In the three decades before the First World War, the relationship between socialism and feminism was both curious and convoluted. Despite strong theoretical links between these ideologies, class and sex seem to have inspired conflicting loyalties and opposing demands. In Britain, the uniquely middle-class, reform-minded Fabian Society might have been expected to bridge the gap between these movements. Yet, between 1884 and 1914, the Fabian Society's record on the "woman question" was highly inconsistent and, at times, overtly regressive. Originally published in 1987, this title looks at three of the most influential members, Sidney Webb, George Bernard Shaw and Hubert Bland and the women they were married to, who were also active in the Society.

The Wives of Western Philosophy examines the lives and experiences of the wives and women associated with nine distinct political thinkers-from Socrates to Marx-in order to explore the gendered patterns of intellectual labor that permeate the foundations of Western political thought. Organized chronologically and representative of three eras in the history of political thought (Ancient, Early Modern, and Modern), nine critical biographical chapters explore the everyday acts of intellectual labor and partnership involving these "wives of the canon." Taking seriously their narratives as intimate partners reveals that wives have labored in remarkable ways throughout the history of political thought. In some cases, their labors mark the conceptual boundaries of political life; in others, they serve as uncredited resources for the production of political ideas. In all instances, however, these wives and intimates are pushed to the margins of the history of political thought. The Wives of Western Philosophy brings these women to the center of scholarly interest. In so doing, it provides new insights into the intellectual biographies of some of the most famed men in political theory while also raising important questions about the gendered politics of intellectual labor which shape our receptions of canonical texts and thinkers, and which sustain the academy even today.

Ellen Key (1849-1926) was one of Europe's most influential thinkers on issues of motherhood and women's sexuality during the early 1900s. This anthology maps how her ideas were reformulated in Europe's five major language areas - English, German, French, Italian, and Spanish - and explores how her ideas about social modernity and women's sexuality were received and how they were communicated in feminist literature and debate during the first decades of the 20th century. The aim of this anthology is to offer new knowledge about Key's influence on European thinking on issues such as motherhood, sexuality, and love in the early 1900s by offering both a broader and deeper understanding of the international significance of Key's work.

In recent decades the vision of Austen as a subversive or rebellious author has appeared most forcefully in the varied scholarship of feminist literary critics. Some feminists have fashioned an Austen more closely linked to what Juliet Mitchell has called 'The Longest Revolution' (the women's movement) than to the French Revolution; others have vehemently disagreed. Jane Austen and Discourses of Feminism involves - among other things - a reassessment of these versions of Austen's relationship to feminisms. By foregrounding issues ofartistic merit, genre, and history, many literary critics have effectively ignored issues of gender in their studies of Austen; feminist scholarship provided an important corrective. On the other hand, some feminist criticism, although it approached Austen's texts in innovative ways, gave short shrift to issues ofhistory, literary genre, social context, or artistry. This volume aims implicitly and explicitly to recap second-wave feminist attention to Austen and to suggest new directions that criticism on Austen might take.

This book explores queer potentialities in the tribal folktales of India. It elucidates the queer elements in the oral narratives of four indigenous communities from East and Northeast India, which are found to be significant repositories of gender fluidity and non-normative desires. Departing from the popular understanding that 'Otherness' results largely from undue exposure to Western permissiveness, the author reveals how minority sexualities actually have their roots in aboriginal indigenous cultures and do not necessarily constitute a mimicry of the West. The volume endeavours to demystify the politics behind such vindictive propagation to sensitize the queerphobic mainstream about the essential endogenous presence of the queer in the spaces that are aboriginal. Based on extensive interdisciplinary research, this book is a first of its kind in the study of indigenous queer narratives. It will be useful to scholars and researchers of queer studies, gender studies, tribal and indigenous studies, literature, cultural studies, postcolonialism, sociology, political studies and South Asian studies.

