Interdisciplinary and intersectional in emphasis, the Routledge Companion to Motherhood brings together essays on current intellectual themes, issues, and debates, while also creating a foundation for future scholarship and study as the field of Motherhood Studies continues to develop globally. This Routledge Companion is the first extensive collection on the wide-ranging topics, themes, issues, and debates that ground the intellectual work being done on motherhood. Global in scope and including a range of disciplinary perspectives, including anthropology, literature, communication studies, sociology, women's and gender studies, history, and economics, this volume introduces the foundational topics and ideas in motherhood, delineates the diversity and complexity of mothering, and also stimulates dialogue among scholars and students approaching from divergent backgrounds and intellectual perspectives. This will become a foundational text for academics in Women's and Gender Studies and interdisciplinary researchers interested in this important, complex and rapidly growing topic. Scholars of psychology, sociology or public policy, and activists in both university and workplace settings interested in motherhood and mothering will find it an invaluable guide.

The Routledge Companion to Victorian Literature offers 45 chapters by leading international scholars working with the most dynamic and influential political, cultural, and theoretical issues addressing Victorian literature today. Scholars and students will find this collection both useful and inspiring. Rigorously engaged with current scholarship that is both historically sensitive and theoretically informed, the Routledge Companion places the genres of the novel, poetry, and drama and issues of gender, social class, and race in conversation with subjects like ecology, colonialism, the Gothic, digital humanities, sexualities, disability, material culture, and animal studies. This guide is aimed at scholars who want to know the most significant critical approaches in Victorian studies, often written by the very scholars who helped found those fields. It addresses major theoretical movements such as narrative theory, formalism, historicism, and economic theory, as well as Victorian models of subjects such as anthropology, cognitive science, and religion. With its lists of key works, rich cross-referencing, extensive bibliographies, and explications of scholarly trajectories, the book is a crucial resource for graduate students and advanced undergraduates, while offering invaluable support to more seasoned scholars.

Evolving from a rigorous study of post-9/11 women's writing, Dr. Heather Hillsburg's new monograph identifies an emerging genre, which she names Urban Captivity Narratives. Using examples ranging from memoir to young adult fiction, each of the texts examined in the study follows a female protagonist who has survived abduction, been held captive for months or even years, and subjected to sexual, emotional, and physical abuse by their captor. Hillsburg contextualizes these narratives, and takes into consideration our current political atmosphere, the role of patriarchy, and various social anxieties that come into play when discussing the kind of oppression seen in these narratives.

Ecofictions, Ecorealities and Slow Violence in Latin America and the Latinx World brings together critical studies of Latin American and Latinx writing, film, visual, and performing arts to offer new perspectives on ecological violence. Building on Rob Nixon's concept of "slow violence," the contributions to the volume explore processes of environmental destruction that are not immediately visible yet expand in time and space and transcend the limits of our experience. Authors consider these forms of destruction in relation to new material contexts of artistic creation, practices of activism, and cultural production in Latin American and Latinx worlds. Their critical contributions investigate how writers, cultural activists, filmmakers, and visual and performance artists across the region conceptualize, visualize, and document this invisible but far-reaching realm of violence that so tenaciously resists representation. The volume highlights the dense web of material relations in which all is enmeshed, and calls attention to a notion of agency that transcends the anthropocentric, engaging a cognition envisioned as embodied, collective, and relational. Ecofictions, Ecorealities and Slow Violence measures the breadth of creative imaginings and critical strategies from Latin America and Latinx contexts to enrich contemporary ecocritical studies in an era of heightened environmental vulnerability.

This book offers a historical exploration of the genesis of feminist economics and gender economics, as well as their theoretical and methodological differences. Its narrative also serves to embed both within a broader cultural context. Although both feminist economics and gender neoclassical economics belong to the cultural process related to the central role of the political economy in promoting women's emancipation and empowerment, they differ in many aspects. Feminist economics, mainly influenced by women's studies and feminism, rejected neoclassical economics, while gender neoclassical economics, mainly influenced by home economics and the new home economics, adopted the neoclassical economics' approach to gender issues. The book includes diverse case studies, which also highlight the continuity between the story of women's emancipation and the more recent developments of feminist and gender studies. This volume will be of great interest to researchers and academia in the fields of feminist economics, gender studies, and the history of economic thought.

