Queer Nostalgia in Cinema and Pop Culture explores popular representations of queer nostalgia in films, animation and music videos as means of empowerment, re-evaluating and recreating lost gay youth, coming to terms with one's sexual otherness and homoerotic desires, celebrating queer counterculture, and creatively challenging homophobia, chauvinism, ageism and racism. In particular, Queer Nostalgia engages in a critical discussion of nostalgia-in-motion, the significance of 'femininostlagia' (gay men's effeminate nostalgia), the intricate relationship between queer nostalgia, martyrdom and emergent queer mythology, the contribution of nostalgia to 'autoqueerography' (queer autobiography inspired by women's dissident autobiography or 'autogynography'), and the interrelationship between ethnic and queer nostalgias.

This critical introduction to gay and lesbian identity within the media explores the concept of 'new storytelling.' The case studies look at film, television and online media, focussing on the narrative potential of individual storytellers who, as producers, writers and performers, challenge identity concerns and offer new expressions of liberty.

Fags, Hags and Queer Sisters is a provocative account of the importance of women and cross-gender identification in gay male culture. It offers a range of cultural readings from Tennessee William's classic A Streetcar Named Desire and Forster's 'gay' novel Maurice through Pulp Fiction , queer lifestyle magazines, Roseanne , slash fan fiction and Jarman's Edward II to Almodovar's camp classic Women on the Verge of a Nervous Breakdown . Theoretically sophisticated, yet passionate, accessible and opinionated, Fags, Hags and Queer Sisters takes issue with many of the sacred cows of contemporary gay politics, and offers a number of new concepts in lesbian and gay theory.

Tensions in the struggle for sexual minority rights in Europe, newly available in paperback, is the first queer and poststructuralist reading of political rights concepts in the specific European transnational context. In the last thirty years Europe has seen the rise of gay, lesbian, bisexual and transgender movements fighting nationally and transnationally for participation rights in society. In addition academic theorists have increasingly paid attention to the epistemological and ontological roles gender and sexuality play in modern politics. However, in the political process of arguing for rights the centrality of those roles is mostly hidden from view in official institutional and movement discourses. This book investigates the conceptual themes of lesbian, gay and transgender rights and lobby politics in Europe and their open and hidden relations to binary and hierarchical orders of dominance. It contributes to an understanding of the conditions upon which politics of inclusion, participation, social justice and equality rest and why struggles for sexual minority rights have been so difficult and slow. It illuminates how the paradigms of political discourse constitute, consolidate and contest the meaning and cultural significance of gender and sexuality on modern, democratic, capitalist European societies. -- .

Novels by significant Modernist authors can be described as romans a clef , providing insight into restrictions governing the representation of female homosexuality in the early twentieth century. Nair argues that key novels of the period represented same-sex desire through the encryption of personal references directed towards coterie audiences.

Scholars have given increasing amounts of attention to the place of homosexuality in different periods of English cultural and literary history. This book is a broad survey of representations of homosexuality in the English theatre from the Renaissance to the late 19th century. It draws on scholarship from a wide range of disciplines, including sociology, history, psychology, literature, and drama. The first chapter provides a background for the book by discussing the nature of same-sex behavior in the ancient and medieval worlds. The chapters that follow discuss such topics as sodomy and transvestite theatre in the Renaisssance; female transvestism on the English stage during the 17th century; bisexuality in 18th-century drama; the rise of English homophobia and the proliferation of lesbian relationships in England between 1745 and 1790; the homophobic context of English theatre during the Romantic Movement (1790-1835); and the rebirth of interest in Greek thought and its associations with same-sex poetry, drama, and pornography in the Victorian era (1840-1900). Scholars have given increasing amounts of attention to the place of homosexuality in English literature and culture. Dramatic works are a reflection of cultural issues, and thus they sometimes treat homosexual subject matter. But because plays are enacted, they also represent homosexual concerns through staging conventions, such as the use of young boys to play female roles during the Renaissance. While some scholars have examined homosexuality in particular plays, this volume is a broad survey of the representation of same-sex relationships on the English stage from the Renaissance to the close of the 19th century. It draws on scholarship from a wide range of fields, including sociology, history, psychology, literature, and drama to provide a sweeping, multidisciplinary account of homosexuality and English Drama. Modern drama has its roots largely in the Renaissance, and Renaissance drama, in turn, drew heavily from classical culture and medieval dramatic traditions. Thus the first chapter of the book provides a background discussion of same-sex behavior in the ancient and medieval worlds. The chapters that follow discuss such topics as sodomy and transvestite theatre in the Renaissance; female transvestism on the English stage during the 17th century; bisexuality in 18th-century drama; the rise of English homophobia and the proliferation of lesbian relationships in England between 1745 and 1790; the homophobic context of English theatre during the Romantic Movement (1790-1835); and the rebirth of interest in Greek thought and its associations with same-sex poetry, drama, and pornography in the Victorian era (1840-1900). The playwrights discussed include major figures such as Marlowe, Shakespeare, Jonson, Shelley, and Wilde, along with less frequently read authors such as John Marston, Thomas Dekker, and Barnabe Barnes.