Centered around the relationship between art and political transformation. From Charlotte Bronte and Virginia Woolf, to Marlene van Niekerk and William Kentridge, artists and intellectuals have tried to address the question: How to deal with the legacy of exclusion and oppression? Via substantive works of art, this book examines some of the answers that have emerged to this question, to show how art can put into motion something new and how it can transform social and cultural relations in a sustainable way. In this way, art can function as an effective form of cultural critique. In the course of this book, a range of artworks are examined, through a postcolonial and feminist lens, in which revolt-both as a theme and as a medium-specific technique or/as critique -is made visible. Time and time again, revolt takes the form of a slow and thorough working through of the position of the individual in relation to her history and her contemporary geopolitical circumstances. It thus becomes evident that renewal and transformation in art and society are most successful when they proceed according to the method of self-reflexive cultural critique; when they do not present themselves as revolution, radical breaks with the past, but rather as processes of revolt in which knowledge of the past is investigated, complemented, corrected, and bent to a new collective will.

Climate Changed is an honest, humane account about the rapid downsizing of the world's natural resources and the consequences this has for millions of people who, year after year, are displaced from their home countries because of politically-instigated and economically-justified war and conflict. Based on interviews with 110 refugees who arrived into Europe from 2015 to 2018 and observations of refugee camps, border crossings, inner-city slums, social housing projects, NGO and related refugee associations, this book offers a moving insight into the refugee experience of leaving home, crossing borders and settling in Europe. Briggs sets this against the geopolitical and commercial enterprise that dismantled refugees' countries in the international chase for wilting quantities of the world's natural resources. At every point of their journey to their new lives and in the resettlement process, the refugees are victimised and exploited, as there is always money to be made from them. Even if refugees' labour is in demand, there is a European social climate of intolerance and stigma which jeopardises integration and counters their well-being and safety. The climate has changed. This book will appeal to students and scholars in core areas of sociology, environmental and sustainability studies, human geography, and politics. Policymakers, practitioners and voluntary workers within the sector of frontline immigration, as well as aid workers, town planners and welfare support staff, will also find this book of interest.

The Maternal Experience explores the powerful and dynamic nature of maternal ambivalence and disrupts the conventional narrative of the mother's lived experience by arguing that encounters with feelings of hatred are both universal and have the capacity to stimulate and enrich her maternal love. The book draws on the author's personal mothering experiences, those of other women, and examples from film to inspire new introspection about the everyday maternal experience. Lowy takes a psychosocial approach to weave thinking from selected psychoanalytic and contemporary accounts together with personal stories to explore how maternal ambivalence operates, and how mothering is sourced in psychic struggles between loving and hating feelings in an atmosphere that is rife with social and personal expectations and prohibitions. By reworking the experience of maternal ambivalence, the book secures an understanding of the mother's feelings of hatred as a catalyst for her love and allows these maligned and taboo emotions to be named and reframed into acceptable and transformative feelings. Brought alive by examples from film and first-hand experience, this book is fascinating reading for academics and students of psychology, maternal and women's studies, and sociology, as well as practitioners in the fields of psychology, social work, medicine and counselling.

The Routledge Handbook of Feminist Philosophy of Science is a comprehensive resource for feminist thinking about and in the sciences. Its 33 chapters were written exclusively for this Handbook by a group of leading international philosophers as well as scholars in gender studies, women's studies, psychology, economics, and political science. The chapters of the Handbook are organized into four main parts: I. Hidden Figures and Historical Critique II. Theoretical Frameworks III. Key Concepts and Issues IV. Feminist Philosophy of Science in Practice. The chapters in this extensive, fourth part examine the relevance of feminist philosophical thought for a range of scientific and professional disciplines, including biology and biomedical sciences; psychology, cognitive science, and neuroscience; the social sciences; physics; and public policy. The Handbook gives a snapshot of the current state of feminist philosophy of science, allowing students and other newcomers to get up to speed quickly in the subfield and providing a handy reference for many different kinds of researchers.

