Alerting readers to a body of recent work that has gone
under-examined, Tania Modleski redraws in Old Wives' Tales the
perimeter of popular culture. A critical analysis of films such as
"The Ballad of Little Jo, The Piano" and "Dogfight, Old Wives'
Tales" also takes up performance, autobiographical experience, and
contemporary social issues to illustrate how women's genres mediate
between us and reality. Modelski examines the changes occurring in
traditional women's genres, such as romances and melodrama, and
explores the phenomenon of female authors and performers who
"cross-dress"--women, that is, who are moving into male genres and
staking out territory declared off-limits by men and by many
feminists.
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