Servia and Catalina are back, and this time, they find themselves facing new obstacles in their relationship. Boredom in a time of peace sends the empress on a voyage across the Mediterranean she quickly wishes she can undo, as she and her queen encounter a new, cunning foe in Cleopatra, the arrogant former pharaoh of Egypt whose thirst for vengeance will not be so easily quenched. Cleopatra's violent political tactics, together with civil unrest over a controversial law passed in Rome and Catalina's hope for a child, soon give Servia plenty of problems with which to occupy her time, as a terrifying new dilemma confronts her: Trapped in a predicament where she must choose, how can she reconcile loyalty to kingdom and loyalty to love without letting one of them go forever? Warning: This novel contains graphic violence and is not recommended for readers under the age of 18.

Over 16,000,000 men served in the armed forces in WWII. Perhaps as many as 3%, or 480,000, had a homosexual orientation. Admittedly, several thousand were screened out before being inducted, and some later received Undesirable Discharges. 120,000 of these men saw combat action, and undoubtedly hundreds were killed, and thousands were wounded. Jack Scott, by far the most outstanding seventeen-year-old in a small town in Arkansas, is forced to confront this problem both at home and in the military. This story is his, and to a degree, the stories of his family, his friends, and his comrades in combat. The problem is handled sympathetically, if realistically.

This book examines and critiques the fact that Chile's claims to economic exceptionalism have been embodied, often quite aggressively, in a heterosexual, and primarily male, ideal. Despite the many shifts Chilean economics and politics have undergone over the past fifty years, the country's view of itself as a "model" in contrast to other Latin American countries has remained constant. By deploying an artistic, literary, and cinematic archive of queer figures from this period, this book draws parallels among the exceptionalisms of Chile's economic discourse, the subjects deemed most (and least) apt to embody it, and the maneuvers of its cultural production between local and global ideas of gender and politics to delineate its place in the world. Queering the Chilean Way thus sheds light on the sexual, economic, and aesthetic dimensions of exceptionalism-at its heart, a discourse of exclusion that often comprises a major element of nationalism-in Chile and throughout the Americas.

This book demonstrates that everyday interactions and struggles over the right words to use are at the heart of the experience of those in same-sex marriages. At a time when same-sex marriage is on the cusp of becoming legal across the United States, the authors demonstrate through in-depth interviews and rich survey data how the use of relationship terms by married lesbians is tied to a variety of factors that influence how their identities are shaped and presented across social contexts. Via rich anecdotes of how married lesbians navigate the social sphere through their varied use or avoidance of the use of the term wife, this volume is provides groundbreaking insights into how social change is being constructed and made sense of through an examination of real-life interactions with family and friends, on the job, and across service and casual encounters. The authors introduce us to the concept of contextual identity to explain how history and social context inspire cultural change. This first-of-its-kind analysis demonstrates how the first lesbians to marry have navigated acceptance and rejection, insecurity and political strength through their use of language in daily interactions. This book will surely resonate with anyone interested in understanding how married lesbians are presenting themselves at this historical juncture where social change and linguistic nuance are colliding.

In this extraordinary history, James Driscoll reveals the untold story of how AIDS activists, by thwarting bureaucratic plans imposed by the U.S. Federal Drug Administration (FDA), both saved HIV patients and rescued the FDA itself from a self-inflicted public health catastrophe. By 1996, accelerated approval of AIDS drug cocktails transformed AIDS from a death sentence to a manageable disease. That approval, however, came only after years of struggle pitting AIDS activists against the hidebound culture of the Food and Drug Administration, which wanted to run lengthy efficacy trials required for full approval and possibly delay the drugs at a cost of tens of thousands of lives. Driscoll's courageous efforts, which are an important personal part of the story, navigated conflicts among AIDS activist groups as they struggled with both major American political parties to be heard and respected. He examines the effect of AIDS activism on the LGBT community, its views of itself, and its place in modern American society. Additional materials analyze FDA mistakes, drug pricing, and other contemporary challenges for the LGBTs community.

This interdisciplinary book responds to the explosion of gay and lesbian creativity on modern-day France. Rather than attempting to formalize a specifically 'gay' or 'lesbian' style or identity, the authors seek to open up new 'homotextualities, ' understood here as ongoing constructions and deconstructions of both homosexuality and its environments. They investigate the work of (among others) Violette Leduc, Tony Duvert, Renaud Camus, and Guy Hocquenghem; the cinema of Josiane Balasko and Cyril Collard; the theoretical writings of Leo Bersani, Luce Irigaray, and Monique Wittig. Employing a range of methods, authors re-evaluate and contest both the literary and theoretical canon and establish new convergences between French and Gay Studies, in particular, queer theory. This book provides the first proper assessment of the usefulness of this approach when dealing with a literary and cultural tradition notoriously discreet about the very concept of a gay writer.