"This book explores the 'lesbian baby boom'. Drawing on interviews with lesbian parents in two European countries, Sweden and Ireland, the book examines reproductive decision-making, reproductive health-care, the everyday spaces of parenthood such as daycare and schools, the negotiation of biology and kinship in families where only one partner is the biological parent, and the possibility for a more flexible approach to gender relations within these families."--BOOK JACKET.

The definitive biography of Frank O'Hara, one of the greatest American poets of the twentieth century, the magnetic literary figure at the center of New York's cultural life during the 1950s and 1960s.

City Poet captures the excitement and promise of mid-twentieth-century New York in the years when it became the epicenter of the art world, and illuminates the poet and artist at its heart. Brad Gooch traces Frank O'Hara's life from his parochial Catholic childhood to World War II, through his years at Harvard and New York. He brilliantly portrays O'Hara in in his element, surrounded by a circle of writers and artists who would transform America's cultural landscape: Willem de Kooning, Franz Kline, Helen Frankenthaler, Jackson Pollock, Gregory Corso, Jack Kerouac, Allen Ginsberg, LeRoi Jones, and John Ashbery.

Gooch brings into focus the artistry and influence of a life "of guts and wit and style and passion" (Luc Sante) that was tragically abbreviated in 1966 when O'Hara, just forty and at the height of his creativity, was hit and killed by a jeep on the beach at Fire Island--a death that marked the end of an exceptional career and a remarkable era.

City Poet is illustrated with 55 black and white photographs.

Since the end of the First World War, the legend of "Lawrence of Arabia" has enjoyed a place in the popular imagination of the West. Behind the legend, however, is a man, Thomas Edward Lawrence, whose life and art reflect the modern consciousness and the war that indelibly marked it. This volume addresses what has been overlooked by the legend and illuminates the legacy of T. E. Lawrence's presence in the 20th century. Contributors explore Lawrence's relation to other major writers, the colonial and postcolonial implications of his link with Arabia, his sexuality, and his status as cultural icon.

First published in 1992, Sexual Sameness examines the differing textual strategies male and female writers have developed to celebrate homosexuality. Examining such writers as E.M. Forster, James Baldwin, Sylvia Townsend Warner and Audre Lourde, this wide-ranging book demonstrates how literature has been one of the few cultural spaces in which sexual outsiders have been able to explore forbidden desires. From the humiliating trials of Oscar Wilde to the appalling stigmatisation of people living with AIDS, Sexual Sameness reveals the persistent homophobia that has until recently almost completely inhibited our understanding of lesbian and gay writing. In opening up homosexual literature to informed and objective methods of reading, Sexual Sameness will be of interest to a large lesbian and gay readership, as well as to students of gender studies, literary studies and the social sciences.

Emotional problems do not discriminate according to sexual orientation. Therefore, gay men have the same emotional difficulties as everyone else. When emotional problems in gay men are viewed solely as the product of sociopolitical events, it limits the therapeutic intervention to correction. Dr. Kantor asserts that the gay-aware supportive therapist can treat the emotional problem with a positive result by meeting the needs of the individual patient with a diagnosis-based treatment approach.

Supportive psychotherapy for gay men with emotional problems can eliminate a broad range of emotional difficulties that are not exclusive to gay men. It shows therapists how psychological problems can be buried in a gay context and guides them to recognition and dynamic evaluation that forms the basis of a treatment plan that is simultaneously affirmative, supportive, and corrective.

This work presents a psychological analysis of the process of coming out for gay men in America since 1950. Koponen looks at the process as a series of steps in a hero's journey progressing from initial denial and anger to guilt, bargaining, and depression. The stages of acceptance and integration of a gay identity represent the goal of the quest. Providing the common ground on which to analyze the coming out process, Koponen uses gay male relationships portrayed in six important American novels--"Falconer" by John Cheever, "City of the Night by John Rechy," "Giovanni's Room" by James Baldwin, "The Beautiful Room Is Empty" by Edmund White, "Dancer from the Dance" by Andrew Holleran, and "Taking Care of Mrs. Carroll" by Paul Monette. This book not only is literary study, but also is intended to help gay men reflect on their shared lived experiences. Self-help exercises on identifying and examining the stages of coming out are provided throughout the analysis.

'It's fascinating and moving to discover and identify those LGBT people in less happy times, who fought for the freedoms LGBT people now enjoy in the UK. This book will make you look back with gratitude and astonishment for what has been achieved.' Sir Ian McKellen LGBT activist and civil rights history from the 1960s to the 2000s has had a huge impact on our social and political landscape in the UK, yet much of this history remains hidden. Prejudice and Pride: LGBT Activist Stories from Manchester and Beyond explores aspects of LGBT activist history. It covers educational activism, youth work activism and the history of the LGBT Centre in Manchester. Through personal stories of activists, heard and recorded by young people from LGBT Youth North West, the book explores the 'wibbly wobbly' nature of people's histories. It reveals how they interlink in surprising and creative ways to form the current landscape of both prejudice and pride. Also contains exercises for interpreting and ideas for collecting activist histories within youth work.

