This is he first edited book on gender issues in transnational business cooperation concerning knowledge work. This area has so far been researched mainly by organizational theorists, with their background in business studies, finance, communication or sociology, and gender has seldom been taken into account in these studies. This book shows how fruitful a gendered take on issues within this area is, both for a deepened understanding of these organizational issues and for a widened understanding of gender issues. The chapters in the book cover a range of themes from a gender perspective; culture, communication, identity work, structures, organizational change, globalization, mobility, resistance, leadership and management, international business, work life balance, education and labour market, policies and value systems. The chapters also demonstrate the multidisciplinarity within gender research itself and how different perspectives on gender can be combined and developed. They on the social constructionist approach of "doing gender", feminist organization theory, gendered discourse analysis, techno-feminism, and critical studies on men and masculinities. The book provides insights relevant for some of the relevant debates in business, economics, geography, sociology, and gender and women's studies. While primarily a research volume, the book is also useful for people who develop and manage transnational business relations.

'A pointed, svelte but diverse work.' Irish Times Part memoir, part manifesto, Some Answers Without Questions is an elegant, important and spirited work of self-investigation; the result of decades of answering questions that don't really matter-and not being asked the ones that do. 'A delight: approachable, rigorous and omnivorous in its frame of reference. . . a timely, lyrical investigation into what it means to create.' Observer

An original exploration of how the relationship between society and 'nature' is conceptualized, focusing on theories of social exclusion and difference. A comprehensive overview of feminist and environmental theories of society-environment relations, considering the range of theoretical and political influences on such theorizing such as socialist and Marxist theory amongst others and the turn to post structuralism and postmodernism within the social sciences. Cudworth also develops her own theoretical account for the interrelations between forms of social domination and contributes to important debates with sociology, social theory, feminist theory and environmentalism.

Feminist Speculations and the Practice of Research-Creation provides a unique introduction to research-creation as a methodology, and a series of exemplifications of research-creation projects in practice with a range of participants including secondary school students, artists, and academics. In conversation with leading scholars in the field, the book outlines research-creation as transdisciplinary praxis embedded in queer-feminist anti-racist politics. It provides a methodological overview of how the author approaches research-creation projects at the intersection of literary arts, textuality, artistic practice, and pedagogies of writing, drawing on concepts related to the feminist materialisms, including speculative thought, affect theories, queer theory, and process philosophy. Further, it troubles representationalism in qualitative research in the arts. The book demonstrates how research-creation operates through the making of or curating of art or cultural productions as an integral part of the research process. The exemplification chapters engage with the author's research-creation events with diverse participants all focused on text-based artistic projects including narratives, inter-textual marginalia art, postcards, songs, and computer-generated scripts. The book is aimed at graduate students and early career researchers who mobilize the literary arts, theory, and research in transdisciplinary settings.

Ruling Women is the first study of its kind devoted to an analysis of the debate concerning government by women in seventeenth-century France. Drawing on a wide range of political, feminist and dramatic texts, Conroy sets out to demonstrate that the dominant discourse which upholds patriarchy at the time is frequently in conflict with alternative discourses which frame gynaecocracy as a feasible, and laudable reality, and which reconfigure (wittingly or unwittingly) the normative paradigm of male authority. Central to the argument is an analysis of how the discourse which constructs government as a male prerogative quite simply implodes when juxtaposed with the traditional political discourse of virtue ethics. In Government, Virtue, and the Female Prince in Seventeenth-Century France, the first volume of the two-volume study, the author examines the dominant discourse which excludes women from political authority before turning to the configuration of women and rulership in the pro-woman and egalitarian discourses of the period. Highly readable and engaging, Conroy's work will appeal to those interested in the history of women in political thought and the history of feminism, in addition to scholars of seventeenth-century literature and history of ideas.

'Incisive and provocative ... a sensitive and probing critique' The New York Times 'Essential reading ... gripping, inspirational, beautifully written and highly thought-provoking' Dr Helen Gorrill, author of Women Can't Paint A bold reconsideration of women in art - from the 'Old Masters' to the posts of Instagram influencers A perfect pin-up, a damsel in distress, a saintly mother, a femme fatale ... Women's identity has long been stifled by a limited set of archetypes, found everywhere in pictures from art history's classics to advertising, while women artists have been overlooked and held back from shaping more empowering roles. In this impassioned book, art historian Catherine McCormack asks us to look again at what these images have told us to value, opening up our most loved images - from those of Titian and Botticelli to Picasso and the Pre-Raphaelites. She also shows us how women artists - from Berthe Morisot to Beyonce, Judy Chicago to Kara Walker - have offered us new ways of thinking about women's identity, sexuality, race and power. Women in the Picture gives us new ways of seeing the art of the past and the familiar images of today so that we might free women from these restrictive roles and embrace the breadth of women's vision. 'A call to arms in a world where the misogyny that taints much of the western art canon is still largely ignored' Financial Times 'It felt like the scales were falling from my eyes as I read it.' The Herald

