Rosey E. Pool (1905-71) did not live an ordinary life. She witnessed the rise of the Nazis in Berlin firsthand, tutored Anne Frank, operated in a Jewish resistance group, escaped from a Nazi transit camp, published African American poets in Europe, operated a London "salon" with her partner, witnessed independence movements in Nigeria and Senegal, and took part in the American civil rights movement. I Lay This Body Down is the first study of Pool and her remarkable transatlantic life. A translator, educator, and anthologist of African American poetry, Pool corresponded, after World War II, with Langston Hughes, W. E. B. Du Bois, Naomi Long Madgett, Owen Dodson, Gordon Heath, and others who fostered her involvement in the Black Arts Movement, both in Britain and the United States. Though Pool was often cast as an outsider-one poet was amazed that "one so removed" was interested in the Black cause-she saw herself as part of a transatlantic struggle against oppression. For Pool, the "yellow Jew stars" the Nazis forced her to wear "were our darker skins." Rosey E. Pool's life allows Lonneke Geerlings to explore intersections of European and American history. As a Holocaust survivor and activist fighting against segregation in the Deep South, Pool connects stories that are often studied and told in isolation. Her life helps us understand the intersecting histories of Jewish Europe and Black America, but it also allows us to see how Pool dealt with tragedy, trauma, and loss. At its core, this book is about resilience and hope. Indeed, Pool's life illuminates the power of reinvention for dealing with both challenging personal circumstances and the traumas of global history.

Shortlisted for the William Saroyan International Prize 2022 'Engrossing...brilliant' Monica Ali 'Heartbreaking and really funny' Ross Gay 'This book fell into my heart' Sabrina Mahfouz 'The kind of authentic voice that is rarely heard' Saima Mir Ayesha tells the story of growing up in a fundamentalist Muslim household; of parents who spent most of their lives away from Pakistan; of stealing her mother's hijabs to wear to school as a five-year-old; of revisiting the beliefs and ideals she was raised with; of failed dreams and heartbreaks, but also of joy and love. Life-affirming and funny, The Colour of God uncovers surprising answers to questions of faith, belonging, family and liberation, and offers a vision of freedom that isn't measured in fabric.

In this timely study, Batra examines contemporary drama from India, Jamaica, and Nigeria in conjunction with feminist and incipient queer movements in these countries. Postcolonial drama, Batra contends, furthers the struggle for gender justice in both these movements by contesting the idea of the heterosexual, middle class, wage-earning male as the model citizen and by suggesting alternative conceptions of citizenship premised on working-class sexual identities. Further, Batra considers the possibility of Indian, Jamaican, and Nigerian drama generating a discourse on a rights-bearing conception of citizenship that derives from representations of non-biological, non-generational forms of kinship. Her study is one of the first to examine the ways in which postcolonial dramatists are creating the possibility of a dialogue between cultural activism, women's movements, and an emerging discourse on queer sexualities.

This volume presents a comprehensive analysis of the linkages between inequality, development, and growth from a feminist economics perspective. More specifically, it examines connections between intergroup inequality and macroeconomic outcomes, considering various channels through which gender, growth, and development interact. Using a range of analytical methods, country studies, and levels of aggregation, the contributors argue that inequalities based on gender, race, ethnicity, and class undermine the ability of people to provision and live fully to their capabilities. Authors examine the effect of macroeconomic policies and economic growth on inequalities in material resources and well-being, as well as the effects of inequality on economic growth. The volume offers specific explanations for how the macroeconomy can hinder the achievement of gender equality and in turn how gender relations in areas like education and wage gaps can have macro-level impacts. Finally, the volume offers a rich array of policy options for promoting gender equality as both an intrinsic goal and a step toward improving well-being and broadly-shared development. This book was published as a special issue of Feminist Economics.