Were David and Jonathan 'gay' lovers? This very modern question lies behind the recent explosion of studies of the David and Jonathan narrative. Interpreters differ in their assessment of whether 1 and 2 Samuel offer a positive portrayal of a homosexual relationship. Beneath the conflict of interpretations lies an ambiguous biblical text which has drawn generations of readers - from the redactors of the Hebrew text and the early translators to modern biblical scholars - to the task of resolving its possible meanings. What has not yet been fully explored is the place of David and Jonathan in the evolution of modern, Western understandings of same-sex relationships, in particular how the story of their relationship was read alongside classical narratives, such as those of Achilles and Patroclus, or Orestes and Pylades. The Love of David and Jonathan explores this context in detail to argue that the story of David and Jonathan was part of the process by which the modern idea of homosexuality itself emerged.

These innovative essays take a comparative approach to queer studies while simultaneously queering the field of comparative literature, strengthening the interdisciplinarity of both. By focusing not only on comparative praxis, but also on interrogating our assumptions and categories of analysis, "Comparatively Queer" powerfully transforms the paradigms of comparison.

Queerness and Christianity, often depicted as mutually exclusive, both challenge received notions of the good and the natural. Nowhere is this challenge more visible than in the identities, faiths, and communities that queer Christians have long been creating. As Christians they have staked a claim for a Christianity that is true to their self-understandings. How do queer-identified persons understand their religious lives? And in what ways do the lived experiences of queer Christians respond to traditions and reshape them in contemporary practice?

Queer Christianities integrates the perspectives of queer theory, religious studies, and Christian theology into a lively conversation--both transgressive and traditional--about the fundamental questions surrounding the lives of queer Christians. The volume contributes to the emerging scholarly discussion on queer religious experiences as lived both within communities of Christian confession, as well as outside of these established communities.

Organized around traditional Christian states of life--celibacy, matrimony, and what is here provocatively conceptualized as promiscuity--this work reflects the ways in which queer Christians continually reconstruct and multiply the forms these states of life take.

Queer Christianities challenges received ideas about sexuality and religion, yet remains true to Christian self-understandings that are open to further enquiry and to further queerness.

Is bisexuality coming out in America? Bisexual characters are surfacing on popular television shows and in film. Newsweek proclaims that a new sexual identity is emerging. But amidst this burgeoning acknowledgment of bisexuality, is there an understanding of what it means to be bisexual in a monosexual culture?

RePresenting Bisexualities seeks to answer these questions, integrating a recognition of bisexual desire with new theories of gender and sexuality. Despite the breakthroughs in gender studies and queer studies of recent years, bisexuality has remained largely unexamined. Problematic sexual images are usually attributed either to homosexual or heterosexual desire while bisexual readings remain unexplored. The essays found in RePresenting Bisexualities discuss fluid sexualities through a variety of readings from the fence, covering texts from Emily Dickinson to Nine Inch Nails. Each author contributes to the collection a unique view of sexual fluidity and transgressive desire. Taken together, these essays provide the most comprehensive bisexual theory reader to date.

"Over the last decade, Romanticism and queer theory have been mutually illuminating and incredibly productive, but this canonical 'queering' has somehow veered away from William Blake. This collection looks anew at Blake's celebrated sexual visions, to see how they might appear once compulsory heterosex has been ditched as an interpretative norm"--Provided by publisher.

Are the Kids All Right? by B.J. Epstein is the first survey of English-language children's literature that features lesbian, gay, bisexual, transgender, or otherwise queer characters. It explores how LGBTQ characters are portrayed and what this says about contemporary society and it covers picture books, middle-grade books, and young adult fiction. Epstein explores why sex, sexuality and gender non-conformity is something that many writers and publishers of children's and young adult lit appear to shy away from. She passionately demonstrates that the information children get from literature matters, and that so called 'difficult' topics can be communicated in entertaining and informative ways. Are the Kids All Right? uses ideas from queer theory and other research to interrogate the ways LGBTQ characters are portrayed in books for children and young people, and to analyse what messages readers of such books might receive. This book brings together literary studies, sociology, queer studies, and other academic fields in an accessible manner, where the research supports the detailed analyses of over fifty books for children and young adults. In Are the Kids All Right?, Epstein looks at a range of topics, such as the lack of diversity in many of these works, how same-sex marriage is portrayed, the relative absence of bisexual and transgender characters, the way that many of these books are marketed and intended as "issue books," and more. Are the Kids All Right? is a practical and informative book that will inspire writers and publishers to produce better LGBTQ literature for young readers. About the author: B.J. Epstein is the author of over 150 articles, book reviews, personal essays, and short stories. She is lecturer in Literature and Public Engagement at the University of East Anglia, and she is also a translator from the Scandinavian languages to English.