of class politics. Through these processes, feminists recognised how post-war changes in the economy and gender roles were reshaping class and the Women's Liberation Movement attempted to remake class politics in response. However, socio-economic and cultural class differences between the women involved - linked to occupation, education and background - remained intractable obstacles causing tensions within groups, fragmentations into specific class-based groups and the ultimate failure of the movement to coalesce into a coherent coalition with labour politics, despite great levels of solidarity around particular struggles. Examining regional feminism against the national backdrop, The Women's Liberation Movement and the Politics of Class in Britain provides an engaging exploration of the fruitful but challenging relationship between British feminism and class politics in a capitalist society.

The activist storytelling practice of testimonio, long associated with Latin American struggles for justice, forges coalitions across social differences for the purpose of social change. Beyond Central and South America, Patricia DeRocher examines testimonios from a wide range of geopolitical sites, including Argentina, Egypt, Haiti, India, Jamaica, and Trinidad, as well as the United States, and suggests that feminist testimonios offer a model for cross-border feminist alliance building. Transnational Testimonios focuses on the questions of translation, knowledge, and power that characterize the creation and reception of these life writings. DeRocher demonstrates how these stories can mobilize social activism and intervene in epistemological impasses between the Global North and South, offering vital tools for reimagining transnational feminist politics.

Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martin shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.

Ecofictions, Ecorealities and Slow Violence in Latin America and the Latinx World brings together critical studies of Latin American and Latinx writing, film, visual, and performing arts to offer new perspectives on ecological violence. Building on Rob Nixon's concept of "slow violence," the contributions to the volume explore processes of environmental destruction that are not immediately visible yet expand in time and space and transcend the limits of our experience. Authors consider these forms of destruction in relation to new material contexts of artistic creation, practices of activism, and cultural production in Latin American and Latinx worlds. Their critical contributions investigate how writers, cultural activists, filmmakers, and visual and performance artists across the region conceptualize, visualize, and document this invisible but far-reaching realm of violence that so tenaciously resists representation. The volume highlights the dense web of material relations in which all is enmeshed, and calls attention to a notion of agency that transcends the anthropocentric, engaging a cognition envisioned as embodied, collective, and relational. Ecofictions, Ecorealities and Slow Violence measures the breadth of creative imaginings and critical strategies from Latin America and Latinx contexts to enrich contemporary ecocritical studies in an era of heightened environmental vulnerability.

Reframing Drag provides a critical survey of French and Anglo-American queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts. Challenging pervasive assumptions circulating in existing queer and feminist analyses of drag performance, the author identifi es and questions three recurring ideas which have shaped the landscape of drag research: the argument that drag performances either uphold or subvert oppressive gender norms, the assumption that drag involves performing as the 'opposite sex', and the belief that drag can shed light on gender performativity. Informed by a range of gender and queer theory, this work contends that an intersectional, transfeminist approach to drag performance can provide richer, more nuanced understandings of drag and, unlike the 'opposite sex' narrative, acknowledges the gender diversity at work in current drag scenes.

This book makes evident how love, as an interstitial practice, produces a set of collective practices and how, through a mapping of these practices, it is possible to observe the connection between the politics of sensibilities and social conflict. The book provides - in the face of a global normalization of immediate enjoyment through consumption, the internationalization of fear and anxiety, the rise of "post-truth" and a distrust regarding politics - a systematic analysis of love as an interstitial practice. This book follows a sociology of body/emotions approaches within which sensations, emotions and sensibilities are part of dialectical social structuration process. The book proposes love not only as an effect or trait of a society, but also as an analytical tool for better understanding the processes of social structuring. It connects a sociology of bodies/emotions with a specific perspective on collective action and links conflictual structures and the politics of sensibilities in six Latin American countries by using a strategy of inquiry attuned to current patterns of social transformation, that of digital ethnography. This work is of interest to a wide public, those who want to know which emotions are the prevailing in Latin America, as well as specialists such as sociologists, political scientists, anthropologists and all researchers and graduate students who are interested in the connections between conflict, society and emotions.