This book is a collection of articles written by international scholars and dealing with passing from a textual and cultural perspective. All these explorations of a complex identity phenomenon that defies reductive dualities result in scholarly interrogations of societal arrangements. The texts under perusal belong to different historical periods and various communities. The novelty of this collection is that passing is viewed not only as a racial or gendered transformation, but also as a religious one. The book deals with passing either as a strategy that results in assimilation, melting, and merging, or as resistance and challenge against the whiteness-only-based identity politics.

Katie Mitchell: Beautiful Illogical Acts offers the first comprehensive study of Britain's most internationally recognised, influential, and controversial theatre director. It examines Mitchell's innovations in fourth-wall realism, opera, and Live Cinema across major British and European institutions, bringing three decades of practice vividly to life. Informed by first-hand rehearsal observations and in-depth conversations with the director and her collaborators, Fowler investigates the intense and immersive qualities of Mitchell's distinctive theatrical realism and challenges mainstream narratives about realism as a defunct or inherently conservative genre. He explores Mitchell's theatre-and its often polarised reception-to question familiar assumptions governing contemporary performance criticism, including common binaries that pit realism against radical experimentation, auteurs against texts, feminists against Naturalism, and Britain against Europe. By examining a career trajectory that intersects with huge cultural change, Fowler places Mitchell at the centre of urgent contemporary debates about cultural transformation and its genuinely inclusive potential. This is an essential book for those interested in Katie Mitchell, British theatre, directing, the transformative power of realism and feminism in contemporary theatre practice, and challenges to hierarchical distributions of power inside the mainstream.

This book takes a critical feminist approach to Lacan's fundamental concepts, merging discourse and sexuation theories in a novel way for both psychoanalysis and feminism, and exploring the possibility of a feminist subject within a non-masculine logic. In Lacan and Critical Feminism, Carusi merges Lacan's theories of discourse and sexuation, not only from a gender/sexuality angle, but also from a literary, feminist, and women's studies framework. By drawing examples from literature, film, art, and socio-political movements to focus on discourse and sexuation, the text examines how tropes impact the subject's positionality within any discourse mode. The book also uses women's collective experience and action to illustrate ways that women have repositioned dominant narratives discursively. This text represents essential reading for researchers interested in the relationship between Lacan and feminist theory.

Same-sex marriage is now legal in twenty-nine countries and the subject of continued debate around the world. The Political Economy of Same-Sex Marriage: A Feminist Critique considers this debate from a political economy perspective. Rather than engaging directly in the now well-rehearsed social-movement and academic for-and-against debates, this book focuses on processes of institutionalization of same-sex marriage and so-called "rainbow families" within (neo)liberal capitalist democracies. It examines how states and markets appropriate same-sex marriage and family to enhance their own political and symbolic capital, consolidating power and profit within existing systems of gendered and raced socioeconomic stratification. Taking a radical feminist, heterodox, qualitative and intersectional approach, this book investigates the political economy of same-sex marriage across three axes: same-sex marriage as institution; same-sex marriage and the market; and the political economy of the "rainbow family". The examination of case studies from different countries and regions enables a comparative analysis that foregrounds cultural, political and economic path dependencies while at the same time highlighting a number of striking commonalities. In all the countries discussed in this book and in most respects, same-sex marriage has been integrated almost seamlessly into a mainstream/malestream political economy of marriage and family and its translation into added market and productive value. The Political Economy of Same-Sex Marriage: A Feminist Critique will be of use to researchers and students alike, and indeed to all those who are curious about the mainstreaming of homosexuality within twenty-first-century capitalist democracies.

This book is a powerful narrative of how six women experienced their lives alongside their desire to overcome the challenging and empowering nature of the English language. The volume shares who they are as transnational and mobile women living in the midst of linguistic privilege and marginalization. It is one outcome of a research project and the lived experiences which surround and influence (and were influenced by) it. The author documents how she and her research partners began studying what had drawn them to US TESOL programs, and how English was and is a symbol of power and privilege, a symbol of educational access and a pursuit of equity, yet, at times, is also a symbol of linguistic marginalization.

