This volume uses bioarchaeological remains to examine the complexities and diversity of past socio-sexual lives. This book does not begin with the presumption that certain aspects of sex, gender, and sexuality are universal and longstanding. Rather, the case studies within-extend from Neolithic Europe to pre-Columbian Mesoamerica to the nineteenth-century United States-highlight the importance of culturally and historically contextualizing socio-sexual beliefs and practices. The Bioarchaeology of Socio-Sexual Lives highlights a major shortcoming in many scholarly and popular presentations of past socio-sexual lives. They reveal little about the ancient or historic group under study and much about Western society's modern state of heteronormative affairs. To interrogate commonsensical thinking about socio-sexual identities and interactions, this volume draws from critical feminist and queer studies. Reciprocally, bioarchaeological studies extend social theorizing about sex, gender, and sexuality that emphasizes the modern, conceptual, and discursive. Ultimately, The Bioarchaeology of Socio-Sexual Lives invites readers to think more deeply about humanity's diversity, the naturalization of culture, and the past's presentation in mass-media communications.

The weather in Moscow is good, there's no cholera, there's also no lesbian love...Brrr Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous."
--"Anton Chekhov," writing to his publisher in 1895

Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten.

Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence.

Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies.

Over 16,000,000 men served in the armed forces in WWII. Perhaps as many as 3%, or 480,000, had a homosexual orientation. Admittedly, several thousand were screened out before being inducted, and some later received Undesirable Discharges. 120,000 of these men saw combat action, and undoubtedly hundreds were killed, and thousands were wounded. Jack Scott, by far the most outstanding seventeen-year-old in a small town in Arkansas, is forced to confront this problem both at home and in the military. This story is his, and to a degree, the stories of his family, his friends, and his comrades in combat. The problem is handled sympathetically, if realistically.

Gide's Bent investigates the place of sexuality in the writings of Andre Gide, one of the first "out" modern writers. Focusing on his writing of the 1920s and 1930s, the years in which Gide wrote most openly about his homosexuality and also the years of his most notable left-wing political activity, Gide's Bent interrogates both the political content of his reflections on his homosexuality and the ways his sexuality inflected his political interests. Provocative examination of one of the first openly homosexual writers, Andre Gide.

Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938-2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people's minds by first changing their hearts, and-in outrageous farces like The Ritz and It's Only a Play-began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America's treatment of persons isolated by suffering and sickness, he became the theater's great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally's fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.

How do we identify the "queer auteur" and their queer imaginings? Is it possible to account for such a figure when the very terms "queer" and "auteur" invoke aesthetic surprises and disorientations, disconcerting ironies and paradoxes, and biographical deceits and ambiguities? In eighteen eloquent chapters, David A. Gerstner traces a history of ideas that spotlight an ever-shifting terrain associated with auteur theory and, in particular, queer-auteur theory. Engaging with the likes of Oscar Wilde, Walter Benjamin, James Baldwin, Jean Louis Baudry, Linda Nochlin, Jane Gallop, Cael Keegan, Luce Irigaray, and other prominent critical thinkers, Gerstner contemplates how the queer auteur in film theory might open us to the work of desire. Queer Imaginings argues for a queer-auteur in which critical theory is reenabled to reconceptualize the auteur in relation to race, gender, sexuality, and desire. Gerstner succinctly defines the contours of a history and the ongoing discussions that situate queer and auteur theories in film studies. Ultimately, Queer Imaginings is a journey in shared pleasures in which writing for and about cinema makes way for unanticipated cinematic friendships.

This interdisciplinary book responds to the explosion of gay and lesbian creativity on modern-day France. Rather than attempting to formalize a specifically 'gay' or 'lesbian' style or identity, the authors seek to open up new 'homotextualities, ' understood here as ongoing constructions and deconstructions of both homosexuality and its environments. They investigate the work of (among others) Violette Leduc, Tony Duvert, Renaud Camus, and Guy Hocquenghem; the cinema of Josiane Balasko and Cyril Collard; the theoretical writings of Leo Bersani, Luce Irigaray, and Monique Wittig. Employing a range of methods, authors re-evaluate and contest both the literary and theoretical canon and establish new convergences between French and Gay Studies, in particular, queer theory. This book provides the first proper assessment of the usefulness of this approach when dealing with a literary and cultural tradition notoriously discreet about the very concept of a gay writer.

