As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted.

This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context:

• What are the contending ways of knowing homosexuals and the violence they face?
• How are the causes, characters, consequence of, and 'cures' for, violence constructed through such knowledges and what are their power effects?

The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.

In Oktober 2015 het die Algemene Sinode van die NG Kerk ’n merkwaardige besluit oor selfdegeslagverhoudings geneem. Die besluit het erkenning gegee aan sulke verhoudings en dit vir predikante moontlik gemaak om gay en lesbiese persone in die eg te verbind. Ook die selibaatsvereiste wat tot op daardie stadium vir gay predikante gegeld het, is opgehef. Met hierdie besluit het die NG Kerk die eerste hoofstroomkerk in Suid-Afrika en Afrika geword wat totale gelykwaardige menswaardige behandeling van alle mense, ongeag seksuele oriëntasie, erken – en is gedoen wat slegs in ’n handjievol kerke wêreldwyd uitgevoer is. Die besluit het egter gelei tot groot konsternasie. Verskeie appèlle en beswaargeskrifte is ingedien, distriksinodes het hulle van die besluit distansieer, en in die media was daar volgehoue kritiek en debat.

Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional `womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.

'I want what I want ... not what other people think I ought to want' Roy Clark insists to all those who attempt to help him: to the psychiatrist at the mental hospital in which he briefly finds himself; to his baffled but affectionate sister, whose clothes he has stolen; to his father, who is appalled that he has produced such a son. For Roy Clark wants to be Wendy Ross. When a small legacy enables him - not to have the operation on which he has set his heart - but at least to dress and live his life as a woman, he feels brilliantly alive for the first time. But then he meets a man called Frank and, realising he can't live without love, the stage is set for tragedy. I Want What I Want is an extraordinary portrait of a young man struggling with his gender identity. Devastating and deeply moving, it is a modern classic and was made into a film by the same title starring Anne Heywood.

From the co-creator and co-star of the hit series Broad City, a hilarious and poignant collection about love, loss, work, comedy and figuring out who you really are when you thought you already knew. When Abbi Jacobson announced to friends and acquaintances that she planned to drive across the country alone, she was met with lots of questions and opinions: Why wasn't she going with friends? Wouldn't it be incredibly lonely? The North route is better! Was it safe for a woman? The Southern route is the way to go! You should bring mace! And a common one . . . why? But Abbi had always found comfort in solitude, and needed space to step back and hit the reset button. As she spent time in each city and town on her way to Los Angeles, she mulled over the big questions - What do I really want? What is the worst possible scenario in which I could run into my ex? How has the decision to wear my shirts tucked in been pivotal in my adulthood? In this collection of anecdotes, observations and reflections - all told in the sharp, wildly funny and relatable voice that has endeared Abbi to critics and fans alike - readers will feel like they're in the passenger seat on a fun and, ultimately, inspiring journey. With some original illustrations by the author.

From Victoria Island, Lagos to Brooklyn, USA to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chike Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives and finding joy in the face of great adversity.

This new edition includes an introduction from Carmen Maria Machado, author of Her Body and Other Parties, and an afterword from the author. Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia with her sister to seek a better life in America. However, their family were murdered by Nazis and their shtetl destroyed in the war. Her mother, racked by guilt at having left them behind, suffered from psychosis. The only relief she had from this and the poverty in which they lived, was her daughter, Lilly. Lilly grows into Lil, a beautiful young woman who discovers that she is attracted to other women, and who finds herself in the dangerous but seductive world of addicts, pimps, prostitutes and sham-marriages of Hollywood in the fifties. Desperately seeking to make her life meaningful and to redeem her mother's suffering, she studies at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she becomes Lillian, a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power: Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.

In the second of his trio of acclaimed memoirs, Rigoberto Gonzalez looks at his past through a startling lens: hunger. A childhood of neglect, adolescent yearnings, and adult desire for a larger world, another lover, a different body-all are explored by Gonzalez in a series of heartbreaking and poetic vignettes.

Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive. -- .

NOW A MAJOR MOTION PICTURE STARRING LUCAS HEDGES, RUSSELL CROWE AND NICOLE KIDMAN, AND WRITTEN AND DIRECTED BY JOEL EDGERTON `A necessary, beautiful book' Garth Greenwell, author of What Belongs to You `A brilliant memoir' Guardian The son of a Baptist pastor and deeply embedded in church life in small town Arkansas, as a young man Garrard Conley was terrified and conflicted about his sexuality. When Garrard was a nineteen-year-old college student, he was outed to his parents, and was forced to make a life-changing decision: either agree to attend a church-supported conversion therapy program that promised to "cure" him of homosexuality; or risk losing family, friends, and the God he had prayed to every day of his life. Through an institutionalised Twelve-Step Program heavy on Bible study, he was supposed to emerge heterosexual, ex-gay, cleansed of impure urges and stronger in his faith in God for his brush with sin. Instead, even when faced with a harrowing and brutal journey, Garrard found the strength and understanding to break out in search of his true self and forgiveness. By confronting his buried past and the burden of a life lived in shadow, Garrard traces the complex relationships among family, faith, and community. At times heartbreaking, at times triumphant, this memoir is a testament to love that survives despite all odds.

'OUR FAVOURITE READS OF 2016' THE TIMES | A NEW YORK TIMES BESTSELLER 'A BOOK THAT HAS YOU EMAILING FRIENDS "YOU HAVE TO READ THIS"' The Sunday Times - 'A WARM AND POIGNANT MEMOIR' Daily Express - 'WITHOUT A DOUBT MY FAVOURITE BOOK OF THE YEAR' Nathan Lane, Wall Street Journal Signed by Paramount for TV starring Oscar-winner Shirley MacLaine & Tony-winner Matthew Broderick A witty, tender memoir of a son's journey home to care for his irascible mother with dementia - a tale of secrets, silences, and enduring love. When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself-an unlikely caretaker and near-lethal cook-in a head-on collision with his ageing mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can't bring himself to force her from the home both treasure-the place where his father's voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict: Betty, who speaks her mind but cannot quite reveal her heart, has never really accepted the fact that her son is gay. As these two unforgettable characters try to bring their different worlds together, Hodgman reveals the challenges of Betty's life and his own struggle for self-respect, moving readers from their small town-crumbling but still colourful-to the star-studded corridors of Vanity Fair. Evocative of The End of Your Life Book Club and The Tender Bar, Hodgman's New York Times bestselling debut is both an indelible portrait of a family and an exquisitely told tale of a prodigal son's return.

Hoekom is ek so, wat is fout met my? Ek kan nie regtig met iemand hieroor praat nie. Ek sien nie kans vir die verwerping, spot en veroordeling nie. Wanneer my ouers, vriende en familie dit uitvind, hoe gaan hulle reageer? Wat dink God van alles, waar pas Hy in? Hoekom straf Hy my so? Ek bly liewers stil en leef ’n lewe van leuens.

Hierdie is 'n moet-lees boek vir:

• Die wat anti-gay is (ouers, familie, vriende, kerkleiers) en nie besef watter bloedspoor gelos word deur die misbruik van die Skrifte, mites en ongevoelige uitsprake teenoor gay mense nie.
• Die gelowige gay mens wat met sy of haar seksualiteit sukkel en hopelik aangespoor sal word om hulleself te aanvaar.
• Die pro-gay mense (ouers, familie, vriende, kerkleiers) wat swaar dra in die proses om die gay mens te beskerm.