South Asian Feminism is in crisis. Under constant attack from right-wing nationalism and religious fundamentalism and co-opted by "NGOisation" and neoliberal state agendas, once autonomous and radical forms of feminist mobilization have been ideologically fragmented and replaced. It is time to re-think the feminist political agenda for the predicaments of the present.This timely volume provides an original and unprecedented exploration of the current state of South Asian feminist politics. It will map the new sites and expressions of feminism in the region today, addressing issues like disability, internet technologies, queer subjectivities, and violence as everyday life across national boundaries, including India, Pakistan, Bangladesh, and Sri Lanka. Written by young scholars from the region, this book addresses the generational divide of feminism in the region, effectively introducing a new "wave" of South Asian Feminists that resonates with feminist debates everywhere around the globe.

This collection of women's racialized and gendered mappings of place, people, and nature includes the stories of teachers, organizers, activists, farmers, healers, and gardeners. From their many entry points, the contributors to this work engage crucial questions of coexistence with nature in these times of overlapping climate, health, economic, and racial crises.

_______________ 'An autobiographical meditation on feminism, power and womanhood ... Full of Isabel's wisdom and warm words' - Grazia 'In her small, potent polemic . . . Isabel Allende writes about the toxic effects of "machismo", combining wit with anger as she picks apart the patriarchy' - Independent 'Allende has everything it takes: the ear, the eye, the mind, the heart, the all-encompassing humanity' - New York Times An Independent, Guardian and Grazia Highlight for 2021 _______________ The wise, warm, defiant new book from literary legend Isabel Allende - a meditation on power, feminism and what it means to be a woman When I say that I was a feminist in kindergarten, I am not exaggerating. As a child, Isabel Allende watched her mother, abandoned by her husband, provide for her three small children. As a young woman coming of age in the late 1960s, she rode the first wave of feminism. She has seen what has been accomplished by the movement in the course of her lifetime. And over the course of three marriages, she has learned how to grow as a woman while having a partner, when to step away, and the rewards of embracing one's sexuality. So what do women want? To be safe, to be valued, to live in peace, to have their own resources, to be connected, to have control over their bodies and lives, and above all, to be loved. On all these fronts, there is much work to be done, and this book, Allende hopes, will 'light the torch of our daughters and granddaughters with mine. They will have to live for us, as we lived for our mothers, and carry on with the work still left to be finished.' _______________ 'Her thoughts, language and ideas traverse fluidly through ideas of gender, historic injustices, her marriages and bodily experiences and literary references . . . Allende's love for women is palpable' - Sydney Morning Herald

Caring for Liberalism brings together chapters that explore how liberal political theory, in its many guises, might be modified or transformed to take the fact of dependency on board. In addressing the place of care in liberalism, this collection advances the idea that care ethics can help respond to legitimate criticisms from feminists who argue that liberalism ignores issues of race, class, and ethnicity. The chapters do not simply add care to existing liberal political frameworks; rather, they explore how integrating dependency might leave core components of the traditional liberal philosophical apparatus intact, while transforming other aspects of it. Additionally, the contributors address the design of social and political institutions through which care is given and received, with special attention paid to non-Western care practices. This book will appeal to scholars working on liberalism in philosophy, political science, law, and public policy, and it is a must-read for feminist political philosophers.

This study introduces the history, themes, and critical responses to Canadian fantastic literature. Taking a chronological approach, this volume covers the main periods of Canadian science fiction and fantasy from the early nineteenth century to the first decades of the twenty-first century. The book examines both the texts and the contexts of Canadian writing in the fantastic, analyzing themes and techniques in novels and short stories, and looking at both national and international contexts of the literature's history. This introduction will offer a coherent narrative of Canadian fantastic literature through analysis of the major texts and authors in the field and through relating the authors' work to the world around them.

