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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies > Feminism
This volume engages with questions of justice and equality, and how these can be achieved in modern society. It explores how theory and research can inform policy and practice to bring about real change in people's lives, helping readers understand and interrogate patterns and causes of inequality, while investigating how these might be remedied. Chapters outline ways in which theories of justice inform and are factored into effective actions, programmes and interventions. The book includes an international selection of case studies. These range from global inequalities in development and health to cross-border conflict; from gender justice to disability violence; from child protection to disability-inclusive research; from illicit drug use to torture prevention; and from prison wellbeing to sexual and reproductive health and rights. Together, contributors explore: how social science and humanities scholarship can lead to a better understanding of, and capacity to respond to, key social issues and problems the importance of normative reflection and a concern for principles of justice in pursuit of social change the importance of community voice and grassroots action in the pursuit of justice, equity and equality. Envisioning a better world - in which concern for the just treatment of all trumps the pursuit of privilege and inequality - Practical Justice: Principles, Practice and Social Change will appeal to students and academics in disciplines as diverse as philosophy, political science, sociology, anthropology, geography and education, and in fields such as policy studies, criminology, healthcare, social work and social welfare.
Gender and Human Rights in a Global, Mobile Era delves into feminist debates surrounding the relationship between gender and human rights through engaging feminist perspectives on the multifaceted issue of human trafficking. Building on analyses of domestic servitude, commercial sex, and labor trafficking by military contractors, and grounded in intersectional feminist cosmopolitanism and feminist theorizing on vulnerability, precarity, and ethical interdependence, Laura Hebert makes several interrelated contributions. As she explores how a feminist gender analysis illuminates the structures and norms enabling trafficking, Hebert simultaneously considers the future of feminist rights advocacy. Emphasizing the sociality of human rights, she encourages feminist scholars and activists to look beyond states as the duty-bearers of human rights and the assumption that human rights are made meaningful mainly through the establishment of legal rights at the national level. She challenges the idea that "feminism" can be reduced to advocacy on behalf of women's rights. She also encourages critical reflection on how divisions associated with feminist politics have impeded opportunities for the building of feminist solidarities across differences aimed at the realization of the human rights of all. Strongly interdisciplinary, Gender and Human Rights in a Global, Mobile Era will be of interest to students and scholars throughout the social sciences and humanities.
Cultural theory has taken a 'performative turn', shifting its focus from the textual nature of the world to how the social world is narrated, its subjects are subjected and its relations are ritually enacted. The rise of performativity in cultural theory - spearheaded in many ways by feminist theory - has profound implications for the way we think about ethics and politics. Indeed, as it concerns all aspects of 'difference', it reshapes the ways we think about the continuities and interruptions of social life itself. Drawing on thinkers such as Foucault, Butler, Levinas, Arendt and Deleuze, "Culture and Performance" explores the development and direction of the notion of performativity. It interrogates the idea of subjectivity, the possibility of ethics and, beyond this, how such abstract questions relate to the world of political action. It traces the implications of the concept, and discusses the critique that is emerging from a renewed interest in creativity.
Harriet Martineau responds to the strong revival of interest in her life and writing, exploring Martineau's controversial views through her innovative use of popular cultural forms-journalism, travel writing, didactic fiction, novels, translation, autobiography and history. This is the first collection of essays to revisit and reassess Martineau's leading place in Victorian culture and in the development of nineteenth-century liberalism. Distinguished contributors-including Isobel Armstrong, Lauren Goodlad, Catherine Hall, Deborah Logan and Linda Peterson-offer critical analyses of her trailblazing career as a professional 'woman of letters'. The essays collected here move from personal to global concerns in Martineau's oeuvre. The opening essays centre on her bold self-fashioning as a writer, while the second section focuses on the domestic complexities of laissez-faire liberalism in her economic and social vision. Finally, the volume analyses her provocative writings on race, Empire and history - from Atlantic slavery to the Indian Mutiny - demonstrating the international breadth and impact of a remarkable career. -- .