The first compilation ever to explore the contentious history of the world gay rights movement from its inception in Germany in the 1800s to today. Denmark recently became the first country in the world to allow marriage between same-sex partners. In Uganda, homosexuality is a crime punishable by life imprisonment. Depending on where you are in the world, homosexuality is an "unspeakable love", a medical deviance, a legitimate alternative lifestyle, or simply a non-issue. Gay and Lesbian Issues: A Reference Handbook traces the developments, people and organizations responsible for bringing homosexual issues to the public's attention. In addition to exploring such controversial issues as gays in the military and child adoption this title discusses court decisions, pivotal events, and key individuals like Magnus Hirschfeld, Radclyffe Hall, Anita Bryant, and Harvey Milk, a San Francisco gay rights activist who was murdered by a town supervisor. What happens when a same-sex couple marrying in Denmark returns to the U.S. expecting to be treated as legally married? This one-of-a-kind reference explores the interplay of international politics with U.S. policies. Students, administrators and parents alike will discover a wealth of supportive data and statistics on hate crimes, adolescent suicide, military discrimination and much more.

The Salome Ensemble probes the entangled lives, works, and passions of a political activist, a novelist, a screenwriter, and a movie actress who collaborated in 1920s New York City. Together they created the shape-shifting, genre-crossing Salome of the Tenements, first a popular novel and then a Hollywood movie. The title character was a combination Cinderella and Salome like the women who conceived her. Rose Pastor Stokes was the role model. Anzia Yezierska wrote the novel. Sonya Levien wrote the screenplay. Jetta Goudal played her on the silver screen. Ginsberg considers the women individually and collectively, exploring how they shaped and reflected their cultural landscape. These European Jewish immigrants pursued their own versions of the American dream, escaped the squalor of sweatshops, knew romance and heartache, and achieved prominence in politics, fashion, journalism, literature, and film.

As part of the emerging new research on civic innovation, this book explores how sexual politics and gender relations play out in feminist struggles around body politics in Brazil, Colombia, India, Iran, Mexico, Nepal, Turkey, Nicaragua, as well as in East Africa, Latin America and global institutions and networks. From diverse disciplinary perspectives, the book looks at how feminists are engaged in a complex struggle for democratic power in a neoliberal age and at how resistance is integral to possibilities for change. In making visible resistances to dominant economic and social policies, the book highlights how such struggles are both gendered and gendering bodies. The chapters explore struggles for healthy environments, sexual health and reproductive rights, access to abortion, an end to gender-based violence, the human rights of LGBTIQA persons, the recognition of indigenous territories and all peoples' rights to care, love and work freely. The book sets out the violence, hopes, contradictions and ways forward in these civic innovations, resistances and connections across the globe.

In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among "transgender dykes"-lesbians who pass as men-and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.

"The claim 'I'm straight' is the psychosexual analogue of 'The check is in the mail': if you need to say it, your credit or creditability is already in doubt." So begins Paul Morrison's dazzling polemic, which takes as its point of departure Foucault's famous remark that sex is "the explanation for everything."

Combining psychoanalytic, literary, and queer theory, The Explanation for Everything seeks to account for the explanatory power attributed to homosexuality, and its relationship to compulsory heterosexuality. In the process, Morrison presents a scathing indictment of psychoanalysis and its impact on the study of sexuality. In bold but graceful leaps, Morrison applies his critique to a diversity of examples: subjectivity in Oscar Wilde, the cultural construction and reception of AIDS, the work of Robert Mapplethorpe, the practice of bodybuilding, and the contemporary reception of the sexual politics of fascism.

Analytical, witty and astute, The Explanation for Everything will challenge and amuse, establishing Paul Morrison as one of our most exciting cultural critics.

This is the first book to comprehensively examine Latin America's literary response to the deadly HIV virus. Proposing a bio-political reading of AIDs in the neoliberal era, Lina Meruane examines how literary representations of AIDS enter into larger discussions of community, sexuality, nation, displacement and globalization.

The cultural and ethnic diversity of contemporary American society is represented in plays by women. These women playwrights of diverse backgrounds, however, are too infrequently seen on the stage or read in the classroom. This reference highlights the careers and work of more than 80 women playwrights whose writings portray the African American, Latina, Asian American and lesbian sensibility in the United States. Each profile includes a biographical sketch, a description of plays, a selected production history of each work, information on the availability of plays, awards won by the playwright, and a selected bibliography of critical articles and reviews. Introductory essays begin the volume, and the work concludes with a selected bibliography of major studies.

The ethnic and cultural diversity of the United States is well represented by contemporary dramatists. Women playwrights have made many contributions to American drama, and their plays portray a broad range of cultural experiences. These dramatists, however, are too frequently underrepresented on the stage and in the classroom. This reference book presents the African American, Latina, Asian American, and lesbian perspective in the United States. Many of the playwrights are established; others are emerging. Playwrights were selected based on the recommendations of theatre professionals and leading scholars, along with the production record of the writer and the production potential for the plays.