The first compilation ever to explore the contentious history of the world gay rights movement from its inception in Germany in the 1800s to today. Denmark recently became the first country in the world to allow marriage between same-sex partners. In Uganda, homosexuality is a crime punishable by life imprisonment. Depending on where you are in the world, homosexuality is an "unspeakable love", a medical deviance, a legitimate alternative lifestyle, or simply a non-issue. Gay and Lesbian Issues: A Reference Handbook traces the developments, people and organizations responsible for bringing homosexual issues to the public's attention. In addition to exploring such controversial issues as gays in the military and child adoption this title discusses court decisions, pivotal events, and key individuals like Magnus Hirschfeld, Radclyffe Hall, Anita Bryant, and Harvey Milk, a San Francisco gay rights activist who was murdered by a town supervisor. What happens when a same-sex couple marrying in Denmark returns to the U.S. expecting to be treated as legally married? This one-of-a-kind reference explores the interplay of international politics with U.S. policies. Students, administrators and parents alike will discover a wealth of supportive data and statistics on hate crimes, adolescent suicide, military discrimination and much more.

"The claim 'I'm straight' is the psychosexual analogue of 'The check is in the mail': if you need to say it, your credit or creditability is already in doubt." So begins Paul Morrison's dazzling polemic, which takes as its point of departure Foucault's famous remark that sex is "the explanation for everything."

Combining psychoanalytic, literary, and queer theory, The Explanation for Everything seeks to account for the explanatory power attributed to homosexuality, and its relationship to compulsory heterosexuality. In the process, Morrison presents a scathing indictment of psychoanalysis and its impact on the study of sexuality. In bold but graceful leaps, Morrison applies his critique to a diversity of examples: subjectivity in Oscar Wilde, the cultural construction and reception of AIDS, the work of Robert Mapplethorpe, the practice of bodybuilding, and the contemporary reception of the sexual politics of fascism.

Analytical, witty and astute, The Explanation for Everything will challenge and amuse, establishing Paul Morrison as one of our most exciting cultural critics.

This is a fully revised and substantially expanded edition of Peter Jackson's highly regarded pioneering study of an Asian gay culture, Male Homosexuality in Thailand (1989). The hero of Jackson's fascinating narrative is "Uncle Go", which was the pen name of a popular magazine editor who, despite being avowedly heterosexual, was tolerant of all sexual practices and whose "agony uncle" columns in the 1970s provided unique spaces in the national press for Thailand's gays, lesbians, and transgendered (kathoeys) to speak for themselves in the public domain. By allowing the voices of alternative sexualities to be heard, Uncle Go emerged as Thailand's first champion of gender equality and sexual rights. Peter Jackson translates and analyzes selected correspondence published in Uncle Go's advice columns, preserving and presenting important primary sources. In this new edition, Jackson has expanded his coverage to include not only letters from Thai gay men but also those from lesbians and trans people, thus capturing the full diversity of Thailand's modern queer cultures at a key moment in their historical development when new understandings of sexual identities were first communicated to the wider community.

This work studies in detail a heretofore much neglected aned aspect of German literature. This collection of twenty-three essays sets its sights on the points of queerness, marginality, and alterity already present within the German canon and introduces further difference and deviation in the form of openly gay Germanliterature in order to promote the always-ongoing shift in cultural representation. Queering the Canon provides new analyses, from queer perspectives, of texts by authors whose names are familiar to canonical lists, including Goethe, Schiller, Thomas and Klaus Mann, Ingeborg Bachmann, Christa Reinig, and Elfriede Jelinek. It also makes welcome room for discussions of literary works that have seldom received scholarly attention.