This volume presents a comprehensive analysis of the linkages between inequality, development, and growth from a feminist economics perspective. More specifically, it examines connections between intergroup inequality and macroeconomic outcomes, considering various channels through which gender, growth, and development interact. Using a range of analytical methods, country studies, and levels of aggregation, the contributors argue that inequalities based on gender, race, ethnicity, and class undermine the ability of people to provision and live fully to their capabilities. Authors examine the effect of macroeconomic policies and economic growth on inequalities in material resources and well-being, as well as the effects of inequality on economic growth. The volume offers specific explanations for how the macroeconomy can hinder the achievement of gender equality and in turn how gender relations in areas like education and wage gaps can have macro-level impacts. Finally, the volume offers a rich array of policy options for promoting gender equality as both an intrinsic goal and a step toward improving well-being and broadly-shared development. This book was published as a special issue of Feminist Economics.

Feminist research is informed by a history of breaking silences, of demanding that women's voices be heard, recorded and included in wider intellectual genealogies and histories. This has led to an emphasis on voice and speaking out in the research endeavour. Moments of secrecy and silence are less often addressed. This gives rise to a number of questions. What are the silences, secrets, omissions and and political consequences of such moments? What particular dilemmas and constraints do they represent or entail? What are their implications for research praxis? Are such moments always indicative of voicelessness or powerlessness? Or may they also constitute a productive moment in the research encounter? Contributors to this volume were invited to reflect on these questions. The resulting chapters are a fascinating collection of insights into the research process, making an important contribution to theoretical and empirical debates about epistemology, subjectivity and identity in research. Researchers often face difficult dilemmas about who to represent and how, what to omit and what to include. This book explores such questions in an important and timely collection of essays from international scholars.

First published in 1991. The volume reprints excerpts from six radical feminist journals of this crucial decade:The Lily, the Genius of Liberty, the Pioneer and Women's Advocate, the Una, The Woman's advocate and The Sybil

First published in 1987. From the 1870's to the 1920's, feminists actively campaigned against men's sexual abuse of women. This collection brings together the major articles which fuelled the feminist campaigns and helped to bring about significant reforms.

First published in 1987. This collection brings together important articles written by Emmeline Pankhurst and her daughters during the Suffragette Campaign, 1903-14. Includes a transcript of the 1908 trial of the suffragette leaders, their speeches, and major pamphlets of the Women's Social and Political Union.

This book argues that the female philosopher, a literary figure brought into existence by Mary Wollstonecraft's A Vindication of the Rights of Woman, embodied the transformations of feminist thought during the transition from the Enlightenment to the Romantic period. By imagining a series of alternate lives and afterlives for the female philosopher, women authors of the early Romantic period used the resources of the novel to evaluate Wollstonecraft's ideas and legacy. This book examines how these writers' opinions converged on such issues as progress, education, and ungendered virtues, and how they diverged on a fundamental question connected to Wollstonecraft's life and feminist thought: whether the enlightened, intellectual woman should live according to her own principles, or sacrifice moral autonomy in the interest of pragmatic accommodation to societal expectations.

First published in 1987. Reprints material from the 1850's and 1860's, a period which marked a turning point in the history of British Feminism. At the centre of this was Barbara Leigh Smith Bodichon, whose pioneering schemes to improve the status of women made these years some of the richest in debate and reform

This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Elisabeth Vigee-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.

What does it mean for the Sun to call Shami Chakrabarti 'the most dangerous woman in Britain' or the Daily Mail to label Nicola Sturgeon 'the most dangerous wee woman in the world'? What, really, does it mean to be a dangerous woman? This powerful anthology presents fifty answers to that question, reaching past media hyperbole to explore serious considerations about the conflicts and power dynamics with which women live today. In Dangerous Women, writers, artists, politicians, journalists, performers and opinion-formers from a variety of backgrounds - including Irenosen Okojie, Jo Clifford, Bidisha, Nada Awar Jarrar, Nicola Sturgeon and many more - reflect on the long-standing idea that women, individually or collectively, constitute a threat. In doing so, they celebrate and give agency to the women who have been dismissed or trivialised for their power, talent and success - the women who have been condemned for challenging the status quo. They reclaim the right to be dangerous.