In this groundbreaking new study on ladinas in Guatemala City, Patricia Harms contests the virtual erasure of women from the country's national memory and its historical consciousness. Harms focuses on Spanish-speaking women during the "revolutionary decade" and the "liberalism" periods, revealing a complex, significant, and palpable feminist movement that emerged in Guatemala during the 1870s and remained until 1954. During this era ladina social activists not only struggled to imagine a place for themselves within the political and social constructs of modern Guatemala, but they also wrestled with ways in which to critique and identify Guatemala's gendered structures within the context of repressive dictatorial political regimes and entrenched patriarchy. Harms's study of these women and their struggles fills a sizeable gap in the growing body of literature on women's suffrage, social movements, and political culture in modern Latin America. It is a valuable addition to students and scholars studying the rich history of the region.

Ecofeminism and the Indian Novel tests the theories of ecofeminism against the background of India's often different perceptions of environmental problems, challenging the hegemony of Western culture in thinking about human problems. This book moves beyond a simple application of the concepts of ecofeminism, instead explaining the uniqueness of Indian novels as narratives of ecofeminism and how they can contribute to the development of the theory of ecofeminism. In examining a selection of novels, the author argues that Indian texts conceptualize the ecological crisis more as a human problem than as a gender problem. The book proposes that we should think of ecofeminism as ecohumanism instead, seeing human beings and nature as a part of a complex web. Novels analysed within the text include Kamala Markandaya's Nectar in a Sieve (1954), Shivram Karanth's Return to Earth (2002) and Na D'Souza's Dweepa (2013). Ecofeminism and the Indian Novel will be of great interest to students and scholars of ecofeminism, ecocriticism, ecological feminism, environmental humanities, gender studies, ecological humanities, feminist studies and Indian literature.

This book is an examination of feminist writers' appropriation of a range of popular genres: detective fiction, science fiction, romance, and the fairy tale. The author argues that feminists can successfully appropriate all four genres because genres, as cultural productions, have accommodated the cultural changes brought about by second-wave feminism. The book provides a history of each of the genres, reinstating women's contributions in those histories, and a comprehensive review of the feminist critical debates on each of the genres.

Two works in one, this volume contains the full text of "With Her in Ourland" by Charlotte Perkins Gilman, as well as an illuminating sociological analysis by Mary Jo Deegan with the assistance of Michael R. Hill. "Ourland" is the sequel to Gilman's acclaimed feminist utopian novel "Herland"; both were published in her journal, "The Forerunner," in 1915 and 1916. "Ourland" resumes the adventures of DEGREESIHerland DEGREESR's protagonists, Ellador and Van, but turns from utopian fantasy to a challenging analysis of contemporary social fissures in "his land," or the real world. The republication of "Herland" as a separate novel in 1979 revived critical interest in Gilman's work but truncated the larger aims implicit in the DEGREESIHerland/Ourland DEGREESR saga, leaving an erroneous understanding of Gilman's other/better half of the story, in which it is suggested that strong women can resocialize men to be nurturant and cooperative. Gilman's choice of a sexually integrated society in "With Her in Ourland" provides us with her answer to her ideal society, but her foray into a woman-only society as a corrective to a male dominated one is a controversial option. The challenging message of "Ourland," however, does not impede the pleasure of reading it as a novel.

Though known more for her fiction today, Gilman in her time was a recognized and accomplished sociologist who admired Lester F. Ward and frequently visited Jane Addams of Chicago's Hull-House. The male protagonist in "Herland/Ourland," Van, is a sociologist, used by Gilman as a foil on which to skewer the assumptions and practices of patriarchal sociology. The interpretation presented here, which adopts a sociological viewpoint, is invaluable reading for scholars and students of sociology, American women's studies, and utopian literature.

This book not only aims at highlighting existing inequalities between men and women, but also their efforts to overcome these challenges, especially so in women belonging to marginalized communities. It tries to explore systematic denial of rights to marginalized women-opportunities and resources that are normally and easily available to other members of a group, and which are fundamental to social, political integration and observance of human rights such as housing, employment, healthcare, civic engagement and democratic participation. The authors through their in-depth discussions and writings have tried to sketch Equal World as imagined by John Stuart Mill in the opening lines of The Subjugation of Women. This book is co-published with Aakar Books. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

This book argues that it is the fluidity of women's identities that enables them to bridge the gender divides and roles ascribed to them by society and culture with those that they have chosen for themselves whilst retaining a sense of their self.

