Dr White examines the ways in which Shakespeare uses formal
conventions from romance throughout his writing career, especially
in giving formal completion to a play without forfeiting the
open-ended sense of life's complexity. In his romantic comedies
these conventions are modified to imply that the cosy womb of
marriage is not the end of lovers lives; in the problem comedies
they are used to challenge the artifice of the comic ending; in
some tragedies they are used to provide an ideal of fulfilment
which has been destroyed by the tragic events and in the last plays
or romances they are used to invoke the full sense of life;s
continuing comprehensiveness.
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