Winner of the Montserrat Ordonez Prize 2018 This book provides an original and exciting analysis of Colombian women's writing and its relationship to feminist history from the 1970s to the present. In a period in which questions surrounding women and gender are often sidelined in the academic arena, it argues that feminism has been an important and intrinsic part of contemporary Colombian history. Focusing on understudied literary and non-literary texts written by Colombian women, it traces the particularities of Colombian feminism, showing how it has been closely entwined with left-wing politics and the country's history of violence. This book therefore rethinks the place of feminism in Latin American history and its relationship to feminisms elsewhere, challenging many of the predominant critical paradigms used to understand Latin American literature and culture.
Since the MeToo hashtag went viral in 2017, the movement has burgeoned across social media, moving beyond Twitter and into living rooms and courtrooms. It has spread unevenly across the globe, with some countries and societies more impacted than others, and interacted with existing feminist movements, struggles, and resistances. This interdisciplinary handbook identifies thematic and theoretical areas that require attention and interrogation, inviting the reader to make connections between the ways in which the #MeToo movement has panned out in different parts of the world, seeing it in the context of the many feminist and gendered struggles already in place, as well as the solidarities with similar movements across countries and cultures. With contributions from gender experts spanning a wide range of disciplines including political science, history, sociology, law, literature, and philosophy, this groundbreaking book will have contemporary relevance for scholars, feminists, gender researchers, and policy-makers across the globe.
This book studies male activists in American feminism from the 1830s to the late 19th century, using archival work on personal papers as well as public sources to demonstrate their diverse and often contradictory advocacy of women's rights, as important but also cumbersome allies. Focussing mainly on nine men-William Lloyd Garrison, Wendell Phillips, James Mott, Frederick Douglass, Henry B. Blackwell, Stephen S. Foster, Henry Ward Beecher, Robert Purvis, and Thomas Wentworth Higginson, the book demonstrates how their interactions influenced debates within and outside the movement, marriages and friendships as well as the evolution of (self-)definitions of masculinity throughout the 19th century. Re-evaluating the historical evolution of feminisms as movements for and by women, as well as the meanings of identity politics before and after the Civil War, this is a crucial text for the history of both American feminisms and American politics and society. This is an important scholarly intervention that would be of interest to scholars in the fields of gender history, women's history, gender studies and modern American history.
This book analyses rape culture through the lens of the 'me too' era. Drawing feminist theory into conversation with peace studies and improvisation theory, it advocates for peace- building opportunities to transform culture and for the improvisatory resources of 'culture- jamming' as a mechanism to dismantle rape culture. The book's key argument is that cultural attitudes and behaviours can be shifted through the introduction of disrupting narratives, so each chapter ends with a 'culture- jammed' re- telling of a traditional fairy tale. Chapter 1 traces an overlap of feminist theory and peace studies, arguing that rape culture is most fruitfully understood through the concept of 'structural violence.' Chapter 2 investigates the gender scripts that rape culture produces, considering a female counterpart to the concept of 'toxic masculinity': 'complicit femininity.' Chapter 3 offers analysis of non- consensual sex and a history of consent education, culminating in an argument that we need to move beyond consent to conceptualise a robust 'respectful mutuality.' Chapter 4 's history of sexual harassment in the workplace and the rise of #metoo argues that its global manifestations are a powerful peace- building initiative. Chapter 5 situates 'me too' within a culture- jamming history, using improvisation theory to show how this movement's potential can shape cultural reconstruction. This is a provocative and interventionist addition to feminist theory scholarship and is suitable for researchers and students in women's and gender studies, feminist theory, sociology and peace studies.