With contributions from established and emerging scholars, this collection draws on original research to consider recent theoretical and methodological debates, shifts in law and policy, and social and cultural changes around sexuality. The book bridges identified gaps between theory, research methods and practice, and lived experiences across time and place. It reflects on the current wave of interdisciplinary work, setting out new ways of conceptualizing and researching sexuality and explores persistently marginalized, re-traditionalized and normative sexual practices, subjectivities and identities. This distinctive consideration of innovative contributions from across the humanities and social sciences places emergent debates, enduring legacies and new queries within its 'reflections' and 'futures'.

Caught as we are in a grave climate crisis that seems more irreversible with every passing year, our literary portrayals of the future often feature the dystopian collapse of the world as we know it. Science fiction explores how we got here, while pointing toward a more hopeful path forward. From an ecofeminist perspective, a core cause of our current ecological catastrophe is the patriarchal domination of nature, playing out in parallel with the oppression of women. As an alternative to dystopian futures that seem increasingly inevitable, ecofeminist science fiction helps us conjure utopias that promote environmental sustainability based on more egalitarian human relationships. Dystopias and Utopias on Earth and Beyond: Feminist Ecocriticism of Science Fiction explores the fictional worlds of such canonical novelists as Margaret Atwood, Octavia Butler, Ursula K. Le Guin, Doris Lessing, and Joan Slonczewski, as well as those of lesser-known science fiction writers, as they collectively probe humanity's greatest existential threats. Contributors from five continents provide compelling analyses of far future dystopias on Earth that are all too easy to imagine becoming reality if humankind's current trajectory continues, as well as provocative insights into science fiction utopias set on idyllic planets orbiting distant stars, which offer liberatory alternatives that might someday be actualized in the real world. By examining the links between the destruction of the environment and the domination of women, Dystopias and Utopias on Earth and Beyond provides the tools to counteract those intertwined oppressions, helping create a foundation for a truly habitable world.

Ecofeminist Science Fiction: International Perspectives on Gender, Ecology, and Literature provides guidance in navigating some of the most pressing dangers we face today. Science fiction helps us face problems that threaten the very existence of humankind by giving us the emotional distance to see our current situation from afar, separated in our imaginations through time, space, or circumstance. Extrapolating from contemporary science, science fiction allows a critique of modern society, imagining more life-affirming alternatives. In this collection, ecocritics from five continents scrutinize science fiction for insights into the fundamental changes we need to make to survive and thrive as a species. Contributors examine ecofeminist themes in films, such as Avatar, Star Wars, and The Stepford Wives, as well as television series including Doctor Who and Westworld. Other scholars explore an internationally diverse group of both canonical and lesser-known science fiction writers including Oreet Ashery, Iraj Fazel Bakhsheshi, Liu Cixin, Louise Erdrich, Hanns Heinz Ewers, Larissa Lai, Ursula K. Le Guin, Chen Qiufan, Mary Doria Russell, Larissa Sansour, Karen Traviss, and Jeanette Winterson. Ecofeminist Science Fiction explores the origins of human-caused environmental change in the twin oppressions of women and of nature, driven by patriarchal power and ideologies. Female embodiment is examined through diverse natural and artificial forms, and queer ecologies challenge heteronormativity. The links between war and environmental destruction are analyzed, and the capitalist motivations and means for exploiting nature are critiqued through postcolonial perspectives.

Despite the vast difference between first and third world societies, the subordination of women to men seems to be a universal fact. Originally published in 1984, the chapters in this book look specifically at the marital bond/contract, and locate the subordination of women in terms of that contract. Others examine the development and expansion of market relations and show how that affects marital relations, husbands' control over wives, men's over women.

Gender Inclusive Policing: Challenges and Achievements is an edited collection focused on current challenges, innovations, and positive achievements in gender integration in policing in different subject domains and locations. Comprised of essays from expert contributors from across the globe, the book covers a variety of topics including jurisdictional achievements (South Africa, British Isles, Scandinavian countries, Australia), women in leadership (achievements and methods, merit and affirmative action issues), performance comparisons (conduct, ethics, peacebuilding), intersectionality (Indigenous women), and women's police stations (South America). The book explores and grapples with issues of recruitment, deployment, and promotion; obstacles to equity; effective integration strategies; management, conduct, and policing styles; race and ethnicity; and specialization. It is an essential resource providing practical exemplars for police managers involved in gender equity programs and for professionals involved in advanced-level research, teaching, and consulting.

