"Queer Voices" sets out both to queer the musicological and to
make queer audible, arguing that the voice, particularly the
singing voice, opens up a richly queer space. Using case studies
from different repertoires, the book demonstrates how queer emerges
particularly audibly when the voice is heard to engage with various
technologies: the external technologies of music performances and
recordings, technologies of power, or the internal technologies of
vocal production itself.
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