This is the first book to comprehensively examine Latin America's literary response to the deadly HIV virus. Proposing a bio-political reading of AIDs in the neoliberal era, Lina Meruane examines how literary representations of AIDS enter into larger discussions of community, sexuality, nation, displacement and globalization.

Muhsin is one of the organizers of Al-Fitra Foundation, a South African support group for lesbian, transgender, and gay Muslims. Islam and homosexuality are seen by many as deeply incompatible. This, according to Muhsin, is why he had to act. "I realized that I'm not alone-these people are going through the very same things that I'm going through. But I've managed, because of my in-depth relationship with God, to reconcile the two. I was completely comfortable saying to the world that I'm gay and I'm Muslim. I wanted to help other people to get there. So that's how I became an activist."Living Out Islamdocuments the rarely-heard voices of Muslims who live in secular democratic countries and who are gay, lesbian, and transgender. It weaves original interviews with Muslim activists into a compelling composite picture which showcases the importance of the solidarity of support groups in the effort to change social relationships and achieve justice. This nascent movement is not about being "out" as opposed to being "in the closet." Rather, as the voices of these activists demonstrate, it is about finding ways to live out Islam with dignity and integrity, reconciling their sexuality and gender with their faith and reclaiming Islam as their own.Scott Siraj al-Haqq Kugleis Associate Professor in the Department of Middle East and South Asian Studies at Emory University. His previous books includeRebel between Spirit and Law: Ahmad Zarruq, Juridical Sainthood and Authority in Islam;Sufis and Saints' Bodies: Mysticism, Corporeality and Sacred Power in Islamic Culture; andHomosexuality in Islam: Critical Reflection on Gay, Lesbian, and Transgender Muslims.

The cultural and ethnic diversity of contemporary American society is represented in plays by women. These women playwrights of diverse backgrounds, however, are too infrequently seen on the stage or read in the classroom. This reference highlights the careers and work of more than 80 women playwrights whose writings portray the African American, Latina, Asian American and lesbian sensibility in the United States. Each profile includes a biographical sketch, a description of plays, a selected production history of each work, information on the availability of plays, awards won by the playwright, and a selected bibliography of critical articles and reviews. Introductory essays begin the volume, and the work concludes with a selected bibliography of major studies.

The ethnic and cultural diversity of the United States is well represented by contemporary dramatists. Women playwrights have made many contributions to American drama, and their plays portray a broad range of cultural experiences. These dramatists, however, are too frequently underrepresented on the stage and in the classroom. This reference book presents the African American, Latina, Asian American, and lesbian perspective in the United States. Many of the playwrights are established; others are emerging. Playwrights were selected based on the recommendations of theatre professionals and leading scholars, along with the production record of the writer and the production potential for the plays.

Included are alphabetically arranged entries for dramatists such as Maria Irene Fornes, the Five Lesbian Brothers, Adrienne Kennedy, Velina Hasu Houston, Holly Hughes, Lisa Loomer, Suzan-Lori Parks, and Wakako Yamauchi. Each entry includes a brief biographical narrative, descriptions of individual plays, a selected production history of each drama, information on the availability of both published and unpublished works, a listing of awards won by the playwright, and a selected bibliography of critical articles and reviews. The volume begins with introductory essays which overview the contributions of African American, Asian American, Latina, and lesbian women playwrights, providing a valuable context for the profiles that follow. The book concludes with a selected bibliography of major critical and scholarly studies.

The past decade has seen an extraordinary outpouring of research, writing, and talk about lesbian and gay sexuality, triggered in part by the confluence of the AIDS epidemic, the feminist sex wars, and the development of queer studies. Yet many lesbian and gay writers and readers have been frustrated by recurring gaps and absences in the queer studies approach to sexuality, as well as by the limitations of explicit queer community discourse around sex.

Opposite Sex brings the sex back into queer studies, making real bodies, acts, and desires central to analysis of the complex relationships between male and female homosexualities, and their impact on lesbian and gay culture. The contributors to this volume--scholars, artists, activists, and journalists--redress the remarkable dearth of thoughtful discourse about the many ways in which lesbian and gay men are implicated--and viewed within--in each other's sexual realities.