This collection interrogates the multifaceted ways in which global transformations are constituted by deeply gendered socio-economic practices at the level of the 'everyday'. It brings feminist insights to bear on the emerging International Political Economy (IPE) debates about 'the everyday', showing how gender is key to understanding how political economy is enacted and performed at the local level, by non-elites, and via various cultural practices. Drawing on 'everyday' IPE and a longer-standing body of feminist scholarship that documents and theorizes the mutually constitutive nature of, on the one hand, global markets, and on the other, households, families, relations of social reproduction and gendered socio-economic practices, this collection charts the lived realities of people and communities across a wide range of sites and spaces of the global political economy. It considers how globalizing capitalism affects and is in turn affected by Argentine sex workers, Nepalese private security contractors, Canadian call centre workers, Southeast Asian domestic workers, workers and players in British bingo halls, working class households in the UK, and much more. It demonstrates, through detailed empirical research, that a gender lens is crucial for understanding how, and on what terms, individuals and households are becoming ever more enmeshed in capitalist social relations, and how they actively and creatively resist these processes. The chapters originally published as a special issue in Globalizations.

The First World War was a transformative experience for women, facilitating their entry into new spaces and alternative spheres of activity, both on the home front and on the edges of danger zones in Europe and beyond. The centenary of the conflict is an appropriate moment to reassess what we choose to remember about women's roles and responsibilities in this period and how women recorded their experiences. It is timely to (re)consider the narratives of women's involvement not only as nurses, VADs and mourning mothers, but as pacifist campaigners, poets, war correspondents and contributors to developing genres of war writing. This interdisciplinary volume examines women's representations of wartime experience across a wide range of genres, including modernist fiction, ghost stories, utopia, poetry, life-writing and journalism. Contributors provide fresh perspectives on women's written responses to the conflict, exploring women's war work, constructions of femininity and the maternal in wartime, and the relationship between feminism, suffrage and pacifism. The volume reinforces the importance of the retrieval of women's wartime experience, urging us to rethink what we choose to commemorate and widening the presence of women in the expanding canon of war writing. This book was originally published as a special issue of Women's Writing.

The book offers one of the first detailed studies of South Asian women, it provides new empirical data on the issues apparent in South Asian women's lives by 'giving voice' to a group of women who would otherwise remain silent. It is based upon an ethnographic study of a small South Asian community in an inner city. The book offers a new and compelling account of South Asian women, as well as focussing on the ways in which gender and 'race' interact in women's lives. The book offers an important theoretical contribution to the area of feminist theory. The concept of patriarchy is contested and reworked and applied to the study of South Asian women and their cultural experiences. In this sense, practices such as arranged marriages, dowries, domestic labour and domestic finance are analyzed as different influences of patriarchy inside the household, as well as education and the labour market as influences of patriarchy outside the household.

Voices and Veils: Feminism and Islam in French Women's Writing and Activism

This book brings together a series of challenging essays which explore the complex intersections of feminism, narrative and genre. The essays were written as tributes to the leading feminist scholar Elizabeth Fallaize.

First published in 1998, this book explores the links between theories of feminism and the practice of law, and does so through an examination of a number of contemporary themes in feminist legal studies. From an interdisciplinary perspective, this book examines, as one of its overarching themes, the existence of a distinctively female legal voice, or voices. In arguing for a recognition of the diversity of women's experiences of the law and in the law, it is also maintained that the role of feminism as a political strategy must not be lost. Feminist legal studies is one of the most exciting and dynamic areas of contemporary legal studies and the ambition of this book is both to capture and channel this dynamic. In introducing themes from politics, philosophy, literature, sociology and cultural studies, this book will be of interest to a wide ranging audience.