Included are alphabetically arranged entries for dramatists such as Maria Irene Fornes, the Five Lesbian Brothers, Adrienne Kennedy, Velina Hasu Houston, Holly Hughes, Lisa Loomer, Suzan-Lori Parks, and Wakako Yamauchi. Each entry includes a brief biographical narrative, descriptions of individual plays, a selected production history of each drama, information on the availability of both published and unpublished works, a listing of awards won by the playwright, and a selected bibliography of critical articles and reviews. The volume begins with introductory essays which overview the contributions of African American, Asian American, Latina, and lesbian women playwrights, providing a valuable context for the profiles that follow. The book concludes with a selected bibliography of major critical and scholarly studies.

Critical Articulations of Race, Gender, and Sexual Orientation engages scholarly essays, poems, and creative writings that examine the meanings of race, gender, and sexual orientation as interlocking systems of oppression. Each chapter in this volume critically, yet creatively, interrogates the notion of identity as socially constructed, yet interconnected and shaped by cultural associations, expanding on the idea that we as individuals live in an identity matrix-our self-concept, experiences, and interpretations originate or are developed from the culture in which we are embedded. The shaping of an individual's identity, communication, and worldview can be read, shaped, and understood through life, art, popular culture, mass media, and cross-cultural interactions, among other things. The aptness of this work lies in its ability to provide a meaningful and creative space to analyze identity and identity politics, highlighting the complexities of identity formation in the twenty-first century.

This book examines how sports journalists covered the historic coming out stories of National Basketball Association (NBA) veteran Jason Collins and football All-American Michael Sam in the context of sports' "toy department" reputation as a field whose standards are often criticized as lacking in rigor and depth compared to other forms of journalism. Employing a media sociology approach, reporting about Collins and Sam is addressed in the book via three content analysis studies and interviews with two prominent sports journalists. An overview of other pertinent research is provided along with a detailed account of both athletes' stories. This work should appeal to readers interested in sports journalism, the role of sport in society, and media coverage of gay professional athletes.

Here, Bjorklund shows that Swedish literary discourses on lesbianism provocatively contrast with a widely accepted view that attitudes toward homosexuality have gradually become more tolerant. The lasting power of negative discourses upends the assumption that Sweden's progressive laws reflect progressive attitudes toward homosexuality."

This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.

During Mardi Gras 1973, Stewart Butler fell in love with Alfred Doolittle-a wealthy socialite and schizophrenic from San Francisco. Their relationship was an improbable love story that changed the course of LGBTQ+ history. With Doolittle's money, Butler was able to retire and devote his life to political activism in the cause of queer liberation. A survivor of the horrific UpStairs Lounge arson, Butler was a founding member of the first statewide lesbian and gay rights organization in Louisiana and an early champion for transgender rights, playing a key role in the eight-year struggle to persuade PFLAG to become the first national LGBTQ+ organization to include trans people in its mission statement. In Political Animal: The Life and Times of Stewart Butler, author Frank Perez traces Butler's amazing life from his early childhood in Depression-era New Orleans, his adolescence at Carville where his father worked, his first unsuccessful attempt at college, his time in the army as a closeted gay man, his adventures in Alaska, his transformation into a hippie in the 1960s, his love affair with Doolittle, his decades as a gay rights advocate, and ultimately, his twilight years as an elder statesman. Based on Butler's own personal papers, including hundreds of letters, and dozens of interviews, Political Animal paints an intimate portrait of a legendary figure in gay politics and the times in which he lived.

The past decade has seen an extraordinary outpouring of research, writing, and talk about lesbian and gay sexuality, triggered in part by the confluence of the AIDS epidemic, the feminist sex wars, and the development of queer studies. Yet many lesbian and gay writers and readers have been frustrated by recurring gaps and absences in the queer studies approach to sexuality, as well as by the limitations of explicit queer community discourse around sex.

Opposite Sex brings the sex back into queer studies, making real bodies, acts, and desires central to analysis of the complex relationships between male and female homosexualities, and their impact on lesbian and gay culture. The contributors to this volume--scholars, artists, activists, and journalists--redress the remarkable dearth of thoughtful discourse about the many ways in which lesbian and gay men are implicated--and viewed within--in each other's sexual realities.

Opposite Sex includes writing by lesbians and gay men about each other's bodies, interpretations of different male and female homosexual sex cultures, and reflections on the history, sociology, and politics of changing discourses around queer sexuality. Passionate and challenging, this anthology shows the rich and complex forms through which individuals and communities make meaning from their quotidian sexual impulses, their utopian sexual mores, and their idiosyncratic sexual acts.

The contributors include Roberto Bedoya, Kaucylia Brooke, Lawrence Chua, Linnea Due, Sandra Lee Golvin, Jewelle Gomez, Francisco J. Gonzalez, Della Grace, Amber Hollibaugh, Robert Jensen, Kate Kane, Elizabeth A. Kelly, Monica Majoli, Mimi McGurl, Robert Reid-Pharr, Gayle Rubin, Lawrence Schimel, Richard Schimpf, and Susan Stryker.