In 2009, Susan Boyle's debut roused Simon Cowell from his grumbling slumber on the television show "Britain's Got Talent" and viewers across the world rallied to the side of the unemployed, older woman with the voice of a trained Broadway star. In Mismatched Women, author Jennifer Fleeger argues that the shock produced when Boyle began to sing belies cultural assumptions about how particular female bodies are supposed to sound. Boyle is not an anomaly, but instead belongs to a lineage of women whose voices do not "match" their bodies by conventional expectations, from George Du Maurier's literary Trilby to Metropolitan Opera singer Marion Talley, from Snow White and Sleeping Beauty to Kate Smith and Deanna Durbin. Mismatched Women tells a new story about female representation in film by theorizing a figure regularly dismissed as an aberration. The mismatched woman is a stumbling block for both sound and feminist theory, argues Fleeger, because she has been synchronized yet seems to have been put together incorrectly, as if her body could not possibly house the voice that the camera insists belongs to her. Fleeger broadens the traditionally cinematic context of feminist psychoanalytic film theory to account for literary, animated, televisual, and virtual influences. This approach bridges gaps between disciplinary frameworks, showing that studies of literature, film, media, opera, and popular music pose common questions about authenticity, vocal and visual realism, circulation, and reproduction. The book analyzes the importance of the mismatched female voice in historical debates over the emergence of new media and unravels the complexity of female representation in moments of technological change.

In Homemaking for the Apocalypse, Jill E. Anderson interrogates patterns of Atomic Age conformity that controlled the domestic practices and private activities of Americans. Used as a way to promote security in a period rife with anxieties about nuclear annihilation and The Bomb, these narratives of domesticity were governed by ideals of compulsory normativity, and their circulation upheld the wholesale idealization of homemaking within a white, middle-class nuclear family and all that came along with it: unchecked reproduction, constant consumerism, and a general policing of practices deemed contradictory to normative American life. Homemaking for the apocalypse seeks out the disruptions to the domestic ideals found in memoirs, Civil Defense literature, the fallout shelter debate, horror films, comics, and science fiction, engaging in elements of horror in order to expose how closely domestic practices are tied to dread and anxiety. Homemaking for the Apocalypse offers a narrative of the Atomic Age that calls into question popular memory's acceptance of the conformity thesis and proposes new methods for critiquing the domestic imperative of the period by acknowledging its deep tie to horror.

- by veteran Routledge author whose books always sell well - first book in our Jungian film and media studies 'sub-list' that examines anything as contemporary as Netflix

This book draws upon interviews with teenage young people to explore their perspectives on risk and harm in 'youth sexting culture'. It focuses specifically on digital sexual image-sharing among young people. It contextualises the findings in terms of the wider literature on youth sexting and the broader theoretical and conceptual debates about the phenomenon in public and academic spheres. The book explores young people's attitudes toward and experiences of non-consensual sexting and privacy violations. It analyses the broader sociocultural context to youth sexting and discusses issues such as victim-blaming, social shaming and bullying within youth sexting culture. It reflects upon the nature of predominant approaches to responding to youth sexting (both legal and educational/pedagogic) and identifies what young people want and need when it comes to addressing risk and harm, based upon what the evidence shows about their situated realities and lived experiences. Public and academic discourse surrounding youth sexting, and the legal and educational policy responses to the phenomenon have developed and changed over recent years. The field is increasingly contested and there are ongoing debates about how to protect young people from harm while respecting their rights as individuals and encouraging them to develop into ethical sexual citizens, including within digital environments. This book presents empirical data to show how risk and harm in youth sexting culture is predicated upon a denial of rights to sexual and bodily integrity, autonomy and legitimacy.

This book develops the concept of feminist technoecologies as a theoretical and methodological tool for examining the co-constitutive relation between technology and ecology, which have typically been considered as distinct objects of studies. In underscoring how their dynamic relationality troubles the location of agency, this book challenges the idea that technology, as the marker of the innovative capacity of the human, either corrupts or saves ecology. The contributions to the volume present feminist approaches that contextualise and historicize such issues as multi-species survival, border control regimes, solar power, bioart, artificial intelligence and air pollution. They insist on the centrality of corporeality, affects, ethics and vulnerability in the materialisation of technoecological relations, and call into question the exceptional status of the figure of (hu)Man. Together they offer critical and creative tools or modes of inquiry for imagining alternative modalities of practicing care and thinking environmental sustainability. As a creative contribution to the growing literature on new configurations of bodies, technologies and environments against the backdrop of ecological degradation, digital technologization, and precarity in late capitalism, Feminist Technoecologies extends the interchanges between feminist materialisms, environmental humanities and feminist technosciences studies, and will be a resource for all those interested in these fields. This book was originally published as a special issue of Australian Feminist Studies.

Victorian traveller Mary Kingsley has been portrayed as a victim of 19th-century attitudes towards women, a brave and daring explorer, an anti-imperialist agitator and even a feminist heroine. In this biography, Dea Birkett examines and then confronts all these portraits. Mary Kingsley was neither victim nor rebel, but a late Victorian woman who manipulated the boundaries of her life without ever openly overstepping them. She argued against women's suffrage and for absolute differences between the races. She campaigned to prevent women becoming members of the learned societies in Britain, yet canoed up rapids in West Africa. Africa gave her a new life yet in the end it killed her.