Feminist theory has enhanced and expanded the agency, influence, status and contributions of women throughout the globe. However, feminist critical analysis has not yet examined how the assumption that religion is natural, timeless, universal and omnipresent supports sexist and race-based oppression. This book proposes radical new thinking about religion in order to better comprehend and confront the systematic disempowerment of women and marginalized groups. Utilising feminist and post-colonial analysis of access, equity and violence, contributors draw on recent critical theory to collapse accepted boundaries between religion and secularity with the aim of understanding that religion is a technology of governance in its function, meaning and history. The volume includes case studies focusing on how the category of religion is deployed to perpetuate male hegemony and racist inequities in Australia, Mexico, the United States, Britain and Canada. This trenchant feminist critique and academic analysis will be of key interest to scholars and students of Religion, Sociology, Political Science and Gender Studies.
Despite several decades of feminist activism and scholarship, women's bodies continue to be sites of control and contention both materially and symbolically. Issues such as reproductive technologies, sexual violence, objectification, motherhood, and sex trafficking, among others, constitute ongoing, pressing concerns for women's bodies in our contemporary milieu, arguably exacerbated in a neoliberal world where bodies are instrumentalized as sites of human capital. This book engages with these themes by building on the strong tradition of feminist thought focused on women's bodies, and by making novel contributions that reflect feminists' concerns-both theoretically and empirically-about gender and embodiment in the present context and beyond. The collection brings together essays from a variety of feminist scholars who deploy diverse theoretical approaches, including phenomenology, pragmatism, and new materialisms, in order to examine philosophically the question of the current status of gendered bodies through cutting-edge feminist theory.
TRANSLATED BY CONSTANCE BORDE AND SHEILA MALOVANY-CHEVALLIER ANNOTATED AND INTRODUCED BY MARTINE REID 'Everyone who cares about freedom and justice for women should read The Second Sex' Guardian Simone de Beauvoir famously wrote, 'One is not born, but rather becomes, woman'. In this groundbreaking work of feminism she examines the limits of female freedom and explodes our deeply ingrained beliefs about femininity. Liberation, she argues, entails challenging traditional perceptions of the social relationship between the sexes and, crucially, in achieving economic independence. Drawing on sociology, anthropology and biology, The Second Sex is as important and relevant today as when it was first published in 1949.
The searing, must-read feminist essay from the author of A Girl is a Half-formed Thing 'Fearless ... A fierce and fascinating manifesto in McBride's persuasive prose' Sinead Gleeson 'Formidable' Vogue In this galvanizing essay, Eimear McBride unpicks the contradictory forces of disgust and objectification that control and shame women. From playground taunts of 'only sluts do it' but 'virgins are frigid', to ladette culture, and the arrival of 'ironic' porn, via Debbie Harry, the Kardashians and the Catholic church - she looks at how this prejudicial messaging has played out in the past, and still surrounds us today. McBride asks - are women still damned if we do, damned if we don't? How can we give our daughters (and sons) the unbounded futures we want for them? And, in this moment of global crisis, might our gift for juggling contradiction help us to find a way forward? 'A satisfying feminist polemic' Susie Orbach 'Remarkable' Scotsman 'Eimear McBride is that old fashioned thing, a genius' Guardian
'But, you may say, we asked you to speak about women and fiction - what has that got to do with a room of one's own?' A Room of One's Own grew out of a lecture that Virginia Woolf had been invited to give at Girton College, Cambridge in 1928 and became a landmark work of feminist thought. Covering everything from why a woman must have money and a room of her own if she is to write, to authors such as Jane Austen, Aphra Behn and the Bronte sisters, and the tragic story of Shakespeare's fictional sister Judith, it remains a passionate assertion for female creativity and independence in a world dominated by men. 'Fierce, energetic, humorous' Hermione Lee
This book examines the life of Virginia Gildersleeve, the dean of Barnard College from 1911 to 1947, who dedicated her life to expanding women's collegiate opportunities to match those of men, and to allow women entry into professional and graduate programs. Gildersleeve was the first academic to use the media to define for the American public what higher education--and particularly what higher education for women--meant. The only woman to sign the United Nations charter, she made waves by implementing the first program to allow women into the Navy. This book explores how Gildersleeve's life exemplifies the expanded and changing educational opportunities for women during the Progressive Era and early twentieth century, with the rise of feminists, progressive reformers, and educational philosophers. Although Gildersleeve is nearly forgotten, her importance to women's higher education, women's inclusion in the US military, and world peace is captured in this blend of historical analysis and life history.