Opposite Sex includes writing by lesbians and gay men about each other's bodies, interpretations of different male and female homosexual sex cultures, and reflections on the history, sociology, and politics of changing discourses around queer sexuality. Passionate and challenging, this anthology shows the rich and complex forms through which individuals and communities make meaning from their quotidian sexual impulses, their utopian sexual mores, and their idiosyncratic sexual acts.

The contributors include Roberto Bedoya, Kaucylia Brooke, Lawrence Chua, Linnea Due, Sandra Lee Golvin, Jewelle Gomez, Francisco J. Gonzalez, Della Grace, Amber Hollibaugh, Robert Jensen, Kate Kane, Elizabeth A. Kelly, Monica Majoli, Mimi McGurl, Robert Reid-Pharr, Gayle Rubin, Lawrence Schimel, Richard Schimpf, and Susan Stryker.

No one can doubt that Muslim cultures and Muslim populations are under intense scrutiny in the west and worldwide. Moreover, queer politics has been increasingly drawn into this contemporary Islamophobia. This book presents a detailed interdisciplinary study of the issues surrounding homosexuality and Muslim cultures, drawing on sociological theories of modernity and modernization, evidence of Muslim homo-eroticism in historical and contemporary context, and contemporary political ideas of queer politics, multiculturalism and international development. The book presents an original theoretical framework that describes the ways in which both queer and Muslim politics are caught up in a process of triangulation that asserts the superiority of western civilization. Using an intersectional framework, it also begins to map a way out of this oppositional understanding of homosexuality and Islam, both by drawing on the evidence of the complexity of lived experience for Queer Muslims and by challenging the euro-centric conceits of queer political and social theory.

Much debate exists over the proper religious perspective on transgender realities and people. This volume examines transgender in the major world religions. Extensive consideration is given to Christianity, including the arguments presented both against transgender behaviors and by supporters of transgender people. Religions covered include Christianity, Judaism, Islam, Hinduism, Buddhism, Jainism, Confucianism, Taoism, Shinto, and indigenous religions such as Native American religions of the United States.

'It's fascinating and moving to discover and identify those LGBT people in less happy times, who fought for the freedoms LGBT people now enjoy in the UK. This book will make you look back with gratitude and astonishment for what has been achieved.' Sir Ian McKellen LGBT activist and civil rights history from the 1960s to the 2000s has had a huge impact on our social and political landscape in the UK, yet much of this history remains hidden. Prejudice and Pride: LGBT Activist Stories from Manchester and Beyond explores aspects of LGBT activist history. It covers educational activism, youth work activism and the history of the LGBT Centre in Manchester. Through personal stories of activists, heard and recorded by young people from LGBT Youth North West, the book explores the 'wibbly wobbly' nature of people's histories. It reveals how they interlink in surprising and creative ways to form the current landscape of both prejudice and pride. Also contains exercises for interpreting and ideas for collecting activist histories within youth work.

Governing Sexuality explores issues of sexual citizenship and law reform in the United Kingdom and Continental Europe today. Across western and eastern Europe,lesbians and gay men are increasingly making claims for equal status, grounded in the language of rights and citizenship, and using the language of international human rights and European law. This book uses same sex sexualities as a prism through which to explore broader questions of legal and political theory concerning democratic legitimacy; rights discourse; national sovereignty and identity; citizenship; transnationalism; and globalisation. Case studies are widely drawn: from New Labour's sexual politics in the UK to the decriminalisation of same-sex sexualities under pressure from the EU in Romania; to new civil solidarity laws in France.

Here, Bjorklund shows that Swedish literary discourses on lesbianism provocatively contrast with a widely accepted view that attitudes toward homosexuality have gradually become more tolerant. The lasting power of negative discourses upends the assumption that Sweden's progressive laws reflect progressive attitudes toward homosexuality."