South Asian Feminism is in crisis. Under constant attack from right-wing nationalism and religious fundamentalism and co-opted by "NGOisation" and neoliberal state agendas, once autonomous and radical forms of feminist mobilization have been ideologically fragmented and replaced. It is time to re-think the feminist political agenda for the predicaments of the present.This timely volume provides an original and unprecedented exploration of the current state of South Asian feminist politics. It will map the new sites and expressions of feminism in the region today, addressing issues like disability, internet technologies, queer subjectivities, and violence as everyday life across national boundaries, including India, Pakistan, Bangladesh, and Sri Lanka. Written by young scholars from the region, this book addresses the generational divide of feminism in the region, effectively introducing a new "wave" of South Asian Feminists that resonates with feminist debates everywhere around the globe.

Exploring Depth Psychology and the Female Self: Feminist Themes from Somewhere presents a Jungian take on modern feminism, offering an international assessment with a dynamic political edge which includes perspectives from both clinicians and academics. Presented in three parts, this unique collection explores how the fields of gender and politics have influenced each other, how myth and storytelling craft feminist narratives and how public discussion can amplify feminist theory. The contributions include some which are traditionally theoretical in tone, and some which are uniquely personal, but all work to encounter the female self as an active entity. The book as a whole offers a multi-faceted and interdisciplinary approach to feminism and feminist issues from contemporary voices around the world, as well as a critique of Jung's essentialist notion of the feminine. Exploring Depth Psychology and the Female Self will offer insightful perspectives to academics and students of Jungian and post-Jungian studies, gender studies and politics. It will also be of great interest to Jungian analysts and psychotherapists, and analytical psychologists.

Exploring Depth Psychology and the Female Self: Feminist Themes from Somewhere presents a Jungian take on modern feminism, offering an international assessment with a dynamic political edge which includes perspectives from both clinicians and academics. Presented in three parts, this unique collection explores how the fields of gender and politics have influenced each other, how myth and storytelling craft feminist narratives and how public discussion can amplify feminist theory. The contributions include some which are traditionally theoretical in tone, and some which are uniquely personal, but all work to encounter the female self as an active entity. The book as a whole offers a multi-faceted and interdisciplinary approach to feminism and feminist issues from contemporary voices around the world, as well as a critique of Jung's essentialist notion of the feminine. Exploring Depth Psychology and the Female Self will offer insightful perspectives to academics and students of Jungian and post-Jungian studies, gender studies and politics. It will also be of great interest to Jungian analysts and psychotherapists, and analytical psychologists.

The Perfect Gift for Women Ready to Change the World"This is a book about the power women have-and are using to help heal the broken bones of this beautiful world." -Sherry Richert Belul, author of Say it Now: 33 Creative Ways to Say I Love You to the Most Important People in Your Life Winner Bookauthority Best New Feminist Theory Books Packed with stories of ordinary women doing extraordinary things, this book is a must-have for any woman who has ever dreamt of a better world. Be inspired by this compelling tour de force of sisterhood. Shelly Rachanow's book is full of powerful, courageous women who are getting vitally important sh*t done. Dive into this empowering narrative and read about: A trauma surgeon working to stem the epidemic of gun violence A professor who ran for office to provide a better role model for her sons An educator raising India's poorest girls out of poverty Teens fighting for clean water, inspiring future generations to continue their work A group of firefighters training to trek across Antarctica, raising awareness for mental health and showing young girls that they are strong and can be anything they choose Activists from around the world fighting the injustices of inequality and patriarchy One small action can inspire a movement. As these women have shown, a movement can change minds...and ultimately the world. If you enjoyed books like Badass Affirmations, Bad Girls Throughout History, The Book of Gutsy Women, or Made Out of Stars, then you'll love When Women Run the World Sh*t Gets Done.