Creating trauma-sensitive, interdisciplinary performance and research Vital need for trauma-informed performance practice Adding scholarship on Cecilia Vicuna and Renee Green specifically, as BIPOC female artists Trauma studies and performance studies growing areas internationally Healing in creating performance, that is not therapy Equipping artists and makers with language around trauma
This book constitutes a feminist literary analysis of motherhood as presented in selected Indian women's fictions across a diverse range of geographical, linguistic, class and caste contexts. Situated at the crossroads of motherhood studies and literary studies, this book offers a rigorous examination of the prosody and politics of motherhood in this corpus. In its five thematically focused chapters, the book scrutinises in depth such key concerns as maternal ambivalence; maternal agency and caste; mother-daughter relationships; motherhood and diaspora; and non-biological motherhood. It attempts to understand the literary ramifications of these issues in order to identify the ways in which fiction writers reconceive of the notion of motherhood and maternal identities from and against multiple perspectives. Another pressing concern is whether these Indian women writers' visions furnish readers with any different understandings of motherhood as compared to dominant Western feminist discourses. Maternal Fictions advances feminist literary criticism in the specific area of Indian women's writing and the overarching areas of motherhood and literature by acting as a launchpad into a complex constellation of ideas concerning motherhood. The fictional universe is at once ambivalent, diverse, contingent, grounded in a specific location, and yet well placed to converse with discourses emanating from other times and places.
In this book, international psychoanalytic writers address the question 'What do Women Want Today?' from a variety of lenses, bringing into focus the creative, resilient forces shown by women in their multiple social and psychological tasks. The book reviews classic psychoanalytic theories about the feminine within a new cultural context. It challenges hegemonic gender prejudices and discusses new conceptions that do not pathologize 'different' lifestyles and family configurations. With chapters by leading, international thinkers in the field, this book explores how to think about new feminine scenarios, gender identities, gender dynamics, motherhood, and desire, in light of modern psychoanalytic theories. In presenting how these changing contemporary notions of the feminine challenge classic psychoanalytic theory and practice, this book will compel both training and experienced analysts to think about new psychoanalytic theories and engage with their own prejudices regarding changing notions of the feminine. Offering ideas relevant to psychoanalysis, sociology, gender studies, psychology, and activism, this book will be of great interest to professionals, teachers and students in addition to any with an interest in psychoanalytic theory and women's studies.
In this book, international psychoanalytic writers address the question 'What do Women Want Today?' from a variety of lenses, bringing into focus the creative, resilient forces shown by women in their multiple social and psychological tasks. The book reviews classic psychoanalytic theories about the feminine within a new cultural context. It challenges hegemonic gender prejudices and discusses new conceptions that do not pathologize 'different' lifestyles and family configurations. With chapters by leading, international thinkers in the field, this book explores how to think about new feminine scenarios, gender identities, gender dynamics, motherhood, and desire, in light of modern psychoanalytic theories. In presenting how these changing contemporary notions of the feminine challenge classic psychoanalytic theory and practice, this book will compel both training and experienced analysts to think about new psychoanalytic theories and engage with their own prejudices regarding changing notions of the feminine. Offering ideas relevant to psychoanalysis, sociology, gender studies, psychology, and activism, this book will be of great interest to professionals, teachers and students in addition to any with an interest in psychoanalytic theory and women's studies.
In the first major update to this classic book in many years, Collins traces the history and contours of Black women's ideas and actions to argue that Black feminist thought is the discourse that fosters Black women's survival, persistence, and success against the odds. Through meticulous research that synthesizes the important intellectual work done by Black women, Collins's timely update demonstrates that Black women's ideas and actions are not marginal concerns but rather are central to the future of social justice within democratic societies. The combination of the text's classic arguments and a preface and epilogue written expressly for this edition speak to people who have long been working on social justice and to a new generation of readers who are encountering the ideas and actions of Black women for the first time. For this 30th year anniversary edition, Patricia Hill Collins examines how the ideas in this classic text speak to contemporary social issues and identifies the directions needed for the future of Black feminist thought.
Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018 Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnes Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.
This book looks back to the early days of new and social media, to examine the potential threat that such technologies and platforms posed to the mainstream corporate media's gatekeeping, and its ability to exploit, humiliate, and even violate famous women Drawing on her own experiences working as part of this gatekeeping system, Stephanie Patrick argues that, in order to combat this threat, the mainstream media doubled down on gendered narratives of meritocracy that legitimized certain (male) celebrities over others Using a range of case studies spanning "old" media sites and "new," including Disney, Playboy, and reality television, this book demonstrates that sexual exploitation and violation could be considered constitutive of female celebrity, rather than a side effect Patrick's case studies include some of America's most (in)famous celebrities, including Miley Cyrus, Lindsay Lohan, Anna Nicole Smith, Paris Hilton, and Donald Trump, urging readers to question their assumptions about these figures and their public trajectories This nuanced exploration of patriarchal capitalism and women's ongoing sexual exploitation by the media will be an important reference for scholars and students of digital and new media, journalism, celebrity studies and gender studies
This book reveals how categories of gender, class, culture and religion are modes of power which inform hierarchies of social locations and people's sense of belonging within these spaces and temporalities. It offers an alternative and innovative theoretical framework - new womanhood - for studying middle-class, urban, educated, professional women in South Asia. The book places respectable femininity at the centre of the construction and performance of new womanhood in Bangladesh: a complex and heterogeneous construction of womanhood in relation to women's negotiations with public and private sphere roles and cultural norms of female propriety. It establishes new women as part of the neoliberal middle class as they construct their class identity as a status group, claiming inter-class and intra-class distinction from other women. It also explains how new womanhood is legitimized by alternative and multiple practices of respectability, varying according to women's age, stage of life, profession, household setting and experience of living in Western countries. Finally, as new women forge alternative forms of respectability, theirs is not a straightforward abandonment of old structures of respectability; rather they substitute, conceal or legitimize particular practices of respectability in particular fields. While these new women's gains are vested in the self, rather than a wider feminist politics, they have the potential to positively influence the terrain of possibilities for other women. Finally, through a study of cosmopolitan third world women who are part of a new and potentially powerful social group who occupy a privileged position in the society they live in, the book critiques Western feminist writing and challenges binary social construction of the 'Muslim woman' either as victims of patriarchal culture and religion or as a danger to Western liberalism, developing an understanding of cosmopolitan Muslim women's classed gender identity as a struggle against classifications in the neoliberal times. It is the first book-length project of its kind to provide an understanding of the concept of new women in the Global South, which will be of interest to academics in the fields of sociology, gender studies, feminist theory, postcolonialism, inequality studies, cultural theory, development studies and South Asian Studies.
The feminist book they tried to ban in France 'A delightful book' Roxane Gay Women, especially feminists and lesbians, have long been accused of hating men. Our instinct is to deny it at all costs. (After all, women have been burnt at the stake for admitting to less.) But what if mistrusting men, disliking men - and yes, maybe even hating men - is, in fact, a useful response to sexism? What if such a response offers a way out of oppression, a means of resistance? What if it even offers a path to joy, solidarity and sisterhood? In this sparkling essay, as mischievous and provocative as it is urgent and serious, Pauline Harmange interrogates modern attitudes to feminism and makes a rallying cry for women to find a greater love for each other - and themselves.
This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism, and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work-nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid 1990s-is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Some 20 years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian detournement, caricature, and montage, her oeuvre reimagines the fin-de-siecle United States as a schlock horror film for her punk girl protagonist: Acker's cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker as a writer who inhabits an explosive and creative nexus of contemporary women's writing, punk culture, and punk feminism's reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in gender and women's studies, postmodern studies, and twentieth-century American literature. |
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