This book takes a critical feminist approach to Lacan's fundamental concepts, merging discourse and sexuation theories in a novel way for both psychoanalysis and feminism, and exploring the possibility of a feminist subject within a non-masculine logic. In Lacan and Critical Feminism, Carusi merges Lacan's theories of discourse and sexuation, not only from a gender/sexuality angle, but also from a literary, feminist, and women's studies framework. By drawing examples from literature, film, art, and socio-political movements to focus on discourse and sexuation, the text examines how tropes impact the subject's positionality within any discourse mode. The book also uses women's collective experience and action to illustrate ways that women have repositioned dominant narratives discursively. This text represents essential reading for researchers interested in the relationship between Lacan and feminist theory.

In Homemaking for the Apocalypse, Jill E. Anderson interrogates patterns of Atomic Age conformity that controlled the domestic practices and private activities of Americans. Used as a way to promote security in a period rife with anxieties about nuclear annihilation and The Bomb, these narratives of domesticity were governed by ideals of compulsory normativity, and their circulation upheld the wholesale idealization of homemaking within a white, middle-class nuclear family and all that came along with it: unchecked reproduction, constant consumerism, and a general policing of practices deemed contradictory to normative American life. Homemaking for the apocalypse seeks out the disruptions to the domestic ideals found in memoirs, Civil Defense literature, the fallout shelter debate, horror films, comics, and science fiction, engaging in elements of horror in order to expose how closely domestic practices are tied to dread and anxiety. Homemaking for the Apocalypse offers a narrative of the Atomic Age that calls into question popular memory's acceptance of the conformity thesis and proposes new methods for critiquing the domestic imperative of the period by acknowledging its deep tie to horror.

This book presents a bold hypothesis: the social transformation at the heart of feminist theory will be concretised only when women, and men, use their imaginations to empower new ways of being in and understanding our world. Feminist theory and the history of the philosophy of the imagination are used as resources to outline how the practice of "sexual difference" as an ontological vocation, and its application to religious language, can be a call to live love and mutual relations in a new way. Poetry, art, cultural and literary works are key resources too. Gilligan invites the reader to apply this theory, history and art to their own unfolding gender identities through an imagination no longer hindered by patriarchal characteristics and restrictions. She offers a special focus on the becoming of female subjectivity. She knew that if people, especially, though not only, women, image the possible for themselves and our world, through doing the hard work of becoming subject, not object of any other, such agency would necessarily change even the most intransigent social, economic and cultural problems to shift violence towards peace, lies towards truth, poverty and inequality towards the flourishing of every one. She bore witness to this in her own life, with others.

Power is the critical ingredient and the missing link in women's struggle for equality. Although there have been giant steps towards gender parity, there are still barriers to overcome. This book is an action-based guide that demonstrates in specific and systematic ways how to replicate the successes of women who have effectively wielded and kept power. Through interviews, various women in high-ranking government, administrative and business roles share their journeys and influences, and how they developed the competencies and foundational traits to influence others. The author proposes the application of a new power construct-the WomenPower Paradig--which rejects traditional Machiavellian concepts of power in favor of strategies such as honesty, trust, and mentoring.

Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities.

The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.

Visibility matters in contemporary societies; online, in the media and in the public eye. But who is seen and how? Are women still seen through a male gaze? This book explores the politics of looking and being looked at, and the relationship between actual and virtual worlds, for example in sport, art and cinema.

Divided into 15 chapters, this book provides the reader with an insight into certain representations of mothers and motherhood in history and today's societies in some areas of the world, notably in Britain and Asia. Key facts about the history of motherhood are presented, together with the use of very recent notions and phrases portraying 'good' and 'bad' mothers. An analysis of the concepts of naming and blaming, along with regret with respect to mothers in 21st century societies, provides food for thought. Other issues addressed are varied and numerous: the politics of early intervention, feminist critique, mothers with disabilities and mothers of disabled children, incarcerated mothers, surrogate mothers, teenage mothers, lesbian mothers, and mothering in Eastern Asia, namely in China, Japan, and Korea. Interestingly, both visual arts and literature play a crucial role in this analysis. The publication will appeal to students, academics, researchers, and the general public interested in and seeking to comprehend the shifts that have occurred over time in connection with the vast and inexhaustible subject of motherhood and mothers - a private and public matter. Readers are also provided with a rich reference section dealing with the latest publications on the issues tackled by prominent academics and researchers in human geography, women's studies, sociology, gender studies, contemporary history, and the arts.