Centered around the relationship between art and political transformation. From Charlotte Bronte and Virginia Woolf, to Marlene van Niekerk and William Kentridge, artists and intellectuals have tried to address the question: How to deal with the legacy of exclusion and oppression? Via substantive works of art, this book examines some of the answers that have emerged to this question, to show how art can put into motion something new and how it can transform social and cultural relations in a sustainable way. In this way, art can function as an effective form of cultural critique. In the course of this book, a range of artworks are examined, through a postcolonial and feminist lens, in which revolt-both as a theme and as a medium-specific technique or/as critique -is made visible. Time and time again, revolt takes the form of a slow and thorough working through of the position of the individual in relation to her history and her contemporary geopolitical circumstances. It thus becomes evident that renewal and transformation in art and society are most successful when they proceed according to the method of self-reflexive cultural critique; when they do not present themselves as revolution, radical breaks with the past, but rather as processes of revolt in which knowledge of the past is investigated, complemented, corrected, and bent to a new collective will.

The relationship between men and feminism is frequently assumed to be antagonistic. This volume confronts this assumption by bringing critical attention to men's engagement in feminist research, pedagogy, and activism in India. The chapters in this collection respond to two broad thematic concerns: theoretical implications of men producing feminist knowledge and the history of men's participation in feminist endeavours. The volume also explores the undocumented contributions of men to three domains of feminist activity: institutionalization of feminism in the academy, social movements aimed at gender justice, and male writings on gender and sexuality. Delving into an important yet overlooked aspect of the social sciences, this volume will be of great interest to scholars and researchers of gender studies, masculinity studies, modern Indian history, sociology, and social anthropology.

In Ethnic Minority Women's Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole's key publishers, specifically with regards to non-white French women's literature. Echoing the utopic "Black-Blanc-Beur" model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated "Beur" authors or exploiting "Black" political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the "Black-Blanc-Beur" paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era's reductive multicultural utopia, within a realm directly adjacent to litterature francaise, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard's research highlights the discrepancies between France's official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.

This book analyses rape culture through the lens of the 'me too' era. Drawing feminist theory into conversation with peace studies and improvisation theory, it advocates for peace- building opportunities to transform culture and for the improvisatory resources of 'culture- jamming' as a mechanism to dismantle rape culture. The book's key argument is that cultural attitudes and behaviours can be shifted through the introduction of disrupting narratives, so each chapter ends with a 'culture- jammed' re- telling of a traditional fairy tale. Chapter 1 traces an overlap of feminist theory and peace studies, arguing that rape culture is most fruitfully understood through the concept of 'structural violence.' Chapter 2 investigates the gender scripts that rape culture produces, considering a female counterpart to the concept of 'toxic masculinity': 'complicit femininity.' Chapter 3 offers analysis of non- consensual sex and a history of consent education, culminating in an argument that we need to move beyond consent to conceptualise a robust 'respectful mutuality.' Chapter 4 's history of sexual harassment in the workplace and the rise of #metoo argues that its global manifestations are a powerful peace- building initiative. Chapter 5 situates 'me too' within a culture- jamming history, using improvisation theory to show how this movement's potential can shape cultural reconstruction. This is a provocative and interventionist addition to feminist theory scholarship and is suitable for researchers and students in women's and gender studies, feminist theory, sociology and peace studies.

This book presents an engaging sociological investigation into how gender is negotiated and performed in ballroom and Latin dancing that draws on extensive ethnographic research, as well as the author's own experience as a dancer. It explores the key factors underpinning the popularity of this leisure activity and highlights what this reveals more broadly about the nature of gender roles at the current time. The author begins with an overview of its rich social history and shifting class status, establishing the context within which contemporary masculinities and femininities in this community are explored. Real and imagined gendered traditions are examined across a range of dancer experiences that follows the trajectory of a typical learner: from finding a partner, attending lessons and forming networks, through to taking part in competitions. The analysis of these narratives creates a nuanced picture of a dance culture that is empowering, yet also highly consumerist and image-conscious; a highly ritualised set of practices that both reinstate and transgress gender roles. This innovative contribution to the feminist leisure literature will appeal to students and scholars of anthropology, dance, sport, gender, cultural and media studies.