World events demonstrate that equality for women isn't only a women's issue: when women fulfil their potential, everyone benefits. Completely updated and redesigned, this new edition of Joni Seager's award-winning classic illustrates how women live across continents and cultures, and charts the status of women worldwide - the advances they have made and the distances still to be travelled. With vivid graphics and pithy text, it is a comprehensive and accessible analysis of up-to-the-minute global data on the key issues facing women today.; Topics include:; Gender equality * Literacy and information technology * Feminism * Beauty * Work and the global economy * Changing households * Domestic violence * Refugees * LGBTQ rights * Government and power * Motherhood

A raw and heart-wrenching literary memoir about a queer couple's attempt to adopt a child. But would you take a ginger child? a social worker asks Patrick Flanery as he and his husband embark on their four-year odyssey of trying to adopt. This curious question comes to haunt the journey, which Flanery recounts with startling candour as he explores what it means to make a family as a queer couple, to be an outsider in a foreign country, to grapple with the inheritance of intergenerational loss, and to discover that the emotions we feel are sometimes as mysterious to ourselves as to others. This uniquely powerful book moves deftly between heartbreaking memoir and illuminating meditation on parenting, adoption and queerness in contemporary culture, stopping along the way to consider recent science fiction film, camp horror television, fiction and visual art. At the end, which could also be the beginning of a new journey, Flanery asks whether we might all imagine ourselves as ginger children-fragile, sensitive, more easily hurt than we think possible, but with the hope that we are also survivors, with greater powers of resilience than we know.

In Lendetaal gee Hennie Aucamp sy perspektief op vrae rondom kwessies oor homoerotiek in die kunste en in die letterkunde. Onder die afdeling "Kuns" word daar gekyk na die manlike naakt in fotografie, die voorstelling van die jong seun in die kunste en hoe gay kunstenaars die lyntekening in die verkenning van erotiese sones ontgin. Die afdeling "Skrywers en individuele werke" is 'n kort historiese oorsig van die hantering van homoseksualiteit in literatuur. Skrywers soos Stephen Spender, C. Louis Leipoldt, Christopher Isherwood en Edmund White word belig en daar word aandag gegee aan gay stereotipes soos die cowboy in die kortverhaal "Brokeback Mountain". In "Bloemlesings" gee Aucamp onder andere 'n hipotetiese keur van gay verhale. Die laaste afdeling, "Egodokumente", bespreek beroemde mense se dagboeke en daar word afskeid geneem van Lucas Malan.

Amigas y Amantes (Friends and Lovers) explores the experiences of sexually nonconforming Latinas in the creation and maintenance of families. It is based on forty-two in-depth ethnographic interviews with women who identify as lesbian, bisexual, or queer (LBQ). Additionally, it draws from fourteen months of participant observation at LBQ Latina events that Katie L. Acosta conducted in 2007 and 2008 in a major northeast city. With this data, Acosta examines how LBQ Latinas manage loving relationships with the families who raised them, and with their partners, their children, and their friends. Acosta investigates how sexually nonconforming Latinas negotiate cultural expectations, combat compulsory heterosexuality, and reconcile tensions with their families. She offers a new way of thinking about the emotion work involved in everyday lives, which highlights the informal, sometimes invisible, labour required in preserving family ties. Acosta contends that the work LBQ Latinas take on to preserve connections with biological families, lovers, and children results in a unique way of doing family. Paying particular attention to the negotiations that LBQ Latinas undertake in an effort to maintain familial order, Amigas y Amantes explores how they understand femininity, how they negotiate their religious faiths, how they face the unique challenges of being in interracial/interethnic relationships, and how they raise their children while integrating their families of origin.

While homosexuality is accepted in most countries, this is not the case in the Philippines where bakla men are treated as second class citizens; homosexuality regarded as a "disordered inclination." 'Of God and Men' is the true story of Raymond Alikpala's journey of self discovery that takes him from the predominantly Catholic Phillipines to Singapore, Thailand and eventually to Cambodia. It was a journey in which he joined and left the priesthood after deciding that his God wanted him to live a full and honest life, which meant coming out.

In Balancing act: South African gay and lesbian youth speak out, twenty one young gay and lesbian South Africans from a wide range of social backgrounds speak candidly about their experiences, hopes and dreams. This collection of stories gives a fascinating insight into choices faced by young South African gay and lesbian people.