This book proposes that work on the Women, Peace and Security agenda undertaken by civil society actors can be interpreted as a form of care labour that nourishes and sustains the agenda - without which the agenda could not, in fact, succeed. The care labour of civil society is thus a condition of the Women, Peace and Security agenda's success. United Nations Security Council resolution 1325 is the foundation of a diverse and pluralising policy framework known as the Women, Peace and Security agenda. Over the 20 years since the adoption of the foundational resolution, despite sustained resistance from some quarters and a general lack of adequate resourcing and political will, the agenda has continued to see many successes, and to achieve elements of political transformation large and small. This book explores how the supporting constituency of the agenda has 'made 1325 work'. Based on new interviews with representatives of diverse civil society organisations working on WPS, the book offers a novel intervention into WPS scholarship, which has thus far paid relatively little attention to the labours of civil society actors working on WPS, particularly on an individual level. The authors consider the motivations, pressures and frustrations experienced by WPS civil society actors, as well as the goals and challenges. This book is based on original research and will be of interest to scholars, policymakers and practitioners working on WPS specifically, and those working in Political Science, International Relations, Development Studies, and on the global governance of peace and security. It will also be relevant for students in WPS-focused programs and of peace and security studies more broadly.

From the debris of her troubled early life, Lidia Yuknavitch weaves an astonishing tale of survival. It is a life that navigates, and transcends, abuse, addiction, self-destruction and the crushing loss of a stillborn child. A kind of memoir that is also a paean to the pursuit of beauty, self-expression, desire - for men and women - and the exhilaration of swimming, The Chronology of Water lays a life bare.

This book explores queer potentialities in the tribal folktales of India. It elucidates the queer elements in the oral narratives of four indigenous communities from East and Northeast India, which are found to be significant repositories of gender fluidity and non-normative desires. Departing from the popular understanding that 'Otherness' results largely from undue exposure to Western permissiveness, the author reveals how minority sexualities actually have their roots in aboriginal indigenous cultures and do not necessarily constitute a mimicry of the West. The volume endeavours to demystify the politics behind such vindictive propagation to sensitize the queerphobic mainstream about the essential endogenous presence of the queer in the spaces that are aboriginal. Based on extensive interdisciplinary research, this book is a first of its kind in the study of indigenous queer narratives. It will be useful to scholars and researchers of queer studies, gender studies, tribal and indigenous studies, literature, cultural studies, postcolonialism, sociology, political studies and South Asian studies.

Act as a Feminist maps a female genealogy of UK actor training practices from 1970 to 2020 as an alternative to traditional male lineages. It re-orientates thinking about acting through its intersections with feminisms and positions it as a critical pedagogy, fit for purpose in the twenty-first century. The book draws attention to the pioneering contributions women have made to actor training, highlights the importance of recognising the political potential of acting, and problematises the inequities for a female majority inspired to work in an industry where they remain a minority. Part One opens up the epistemic scope, shaping a methodology to evaluate the critical potential of pedagogic practice. It argues that feminist approaches offer an alternative affirmative position for training, a via positiva and a way to re-make mimesis. In Part Two, the methodology is applied to the work of UK women practitioners through analysis of the pedagogic exchange in training grounds. Each chapter focuses on how the broad curriculum of acting intersects with gender as technique to produce a hidden curriculum, with case studies on Jane Boston and Nadine George (voice), Niamh Dowling and Vanessa Ewan (movement), Alison Hodge and Kristine Landon-Smith (acting), and Katie Mitchell and Emma Rice (directing). The book concludes with a feminist manifesto for change in acting. Written for students, actors, directors, teachers of acting, voice, and movement, and anyone with an interest in feminisms and critical pedagogies, Act as a Feminist offers new ways of thinking and approaches to practice.