This book addresses how sexual practices and identities are imagined and regulated through development discourses and within institutions of global governance. The underlying premise of this volume is that the global development industry plays a central role in constructing people's sexual lives, access to citizenship, and struggles for livelihood. Despite the industry's persistent insistence on viewing sexuality as basically outside the realm of economic modernization and anti-poverty programs, this volume brings to the fore heterosexual bias within macroeconomic and human rights development frameworks. The work fills an important gap in understanding how people's intimate lives are governed through heteronormative policies which typically assume that the family is based on blood or property ties rather than on alternative forms of kinship. By placing heteronormativity at the center of analysis, this anthology thus provides a much-needed discussion about the development industry's role in pathologizing sexual deviance yet also, more recently, in helping make visible a sexual rights agenda. Providing insights valuable to a range of disciplines, this book will be of particular interest to students and scholars of Development Studies, Gender Studies, and International Relations. It will also be highly relevant to development practitioners and international human rights advocates. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9780203868348, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Based on original interviews of 22 Muslim-American women of South Asian descent on the topics of honor and honor killings, this book examines honor and culture, and their intersections with power, tradition, gender, family, and religion. Additionally, it incorporates an autoethnographic approach describing the author's journey to Pakistan to create a personal narrative throughout. This volume offers a unique perspective that allows for informed exploration and description of Muslim-American women's attitudes and beliefs surrounding the practice of killing women and girls in order to regain family honor.

Within both feminist theory and popular culture, establishing similarities between embodied practices rooted in different cultural and geo-political contexts (e.g. 'African' female genital cutting and 'Western' cosmetic surgery) has become increasingly common as a means of countering cultural essentialism, ethnocentrism and racism.

Feminism, Culture and Embodied Practice examines how cross cultural comparisons of embodied practices function as a rhetorical device - with particular theoretical, social and political effects - in a range of contemporary feminist texts. It asks: Why and how are cross-cultural links among these practices drawn by feminist theorists and commentators, and what do these analogies do? What knowledges, hierarchies and figurations do these comparisons produce, disrupt and/or reify in feminist theory, and how do such effects resonate within popular culture? Taking a relational web approach that focuses on unravelling the binary threads that link specific embodied practices within a wider representational community, this book highlights how we depend on and affect one another across cultural and geo-political contexts.

This book is valuable reading for undergraduates, postgraduates, and researchers in Gender Studies, Postcolonial or Race Studies, Cultural and Media Studies, and other related disciplines.

Drawing on interviews with a breadth of different showgirls, from shows in Paris, Las Vegas, Berlin, and Los Angeles, as well as her own artworks and those by other contemporary and historical artists, this book examines the experiences of showgirls and those who watch them, to challenge the narrowness of representations and discussions around what has been termed 'sexualisation' and 'the gaze'. An account of the experience of being 'looked at', the book raises questions of how the showgirl is represented, the nature of the pleasure that she elicits and the suspicion that surrounds it, and what this means for feminism and the act of looking. An embodied articulation of a new politics of looking, Viewing Pleasure and Being a Showgirl engages with the idea (reinforced by feminist critique) that images of women are linked to selling and that women's bodies have been commodified in capitalist culture, raising the question of whether this enables particular bodies - those of glamorous women on display - to become scapegoats for our deeper anxieties about consumerism.

In this book, feminist scholar Nina Lykke highlights current issues in feminist theory, epistemology and methodology. Combining introductory overviews with cutting-edge reflections, Lykke focuses on analytical approaches to gendered power differentials intersecting with other processes of social in/exclusion based on race, class, and sexuality. Lykke confronts and contrasts classical stances in feminist epistemology with poststructuralist and postconstructionist feminisms, and also brings bodily materiality into dialogue with theories of the performativity of gender and sex. This thorough and needed analysis of the state of Feminist Studies will be a welcome addition to scholars and students in Gender and Womena (TM)s Studies and Sociology.