Muslim women have been stereotyped by Western academia as oppressed and voiceless. This volume problematizes this Western academic representation. Muslim Women Writers from the Middle East from Out al-Kouloub al-Dimerdashiyyah (1899-1968) and Latifa al-Zayat (1923-1996) from Egypt, to current diasporic writers such as Tamara Chalabi from Iraq, Mohja Kahf from Syria, and even trendy writers such as Alexandra Chreiteh, challenge the received notion of Middle Eastern women as subjugated and secluded. The younger largely Muslim women scholars collected in this book present cutting edge theoretical perspectives on these Muslim women writers. This book includes essays from the conflict-ridden countries such as Iran, Iraq, Palestine, Syria, and the resultant diaspora. The strengths of Muslim women writers are captured by the scholars included herein. The approach is feminist, post-colonial, and disruptive of Western stereotypical academic tropes.

This book develops the concept of feminist technoecologies as a theoretical and methodological tool for examining the co-constitutive relation between technology and ecology, which have typically been considered as distinct objects of studies. In underscoring how their dynamic relationality troubles the location of agency, this book challenges the idea that technology, as the marker of the innovative capacity of the human, either corrupts or saves ecology. The contributions to the volume present feminist approaches that contextualise and historicize such issues as multi-species survival, border control regimes, solar power, bioart, artificial intelligence and air pollution. They insist on the centrality of corporeality, affects, ethics and vulnerability in the materialisation of technoecological relations, and call into question the exceptional status of the figure of (hu)Man. Together they offer critical and creative tools or modes of inquiry for imagining alternative modalities of practicing care and thinking environmental sustainability. As a creative contribution to the growing literature on new configurations of bodies, technologies and environments against the backdrop of ecological degradation, digital technologization, and precarity in late capitalism, Feminist Technoecologies extends the interchanges between feminist materialisms, environmental humanities and feminist technosciences studies, and will be a resource for all those interested in these fields. This book was originally published as a special issue of Australian Feminist Studies.

This book investigates competing modes of thought about gender security and aims to understand the policy implications of personal-political imaginations. The work draws upon extensive research conducted by the author in Serbia to develop a comprehensive picture of how feminist and women's organising relates to the broader national and international contexts surrounding gender security. Through an innovative analytical framework of personal-political imaginations, the book explores the role that memories, perceptions and hopes about conflict and post-conflict have upon the logics of gender security. It investigates how contrasting and competing modes of thought about 'gender security' are made, paying attention to how the dynamics of gender politics in Serbia shape the security discourse and narratives of activists. The volume explores in detail how feminist and women's organisations have responded to UNSCR 1325 by analysing two policy debates and campaigns that seek to 'achieve' its goals and gender security in Serbia: (1) feminist antimilitarism and (2) connecting domestic violence to the abuse of small arms and light weapons. Ultimately, the book argues that the configuration of gender security discourse is intimately linked to personal-political imaginations of conflict and post-conflict. This book will be of much interest to students of gender politics, conflict studies, critical security studies, European politics and IR in general.

Act as a Feminist maps a female genealogy of UK actor training practices from 1970 to 2020 as an alternative to traditional male lineages. It re-orientates thinking about acting through its intersections with feminisms and positions it as a critical pedagogy, fit for purpose in the twenty-first century. The book draws attention to the pioneering contributions women have made to actor training, highlights the importance of recognising the political potential of acting, and problematises the inequities for a female majority inspired to work in an industry where they remain a minority. Part One opens up the epistemic scope, shaping a methodology to evaluate the critical potential of pedagogic practice. It argues that feminist approaches offer an alternative affirmative position for training, a via positiva and a way to re-make mimesis. In Part Two, the methodology is applied to the work of UK women practitioners through analysis of the pedagogic exchange in training grounds. Each chapter focuses on how the broad curriculum of acting intersects with gender as technique to produce a hidden curriculum, with case studies on Jane Boston and Nadine George (voice), Niamh Dowling and Vanessa Ewan (movement), Alison Hodge and Kristine Landon-Smith (acting), and Katie Mitchell and Emma Rice (directing). The book concludes with a feminist manifesto for change in acting. Written for students, actors, directors, teachers of acting, voice, and movement, and anyone with an interest in feminisms and critical pedagogies, Act as a Feminist offers new ways of thinking and approaches to practice.